Man Of Marble Quotes & Sayings

Then she decided she was ready to die.
But before she did, she asked the poets to record these moments
in song, and the architects to carve the song in marble,
and the marble to be extracted from the most secret veins
of the earth and placed where no man could see it,
because that is the nature of love, because one walks alone
through the ruins of the heart, because the young must sleep
with their eyes open, because the angels tremble
from so much beauty, because memory moves in orbits
of absence, because she holds her hands out in the rain,
and rain remembers nothing, not even how it became itself. — Eric Gamalinda

The marble keeps merely a cold and sad memory of a man who would else be forgotten. No man who needs a monument ever ought to have one. — Nathaniel Hawthorne

It is a marble statue of a man with his children near him, and the man has such desperation on his face and the children at his feet appear to be clinging, begging him, while he gazes out toward the world with a tortured look, his hands pulling at his nouth, but his children look only at him, and when I finally saw this, I said inside myself, Oh.
I read the placard, which let me know that these children are offering themselves as food for their father, he is being starved to death in prison, and these children only want one thing - to have their father's distress disappear. They will allow him - oh, happily, happily - to eat them.
And I thought, So that guy knew. Meaning the sculptor. He knew.
And so did the poet who wrote what the sculpture has shown. He knew too. — Elizabeth Strout

Without my airplane I am an ordinary man, and a useless one - a trainer without a horse, a sculptor without marble, a priest without a god. Without an airplane I am a lonely consumer of hamburgers ... — Richard Bach

A murder victim hung like art? That threw him back and flooded his gut with something akin to nausea, though the feeling faded quickly once he started to examine the crime scene. The man was suspended from a six foot marble statue right of the Troubadours auctioneer's podium, facing a large room with fifty chairs, twenty-five on each side. — Jerri Drennen

It is, therefore, a great source of virtue for the practiced mind to learn, bit by bit, first to change about in visible and transitory things, so that afterwards it may be possible to leave them behind altogether. The man who finds his homeland sweet is still a tender beginner; he to whom every soil is as his native one is already strong; but he is perfect to whom the entire world is as a foreign land. The tender soul has fixed his love on one spot in the world; the strong man has extended his love to all places; the perfect man has extinguished his. From boyhood I have dwelt on foreign soil and I know with what grief sometimes the mind takes leave of the narrow hearth of a peasant's hut, and I know too how frankly it afterwards disdains marble firesides and panelled halls. — Hugh Of Saint-Victor

Every human being has within him an ideal man, just as every piece of marble contains in a rough state a statue as beautiful as the one that Praxiteles the Greek made of the god Apollo. — Jose Marti

Broadmoor creeps into your blood, the walls touch the sky and the grounds suck you in, they've even got their own burial ground. We called it the 'madman's hole', it smelt of fear; a stillness and even the birds seemed to have a stone face like their eyes were made of marble. So many monsters, men of hell, I don't know how a sane man can keep sane in there. — Stephen Richards

Man offers himself to God. He stands before Him like the canvas before the painter or the marble before the sculptor. At the same time he asks for His grace, expresses his needs and those of his brothers in suffering. Such a type of prayer demands complete renovation. The modest, the ignorant, and the poor are more capable of this self-denial than the rich and the intellectual. — Alexis Carrel

Those who will may raise monuments of marble to perpetuate the fame of heroes. Those who will may build memorial halls to remind those who shall gather there in after times what manhood could do and dare for right, and what high examples of virtue and valor have gone before them. But let us make our offering to the ever-living soul. Let us build our benefactions in the ever-growing heart, that they shall live and rise and spread in blessing beyond our sight, beyond the ken of man and beyond the touch of time. — Joshua Chamberlain

What a night it was! The jagged masses of heavy dark cloud were rolling at intervals from horizon to horizon, and thin white wreaths covered the stars. Through all the rush of the cloud river the moon swam, breasting the waves and disappearing again in the darkness.
I walked up and down, drinking in the beauty of the quiet earth and the changing sky. The night was absolutely silent. Nothing seemed to be abroad. There was no scurrying of rabbits, or twitter of the half-asleep birds. And though the clouds went sailing across the sky, the wind that drove them never came low enough to rustle the dead leaves in the woodland paths. Across the meadows I could see the church tower standing out black and grey against the sky. ("Man Size In Marble") — E. Nesbit

