Make The First Move Quotes & Sayings
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Writing, music, sculpting, painting, and prayer! These are the three things that are most closely related! Writers, musicians, sculptors, painters, and the faithful are the ones who make things out of nothing. Everybody else, they make things out of something, they have materials! But a written work can be done with nothing, it can begin in the soul! A musical piece begins with a harmony in the soul, a sculpture begins with a formless, useless piece of rock chiseled and formed and molded into the thing that was first conceived in the sculptor's heart! A painting can be carried inside the mind for a lifetime, before ever being put onto paper or canvass! And a prayer! A prayer is a thought, a remembrance, a whisper, a communion, that is from the soul going to what cannot be seen, yet it can move mountains! And so I believe that these five things are interrelated, these five kinds of people are kin. — C. JoyBell C.

These neighborhood was our first home as a community but, once Italians began to gain status as "full" Americans, they moved out of the communities that they co-habited with other immigrants and people of color. The rootedness in this community shifted into a dissention of difference and of privilege. In order for Italian-Americans to mark their new social location under assumed "Whiteness," they had to make a physical move away from the marginal communities of color. The discussion ended in my favor but would mark the beginning of a long struggle of unpacking the internalized oppression and discrimination that marked my family's identity of "White"-working class-Italian-Americans learning to assimilate while keeping their hyphenated identity. Learning to build bridges between my different borders and my passions has been a continual process for me. — Lachrista Greco

Ergo: girls should always make the first move, because (a) they are, on the whole, less likely to be rejected than guys, (b) that way, girls will never get kissed unless they want to be kissed. — John Green

When you're facing down multiple attackers, you always want to make the first move. It lets them know that you're ready to fight and that you're crazy enough to get the party started. One rule of thumb in fighting is that crazy can often overcome skill and numbers, because, while a trained fighter might actually enjoy going up against another trained fighter, no one really wants to wrestle with crazy. Crazy doesn't know when it's winning. And crazy doesn't know when to stop. If you can't pull off crazy, if, for instance, you're handcuffed in a small van with six armed assailants, stupid is a decent substitute for crazy. — Richard Kadrey

Italian girls are famous for being snobby and expecting men to make the first move. In America, if I don't make eye contact, the guys won't come over and talk. American girls just go for it. You men are spoiled. — Silvia Colloca

So what do I do? What do we do? How do we move forward when we are tired and afraid? What do we do when the voice in our head is yelling that WE ARE NEVER GONNA MAKE IT? How do we drag ourselves through the muck when our brain is telling us youaredumbandyouwillneverfinishandnoonecaresanditistimeyoustop? Well, the first thing we do is take our brain out and put it in a drawer. Stick it somewhere and let it tantrum until it wears itself out. You may still hear the brain and all the shitty things it is saying to you, but it will be muffled, and just the fact that it is not in your head anymore will make things seem clearer. — Amy Poehler

Once you move away from home, it's never quite the same again. You expect everything to be just as you left it, and it never is. It's almost the first step into adulthood, realizing you've got to make your own way. — Saoirse Ronan

The Girlfriend 911 Cheat Sheet:
1) Change your behavior, and you'll change his.
2) Create a high standard for yourself.
3) Create a boundary for yourself and for him.
4) Allow him to take the lead every step of the way. It's a chess game. He makes his move, then you make yours.
5) Don't contact him unless he contacts you first. Don't play games or lead him on if you're not interested. Always be honest and up-front with your intentions.
6) Pay close attention to signs and red flags. Don't ignore them. When you see one, figure out what it means and act accordingly.
7) If you want a long-term relationship, postpone sleeping with him. Wait until a good amount of time has gone by, both of you are on the same page, and you both want to be in a committed relationship. If there's any doubt on his part, don't sleep with him. If he tells you he doesn't want to be in a relationship, take him at his word and move on. — Jacquee Kahn

The first rule of her
confrontational life-style was Always get the last word. The second
was Always make the first move. Making this first move was what she
thought of as Taking Care of Things, and she meant to take care of
Nettle in a hurry. — Stephen King

He liked to talk about the criminals he had put away, and how a person never knew, and how he had to protect his family, and how he wasn't going to let the other guy make the first move, but really it was just that Bert liked guns. The — Ann Patchett

