Make Visual Quotes & Sayings

Make all visual distinctions as subtle as possible, but still clear and effective. — Edward Tufte

The comics medium has some unusual features that do make it very different, in that it's combining a verbal narrative with a visual one that allows for much richer possibilities of transmitting information. — Alan Moore

Which even though we do have a very visual aesthetic and identity, we love it when people make their own videos to the music. — Lizzy Plapinger

The art that I make and that I see others make confirms the miracle of being alive. Almost every day I live in a state of exaltation. The art of painting is to me sacred. It is central to all the other visual arts. This art is in a constant state of renewal. — Joseph Plaskett

The danger of these collaborations across disciplines is in having too strict of a division of labor - in my case, of getting stuck doing the music. When I make an album, I write music, I write lyrics, I come up with the visual design, etc. I get to do all of that stuff. — David Grubbs

Your expectations of other people should never be greater than what you expect of God. Why is it that you can patiently wait for him to make your life better, but you won't consider he is patiently waiting for you to be better? — Shannon L. Alder

I was a musician who began playing with computers, to see if they could make some tasks simpler. I developed some "tricks" or strategies for working with audio files, and then discovered that the same tricks could be applied to video files, or really, any type of data. Previously I made many different kinds of music. I did some work as a composer of film scores. In that role, my task was to create audio to match and deepen the visual. In my work now, the role is often reversed: I have to create images to match and deepen the audio. — Kurt Ralske

I wanted all the responsibility to rest on the content of the story. I tried to make the visual style almost invisible. — Adrian Tomine

One of the striking aspects of the lines is the way they make us see a tree, with its pattern of twigs, leaves and branches, as a visual image of the invisible roots of language. — Terry Eagleton

Video games are perfect to make into films because they are so visual. — Milla Jovovich

With respect to duels, indeed, I have my own ideas. Few things in this so surprising world strike me with more surprise. Two little visual spectra of men, hovering with insecure enough cohesion in the midst of the unfathomable, and to dissolve therein, at any rate, very soon, make pause at the distance of twelve paces asunder; whirl around, and simultaneously by the cunningest mechanism, explode one another into dissolution; and, offhand, become air, and non-extant
the little spitfires! — Thomas Carlyle

No one likes to admit that in the end we all die by inches, gradually losing all the defining visual characteristics that make us us — Simon R. Green

Sound and Visual Effects and Editing are sometimes referred to as technical awards. They're not technical awards. They're given for artistic decisions. And sometimes we make them better than others, and I guess we made a couple of good ones on this one. — Randy Thom

If a carpenter makes a chair that's comfortable for the person who's going to sit in it, he's done his job. If a train engineer gets a train in on time, he's going to make someone happy who's waiting at the station. And if an artist draws the kind of a picture that people are going to enjoy looking at, or he makes a visual story which people are going to enjoy reading, he's done his job. — Jack Kirby

It's the same with visual arts, you have some really cool, wonderful striking images that make you think and then again you have wonderful striking images that just take you away from the existing world for a second. And I like the latter a bit more. — Ville Valo

I was quite keen on silviculture, the growing of trees, and that was something I gave a lot of thought to. Maybe I could've gone in that direction. But it just so happened that while I was trying to make up my mind, I enrolled in art school, and there I began to develop my interest in music, parallel with my interest in the visual arts. — Ian Anderson

Most people don't see half of what's in front of them. Your visual cortex does a shit load of imaging processing before the signal even gets to your brain, whose priorities are still checking the ancestral Savannah for dangerous predators, edible berries and climable trees. That's why a sudden cat in the night can make you jump and some people when distracted, can walk right out in front of a bus. Your brain just isn't interested in those large moving chunks of metal or the static heaps of brightly colored stuff that piles up in drifts around us. Never mind all that, says your brain, it's those silent fur-covered merchants of death you've got to watch out for. — Ben Aaronovitch

The only way I know as a director is to figure out what the film is about. And out of the theme and the sense of what the film is about, all those decisions start to make sense. But to find that truth within it, you have to limit your possibilities and limit your choices. That's where this visual language grows out of. — Darren Aronofsky

I someday hope to find the time and coin to invest more of my creative energy towards the visual media side of releasing music. I'd love to make short film videos pushing the conventional standards of what a country music video can be. — Sturgill Simpson

I had no special training at all; I am completely self taught. I don't fit the mold of a visual arts designer or a graphic designer. I just had a strong concept about what a game designer is. Someone who designs projects to make people happy. That's a game designer's purpose. — Toru Iwatani