Now journeys were not simple matters for Grace; nothing is simple if your mind is a fetch-and-carry wanderer from sliced perilous outer world to secret safe inner world; if when night comes your thought creeps out like a furred animal concealed in the dark, to fine, seize, and kill its food and drag it back to the secret house in the secret world, only to discover that the secret world has disappeared or has so enlarged that it's a public nightmare; if then strange beasts walk upside down like flies on the ceiling; crimson wings flap, the curtains fly; a sad man wearing a blue waistcoat with green buttons sits in the centre of the room, crying because he has swallowed the mirror and it hurts and he burps in flashes of glass and light; if crakes move and cry; the world is flipped, unrolled down in the vast marble stair; a stained threadbare carpet; the hollow silver dancing shoes, hunting-horns ... — Janet Frame

'Wayne of Gotham' is very much a father-and-son exploration. We've always seen Thomas Wayne through the years as this figure carved in marble; this perfect man. The only thing we really know about is that he died in that alley outside of a theater. But every son has to confront the reality of his father at some point in his life. — Tracy Hickman

It was like penetrating deep into white marble with the pounding live thrust of
his chisel beating upward through the warm living marble with one "Go!", his whole body behind the heavy hammer, penetrating through ever deeper and deeper furrows of soft yielding living substance until he had reached the explosive climax, and all of his
fluid strength, love, passion, desire had been poured into the nascent form, and the marble block, made to love the and of the true sculptor, and responded, giving of its inner heat
and substance and fluid form, until at last the sculptor and the marble had totally coalesced, so deeply penetrating and infusing each other that they had become one, marble and man and organic unity, each fulfilling the other in the greatest act of art and love known to the human species. — Irving Stone

Before she could move or even think, the male shifted to his human form. Bran stood there, all six feet four inches of sexy, pissed off male. His expression was one of pure rage as he stepped toward her. Not that this stopped her from checking out every single naked inch of him. And the man was built. All those hard lines and striations looked as if he'd been carved from marble. — Katie Reus

[T]he blossom of benevolence, of charity, is the fairest flower, no matter whether it blooms by the side of a hovel, or bursts from a vine climbing the marble pillar of a palace. I respect no man because he is rich; I hold in contempt no man because he is poor. — Robert Green Ingersoll

Old men, old men, old men. Medals, medals, medals. Not a brow without a furrow, not a breast without a star. My brother and husband are uniquely-young here. The grouping of young Grand Dukes doesn't count because a grouping is just what they are: a marble bas-relief. Today the whole old-age of Russia seems to have flowed into this place in homage to the eternal youth of Greece. A living lesson of history and philosophy: this is what time does with people, this is what it does
with gods. This is what time does with a man, this is what (a glance at the statues) art does. And, the last lesson: this is what time does with a man; this is what a man does with time. But because of my youth I don't think about that, I feel only a cold shudder. ("The Opening of the Museum") — Marina Tsvetaeva

We were children of the 1950s and John Kennedy's young stalwarts of the early 1960s. He told the world that Americans would "pay any price, bear any burden, meet any hardship" in the defense of freedom. We were the down payment on that costly contract, but the man who signed it was not there when we fulfilled his promise. John Kennedy waited for us on a hill in Arlington National Cemetery, and in time we came by the thousands to fill those slopes with out white marble markers and to ask on the murmur of the wind if that was truely the future he had envisioned for us. — Joseph L. Galloway

How does one chip off the marble that doesn't belong? ... That comes about through five things: humility, reverence, inspiration, deep purpose, and joy. No great man has ever wise-cracked his way to greatness. Until one learns to lose one's self he cannot find himself. No one can multiply himself by himself. He must first divide himself and give himself to the service of all, thus placing himself within all others through acts of thoughtfulness and service. — Walter Russell