Newsflash: it's not the guy who determines whether you're a sports fisher or a keeper-it's you. (Don't hate the player, hate the game.) When a man approaches you you're the one with total control over the situation-whether he can talk to you, buy you a drink, dance with you, get your number, take you home, see you again, all of that. We certainly want these things from you; that's why we talked to you in the first place. But it's you who decides if you're going to give us any of the things we want, and how, exactly, we're going to get them. Where you stand in our eyes is dictated by YOUR control over the situation. Every word you say, every move you make, every signal you give to a man will help him determine whether he should try to play you, be straight with you, or move on to the next woman to do a little more sport fishing. — Steve Harvey

Yeh always wait fer the Hippogriff ter make the first move,' Hagrid continued. 'It's polite, see? Yeh walk towards him, and yeh bow, an' yeh wait. If he bows back, yeh're allowed to touch him. If he doesn' bow, then get away from him sharpish, 'cause those talons hurt. — J.K. Rowling

First impressions matter more in basketball than in any other sport, and they can be savored only in person. Players can't hide behind pads or helmets, so we can stare at them, evaluate every move they make: running, jumping, walking, even ogling the cheerleaders. We can see every ripple and tattoo. If they're lazy, we can tell. — Bill Simmons

I cannot recall having believed, even as a child, that the purpose of reading fiction was to learn about the place commonly called the real world. I seem to have sensed from the first that to read fiction was to make available for myself a new kind of space. In that space, a version of myself was free to move among places and personages the distinguishing features of which were the feelings they caused to arise in me rather than their seeming appearance, much less their possible resemblance to places or persons in the world where I sat reading. — Gerald Murnane

You kind of never leave Arsenal. How many comebacks do you make? At one point it will turn out to be a bad move. We all love the first Rocky but I'm not too sure about the last one. — Thierry Henry

I feel good because it's my first finish in UFC. Training camp was long and hard and I prepared for a long fight but I have no complaints. I'm going to stay in this cycle and be this healthy in every camp. I feel great with this nutrition and the way my body has reacted to it. I'm firing on all cylinders. I've been talking about this move down for a long time and when you do it the right way you don't feel any effects. I don't want to make this harder than it needs to be. I've got great coaches and I know I haven't peaked yet. I'm going to keep getting better and I'm taking on all comers. — Daniel Cormier

I want you all to know," Skulduggery said, "that we are the first line of defence. In fact, we're practically the only line of defence. If we fail, there won't be a whole lot anyone else will be able to do. What I'm trying to say is that failure at this point isn't really the smart move to make. We are not to fail, do I make myself absolutely clear? Failure is bad, it won't help us in the short term and certainly won't do us any favours in the long run, and I think I've lost track of this speech, and I'm not too sure where it's headed. But I know where it started and that's what you've got to keep in mind. Where's my hat? — Derek Landy

Herman's Trauma and Recovery, which addresses rape, child molestation, and wartime trauma together, notes: Secrecy and silence are the perpetrator's first line of defense. If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure that no one listens. . . . After every atrocity one can expect to hear the same predictable apologies: it never happened; the victim lies; the victim exaggerates; the victim brought it on herself; and in any case it is time to forget the past and move on. The more powerful the perpetrator, the greater is his prerogative to name and define reality, and the more completely his arguments prevail. They — Rebecca Solnit

Secrecy and silence are the perpetrator's first line of defense. If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure that no one listens. . . . After every atrocity one can expect to hear the same predictable apologies: it never happened; the victim lies; the victim exaggerates; the victim brought it on herself; and in any case it is time to forget the past and move on. The more powerful the perpetrator, the greater is his prerogative to name and define reality, and the more completely his arguments prevail. — Rebecca Solnit

The Unexpected stalks a farm in big boots like a vagrant bent on havoc. Not every farmer is an inventor, but the good ones have the seeds of invention within them. Economy and efficiency move their relentless tinkering and yet the real motive often seems to be aesthetic. The mind that first designed a cutter bar is not far different from a mind that can take the intractable steel of an outsized sickle blade and make it hum in the end. The question is how to reduce the simplicity that constitutes a problem ("It's simple; it's broke.") to the greater simplicity that constitutes a solution. — Verlyn Klinkenborg

McReynolds emphatically shook his head. "No way. Legal's all over that deal. It's squeaky clean. Even the woman signed off. Trammel. I could make her a three-hundred-pound whore who likes black dick in the movie and she couldn't do a thing about it. That deal is perfect." "Yeah, well, what Legal's missed is the part about neither one of them having the rights to the story to sell you in the first place. Those rights happen to reside here with me. Trammel signed them over to me before Dahl came along and took second position. He thought he could move up one by stealing the original contracts out of my files. Only that's not going to work. I've got a witness to the theft and Dahl's fingerprints. He's going to go down on fraud and theft charges and your choice here is to decide whether you want to go down — Michael Connelly