For me, style is something that I've always loved. It's more than just, "Oh I make this type of music, so I should dress this type of way." But it's very important. On the other hand, if I was on stage in a hoodie and some baggy jeans, it wouldn't give off the same feeling. People appreciate the music, but people want to see the whole visual thing. — Leon Bridges

An illustration is a visual editorial - it's just as nuanced. Everything that goes into it is a call you make: every color, every line weight, every angle. — Charles M. Blow

They will be given as gifts; books that are especially pretty or visual will be bought as hard copies; books that are collectible will continue to be collected; people with lots of bookshelves will keep stocking them; and anyone who likes to make notes in books will keep buying books with margins to fill. — Susan Orlean

I grew up watching movies and being amazed at the animatronics you'd see in stuff like 'The Dark Crystal,' and all those kinds of movies. So, I'm always enthralled with how they can make it all work, behind the scenes, with the visual effects. — Colin O'Donoghue

The tone of the picture and the atmosphere was in my head and in my blood in a way once I'd decided to make the picture. I had to find my way through that to choose, select, emphasise certain visual elements and sound. — Martin Scorsese

I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about. — Warren Leight

The difficulty with color is to go beyond the fact that it's color ? to have it be not just a colorful picture but really be a picture about something. It's difficult. So often color gets caught up in color, and it becomes merly decorative. Some photographers use it brilliantly to make visual statements combining color and content; otherwise it is empty. — Mary Ellen Mark

The law of perceptual problem solving, or peekaboo, should now make more sense. It may have evolved to ensure that the search for visual solutions is inherently pleasurable rather than frustrating, so that you don't give up too easily. — V.S. Ramachandran

When people score films, the job is to be visual. When people make music, it's about evoking feeling. It's great when you get both feelings and being out of their head. — Adrian Younge

I think we will always have the impulse towards visual poetry with us, and I wouldn't agree with Bly that it's a bad thing. It depends on the ability of the individual poet to do it well, and to make a shape which is interesting enough to hold your attention. — James Laughlin

I try to make songs visual and tactile to kind of put you into the action. — Richard Thompson

The violence you witness is Denzel doing it and we're taking some visual effects and doing some things and you see something happen it's happening in front of you as opposed to cutting away and doing a bunch of tricks. It's in front of you. So it's hard not to make it a hard "R" if you see a guy get punched and teeth wind up in someone's knuckles. — Antoine Fuqua

We have a great responsibility. Whatever we make will become the truth, the visual reality that a generation will accept. — James Cameron

I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes. — Brian Eno

We know that children with autism like order, that they are often very visual and that they can be quite literal. They deserve beautiful resources and symbols that make sense. If a picture does not explain visually, it is pointless and the child will stop looking to the pictures for information. — Adele Devine

Some twat with a Trot poster came up to me on the way in and yelled 'Butcher!' Traitor!' at me. I stopped and mustered as much visual contempt as I could, then assured him that if we win the general election then don't worry, thanks to wankers like him, there will always be another Tory government along afterwards. These people make me vomit. — Alastair Campbell

In my work, the information is the least important part. It's there, and the work wouldn't mean the same thing without it, but it isn't structured around the information. The most interesting part to me is the visual play ... looking at this little universe of representation that I can make out of the world. — Judy Fiskin

There are issues worth advancing in images worth admiring; and the truth is never "plain," nor appearances ever "sincere." To try to make them so is to neutralize the primary, gorgeous eccentricity of imagery in Western culture since the Reformation: the fact that it cannot be trusted, that imagery is always presumed to be proposing something contestable and controversial. This is the sheer, ebullient, slithering, dangerous fun of it. No image is presumed inviolable in our dance hall of visual politics, and all images are potentially powerful. — Dave Hickey

I try to remember dreams, and occasionally I'll make a note or two in a notebook if it's something extra interesting. They do mean quite a lot to me, and they don't happen all that often. In other words, I don't have some kind of loud, Technicolor dream every night. But a few times a month, I'll have a rather interesting dream. They're mostly visual - oddly enough, I don't have much dialogue in my dreams. They just don't speak. — Kenneth Anger

