Making Up Story Quotes & Sayings

While Barack Obama was making his latest pitch for a brand new, even more unsustainable entitlement at the health care 'summit,' thousands of Greeks took to the streets to riot. An enterprising cable network might have shown the two scenes on a continuous split-screen - because they're part of the same story. It's just that Greece is a little further along in the plot: They're at the point where the canoe is about to plunge over the falls. America is further upstream and can still pull for shore, but has decided, instead, that what it needs to do is catch up with the Greek canoe. — Mark Steyn

Our history has moved in that direction slowly at times but unmistakably thanks to generations of Americans who refused to give up or back down.Now you are writing a new chapter of that story. This campaign [2016] is about making sure there are no ceilings, no limits on any of us. And this our moment to come together. — Hillary Clinton

So I picked the book up and did my usual 123 test. I don't bother reading the blurb on the back, or the first page - the writer's obviously going to be trying their hardest there, aren't they? It's how they're getting on by page 123 that's the real test. If they're crap at writing or bored with their story then you can bet they won't be making any effort at all by that point. — Siobhan Curham

Actors always want to know how I come up with interesting and creative takes on characters, characters that aren't like me as I appear in daily life and that aren't like each other. It's simple: I let the lines and images connect with my imagination. I don't worry about consistency; I let myself respond moment by moment, piecemeal, to the character's dialogue and actions. Then I let my responses take me wherever they go, making mistakes and discarding them until choices start repeating themselves on their own no matter how arbitrary they seem at first. Then I know I'm on to something. But I don't try to put the character together. I leave it in pieces. The script and story put the character together so my moment by moment performance seems like a creative take on the whole character. — Harold Guskin

I was working with actors who were very easy to work with, but I can just imagine how, with all the other decision-making problems that come up along the way, in addition to that, the whole point of what your doing is following performance and character development. You're building your story with those building blocks, and it is not easy. I've only come out with more respect for directors, from this. — Rick Heinrichs

Shawshank's good," he says. "But you can't beat the way Woody Harrelson kills zombies. He takes such joy in it."
"Uh-huh," I say, making a face. "I've always found zombies to be the least threatening of the scary monsters. I mean, come on. They're slow. They're brain-dead. They don't plot evil or try to take over the world. They just - " I put my arms out in front of me and give him my best zombie groan. I shake my head. "So not scary."
"But they just. Keep. Coming," Christian says. "You can run, you can kill them, but more of them always pop up, and they never stop." He shudders. "And they try to eat you, and if you get bitten, that's it - you're infected. You're doomed to become a zombie yourself. End of story."
"Okay," I concede, "they're kind of scary," and now I'm vaguely disappointed that we're not here to watch a zombie movie. — Cynthia Hand

One of my biggest influences as a writer is J. K. Rowling. I grew up with Harry Potter. One thing I absolutely loved was how every single person in Harry's world was so three-dimensional - it was as if each one was the main character in his or her own story and was just making a guest appearance in Harry's story. I strive to do that as a writer. I want every side character to be the main character of his or her own story. — Angie Thomas

one might call this state ["youth" (but that seems inaccurate)] "remembering" but memory is quite eerie like caging a dream, and when I recite the rote details the real event slithers further from me because the telling of it reshapes it, every touch alters it, until it is unrecognizable except as a story [a doppelganger (immediately not myself) a writhing poltergeist summoned to snap at me from the darkness~or benign but vague, like a whisper making it better to remain silent, but I can't~the past is a narrative (that writes us) immanent in the present [proving there is cause and effect in the immaterial (the mythic becomes carnal by leaving marks on the body)] symbol by symbol, building up invisible scars — David David Katzman

He's been looking at my file. So the question has to be right there on the tip of his tongue right about now, waiting to be spoken. But he keeps up the 'act professional' charade, makes it feel like he sees this kind of thing all the time, but in reality he's having a little fun with it. I'm the story he's going to tell at a bar after making my name anonymous. I'm the case study that's going to become dinner conversation when he takes some rich bitch out next week. He's going to do it to make himself look well-balanced, prove how normal he is in a world full of weirdoes. In short, he's going to look 'normal' at my expense. — Cyma Rizwaan Khan