I actually chafe at describing myself as masculine. For one thing, masculinity itself is such an expansive territory, encompassing boundaries of nationality, race, and class. Most importantly, individuals blaze their own trails across this landscape. And it's hard for me to label the intricate matrix of my gender as simply masculine.
To me, branding individual self-expression as simply feminine or masculine is like asking poets: Do you write in English or Spanish? The question leaves out the possibilities that the poetry is woven in Cantonese or Ladino, Swahili or Arabic. The question deals only with the system of language that the poet has been taught. It ignores the words each writer hauls up, hand over hand, from a common well. The music words make when finding themselves next to each other for the first time. The silences echoing in the space between ideas. The powerful winds of passion and belief that move the poet to write. — Leslie Feinberg

It hardly mattered. She was tired of waiting for him to acknowledge who he was. Tired of donning a false mask of gaiety when she was so much more - felt so much more - beneath. No one had ever noticed her mask. No one but him. If he couldn't or wouldn't make the first move, then damn it, she would. — Elizabeth Hoyt

Wanna know what a bullet feels like, Warren? A real one? It's not like in the comics ... I think you need to. Feel it ... It's not going to make a neat little hole. First - it'll obliterate your internal organs. Your lung will collapse, feels like drowning ... When it finally hits your spine, it'll blow your central nervous system- ... I'm talking. The pain will be unbearable, but you won't be able to move ... A bullet usually travels faster than this, of course. But the dying? It seems like it takes forever. Something, isn't it? One tiny piece of metal destroys everything. It ripped her insides out ... It took her light away. From me. From the world ... And now the one person who should be here is gone - and a waste like you gets to live. A tiny piece of metal. Can you feel it now? — Joss Whedon

Sometimes I wish the girl would make the first move. — Devon Werkheiser

One night I came home. I figured, let my wife come on. I'll play it cool. Let her make the first move. She went to Florida. — Rodney Dangerfield

I don't know much about the music business, but for just general advice for someone trying to create things, as simple as this sounds, I think the best thing you can do is constantly try to improve upon your work. Always focus on that first and foremost, and leave everything else (marketing, image) completely secondary. Obviously, easier said than done when you're trying to make a living, but if you can move along those lines and earnestly try to make things that you really enjoy it can only benefit you in the long run. — Joe Rogan

Jace set what he was holding down on the windowsill and reached out to her. She came to lean against him, and his hand slid up under her t-shirt and rested caressingly, possessively, on the small of her back. He bent to kiss her, gently at first, but the gentleness went quickly and soon she was pressed up against the glass of the window, his hands at the hem of her shirt - his shirt
"Jace." She moved a little bit away. "I'm pretty sure people down there in the street can see us."
"We could ... " He gestured toward the bed. "Move ... over there."
She grinned. "You said that like it took you a while to come up with the idea."
When he spoke, his voice was muffled against her neck. "What can I say, you make my thought processes slow down. Now I know what it's like to be a normal person."
"How ... is it?" The things he was doing with his hands under the t-shirt were distracting.
"Terrible. I'm already way behind on my quota of witty comments for the day. — Cassandra Clare

The generals have a saying: "Rather than make the first move it is better to wait and see. Rather than advance an inch it is better to retreat a yard." This is called going forward without advancing, pushing back without using weapons. There is no greater misfortune than underestimating your enemy. Underestimating your enemy means thinking that he is evil. Thus you destroy your three treasures and become an enemy yourself. When two great forces oppose each other, the victory will go to the one that knows how to yield. — Laozi

I took part in a theatre festival in Massachusetts two summers after I graduated from college. Then I was in Los Angeles thinking: "I'm going to go to New York." I'd decided that I would not have a chance of a film career, so I was about to make the move. I bought a plane ticket and found a place to live in New York, packed my bags and of course the universe "told me" that I was not meant to go. Suddenly, a week before I was supposed to leave, I had three job offers and one of them was my first movie. — Chris Pine

When in a superior bargaining position, one should never make the first move. — Jim Starlin

Recognize those times when it's best to do nothing. The weeks and months following a significant loss, including death, divorce, or the incapacitation of a loved one, are fraught with emotions. We typically do not make our best decisions under circumstances such as these. **Avoid the inclination to immediately put your house on the market** cash in all your savings, and move to the south of France, or trust the first person who comes along who says he or she can give you all the help you need. — Lois P Frankel