At a certain point, an eating disorder ceases to be "about" any one thing. It stops being about your family, or your culture. Very simply, it becomes an addiction not only emotionally but also chemically. And it becomes a crusade. If you are honest with yourself, you stop believing that anyone could "make" you do such a thing - who, your parents? They want you to starve to death? Not likely. Your environment? It couldn't careless. You are also doing it for yourself. It is a shortcut to something many women without an eating disorder have gotten: respect and power. It is a visual temper tantrum. You are making an ineffective statement about this and that, a grotesque, self-defeating mockery of cultural standards of beauty, societal misogyny. It is a blow to your parents, at whom you are pissed.
And it is so very seductive. It is so reassuring, so all-consuming, so entertaining.
At first. — Marya Hornbacher

If you move to the West Coast, I will make a gun out of this," she said, drunkenly brandishing a tiny straw before searching the rest of the cluttered table, "and these peanuts and this glass and shoot you in the dick, Will."
I winced at the visual. "Wow-" I began.
"In the dick, Will. — Christina Lauren

To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retreat - some because they use visible and hence vital formulas, others because they live from human life itself.
This isn't the case with literature. Literature stimulates life. A novel is a story of what never was, a play is a novel without narration. A poem is the expression of ideas or feelings a language no one uses, because no one talks in verse. — Fernando Pessoa

As much as we like to think of ourselves as rational creatures, we are not. If we were, no one would throw away their perfectly working iPhone 5s to go pick up the latest Apple toy. We largely make decisions based on emotions, then rationalize them later with logical arguments. So how can you incorporate emotion into your facts and data? Use a visual story. — Anonymous

Freud revelled in linguistic play, but, despite his appreciation of painting and especially sculpture, he did not know what to make of visual imagery in dreams. — Sigmund Freud

Wow, Callie! I bet Finn could pick you up.
Callie could feel the heat coming up the back of her neck, but she couldn't stop it. Soldiers didn't blush. They were mean and tough and could take out snakes, spiders, and even enemy combatants. But a visual of her hanging over Finn's back with her butt so close to his lips that he could kiss it
well, hell's belles, that would make the devil himself blush. — Carolyn Brown

Is that not the perfect visual image of life and death? A fish flapping on the carpet, and a fish not flapping on the carpet. So powerful even a five-year old child with no concept of life and death knew what it meant. Not only did she know Emilio was dead, she knew she had killed him. So she comes running into my room, holding Emilio in both of her little hands - it was so cute - and she wanted me to make Emilio better. And I asked her, why did she step on Emilio? And she said, she didn't know. But I knew why. You didn't mean to hurt Emilio, you just wanted to see what would happen if you stepped on him, right? — David Carradine

I guess why the Ocean's films are hard for me is because on the one hand you have to make sure the performances are there, but on the other hand it's a film that demands, to my mind, a very layered and complex visual scheme. That takes a lot of time to figure out. — Steven Soderbergh

I read things and imagine them and then kind of start trying to kind of take what I imagine and make it visual for everybody else to see. It just happens to be my personal vision, and every person's is going to be different, every book reader. — Mark Waters

I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. — Alexander Payne

Alright. Let's get realistic now. You know and I know that the function of that number was just to provide some sort of warm-up trash before we do something HEAVY. Something a little bit harder to listen to, but which is probably better for you in the LONG RUN. The item in this instance, which will be better for you in the LONG RUN, and if we only had a little more space up here we could make it visual for you, is "Some Ballet Music," which we've played at most of our concert series in Europe. Generally in halls where we had a little bit more space and Motorhead and Kansas could actually fling themselves across the stage, and give you their teenage interpretation of the art of The Ballet. I don't think it's too safe to do it here, maybe they can just hug each other a little bit and do some calisthenics in the middle of the stage. — Frank Zappa

Jesus," Kiernan said as he stepped from the Bronco and a gust of frigid wind lifted his hair. "I think my testicles just climbed up into my abdominal cavity in fear."
Matt chuckled. "Lovely visual." He cautiously joined him on the icy sidewalk. "They'll come back out of hiding as soon as you warm up."
"So you say. The poor things aren't used to this kind of weather. It's traumatizing. I'm going to expect you to check later to make sure they're still where they belong."
"I can certainly make an inspection of the general area. I'm a detective. It's all about gathering evidence. — Diana Copland

By attempting to surgically erase or "correct" visual traits that connect women of colour to their ancestry, these shows perpetrate a symbolic form of ethnic cleansing. That this is justified via the language of individuality and appropriateness - under the guise of helping women "retain her distinctive ethnic appearance" - make it all the more insidious. — Jennifer L. Pozner