There's this sense of being strange, which is at the heart of every creative person. Every writer, every actor, every director knows who Ripley is. We've made careers and lives out of pretending, making things up, inhabiting other people's stories and lives. That's what I do every day ... The story is so audacious and subversive: a central character who behaves badly and isn't apparently caught. That intrigued me no end. — Anthony Minghella

Good writing is true writing. If a man is making a story up it will be true in proportion to the amount of knowledge of life that he has and how conscientious he is; so that when he makes something up it is as it would truly be. — Ernest Hemingway,

When you've had a psychotic breakdown it's always so difficult making that decision. You meet someone new and you wonder how much you should tell them? You wonder what that person's threshold of 'strange' is, and at what point in my story would I end up driving them away. That fear it's always there in the back of your mind. Those details you never really even admitted to yourself, but that somehow have to be told just as much as they have to be buried deep down. — Cyma Rizwaan Khan

Every story was being made up. My true friends weren't the ones speaking. It was people who never knew me, making up stories. Even my local paper put a $1,000 bounty out for information about my whereabouts. — Marla Maples

That's how religions and histories make their way into the world, not through battles and conquests, but through poems and kennings and songs, passed through generations and written down by scholars and scribes ...
After all, words are what remain when all the deeds have been done. Words can shatter faith, start a war, change the course of history. A story can make your heart beat faster, topple walls, scale mountains
Hey, a story can even raise the dead. And that's why the King of Stories ended up being King of the gods, because writing history and making history are only the breadth of a page apart. — Joanne Harris

In the end, this is a difficult story to sum up. The making of the atomic bomb is one of history's most amazing examples of teamwork and genius and poise under pressure. But it's also the story of how humans created a weapon capable of wiping our species off the planet. It's a story with no end in sight.
And, like it or not, you're in it. — Steve Sheinkin

I shall try to persuade first the Rulers and soldiers, and then the rest of the community, that the upbringing and education we have given them was all something that happened to them only in a dream. In reality they were fashioned and reared, and their arms and equipment manufactured, in the depths of the earth, and Earth herself, their mother, brought them up, when they were complete, into the light of day; so now they must think of the land in which they live as their mother and protect her if she is attacked, while their fellow citizens they must regard as brothers born of the same mother earth ... . That is the story. Do you know of any way of making them believe it?"
"Not in the first generation," he said, "but you might succeed with the second, and later generations. — Plato

For we live with those retrievals from childhood that coalesce and echo throughout our lives, the way shattered pieces of glass in a kaleidoscope reappear in new forms and are songlike in their refrains and rhymes, making up a single monologue. We live permanently in the recurrence of our own stories, whatever story we tell. — Michael Ondaatje

Given that I don't know anything, when I am making up stories about the future, why not make it a good story instead of a scary one? — Sharon Weil

Just imagine the existence of a man - let us call him A - who has left youth far behind, and of a woman whom we may call B, who is young and happy and has seen nothing as yet of life or of the world. Family circumstances of various kinds brought them together, and he grew to love her as a daughter, and had no fear that his love would change its nature. But he forgot that B was so young, that life was still a May-game to her and that it was easy to fall in love with her in a different way, and that this would amuse her. He made a mistake and was suddenly aware of another feeling, as heavy as remorse, making its way into his heart, and he was afraid. He was afraid that their old friendly relations would be destroyed, and he made up his mind to go away before that happened. — Leo Tolstoy

Well finish your story anyway."
Where was I?"
The bubonic plague. The bulldozer was stalled by corpses."
Oh, yes. Anyway, one sleepless night I stayed up with Father while he worked. It was all we could do to find a live patient to treat. In bed after bed after bed we found dead people.
And Father started giggling," Castle continued.
He couldn't stop. He walked out into the night with his flashlight. He was still giggling. He was making the flashlight beam dance over all the dead people stacked outside. He put his hand on my head and do you know what that marvelous man said to me?" asked Castle.
Nope."
'Son,' my father said to me, 'someday this will all be yours. — Kurt Vonnegut

