Male Hero Quotes & Sayings

I've been playing with this idea in my mind that the hero's journey that we're all taught as screenwriters may resonate more specifically for male protagonists and maybe even male viewers. — Jill Soloway

Do not push me," she warned in a shaky voice.

"Och, but I will." He shifted on his booted feet, pushed his hips harder against hers, until she felt a part of the wall. A part of him. "You lifted a blade to me, Katarina. I'm going to push you hard. — Kris Kennedy

He's lying to me, Bree thought. I don't know how I know, but I do. And really, wasn't it better if she didn't know for sure? Bree moved closer to him and pressed her mouth to his, inhaling the strong, musky scent that seemed to be his alone. Like a mix of spiced wine, dark chocolate and warm leather. Bree eased her tongue in and ran it across his teeth as his fingers moved up her spine to cup her head and bring her closer. — E. Jamie

Look at these magnificent women, I thought, created in such misogynistic and hierarchical societies, yet they are the subversive centers around which the plot is shaped. Everything is supposed to revolve around the male hero. But it is the active presence of these women that changes events and diverts the man's life from its traditional course, that shocks him into changing his very mode of existence. In the classical Iranian narrative, active women dominate the scene; they make things happen. — Azar Nafisi

We grew up watching Woody Allen and Albert Brooks movies, and we see this neurotic, annoying, unlikeable male at the center of a story, and people root for him anyway. I think that's really what we have been craving as women is the hero who doesn't look perfect and doesn't act perfectly. — Jill Soloway

She held her hand out in front of her. "Wait."
"No," I groaned and then cleared my throat. "I mean okay, I can wait. — Kenya Wright

I already apologized for that."
"No, you didn't."
"Then I'm sorry.""
"Fuck your sorry."
"Fine. Fuck my sorry. — Kenya Wright

I was asked in an interview once: You're writing another book with a female lead? Aren't you afraid you're going to be pigeonholed? And I thought, I write a team superhero book, an uplifting solo hero book, I write a horror-western, and I write a ghost story. What am I gonna be pigeonholed as? Has a man in the history of men ever been asked if he was going to be pigeonholed because he wrote two consecutive books with male leads? — Kelly Sue DeConnick

You're causing the world to spin again, Keirah," Wharick teased about her druid gift with nature. "You out of control? Do you need something to settle you down? he asked. — Madison Thorne Grey

If I thought I'd been drawn to her, now I knew, I'd been taken,
kidnapped,
caged,
destroyed,
and all the other things that went with someone having complete power over another. — Kenya Wright

We become male automatically because of the Y chromosome and the little magic peanut, but if we are to become men we need the helpof other men
we need our fathers to model for us and then to anoint us, we need our buddies to share the coming-of-age rituals with us and to let us join the team of men, and we need myths of heroes to inspire us and to show us the way. — Frank Pittman

The first movie my dad ever showed me was Predator - I was five. And I think the second one was Jaws. I've has this understanding of fiction for a very, very long time but I've also had this thing where I've idolized the male action heroes because that's what I watched with my dad. — Katee Sackhoff

An arrow isn't the only thing I shoot straight. If you ever come near my wife, you'll be hauled off in a body bag. — Lucy McConnell

I think a lot of male artists should and probably are thinking in the same ways. The culture has moved in a more democratic, pluralistic direction. You now find a lot of people who are looking outside of the mainstream of the history of art for their mentors. Maybe not heroes, but mentors. — Laura Owens

It didn't matter that she didn't live here, that a relationship was out of the question. It was probably because a relationship wouldn't happen that he could let himself get this close. He wrapped his arms tighter around her as though this were all that existed in the world. Just the two of them, the mountain, the clean winter air. The taste of her tongue on his lips. — Rebecca Brooks