A smaller plate got mixed in with the large ones I'm working on. I'm tempted to put it back into the dishwasher by the other plates that size, but that's - that's probably weird, I think, and Mirjam is looking, so I just set it aside for a stack of its own. "We were selected early on. We couldn't make it on board sooner."
I have no idea if that lie will hold water, but Mirjam is nodding. "Gotcha. I was happy to move on board, myself. Someone broke into our house the other month - looking for food, I guess - and it didn't feel safe after that. Plus, it was cold. We had to board up the window they broke, and couldn't find anyone to fix it properly."
"That sucks," I say - usually a safe response.
"Tell me about it."
I have a nice stack of plates now. I put my hands on each side of it, straightening the stack before reaching for the first batch of small plates. There's a sense of relief when I add them to the single plate I set aside. — Corinne Duyvis

Rhys straightened. "You'd- make me food?"
"Heat," I said. "I can't cook."
It didn't seem to make a difference. But whatever it was, the act of offering him food... I dumped some cold soup into a pan and lit the burner. "I don't know the rules," I said, my back to him. "So you need to explain them to me."
He lingered in the center of the cabin, watching my every move. He said hoarsely, "It's an... important moment when a female offers her mate food. It goes back to whatever beats we were a long, long time ago. But it still matters. The first time matters. Some mated pairs will make an occasion of it- throwing a party just so the female can formally offer mate food... That's usually done amongst the wealthy. But it means that the female... accepts the bond."
I stared into the soup. "Tell me the story- tell me everything."
He understood my offer: tell me while I cooked, and I'd decide at the end whether or not to offer him that food. — Sarah J. Maas

walked down the hill and stuck out my thumb, standing in the same spot where I had stood when I hitchhiked to high school. My clothes and gear were in my official Boy Scout backpack, a big old thing on an aluminum rack, with my sleeping bag and pup tent lashed to it. I'd been a serious Boy Scout - I joined at 12, after my failed Little League career, and took to it immediately, racking up merit badges and making it all the way to Eagle Scout. I knew first aid, how to start a fire in the rain, how to make a mean camp stew, and lots of other useful stuff. And I didn't mind sleeping outside, which was a good thing, since there was no way I could afford motels. My official Boy Scout sheath knife, a serious piece of business with a leather-wrapped handle and a five-inch blade, was also in the pack; I'd move it into my boot by the end of the first day. — David Noonan

Humor is a show of both strength and of vulnerability: you are willing to make the first move but you are trusting in the response of your listener. — Gina Barreca

Fun fact about life or death fights between capes. You start letting your enemies make the first move, your mortality rate triples. — Wildbow

If you want something bad enough, you've got to make a bold move. Just make sure you clear the bold move with the people whose lives it's going to affect. Like George Washington, had to get all those guys who the British killed to agree to die. Neil Armstrong, had to crank a couple of elbows into Buzz Aldrin's face mask to make sure he got on the moon first. And Christopher Titus, well, he worked his dad for five grand. Ha ha. Who can't support who ? I know, it's complicated. — Christopher Titus

Psychotics, say what you want about them, tend to make the first move. — David Foster Wallace

Life is what you make it. Today is the first day of the rest of your life. You can't change the past, but the future isn't set in stone. You can effect a change there. Move forward not with hatred or love. Move forward with purpose. ========== Dream Chaser (Kenyon, Sherrilyn) — Anonymous

As they crept closer, I decided to make my move first and surprise them. I selected my prey, the biggest one! The reasoning behind this is that if you deck the largest and strongest one out of a group then it sends out a clear-cut message to the rest of them. — Stephen Richards

You think,' she said, 'because you've identified one purpose of mine, that you know what I'm doing. But this inquiry among printers was something of a discovered attack.'
[...]
'What do you mean, a discovered attack?'
'A tactical term.' She touched her fingertips together. 'When you make a move, you do two things. First, you move forward - and the space you now occupy has value. But you also vacate the spot where you once were, exposing your enemy's flank to longer-ranged attacks. Be aware of where you are, and the space you'll leave behind.'
'That's not a sense of tactics you have,' he said, blinking down at her. 'That sounds like actual tactical training. Where would a half-blind near-spinster acquire that? — Courtney Milan