Our memories do not visit us in chronology, and the story we form by joining up the memories involves choices with the purpose of making a whole and finding a pattern. — Zia Haider Rahman

In our story logic which we're making up, if we're saying he's alive, then like a quadriplegic who's in bed he can move his head and shoulders, but he can't move his arms. If he could just turn on that power to his legs and arms, the nerves could get through and he could walk. — John Badham

The set of '12 Years a Slave' was an extremely joyous one! We all recognized that we were making a powerful, necessary and beautiful film, and we weren't about doing it without that sense of responsibility, and we recognized that we needed each other to tell this story. We also knew we needed to hold each other up as we told the story. — Lupita Nyong'o

In the absence of data, we will always make up stories. In fact, the need to make up a story, especially when we are hurt, is part of our most primitive survival wiring. Mean making is in our biology, and our default is often to come up with a story that makes sense, feels familiar, and offers us insight into how best to self-protect. — Brene Brown

My mother always wanted to be an actress. She was an extra in movies and stuff. I have a feeling this is the classic story: The mother wants to be an actress, and the child ends up doing it. But it was never a jealousy thing between us. It was like - well, I was making my mom happy. — Kristy McNichol

I feel like when you do Twitter, sometimes you just have an idea and you fire it off and don't really think too hard about the consequences of that. I think my reputation there is as a comedian and not someone to be taken seriously. But I like the idea of getting out false information and just muddying up the story and making it as confusing and, you know, schizophrenic as possible. — Tim Heidecker

Trying to tell an authentic, raw and honest story without making it therapy. Separating myself enough to have perspective while putting myself in the emotional hot seat so that I could make this thing real. Asking for help. Delegating responsibility. Standing up for myself. Fighting the impulse to be sweet and likeable 24/7. Being open to all ideas, but staying true to the spine of the story. Knowing when to let go and when to hold on and fight like hell. Getting out of my own way. Shall I go on? — Jessie Kahnweiler

so thanks for supplying all the inspiration." "But think of everything you came up with all on your own," she said. "You would have done just fine without me. I wish I had your imagination. What's your secret to making a story so good? Do you have any writing tricks or rituals?" Conner had never thought about it before. He thought back to the very first time he wrote a story and recalled a tool that had helped him write ever since. "Whenever I write, I imagine everything in Dad's voice," he said. "I try to describe everything with the same energy and enthusiasm he had when he read stories to us. Sometimes when I miss him the most, writing makes me feel like he's there with me. — Chris Colfer

People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story. — Dan Scanlon

Peeta, you said at the interview you'd had a crush on me forever. When did forever start?

Oh, let's see. I guess the first day of school. We were five. You had on a red plaid dress and your hair...it was in two braids instead of one. My father pointed you out when we were waiting to line up."

Your father? Why?"

He said, 'See that little girl? I wanted to marry her mother, but she ran off with a coal miner.'"

What? You're making that up!"

No, true story. And I said, 'A coal miner? Why did she want a coal miner if she could've had you?' And he said, 'Because when he sings...even the birds stop to listen. — Suzanne Collins

Bringing a novel to light - revealing the form and cadence, shadows and demeanor of a protagonist constructed from thin air - linking scenes and synchronicity across translucent time - holding up a glass brimming with chilled, never-tasted liquid, then sipping from it with intoxicated focus - allowing lovers to make a perilous mess of things, fall apart and nakedly come back together again - looking through conjured windows deep into someone else's snow-bound solitude, feeling utterly alone yet being all-connected: this is not writing. It's world-creating.

It's raw, exposed dreaming. It's humbling. At first too personal and intimate to share, it evolves like a child into a life of its own until I have no say in what comes next.