Before the eyes of monks intent on meditation, what is the meaning of those ridiculous grotesques, those monstrous shapes and shapely monsters? Those sordid apes? Those lions, those centaurs, those half-human creatures, with mouths in their bellies, with single feet, ears like sails? Those spotted tigers, those fighting warriors, those hunters blowing their horns, and those many bodies with single heads and many heads with single bodies? Quadrupeds with serpents' tails, and fish with quadrupeds' faces, and here an animal who seems a horse in front and a ram behind, and there a horse with horns, and so on; by now it is more pleasurable for a monk to read marble than manuscript, and to admire the works of man than to meditate on the law of God. Shame! For the desire of your eyes and for your smiles! — Umberto Eco

Man enjoys living on the edge of his dreams and neglects the real things of the world which are so beautiful. The ignorant and indifferent destroy beautiful things merely by looking at the marble. Things that remake the soul of him who understands them. — Auguste Rodin

A man may sooner engrave the chronicle of a whole nation, or all the records of God in the Scripture upon the hardest marble with his bare finger, than write one syllable of the law of God in a spiritual manner upon his heart. — William Symington

I tell you hopeless grief is passionless,
That only men incredulous of despair,
Half-taught in anguish, through the midnight air
Beat upward to God's throne in loud access
Of shrieking and reproach. Full desertness
In souls, as countries, lieth silent-bare
Under the blanching, vertical eye-glare
Of the absolute heavens. Deep-hearted man, express
Grief for thy dead in silence like to death
Most like a monumental statue set
In everlasting watch and moveless woe
Till itself crumble to the dust beneath.
Touch it; the marble eyelids are not wet;
If it could weep, it could arise and go. — Elizabeth Barrett Browning

A man may as well hew marble without tools, or paint without colors or instruments, or build without materials, as perform any acceptable service without the graces of the Spirit, which are both the materials and instruments in the work. — Joseph Alleine

Count not the cost of honour to the dead!The tribute that a mighty nation paysTo those who loved her well in former daysMeans more than gratitude for glories fled;For every noble man that she hath bred,Lives in the bronze and marble that we raise,Immortalised by art's immortal praise,To lead our sons as he our fathers led. — Henry Van Dyke

The monument of a great man is not of granite or marble or bronze. It consists of his goodness, his deeds, his love and his compassion. — Alfred Armand Montapert

Mrs Whatsit was surely no longer a Mrs Whatsit. She was a marble-white body with powerful flanks, something like a horse but at the same time completely unlike a horse, for from the magnificently modeled back sprang a nobly formed torso, arms, and a head resembling a man's, but a man with a perfection of dignity and virtue, an exaltation of joy such as Meg had never before seen. No, she thought, it's not like a Greek centaur. Not in the least. From the shoulders slowly a pair of wings unfolded, wings made of rainbows, of light upon water, — Madeleine L'Engle

To progress again, man must remake himself. And he cannot remake himself without suffering. For he is both the marble and the sculptor. In order to uncover his true visage he must shatter his own substance with heavy blows of his hammer. — Alexis Carrel

How are you feeling, man?" he asks me.
"Great," I tell him, and it is purely the truth. Doves clatter up out of a bare tree and turn at the same instant, transforming themselves from steel to silver in the snow-blown light. I know at that moment that the drug is working. Everything before me has become suddenly, radiantly itself. How could Carlton have known this was about to happen? "Oh," I whisper. His hand settles on my shoulder.
"Stay loose, Frisco," he says. "There's not a thing in this pretty world to be afraid of. I'm here."
I am not afraid. I am astonished. I had not realized until this moment how real everything is. A twig lies on the marble at my feet, bearing a cluster of hard brown berries. The broken-off end is raw, white, fleshly. Trees are alive.
"I'm here," Carlton says again, and he is. — Michael Cunningham