Now I'm hot and bothered, and wondering why my new neighbor isn't putting the moves on me." "Maybe he doesn't want to push you too far, too fast and scare you off." Gideon's eyes glittered in the light of the television. "Is that so?" He nuzzled his nose against my temple. "If he has half a brain, he'd know not to let you get away." Oh ... "Maybe I should make the first move," I whispered, wrapping my fingers around his wrist. "But what if he thinks I'm too easy?" "He'll be too busy thinking he's damned luck. — Sylvia Day

The End of Idolatry At the end, idols completely fail. They not only fail to deliver the godlikeness and immortality they promised at first, they rob their worshipers of even the most minimal human dignity and agency. Of all the charges the biblical prophets file against idols, the most damning is this: "Those who make them become like them." The very human creativity that was able to fashion a god substitute is undermined and eventually eradicated by idolatry. The idol maker, originally an image bearer, becomes as inanimate and mute as a statue, no longer able to move, feel, care or love. The idol, originally invested with all the human hopes for power, ends up robbing human beings of their power. — Andy Crouch

[Non-performing songwriters] climb the mountain the first time, take their successes in stride, and when they tumble down the mountain, they just consider the tumble part of their profession and don't even waste time mourning their slump. They continue to write, make new connections, and move forward toward a new round of success. — Michael Kosser

Such incidents usually move me to try to find relief in the building of a maxim. It is a good way, because if you have luck you can get the venom out of yourself and into the maxim; then comfort and a healed spirit follow. Maxims are not easy to make; they do not come in right shape at the first call; they are creatures of evolution, of development; you have to try several plans before you get one that suits you, or even comes fairly near to suiting you. — Mark Twain

People who take the risk make a tremendous discovery: The more things you care about, and the more intensely you care, the more alive you are. This capacity for caring can illuminate any relationship: marriage, family, friendships-even the ties of affection that often join humans and animals. Each of us is born with some of it, but whether we let it expand or diminish is largely up to us. To care, you have to surrender the armor of indifference. You have to be willing to act, to make the first move. — Arthur Gordon Webster

If Mr. Obama wants to get things done, he must recognize that in Washington only the president has the power to make the first big move. — Ari Fleischer

In writing short stories - as in writing novels - take one
thing at a time. (For some writers, this advice I'm giving may
apply best to a first draft; for others, it may hinder the flow at
first but be useful when time for revision comes.) Treat a short
passage of description as a complete unit and make that one
small unit as perfect as you can; then turn to the next unit
a passage of dialogue, say - and make that as perfect as you can.
Move to larger units, the individual scenes that together make
up the plot, and work each scene until it sparkles. — John Gardner

Transformational acting was the reason why I became an actor in the first place. Your hair and make-up and the costume are the tools that you have, and it makes you feel like that person. When you look in the mirror, you don't feel like yourself, and it changes the way you move. I love that stuff. — Matt Ross

I think all of us struggle with how to keep relationship alive. And yet it can't be static either. It's never going to be how it was when you first met because you're not in that place anymore; you're not necessarily the same people. So, that's the struggle - you're trying to make the relationship move forward with the rest of your life and make it special and meaningful. And I think it's incredibly challenging. — Julianne Moore

Young people are inept at love; it is like being given a flying machine, and you leap inside, ready to set off as you've always dreamed, yet you don't have the first notion of how to make it start, much less how to make it move. — Andrew Sean Greer

Professional marriage counselors agree that the most productive and mature way to deal with marital anger is to stomp dramatically from the room. You want to make your move before the opponent does, because the first person to stomp from the room receives valuable Argument Points that can be redeemed for exciting merchandise at the Marital Prize Redemption Center. — Dave Barry

Basically, I don't ever move too far past the death, burial and resurrection of Jesus, because it's of first importance. And I make sure it's of first importance with anyone I'm talking to. It all comes down to that, really, when you get right down to it. So it's not complex. Jesus removed our sins and guarantees we can be raised from the dead. — Phil Robertson

I don't want to do this. I can't explain how badly I don't want to hurt Julian. But when has what I wanted ever mattered? My people need this. Eo sacrificed happiness and her life. I can sacrifice my wants. I can sacrifice this slender princeling. I can even sacrifice my soul.
I make the first move toward Julian.
"Darrow ... ," he murmurs.
Darrow was kind in Lykos.
I am not. I hate myself for it. I think I'm crying, because my vision is unclear. — Pierce Brown

I make mistakes and I move on. That's what I do, that's what I've always done. I leave, and other people leave. You're the first person in my whole life who stayed. And then you were taken away. But now you're here again ... and you're trying to leave me. That fucking hurts, too. — Jane Harvey-Berrick