It's what I wake at 4am to say Yes to, the spinning possibility of a new story relentlessly commanding me to write it down so it can whirl in your experience. — Laurie Perez

Who cares what the color means? How do you know what he meant to say? I mean, did he leave another book called "Symbolism in My Books?" If he didn't, then you could just be making all of this up. Does anyone really think this guy sat down and stuck all kinds of hidden meanings into his story? It's just a story ... But I think you are making all of this symbolism stuff up. I don't believe any of it. — Laurie Halse Anderson

Does that change things?" asked the old man. "Maybe
Anansi's just some guy from a story, made up back in Africa in
the dawn days of the world by some boy with blackfly on his leg,
pushing his crutch in the dirt, making up some goofy story
about a man made of tar. Does that change anything? People respond
to the stories. They tell them themselves. The stories
spread, and as people tell them, the stories change the tellers.
Because now the folk who never had any thought in their head
but how to run from lions and keep far enough away from rivers
that the crocodiles don't get an easy meal, now they're starting to
dream about a whole new place to live. The world may be the
same, but the wallpaper's changed. Yes? People still have the
same story, the one where they get born and they do stuff and
they die, but now the story means something different to what it
meant before. — Neil Gaiman

What does that look like to you?" he said. "A forgery." He shrugged, snorted quietly. "That's right, Heller. We have teams of forgers at work creating phony documents just for you." His sarcasm was subtle. "Now do you see? Starting to recognize your brother's modus operandi? Steal a bunch of money, then, when you realize that you've messed with the wrong guys, do the cowardly thing and run? Wonder where he got that from." "Screw you." I no longer felt bad about making up that story about his cigars. "Oh, believe me, it's the truth. Maybe to Victor Heller's sons that's nothing more than loose change you find under your sofa cushions. But not to me. And certainly not to Allen Granger. — Joseph Finder

The main thing that I learned from editing is that most people, when they're making a film, they start too early into the story. They will try to set up the characters, they will try to establish things before the plot actually starts. — Steven Zaillian

When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes. — David Lynch

I want hard stories, I demand them from myself. Hard stories are worth the difficulty. It seems to me the only way I have forgiven anything, understood anything, is through that process of opening up to my own terror and pain and reexamining it, re-creating it in the story, and making it something different, making it meaningful - even if the meaning is only in the act of the telling. — Dorothy Allison

You can start making up any kind of story if you want to. — Maurice Sendak

God was never about making me spiffy; God was about making me new.
New doesn't always look perfect. Like the Easter story itself, new is often messy. New looks like recovering alcoholics. New looks like reconciliation between family members who don't actually deserve it. New looks like every time I manage to admit I was wrong and every time I manage to not mention when I'm right. New looks like every fresh start and every act of forgiveness and every moment of letting go of what we thought we couldn't live without and then somehow living without it anyway. New is the thing we never saw coming- never even hoped for- but ends up being what we needed all along. — Nadia Bolz-Weber

Instead of making up stories, stay with the facts. For example, "I am ruined" is a story. It limits you and prevents you from taking effective action. "I have 50 cents left in my bank account" is a fact. — Eckhart Tolle

It's important to understand it's OK to control the subject. If most editorial stories were photographed just as they are, editors would end up throwing most in the waste basket. You have to work hard at making an editorial picture. You need to re-stage things, rearrange things so that they work for the story, with truth and without lying. — Alfred Eisenstaedt

Then, when the Fed's fire hoses started spraying an elephant soup of liquidity injections in every direction and its balance sheet grew by $1.3 trillion in just thirteen weeks compared to $850 billion during its first ninety-four years, I became convinced that the Fed was flying by the seat of its pants, making it up as it went along. It was evident that its aim was to stop the hissy fit on Wall Street and that the thread of a Great Depression 2.0 was just a cover story for a panicked spree of money printing that exceeded any other episode in recorded human history. — David Stockman

Garth on making his stories feel real "Things like armour, clothes and other small details are very important in building up the reality of the story... I do spend quite a lot of time on things like clothing, armour, weapons and try and make them feel real. — Garth Nix

I always wanted my kids to like me and think I was funny, so I made up this story about a kid named Jake and his racecar that he had built from scratch, fully loaded with whatever fantastical gadget he or I wanted him to have at the moment. I loved making up the stories off the top of my head. — Rhea Perlman

My advice to women is the same advice I would give to any young man trying to make it in the business of making film: Engage your fans and turn your fans into your community. Realize that we all have failures and can turn those failures into successes through tenacity and through being open to changing. Stick to your story, and choose subject matter that is close to you, touches your heart and your agenda in life, listen carefully and don't give up. Don't sacrifice your vision. Be open but don't sacrifice - for anything, actually. — Ondi Timoner