Stone-cutters fighting time with marble, you fore defeated
Challengers of oblivion
Eat cynical earnings, knowing rock splits, records fall down,
The square-limbed Roman letters
Scale in the thaws, wear in the rain. The poet as well
Builds his monument mockingly;
For man will be blotted out, the blithe earth die, the brave sun
Die blind and blacken to the heart:
Yet stones have stood for a thousand years, and pained thoughts found
The honey of peace in old poems. — Robinson Jeffers

Earth Is Enough. We men of Earth have here the stuff Of Paradise - we have enough! We need no other stones to build The Temple of the Unfulfilled - No other ivory for the doors - No other marble for the floors - No other cedar for the beam And dome of man's immortal dream. Here on the paths of every-day - Here on the common human way Is all the stuff the gods would take To build a Heaven, to mold and make New Edens. Ours is the stuff sublime To build Eternity in time! — Edwin Markham

Now, in Mr. Thornton's face the straight brows fell over the clear deep-set earnest eyes, which, without being unpleasantly sharp, seemed intent enough to penetrate into the very heart and core of what he was looking at. The lines in the face were few but firm, as if they were carved in marble, and lay principally about the lips, which were slightly compressed over a set of teeth so faultless and beautiful as to give the effect of sudden sunlight when the rare bright smile, coming in an instant and shining out of the eyes, changed the whole look from the severe and resolved expression of a man ready to do and dare everything, to the keen honest enjoyment of the moment, which is seldom shown so fearlessly and instantaneously except by children — Elizabeth Gaskell

Let not the rash marble risk
garrulous breaches of oblivion's omnipotence,
in many words recalling
name, renown, events, birthplace.
All those glass jewels are best left in the dark.
Let not the marble say what men do not.
The essentials of the dead man's life
the trembling hope,
the implacable miracle of pain, the wonder of sensual delight
will abide forever.
Blindly the uncertain soul asks to continue
when it is the lives of others that will make that happen,
as you yourself are the mirror and image
of those who did not live as long as you
and others will be (and are) your immortality on earth. — Jorge Luis Borges

So says the most ancient book of the Earth; thus it is written on its leaves of marble, lime, sand, slate, and clay: ... that our Earth has fashioned itself, from its chaos of substances and powers, through the animating warmth of the creative spirit, to a peculiar and original whole, by a series of preparatory revolutions, till at last the crown of its creation, the exquisite and tender creature man, was enabled to appear. — Johann Gottfried Herder

Iris arched her back, pushing her breast farther into Wyatt's hungry mouth. Water from the giant marble-tiled hotel shower rushed down over them, the sound of it hitting the glass door seeming loud in the enclosure. He lightly pressed down with his teeth and tugged her nipple, sending a pulsing sweep of need through her. The man was too talented with his tongue. — Katie Reus

A statue lies hid in a block of marble, and the art of the statuary only clears away the superfluous matter and removes the rubbish. The figure is in the stone; the sculptor only finds it. What sculpture is to a block of marble, education is to a human soul. The philosopher, the saint, or the hero,
the wise, the good, or the great man,
very often lies hid and concealed in a plebeian, which a proper education might have disinterred, and have brought to light. — Joseph Addison

A fellow will hack half a year at a block of marble to make something in stone that hardly resembles a man. The value of statuary is owing to its difficulty. You would not value the finest head cut upon a carrot. — Samuel Johnson

Man toils, and strives, and wastes his little life to claim
At last the transient glory of a splendid name, And have, perchance, in marble mockery a bust, Poised on a pedestal, above his sleeping dust. — Andrew Jackson Downing

This isn't a courtroom, pal," I said to Nelson, "this is the gutter. No fancy robes, no platitudes engraved in marble, no brass railing dividing the sides. This is the streets and the alleys. this is the Chicago we really live in. Here justice isn't dispensed with a wooden gavel, it's taken with your bare hands. It may be Tubby's world, a part of it, but it's also August Jansen's world, and my world, and yours. Darrow's a great man but this work comes after the fact, after the real battles of life are fought. Lawyers and judges pick up the pieces after the dust settles. Their job is to make sense of what's happened, not make it happen. That occurs in the gutter where blood and bone and horse manure and coal dust and sweat and fear blend and roil. In the end you either have hope or sewage. It can go either way, but it goes on. — James Conroy