My identity does not begin when I begin to understand myself. There is something previous to what I think about myself, and it is what God thinks of me. That means that everything I think and feel is by nature a response, and the one to whom I respond is God. I never speak the first word. I never make the first move. — Eugene H. Peterson

The problem with being an alpha is that you can never make the first move.
Makes you feel like you're taking advantage of your position. You have to wait until
the other person decides they want in."
Jim set the basket on the coffee table and crouched by me.
"And sometimes it seems like that person likes you, and you try to test the waters,
so you try to tell her how you feel, that she matters and that you want to be with her
and you're concerned about her safety. And every time you do that, she waves her
arms around and accuses you of being a controlling alpha asshole. So you back off
and hope you didn't completely fuck it up."
He was close, too close. I just stared at him. What was happening ... "Why are
you telling me this?"
His voice was low and smooth. "That time when I told you it didn't matter what
your mother thought about your looks ... "
"Aha ... "
"I meant it," he said. "Because I think you're beautiful. — Ilona Andrews

She spent the entire day at the house, debating the issue with herself. First, she watched TV. British television seemed to consist mostly of makeover shows. Garden makeovers. Fashion makeovers. House makeovers. Everything relating to change. It seemed like a hint. Change something. Make a move. She — Maureen Johnson

Stories weren't just make believe, all Dr. Seuss and Mother Goose. I saw a circle: first life, then death. Spring, summer, fall, winter. Blue sky and storms and quilts of cold clouds occupy the same space but at different times. Memories and stories help you rebuild. Things most precious to you may be gone, lost to the wicked wind, but you remember what had been, and you move on. — Rachael Hanel

He was watching her, testing the edges of her emotions and believing she was unaware of what he was doing. So she gave him the emotion he craved most from her, need. She couldn't say it , couldn't make the first move. She counted on him to do that. It absolved her of responsibility for the mistake she intended to make. — Melissa Marr

This was the affair which had ended quietly and decently, without fuss or scenes or hysteria. When you were nineteen, and it was the first time you had been let down, you did not make scenes. You felt as if your back was broken, as if you would never move again. But you did not make a scene. That started later on, when the same thing had happened five or six times over, and you were supposed to be getting used to it. — Jean Rhys

Gregorius was never to forget this scene. They were his first Portuguese words in the real world and they worked. That words could cause something in the world, make someone move or stop, laugh or cry: even as a child he had found it enigmatic and it had never stopped impressing him. How did words do that? Wasn't it like magic?But at this moment, the mystery seemed greater than usual, for these were words he hadn't even known yesterday morning. — Pascal Mercier

You can't succeed like that. It's always easier to attack than to defend. Defending, you have to devote attention to anticipating the enemy, you can't devote too much planning to any one aspect of the defense. You can be creative when attacking. It's why villains tend to win more than they lose. Most of the time, they get to make the first move. They get to rob a bank, and the heroes have to react, to guard. — Wildbow

I understand how families become estranged, not by design, but by embarrassment. You come to a point when so much time has passed that it seems impossible to make the first move — Michelle Richmond

There's never a right time to say goodbye. But I gotta make the first move 'cause if I don't you're gonna start hating me. — Chris Brown

tucked an arm around the back of Prophet's neck and Prophet buried his face in Doc's shoulder as Doc said, "It's not fair. I know it's not. But before you do anything else, you have to tell Tom." "How do you know I haven't?" "How do I know the sun rises in the morning?" "Fucker," Prophet muttered against Doc's shoulder. "Disability-hater." Doc rubbed the back of his neck but didn't make a move to let him go. And Prophet was okay with that. "Do you want me to tell him?" Doc asked finally. "Yeah. But you can't." God, it was safe right here, with Doc. And Prophet wanted it to be this safe with Tommy . . . and it was, except for this issue. Which he hadn't given Tommy the chance to deal with. "I can be there with you. I'll answer the questions he'll have, so you don't have to." Prophet lifted his head. "Yeah, I get you're trying to make it easier on me, but fuck, it's not going to be at all. I can't pretend anything will help." "Not pretending is the first step. — S.E. Jakes

One of the best things about life is friends. We all agree on that. And yet our shyness with strangers often prevents friendship from ever gaining a foothold. If only we would realize that the other person is probably just as shy as we are and is simply waiting - and hoping - for us to make the first move. — Jerry Spinelli