Unix is not so much a product as it is a painstakingly compiled oral history of the hacker subculture. It is our Gilgamesh epic: a living body of narrative that many people know by heart, and tell over and over again - making their own personal embellishments whenever it strikes their fancy. The bad embellishments are shouted down, the good ones picked up by others, polished, improved, and, over time, incorporated into the story. [ ... ] Thus Unix has slowly accreted around a simple kernel and acquired a kind of complexity and asymmetry about it that is organic, like the roots of a tree, or the branchings of a coronary artery. Understanding it is more like anatomy than physics. — Neal Stephenson

Every character I've had in my act - none of them have a similar creation story. I actually thought up Peanut and designed him in my head. I described him to a woman that was making soft puppets and she drew up some sketches. And the character came to be just because he popped into my head. — Jeff Dunham

Last semester was intense," I said to Dad.

"Intense?" he echoed, picking up my file. "Let's see. On your first day at Hecate, you were attacked by a werewolf. You insulted a teacher, which resulted in semester-long cellar duty with one Archer Cross. According to the notes, the two of you became 'close.' Apparently close enough for you to see the mark of L'Occhio di Dio on his chest.

I flushed at that, and felt Mom's arm tighten around me. Over the past six months, I'd filled her in on a lot of the story with Archer, but not all of it.

Specifically, the whole me-making-out-in-the-cellar-with-a-murderous-warlock-working-with-the-Eye-part. — Rachel Hawkins

In real life we have a hard time recognizing serendipitous moments because we're not making the story up as we go along. It's not a lie - it's really happening to us, and we have no idea how it will end. Some of us will look back on our lives and recall events that were a bit too perfect, but until you know the whole story, it's impossible to see the universe at work, or even admit that there is something bigger than us, making sure everything that should happen does happen. If you can surrender to the idea that there might be a plan, instead of reducing every magical moment to a coincidence, then love will find you. — Renee Carlino

The biggest mistake I made was not having a full-time producer. I was securing locations and wardrobe and making sure people get called to show up on time and getting the film to the lab and getting the camera, and all this stuff that I'm happy to do, but if I'm doing every little thing, I'm not concentrating on my story. So it never gets any better than the script. — Shane Carruth

But the not-self cannot have the bad, meaning they of the government and the judges and the schools cannot allow the bad because they cannot allow the self. And is not our modern history, my brothers, the story of the brave malenky selves fighting these big machines?"
nah, that's too serious. How's about:
"There was me, that is Alex, and my three droogs, that is Pete, Georgie and Dim, Dim being really dim, and we sat in the Korova Milkbar making up our rassoodocks what to do with the evening. — Anthony Burgess

I used to tell my three younger siblings stories because that was my household chore, and I told long stories in installments because it was easier and more fun than making up a new story every night. I loved it. — Kerry Greenwood

So as our story begins everything is going pretty good
the giants are leaving everyone alone for a minute
and everything is pretty okay
so obviously Odin has to go and fuck it all up by making a shitty deal with a giant. — Cory O'Brien

Francie always remembered what the kind teacher told her. 'You know, Francie, a lot of people would think that these stories that you're making up all the time were terrible lies because they are not the truth as people see the truth. In the future, when something comes up, you tell exactly how it happened but write down for yourself the way you think it should have happened. Tell the truth and write the story. Then you won't get mixed up.'
It was the best advice Francie ever got. Truth and fancy were so mixed up in her mind
as they are in the mind of every lonely child
that she didn't know which was which. — Betty Smith

The story of a man who saw three fellows laying bricks at a new building:
He approached the first and asked, What are you doing?
Clearly irritated, the first man responded, What the heck do you think I'm doing? I'm laying these darn bricks!
He then walked over to the second bricklayer and asked the same question.
The second fellow responded, Oh, I'm making a living.
He approached the third bricklayer with the same question, What are you doing?
The third looked up, smiled and said, I'm building a cathedral.
At the end of the day, who feels better about how he's spent his last eight hours? — Bill Vaughan