As a guy develops and practices his masculinity, he is accompanied by an invisible male chorus of all the other guys, who hiss orcheer as he attempts to approximate the masculine ideal, who push him to sacrifice more of his humanity for the sake of his masculinity, and who ridicule him when he holds back. The chorus is made up of all the guy's comrades and rivals, his buddies and bosses, his male ancestors and his male cultural heroes
and above all, his father, who may have been a real person in his life, or may have existed only as the myth of the man who got away. — Frank Pittman

The Poison Maiden has conceived by him, and is plumb ready to enter the divine category of mother, only one last fiend clubs her to death. The final clinch of male romanticism is that each man kills the thing he loves; whether she be Catharine in A Farewell to Arms, or the Grecian Urn, the 'tension that she be perfect' means that she must die, leavinf the hero's status as a great lover unchallenged. The pattern is still commonplace: the hero cannot marry. The sexual exploit must be conquest, not cohabitation and mutual tolerance. — Germaine Greer

He placed his hands to his belt buckle and undid it.
Just be careful, Red. This isn't a fairytale. No one will save you, if you decide to see how sharp the wolf's teeth really are. — Kenya Wright

Faintly he smiled, but his voice was hard. "Lass, you do not want what I have." As if to prove it, he overturned his hand and dragged a calloused thumb roughly across her bottom lip.

All the breath came out of her in a hot rush. "Oh."
~From THE KING'S OUTLAW, part of the Captured by a Celtic Warrior anthology — Kris Kennedy

Reaching up, he began using the exercise bar to do chin-ups. The repetitive act helped focus his mind as it multitasked. One thing was certain - he refused to never again experience the intimacy of being with Brenna. It wasn't the sex, though that had been the most amazing experience of his life. It was the way he'd made her laugh, made her smile, made her complain and then cuddle. All because she'd felt safe, reassured by the strength of their emotional connection.
He would not steal that feeling from her. And he most definitely was not going to surrender her to another male who could give her what she needed. The idea made him want to break something. — Nalini Singh

Only the violent acts of men "count" toward something besides evil in a patriarchy. It is the male story of violence that is sanctioned both socially and aesthetically. The male hero and acts of heroism require violence. Everyone is okey dokey with that. We are only beginning to see that constricting set of truths open up a little. — Lidia Yuknavitch

There's always a price. — Kenya Wright

This old dead hero had one only daughter left of his race; a beauty that, to describe her truly, one need say only, she was female to the noble male; the beautiful black Venus to our young Mars; as charming in her person as he, and of delicate virtues. I have seen an hundred white men sighing after her, and making a thousand vows at her feet, all vain, and unsuccessful; and she was, indeed, too great for any, but a prince of her own nation to adore. — Aphra Behn

I've never felt remorse before. It's disgusting. — Willow Madison

The 'enduring theme' [in fiction] of male competition and female competition for the hero/survivor has taken us from the fittest surviving to the brink of no one surviving. Sex roles have gone from functional to dysfunctional almost overnight. This is why the enduring theme must be questioned now. — Warren Farrell

What's bothering me is you always seem ready to snap my head off my shoulders and I'm not comfortable with that. — Justine Dell

Videogames need more women and are too reliant on male, stubble-covered heroes. — Rhianna Pratchett

We've all heard about space and landing on the moon, but somehow it's a very tom-boyish adventure. It's planting the flag on the moon by Neil Armstrong, and it has this very male-hero edge to it. — Lily Koppel

The appeal of the paranormal bad boy - or James Bond super-spy, as one example of male escapism - can sometimes make everyday problems seem less dire. Thus, a few hours spent immersed in the world of the wicked yet alluring hero is the equivalent of a mini-vacation. — Jeaniene Frost

Just look at the history of cinema. The most reproduced male character is probably the hero and the most reproduced female character is probably the sex object. I think those stereotypes have been reproduced over and over again. It also changes our expectations when it comes to a situation like this in real life. — Ruben Ostlund

He didn't want to puff her up. Puffed-up women are one of the original sources of trouble in the world. If anyone knew that, it was he. He counted it as one of his duties to mankind to keep women from puffing themselves up, though it had been a most monumental duty in his own marriage. A job requiring a hero. It was one of those things that God, being male, questioned you about before you were let into heaven, and he was proud to say that he hadn't neglected it. — Judith Merkle Riley