I never make a mistake on the first move! — Ernst Grunfeld

When we are fully mindful of the transience of things - an impending return home from an overseas adventure, a graduation, our child boarding the school bus for the first day of kindergarten, a close colleague changing jobs, a move to a new city - we are more likely to appreciate [be grateful for] and savor the remaining time that we do have. Although bittersweet experiences also make us sad, it is this sadness that prompts us, instead of taking it for granted, to come to appreciate the positive aspects of our vacation, colleague, or hometown; it's 'now or never.' — Sonja Lyubomirsky

He came to believe that this was the very sort of thing that happened when you let yourself get caught in one culture's insistence that love ought to be like this or that. The key for people like him, he ultimately concluded, in this as in most matters, was to be nimble. Your privilege as an immigrant was to pick and choose your inheritance, maintain what suited you and participate merely to the extent of your patience and interest. It was not in your nature to align with one side fully, and so you couldn't help but make a life that was both apart and among. You didn't make one choice and stick with it but, rather, hundreds of minor choices with which you created a unique path through the corridors of old traditions and the avenues of the new. And you cultivated this dividedness because you carried always the imprint of that first move -- the decision to leave home. Indeed, this initiating choice, more than anything, was your true inheritance. — Saher Alam

Kasen lifted one of the bottles and read the label. "This stuff can kill you." "Yeah, but obviously not quick enough." He went to take another swig. Nykyrian jerked it out of his hand. "Hey!" He pulled it away from his grasping hand. "Don't even make that noise at me." Syn curled his lip. "You and Vik. You're both traitors. You might as well move in with Shahara, too." Vik had gone to live with her and refused to come back until Syn "got over himself". Little wormy betraying mecha bastard. Kasen shook her head. "I think this is the first time I've ever seen you drink from a bottle." Nykyrian snorted. "Lucky you. I've seen him tap a keg and funnel it."
- Kasen, Syn, & Nykyrian — Sherrilyn Kenyon

When I'm talking to people, I find myself quoting the three organizing rules of Black Lives Matter. Black Lives Matter was initiated by three young women, and too few people know that. But, anyway, the first one is lead with love. The second is low ego, high impact. The third is move with the speed of trust. I must say those make me feel very hopeful for the future. — Gloria Steinem

We could already try to lend a hand, to intervene if only by simply moving objects around. This would be better, on the whole, than waiting for the thick wall encircling life to brutally make the first move. (As happens during wartime.) — Tom McDonough

The mistake people that want to be actors make is to move to New York or L.A. right away. But it's like ... go act somewhere first. Be an actor. A story is a story, and an audience is an audience, no matter where you're doing it. — Conrad Ricamora

Seventeen times against the wall or in the barn: You move or scream or say anything I will kill them all. In front of you. First I will torture them and then I will kill them. Her eyes as dead as she can make them. Her arms as limp as she can make them. Her heart as hidden as she can make it. A soldier's cock entering the thin white flesh of a girl, into the small red cave of her, the fist of her heart pounding out be-dead, be-dead, be-dead.
Counting. — Lidia Yuknavitch

Those whom nature destined to make her disciples have no need of teachers. Bacon, Descartes, Newton - these tutors of the human race had no need of tutors themselves, and what guides could have led them to those places where their vast genius carried them? Ordinary teachers could only have limited their understanding by confining it to their own narrow capabilities. With the first obstacles, they learned to exert themselves and made the effort to traverse the immense space they moved through. If it is necessary to permit some men to devote themselves to the study of the sciences and the arts, that should be only for those who feel in themselves the power to walk alone in those men's footsteps and to move beyond them. It is the task of this small number of people to raise monuments to the glory of the human mind. — Jean-Jacques Rousseau

Perhaps I shall not write my account of the Paleolithic at all, but make a film of it. A silent film at that, in which I shall show you first the great slumbering rocks of the Cambrian period, and move from those to the mountains of Wales ... from Ordovician to Devonian, on the lush glowing Cotswolds, on to the white cliffs of Dover ... An impressionistic, dreaming film, in which the folded rocks arise and flower and grow and become Salisbury Cathedral and York Minster ... — Penelope Lively

It is not. The aspiring leader has been set up to fail. He just doesn't recognize it yet. The first few months go well, but reality soon sets in. It is not easy for one person to create change in a large corporation. After one year, the leader feels though he is trying to make innovation happen inside an organization that is, in every way, determined to fight his every move. — Chris Trimble