When you are writing a novel, you aren't making it up. The story is already there. You just have to find it. — Thomas Harris

I began thinking about why am I constructing almost a shadow father or ghost father in my head into Graham Greene in response to the father who created me? What's going on here? I think a part of my sense is it's every boy's story. When we are kids, we imagine that to define ourselves or to find ourselves means charting your own individuality, making your own destiny and actually running away from your parents and your home and what you grew up with. — Pico Iyer

I know that books seem like the ultimate thing that's made by one person, but that's not true. Every reading of a book is a collaboration between the reader and the writer who are making the story up together. — John Green

You know, a lot of people would think that these stories that you're making up all the time were terrible lies because they are not the truth as people see the truth. In the future, when something comes up, you tell exactly how it happened but write down for yourself the way you think it should have happened. Tell the truth and write the story. Then you won't get mixed up. — Betty Smith

I wanted to tell a dream-come-true story about going from a closeted gay kid who loved pop culture to an out adult man making pop culture. I went from being told when I was 21 that I should never go on TV because of my crossed eyes to winding up being a 'Housewives' whisperer and talk-show host. — Andy Cohen

I think in most cases, when you're writing a song, you're just making up a little story, and you're not really thinking about making a point one way or another about it. You're just coming up with a little scenario and seeing it through, and that's it. — Adam Schlesinger

Writing, for me, is a little like wood carving. You find the lump of tree (the big central theme that gets you started), and you start cutting the shape that you think you want it to be. But you find, if you do it right, that the wood has a grain of its own (characters develop and present new insights, concentrated thinking about the story opens new avenues). If you're sensible, you work with the grain and, if you come across a knot hole, you incorporate that into the design. This is not the same as 'making it up as you go along'; it's a very careful process of control. — Terry Pratchett

It's always scary making a film as I never set anything up or ask anyone to do anything, so I worry that we'll find a story. I have to trust that a film will come out of the journey we embark on. I have many, many sleepless nights. — Kim Longinotto

All I want is the same opportunities as the filmmakers I grew up admiring. But you know, I've had lots of amazing opportunities to do the movies I wanted to do. If I could write my future, I'd want to keep making character-based films that can make use of my voice as a filmmaker. — Tim Story

He was making up a story, and she was buying into his bullshit. That was a recipe for disaster — Miranda Liasson

No one is making me say this. No one is making me tell this story. Nobody's ever been much good at making me say anything I hadn't already made up my mind to say. — Elizabeth Bear

Danny had no idea what the thing was. All he knew was that he lived more or less in a constant state of expecting something any day, any hour, that would change everything, knock the world upside down and put Danny's whole life into perspective as a story of complete success, because every twist and turn and snag and fuckup would always have been leading up to this. Unexpected stuff could hit him like the thing at first: a girl he'd forgotten giving his number to suddenly calling up out of the blue, a friend with some genius plan for making money, better yet a person he'd never heard of who wanted to talk. Danny got an actual physical head rush from messages like these, but as soon as he called back and found out the details, the calls would turn out to just be about more projects, possibilities, schemes that boiled down to everything staying exactly like it was. — Jennifer Egan

I've never had one of those amazing yoga bodies. My body is what it is. I am sure if I went on a crash diet, lost two stone and toned up I could make loads of money by making fitness videos and selling my story to the tabloids. But I don't want to encourage women to be anything other than what they are. That's very important to me. — Kelly Brook

I would say I'm a storyteller first, but game making is very wrapped up in how I think of story. If I were to have a story idea, and I decided to write a novel with it instead, I'd have to very consciously de-couple it from gamedom - for example, deliberately add in things that could not be represented in a game scene. — Jane Jensen

The Polar Express was the easiest of my picture book manuscripts to write ... Once I realized the train was going to the North Pole, finding the story seemed less like a creative effort than an act of recollection. I felt, like the storys narrator, that I was remembering something, not making it up. — Chris Van Allsburg