Sweetheart, I have no intention of denying you a thing. — Rebecca Brooks

It used to be that when I made mistakes like this or came close to losing my life, I would just call Miguel. He'd drop it all to come to me - his movies, media engagements no matter how big they were, and even his criminal activities went on hold for me. It made me think he cared.
Miguel canceled an appearance on the Dave Letterman show just because he called me and thought my voice sounded like something was wrong.
He directed his gaze to the bruises decorating my face. "You said you weren't hurt."
With those big arms, he picked me up and slammed the door behind us. "When I ask you if you're okay, you tell me the truth. — Kenya Wright

What are we watching?" [ ... ]
[ ... ] He hugged her closer. "The sacrifices I make for you -just watch."
She was intrigued enough to pay attention to the screen. "Pride and Prejudice," she read out. "It's a book written by a human. Nineteenth century?"
"Uh-huh."
"The hero is ... Mr. Darcy?"
"Yes. According to Ti, he's the embodiment of male perfection." Dev ripped open a bag of chips he'd grabbed and put it in Katya's hands. "I don't know -the guy wears tights. — Nalini Singh

I wanted to show that women are empowered and strong, and don't have to be saved by some male hero, but they can take care of themselves using their intelligence and their power. — Gal Gadot

When I was growing up, the really, really cool super heroes were all male - so I wanted to be them. — Virginia Madsen

I have a lot of guitar heroes I guess, some of them are female and some of them are male. Robert Fripp is one of them, and Marc Ribot, that's another guitar hero. — Annie E. Clark

The hero, the mythical subject, is constructed as human being and as male; he is the active principle of culture, the establisher of distinction, the creator of differences. — Teresa De Lauretis

They'd begun to back down the long drive when he saw two little boys run out from behind Nate and Tamsyn. The DarkRiver male picked up the children and said something that made both his mate and the boys laugh. Judd looked away. That wasn't his life and it never would be. Yet even knowing that, Brenna had made her choice very clear.
And if she decided later that she wanted out?
The darkness, the badness in him, bared its teeth. Tonight-maybe tonight-he could set her free. After that, she'd have to kill him to get away. — Nalini Singh

Let me rephrase." He took a seething step toward me. "When it comes to you ... I don't like to share. — Samantha Young

What are you most scared of?" she asked and I wished she hadn't. I didn't like admitting it.
"I'm scared of dying alone. — Kenya Wright

So one of my core themes in The Myth of Male Power - that history's controlling force was not patriarchy, but survival - is still ignored. Instead, the leading universities' women's studies and "gender studies" courses still emanate from the Marxist and Civil Rights model of oppressor vs. oppressed. We'll see in this book exactly why the dichotomy of oppressor/oppressed is both inaccurate and, more important, undermines love and women's empowerment. In virtually every leading university this leads to a demonizing of men and masculinity that distorts the very essence of traditional masculinity - being socialized to be a hero by being willing to sacrifice oneself in war or in work. The possibility that being socialized to be disposable is not genuine power is, to this day, either considered radical, heretical, or, most frequently, not considered. — Warren Farrell

The pulp hero, though he may be a renegade, is a guy who doesn't feel. Anything. Ever. And for the adolescent male - pummeled by emotions left and right, whether arising from sexuality or resulting from his necessary encounters with authority - this hero is a blessing, a relief and a release. The world he lives in, where feelings are totally under control, looks to the adolescent boy like heaven! This hero's lack of feeling - like Star Trek's Spock - is what allows him to be a genius, or allows him to shoot the bad guys and/or aliens, without a quiver to his lip. — Samuel R. Delany

Riley, you're the Devil, and I'd gladly sell you my soul, if you didn't already own it..." - Luc Wade — Bec McMaster