The first thing you need to know if you are a survivor is that parts of you have probably been trained to create a variety of symptoms and behaviours. Abusers actually train child parts to cut the body, to make other parts cut, to attempt suicide, to create flashbacks by releasing pieces of visual or auditory memories, to create body memories of pain or electroshock, and to create depression, terror, anxiety, and despair by releasing the emotional components of memories to the rest of the personality system. The front person and most of the rest of the system do not know that this is the source of these feelings and behaviours. p126 — Alison Miller

When you're on camera, even though you try to lose yourself in the character, you are aware that there is a camera there capturing every moment of it visually. With doing a voiceover job, you are worried about the sound of it, and you have to make all those visual colors come out with your sound. — Doug Jones

We make such terrible mistakes with visual choices about beauty. — Marina Abramovic

I used to try and make up visually for what I couldn't play as a musician. I used to get into very incredible visual things where, in order just to make one chord more lethal, I'd make it a really lethal looking thing, whereas really it's just going to be picked normally. — Pete Townshend

I always would dream of making music videos. Whenever I make music, I always have a visual in my mind. I always see things. — Dan Reynolds

I believe that who we are, and consequently the work that we make, whether we're visual artists or writers or journalists or filmmakers, is a projection of where we were born, what's been withheld or lavished upon us, our color, our sex, our class. And everything we do in life to some degree is a reflection of that context. — Barbara Kruger

Communicate with visual literacy - Make good use of all the non-verbal ways of communication - color, shape, form, texture. — Marty Sklar

Carl Rinsch has a good balance between the visual and the drama and action, so I thought if he's going to direct, we can make a new, epic film. My fear was gone when I met him. — Hiroyuki Sanada

Most writers are unhappy with film adaptations of their work, and rightly so. 'Field of Dreams,' however, caught the spirit and essence of 'Shoeless Joe' while making the necessary changes to make the work more visual. — W.P. Kinsella

... and look down the glowing store front of a 24 hr bodega. I am not overly concerned about going in there with one bare foot and a considerable amount of dried blood on my clothing. This is the Bronx after all. But best to minimize the visual impact I might make. — Charlie Huston

In this city, the victors had delusions of grandeur. It was visual. Across the street from the hotel stood City Hall, sporting an oversized Serb flag that hung from the roof to the ground, a hundred feet tall, fifty feet wide, three horizontal stripes of blue, white and red, so large that only a strong breeze could make it flap. The flag, hanging over a building where, fifty years earlier, Kurt Waldheim worked as a lieutenant in the Wehrmacht, was meant as a projection of Serb nationalism, as though size were all that mattered, rather than content. I had never thought of flags as weapons, but in Bosnia, as in the rest of Europe, they were becoming the deadliest weapons of all.

p. 80 — Peter Maass

Film and theater are about misdirection and making the audience see something. I find it interesting. One of the things we do in 'True Blood' is shoot all of our stunts in camera. Instead of doing some kind of visual effect, we try to make it happen. — Stephen Moyer

Movies are visual, aural, they involve people, and life, and ideas and art, they are so elastic. They can hold anything, withstand everything, and make you feel anything. Other arts can do that, but movies are the only ones that can incorporate other media into cinema. — Wesley Morris

From the perspective of the radicals, the habitus basis of human existence is, as a whole, no more than a spiritually worthless puppet theatre into which a free ego-soul must be implanted after the fact, and through the greatest effort. If this fails, one experiences an effect in most people that is familiar from many athletes and models: they make a promising visual impression - but if one knocks, no one is at home. According to these doctrines, the adept can only rid themselves of their baggage by subjecting their life to a rigorous practice regime by which they can de-automize their behaviour in all important dimensions. At the same time, they must re-automatize their newly acquired behaviour so that what they want to be or represent becomes second nature. — Peter Sloterdijk

There is another important difference as well. Human eyes have three visual pigments, allowing us to see color. Octopuses have only one - which would make these masters of camouflage, commanding a glittering rainbow of colors, technically color-blind. How, then, does the octopus decide what colors to turn? New evidence suggests cephalopods might be able to see with their skin. — Sy Montgomery

Clothing, hair, shoes, accessories: these were props, visual cues, that people used to filter information and make instant assessments out of random connections, to categorize and assign value to those who populated their world. And layered beneath the props for sight came those for smell, and hearing, and more, that sense of intangibility that allowed people to read nuance and body language and interpret what the other senses didn't grasp directly; cues that together formed a picture that matched perceptions based on expectations and that, when adjusted one way or the other, filtered past the gatekeepers of the mind, allowing Munroe to become whatever she needed to be. — Taylor Stevens