It's odd to imagine, of course: you pass a car on a lonely rural highway; you sit beside a man in a diner and share views with him; you wait behind a customer checking into a motel, a friendly man with a winning smile and twinkling hazel eyes, who's happy to fill you in on his life's story and wants you to like him - odd to think this man is cruising around with a loaded pistol, making up his mind about which bank he'll soon rob.' - Richard Ford, Canada — Richard Ford

Aside from the movies, examples of positive-Black Swan businesses are: some segments of publishing, scientific research, and venture capital. In these businesses, you lose small to make big. You have little to lose per book and, for completely unexpected reasons, any given book might take off. The downside is small and easily controlled. The problem with publishers, of course, is that they regularly pay up for books, thus making their upside rather limited and their downside monstrous. (If you pay $10 million for a book, your Black Swan is it not being a bestseller.) Likewise, while technology can carry a great payoff, paying for the hyped-up story, as people did with the dot-com bubble, can make any upside limited and any downside huge. It is the venture capitalist who invested in a speculative company and sold his stake to unimaginative investors who is the beneficiary of the Black Swan, not the "me, too" investors. — Nassim Nicholas Taleb

I see so, so many novels written by people who are obviously short story writers. What they end up doing, it's going the full distance, covering three hundred pages or so, but they do it by just writing five or six long stories, and weaving them together, making them interdependent. — Stephen Graham Jones

Twenty-two pages is not a lot of space. Believe me. Having written a bazillion comics, I still find myself more often than nine pages into a script and realizing to my horror that I'm only about a quarter of the way through the story I wanted to tell, and the next thing you know, I'm making fresh coffee and tearing up the floorboards to rewrite. — Mark Waid

If this were a fairy tale, this would be the part where the fishboy appears and Diana shoots him through the heart. Because he is a tragic hero, he's our fucking Gatsby, and he lived for his fish and he has to die for his fish. He would never let my fake authority, condoning his abandonment, making up rules about what's okay just to save his life, convince him to give up his family. He would never leave.
He would know that without him, none of us will be as good. Me, without a friend; and the fish, without a brother; and the island, without a story; and Diana, without her something real, we will all be a little bit less than we were before we knew him.
So he wouldn't leave. Not until I could come with him. And I have never been less able to leave than I am now.
But this isn't a fairy tale, and he doesn't appear. We stand here for a long time.
He really left.
Because it was all that we could do. — Hannah Moskowitz

The world you see is just a movie in your mind.
Rocks dont see it.
Bless and sit down.
Forgive and forget.
Practice kindness all day to everybody
and you will realize you're already
in heaven now.
That's the story.
That's the message.
Nobody understands it,
nobody listens, they're
all running around like chickens with heads cut
off. I will try to teach it but it will
be in vain, s'why I'll
end up in a shack
praying and being
cool and singing
by my woodstove
making pancakes. — Jack Kerouac

The Bible is not a witness to the best people making it up to God; it's a witness to God making it down to the worst people. Far from being a book full of moral heroes whom we are commanded to emulate, what we discover is that the so-called heroes in the Bible are not really heroes at all. They fall and fail; they make huge mistakes; they get afraid; they're selfish, deceptive, egotistical, and unreliable. The Bible is one long story of God meeting our rebellion with His rescue, our sin with His salvation, our guilt with His grace, our badness with His goodness. — Tullian Tchividjian

But sometimes it's the smallest things that end up making the biggest difference." Indy reached out and clasped Peter's arm. "And you're not alone. No matter what happens, Peter, we so this together. And we do this for Story. — Marissa Burt

The foreign correspondent is frequently the only means of getting an important story told, or of drawing the world's attention to disasters in the making or being covered up. Such an important role is risky in more ways than one. It can expose the correspondent to actual physical danger; but there is also the moral danger of indulging in sensationalism and dehumanizing the sufferer. This danger immediately raises the question of the character and attitude of the correspondent, because the same qualities of mind which in the past separated a Conrad from a Livingstone, or a Gainsborough from the anonymous painter of Francis Williams, are still present and active in the world today. Perhaps this difference can best be put in one phrase: the presence or absence of respect for the human person. — Chinua Achebe