I've succumbed to the absolute power of the man that pulls, culls, calls my unwitting submission. And I've embraced the power of my submission to draw him in further, to have him kneeling and worshiping what he's conquered. I've known surrender and strength with him. True freedom. And a hell of a lot of orgasms. — Willow Madison

Sylvia Day spins a gorgeous adventure in A Touch of Crimson that combines gritty, exciting storytelling with soaring lyricism. Adrian is my favorite kind of hero
an alpha male angel determined to win the heart of his heroine, Lindsay, while protecting her from his lethal enemy. Lindsay is a gutsy, likable woman with paranormal abilities of her own, as well as a dedication to protecting humanity against a race of demonic monsters. This is definitely a book for your keeper shelf. — Angela Knight

No, but I imagine there's a gun tucked away somewhere on your body. And I know what you can do with that, hotshot."
He took a step toward her. "With what, sweetheart? With the gun? Or the body? — Lynn Raye Harris

So you got fired?"
"I quit."
"When I quit the Order, you told me I was besmirched."
"That's because you quit in a huff over some silliness like trying to save people's lives. I quit to maximize my earning potential. Don't you know being a hero is a losing bet? The pay is shit and people hate you for it." Luther looked at Curran. "Who is the male specimen?"
Curran offered Luther his hand. "Lennart."
Luther grabbed Curran's hand and smelled it. "Shapeshifter, feline, probably a lion, but not the run-of-the-mill African Simba. You've got an odd scent about you." He glanced at me. "Why do you always hang out with weirdos? — Ilona Andrews

Luke caught Mina's chin in his left hand and turned her face toward him. 'Guess what, sweetheart?'
'What?'
He grinned. 'I'm keeping you. — Cynthia Eden

Think of the hero's journey as perceived by Joseph Campbell. The mythical hero, usually an unlikely male, undertakes a physical journey to an unknown land. One the way, he is faced with a series of challenges that he can meet only through his superior physical strength and cunning. If he succeeds in getting through all the barriers, he wins the prize, which he can then take home for the benefit of his people.

Although this model has some application to the experience of women, it is not adequate to describe what a woman must do in order to live beyond the stultifying expectations of the culture in which she's raised. If she has small children, she can't take a trip or move to a new place, and very rarely is she called upon to beat down her opponent with force. Instead, her journey is an inner one where the demons are her demons of the self. Her task as the heroine is to return from her inner journey and share her knowledge, wisdom, and energy with the people around her. — Helen LaKelly Hunt

Alessandro watched as Luke burrowed his nose in the snow and then shook his small body. "Well, that depends on whether you want a male or a female horse." "Mmm. I tink I want a boy horsie. Girl horsies have babies and dat's too much trouble." Alessandro bit back a laugh. "Male horse it is then. Let's see. My favourite horse's name is Abbott." "A But?" Will asked laughing. "Abbott," Alessandro corrected. "Chimney," Will suddenly decided, stopping. Alessandro blinked in confusion. "I'm sorry, did you say 'Chimney'?" "It make sense," Will assured him. "Santa come down da chimney and he is my pesent, right? So his name be Chimney." "I agree. Quite logical," Alessandro nodded. "Well, dat one ting on my list. Der be more." "Duly noted," he said. — E. Jamie

Hey, you're the one who can't stand me being so close to you. — Justine Dell

He smiled and captured my hand ... I attempted to pull my hand away. He tightened his grip just a little and kept my hand encased in his. A warmth spread through to me. — Kenya Wright

I'm not any kind of hero, honey. I'm just a guy." "A swaggering, alpha male who likes to be in charge kind of guy." He quirked an eyebrow. "I'm the first one of those you met? Welcome to Montana. — Olivia Jaymes

Such a dark green, his eyes. They reminded her of the forest, of all the dangers lying dormant behind that verdant cloak of leaves. — Nenia Campbell

In my books, women often solve the problem. Even if the woman is not the hero, she's a strong character. She does change the plot. She'll often rescue the male character from some situation. — Ken Follett