The visual conjured in Val's mind - all that parched, wrinkled flesh in furious friction - culminated in flames, as if some giant cosmic Boy Scout had decided to rub two old people together to make a fire. — Christopher Moore

I love to perform not only music, but to make performances extremely visual, and create almost a magical fantasy. It's really an uplifting style of art that combines visuals and music in very dreamlike ways. — Lindsey Stirling

Sometimes when I write lyrics there are images in them, usually on a quite simplistic level, like colors. But most often music comes first and then later I sit down with visual people and we chat about what we want to do. I don't look at myself as a visual artist. I make music. — Bjork

Richard Felder is co-developer of the Index of Learning Styles. He suggests that there are eight different learning styles. Active learners absorb material best by applying it in some fashion or explaining it to others. Reflective learners prefer to consider the material before doing anything with it. Sensing learners like learning facts and tend to be good with details. Intuitive learners like to identify the relationships between things and are comfortable with abstract concepts. Visual learners remember best what they see, while verbal learners do better with written and spoken explanations. Sequential learners like to learn by following a process from one logical step to the next, while global learners tend to make cognitive leaps, continuously taking in information until they get it. — Ken Robinson

I try not to be overly literal. When I'm writing songs, I write down a lot of words, and then I try to simplify it. I like to give people hints or words that make visual pictures for them. — Neko Case

I continue to write essays about art. The visual is always part of my work, and it gives me immense pleasure to make up the words of art and create them verbally rather than build them. — Siri Hustvedt

Update a traditional element of your business with social media designs. Facebook, Twitter, and other social media are hot right now, and leveraging their popularity can make your business stand out, be memorable, and seem fresh and up-to-date. — Anita Campbell

Let's face facts, this is visual medium, there's a very high premium put on people who are good-looking. But the minute you rely on that you get yourself in trouble. You certainly don't make a career out of that anymore as an actor. — Alec Baldwin

What draws me to theater and religion are these rituals made to make you feel emotion. It's so banal in an interesting way. In visual art it's about making you feel emotional, but it's more subtle. — Ragnar Kjartansson

During dreaming, we're tuned inward, we experience vivid visual imagery, our conventional logic system is turned down, and social norms are loosened, all of which can lead to making more creative associations than we make when we're awake and our brain is censoring the illogical," she says. — Andrea Rock

I don't like seeing myself on television and I don't enjoy filming. What I actually enjoy is thinking about how I am going to express something or how we are going to make the visual metaphor. — Robert Winston

I write in order to understand the images. Being what my agent ... somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre. — Ellen McLaughlin

What appear to be the most valuable aspects of the theoretical physics we have are the mathematical descriptions which enable us to predict events. These equations are, we would argue, the only realities we can be certain of in physics; any other ways we have of thinking about the situation are visual aids or mnemonics which make it easier for beings with our sort of macroscopic experience to use and remember the equations. — Celia Green

But didn't everyone get everything? Hadn't they had enough yet? Everything on earth is tailored for this everyone. Everyone gets all the TV programs, damn near all the cinema, and about eighty percent of all music. After that come the secondary medium of painting and those other visual arts that do not move. Those are generally just for someone and although you always hear people moaning that there isn't enough of them, in truth someone does all right. Galleries, museums, basements in Berlin, studio flats, journals, bare walls in urban centers - someone gets what they want and deserve, most of the time. But where are the things that no one wants? Every now and then Alex would see or hear something that appeared to be for no one but soon enough it turned out to be for someone and, after a certain amount of advertising revenue had been spent, would explode into the world for everyone. Who was left to make stuff for no one? — Zadie Smith

Not only has photography so thoroughly saturated our visual environment as to make the invention of visual images seem archaic, but it is also clear that photography is too multiple, too useful to other discourses, ever to be wholly contained within traditional definitions of art. — Douglas Crimp

As the cinematographer is usually more visual than the director is and full cooperation is really the answer and to make a great film, you need a good director and you need a good cinematographer. — Vilmos Zsigmond

Inheritance adds complexity to a program, and, as such, it's a dangerous technique. As Java guru Joshua Bloch says, "Design and document for inheritance, or prohibit it." If a class isn't designed to be inherited from, make its members non-virtual in C++, final in Java, or non-overridable in Microsoft Visual Basic so that you can't inherit from it. — Steve McConnell