As a kid, I liked making up stories, and I wrote a story about a kangaroo and a bat with Christy Chang, and she went on to become a surgeon. — Aimee Bender

The reckoning is how we walk into our story; the rumble is where we own it. The goal of the rumble is to get honest about the stories we're making up about our struggles, to revisit, challenge, and reality-check these narratives. — Brene Brown

A story must be judged according to whether it makes sense. And 'making sense' must be here understood in its most direct meaning: to make sense is to enliven the senses. A story that makes sense is one that stirs the senses from their slumber, one that opens the eyes and the ears to their real surroundings, tuning the tongue to the actual tastes in the air and sending chills of recognition along the surface of the skin. To make sense is to release the body from the constraints imposed by outworn ways of speaking, and hence to renew and rejuvenate one's felt awareness of the world. It is to make the senses wake up to where they are. — David Abram

Her brown hair was pulled back in a ponytail, and her flawless skin had a slight sheen from her dash across the parking lot and up the stairs. Sexy, but he suspected the fantasy the sheen inspired was better than the reality. She was the job. Probably wore Kevlar to bed. End of story. Still, he did enjoy playing with her. He liked her big blue eyes, cute little nose, slim athletic body, and her earnest dedication to making the world a more law-abiding place. It made his dedication to crime much more interesting. — Janet Evanovich

I love to write what I see and what I do and what I experience, and I like to see if people can relate to that. I don't know if I am as good at making up a story in my head that has no truth to it, so that is a challenge for me. — Nikki Reed

I once fell 20 feet from a tree, was knocked unconscious, and when I picked myself up and straggled home, my parents thought I was making it up. However, when my brother and I fabricated a story about an encounter with a bear, they believed that! So maybe I learned very early on that fiction was more interesting to listeners! — Sharon Creech

WHITEWASHING HISTORY "Whoa!" you might say. "We've never heard this story about the Democrats. Are you making this stuff up?" Actually, no. Nothing I write in this chapter is controversial in terms of whether it happened or not. I am relying on the mainstream historians of slavery: David Brion Davis, Kenneth Stampp, Eugene Genovese, Orlando Patterson. How, then, can my arguments sound so outrageous? The reason is that progressive Democrats have whitewashed the party's history. They have cleaned up the record. — Dinesh D'Souza

There was part of me listening that didn't think what I said was fiction. I was making up a true story. — Richard Bach

From the night into his high-walled room there came, persistently, that evanescent and dissolving sound - something the city was tossing up and calling back again, like a child playing with a ball. In Harlem, the Bronx, Gramercy Park, and along the water-fronts, in little parlors or on pebble-strewn, moon-flooded roofs, a thousand lovers were making this sound, crying little fragments of it into the air. All the city was playing with this sound out there in the blue summer dark, throwing it up and calling it back, promising that, in a little while, life would be beautiful as a story, promising happiness - and by that promise giving it. It gave love hope in its own survival. It could do no more. — F Scott Fitzgerald

Max was fascinated by the woman and more than a little curious about what she might be up to. Sarah Johnson had come from a two-parent, affluent home with a squeaky-clean past. She'd been the golden girl, high school cheerleader, valedictorian and had apparently glided through college without making a ripple, coming out with a bachelor of arts degree in literature. She'd married well, had six children and then one winter night, for some unknown reason, she'd driven her car into the Yellowstone River. Her body was never found. Because there were no skid marks on the highway, it had looked like a suicide. Foul play had never been suspected.
That was twenty-two years ago. Now she was back - with no memory of those years or why she'd apparently tried to take her own life.
Max wanted this story more than he wanted a hot cup of coffee this morning. — B. J. Daniels

Children, only animals live entirely in the Here and Now. Only nature knows neither memory nor history. But man - let me offer you a definition - is the storytelling animal. Wherever he goes he wants to leave behind not a chaotic wake, not an empty space, but the comforting marker-buoys and trail-signs of stories. He has to go on telling stories. He has to keep on making them up. As long as there's a story, it's all right. Even in his last moments, it's said, in the split second of a fatal fall - or when he's about to drown - he sees, passing rapidly before him, the story of his whole life. — Graham Swift