Better could the stem of a rose support a marble bust than the mind of man bear the false infinity of his own deification. — Fulton J. Sheen

I sat, a solitary man, In a crowded London shop, An open book and empty cup On the marble table-top. While on the shop and street I gazed My body of a sudden blazed; And twenty minutes more or less It seemed, so great my happiness, That I was blessed and could bless. — William Butler Yeats

Youth dreams a bliss on this side of death. It dreams a rest, if not more deep, More grateful than this marble sleep; It hears a voice within it tell: Calm's not life's crown, though calm is well. 'Tis all perhaps which man acquires, But 'tis not what our youth desires. — Matthew Arnold

Only now, when it is too late, do I long for Dearth. I was a misbegotten child of bad blood and bile, and I mistook my own orneriness for cleverness. I presumed to know what happiness was - something I could possess, like a marble, or a man. Something I could only find elsewhere. But just when I started to find it at home, I outfoxed myself and lost it forever. — Jane Avrich

As we got further and further away, it [the Earth] dimished in size. Finally it shrank to the size of a marble, the most beautiful you can imagine. That beautiful, warm, living object looked so fragile, so delicate, that if you touched it with a finger it would crumble and fall apart. Seeing this has to change a man. — James Irwin

They had heroes for companions, beautiful youths to
dream of, rose-marble-fingered
Women shed light down the great lines;
But you have invoked the slime in the skull,
The lymph in the vessels. They have shown men Gods
like racial dreams, the woman's desire,
The man's fear, the hawk-faced prophet's; but nothing
Human seems happy at the feet of yours.
Therefore though not forgotten, not loved, in the gray old
years in the evening leaning
Over the gray stones of the tower-top,
You shall be called heartless and blind. — Robinson Jeffers

He stalked into the room, leaned his long rifle against the mantelpiece and spread out his hands to the fire. He was clad from head to foot in fringed and beaded buckskin, which showed evidence of a long and arduous tramp. It was torn and wet and covered with mud. He was a magnificently made man, six feet in height, and stood straight as an arrow. His wide shoulders, and his muscular, though not heavy, limbs denoted wonderful strength and activity. His long hair, black as a raven's wing, hung far down his shoulders. Presently he turned and the light shone on a remarkable face. So calm and cold and stern it was that it seemed chiselled out of marble. The most striking features were its unusual pallor, and the eyes, which were coal black, and piercing as the dagger's point. — Zane Grey

I was thinking there was something I wanted to try. And he took my face in his hands again.
I couldn't breathe.
He hesitated - not in the normal way, the human way.
Not the way a man might hesitate before he kissed a woman, to gauge her reaction, to see how he would be received. Perhaps he would hesitate to prolong the moment, that ideal moment of anticipation, sometimes better than the kiss itself.
Edward hesitated to test himself, to see if this was safe, to make sure he was still in control of his need.
And then his cold, marble lips pressed very softly against mine.
What neither of us was prepared for was my response.
Blood boiled under my skin, burned in my lips. My breath came in a wild gasp. My fingers knotted in his hair, clutching him to me. My lips parted as I breathed in his heady scent. — Stephenie Meyer

She turned back to her sandwich. And here, of all things, was desire again. (She could have put the palm of her hand to the front of his white shirt.) Here was her chicken sandwich and her tea and the waitress with a hard life in her eyes and a pretty face disappearing into pale flesh asking if there's anything else for now, dear. Here was the boudoir air of respectable Schrafft's with its marble counters and pretty lamps and lunchtime bustle (ten minutes until she should be back at her desk), perfume and smoke, with the war over and another life begun and mad April whipping through the streets again. And here she was at thirty, just out of church (a candle lit every lunch hour, still, although the war was over), and yearning now with every inch of herself to put her hand to the worn buckle at a stranger's waist, a palm to his smooth belly. A man she'd never see again. Good luck. — Alice McDermott