Once the screenplay is finished, I'd just as soon not make the film at all ... I have a strongly visual mind. I visualise a picture right down to the final cuts. I write all this out in the greatest detail in the script, and then I don't look at the script while I'm shooting. I know it off by heart, just as an orchestra conductor needs not look at the score ... When you finish the script, the film is perfect. But in shooting it you lose perhaps 40 percent of your original conception — Alfred Hitchcock

Dreams are important to me because they are so irrational. I'm attracted to things which seem to fit together but don't in fact make any sense. Dreams didn't really have a lot to do with the novel whereas "The Adventuress," which was my first visual book, is almost entirely based on dreams. I had ten more or less random drawings and then I thought well, I'll make a plot that connects all of them. "The Three Incestuous Sisters" was kind of the same. The three characters appeared in a dream and I knew who they were. — Audrey Niffenegger

I am often talking about the ideas collected in Normal Life in contexts that are not academic, or that are full of people who are not primarily engaging as theorists or theory-readers. Being able to make ideas visual, especially critical ideas about movements that can be difficult to hear because of attachments we have to certain national narratives, or because of ways that we see ourselves, is especially useful. — Dean Spade

Now, the big box office successes are superhero stories. It seems there's a lowest common denominator mentality, in terms of movies that are almost purely visual, that anyone can understand anywhere in the world. Good robot, bad robot: they fight. You don't need to know anything apart from that. And then we can make toys that look like that robot - and sell those toys or video games. — Terence Winter

I can't stop thinking about cutting myself up. Visual bruises can be covered with make-up, but down to the core, I'm all bruises. — Majandra Delfino

I played the violin my whole life. I wanted to play from the time I was just a little kid, and I've always loved dance as well. I wanted to make people smile. I wanted to add an extra energy to my playing and make it visual and make it unique and fun. — Lindsey Stirling

I had seen "Force Majeure" and I just love that movie so much. And I really wanted to artistically give a little hello to the filmmakers, and that kind of back and forth dialogue between artists that say, "I loved your movie. I was influenced by your movie. If I didn't have this job, I wouldn't be thinking of that. Do my TV show and then one day I'll make a movie where I can play with some of the visual themes in "Force Majeure." — Jill Soloway

God's careful instructions for building the tabernacle in Exodus 31 remind us that his perfection sets the standard for whatever we create in his name. Whatever we happen to make-not only in the visual arts, but in all the arts-we should make it as well as we can, offering God our very best. — Philip Graham Ryken

The emotional, physical and aesthetic value of a sound is linked not only to the causal explanation we attribute to it but also to its own qualities of timbre and texture, to its own personal vibration. So just as directors and cinematographers (even those who will never make abstract films) have everything to gain by refining their knowledge of visual materials and textures, we can similarly benefit from disciplined attention to the inherent qualities of sounds. — Michel Chion

Teachers should be made aware of visual stress symptoms and the potential difference coloured lights, overlays and lenses could make to a learners perception. — Adele Devine

This is the way in which he (poet) did his work. He used to go out with a pencil and a tablet and note what struck him...and make a picture out of it...But Nature does not allow an inventory to be made of her charms! He should have left his pencil behind, and gone forth in a meditative spirit; and, on a later day, he should have embodied in verse not all that he had noted but what he best remembered of the scene; and he would have then presented us with its soul, and not with the mere visual aspect of it. — William Wordsworth

I always say that I'm an artist who works with pictures and words, so I think that the different aspects of my activity, whether it's writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don't make any separation in terms of those practices. — Barbara Kruger

Experiments in the visual arts (the invention of new ways of seeing things), are made because, due to the way the apparatus that makes up the mind is made, old processes and patterns have continually to be broken up in order to make it possible to perceive the new aspects and arrangements of evolving consciousness. The great enemy of intelligence is complacency. — John Dos Passos

In the editing process, I delete what I do not want to use, move what remains around if necessary and add elements that I feel will make my visual statement as clear and understandable as possible. — Gerald Brommer

Chit's tendencies can become pure [transparent] in front of God, but people don't have this knowhow. The easiest solution to purify chit's tendencies is to associate with a person who has the least amount of desires and the ultimate solution to make them pure is the inner visual contemplation (niddidhyasan) of the Vitarag (the enlightened ones who are free of all attachments). — Dada Bhagwan