Everyone he loved was gone. Everything he knew was over. Where was he supposed to go now? What was he supposed to do? Just then, someone grabbed him from behind. Before he knew what was happening, a gloved hand was over his nose and mouth, and his legs were kicked out from under him. He hit the ground hard and found himself lying face-first in the mud. The gloved hand tightened its grip. He couldn't move, couldn't scream, couldn't even breathe. "Don't make a sound," someone whispered in his ear. "Just listen carefully, and do exactly what I say. — Joel C. Rosenberg

I think I've done a lot in this business, whether through screwball methods or not I don't know, that has helped other bands. I made a kind of road for them, you might say. If I raised my price, they found out about it and raised theirs. But somebody had to start it, to make the first move. You have to have the courage and confidence in your own ability. You have to know what the hell and who the hell you are in this business. Music may change, but I don't think that ever will. — Benny Goodman

In order to escape accountability for his crimes, the perpetrator does everything in his power to promote forgetting. Secrecy and silence are the perpetrator's first line of defense. If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure that no one listens. To this end, he marshals an impressive array of arguments, from the most blatant denial to the most sophisticated and elegant rationalization. After every atrocity one can expect to hear the same predictable apologies: it never happened; the victim lies; the victim exaggerates; the victim brought it upon herself; and in any case it is time to forget the past and move on. The more powerful the perpetrator, the greater is his prerogative to name and define reality, and the more completely his arguments prevail. JUDITH LEWIS HERMAN Trauma and Recovery — Jon Krakauer

All those years ago on the playground, it would have been better if that teacher had just said, Lysa, staying stuck in your fear is way worse than any other choice you could make right now. If you let go of that bar and happen to catch the next one, you'll move forward and prove to yourself that you can do this. Or, if you let go of that bar and fall, you'll see that the ground isn't so far away. It won't feel great to fall, but it won't be worse than all the stress and exhaustion you're experiencing just hanging there on the first bar. — Lysa TerKeurst

As I said in the chipping chapter, I don't want the grip end of the club moving very far. If you get the idea that you need to make a faster swing with your arms doing most of the work, the first thing that's going to happen is that the pulling action of the left arm will send your left shoulder up, tilt your spine back, away from the target, move the bottom of your swing way behind the ball, and there it is - a fat shot, or a skull from hitting it on the upswing. Think of it as a bigger pivot and you'll start to feel the chain reaction — Stan Utley

One of the first exercises we did in acting class my freshman year was to stand in two rows, two lines facing each other as a class, and just make sounds and move in some completely nonsensical way out into the center of the room. Sort of make an idiot out of yourself, essentially, but to be okay with that. — Chris Parnell

If your ex is making things up about you, he's obviously miserable. It's just like, 'Wow, this person really cares to go out of their way to start a rumor about me.' I've dealt with it so much, obviously. The first couple of times, it really sucks. But then [they] just come out with something else. If you dwell on it, it's going to make you miserable. Just move on and laugh it off. — Brody Jenner

A step from the past always demands a step in the mind backed by a robust action. The very place you fall is the very place you make the first move to move. — Ernest Agyemang Yeboah

Where do you put a form? It will move all around, bellow out and shrink, and sometimes it winds up where it was in the first place. But at the end it feels different, and it had to make the voyage. I am a moralist and cannot accept what has not been paid for, or a form that has not been lived through. — Philip Guston

Love is like a game of chess. You're white. He's black. You wait for him to make a move, while staring into his handsome, melting-you-on-the-inside eyes, then realize what a dummy he is to not tell you straight out to go first. The beginning is the crush stage. You begin to realize how much you want to defeat him, or make him fall in love with you. By the time you get to the heat of the game, you both moved and are hopefully dating. If you haven't forfeit then because you don't want to be cheated on, you make another move- head on shoulder, hand holding, etc. Black makes another move-he gives you his jacket on a freezing night. By the endgame, he either realizes how stupid he was to play with you and forfeits, or he realizes how smart you are and lets you defeat him (and love you). By the time you win, you're married to him. A happily ever after game of chess. — Amrita Ramanathan

I love roundabouts. I absolutely think they're the best invention, and I don't care who invented the pen, the biro; whoever invented the roundabout, they should be up there on that plinth that they've got going on in Trafalgar Square. You can have a little bit of fun with it, you know. Will I go? Will I not go? The other car might go in my lane. There's a bit of a dance going. It's like a samba. Because in this city, sometimes you just come to a sudden gridlock and you think, well I'm waiting for him, he's waiting for me, he's waiting for him, and you've got everyone looking at everyone - who will make the first move? And you begin to move and he begins to move and then you stop, and everyone's being really polite. But every day you get somebody who just doesn't care, a young lad and he doesn't give a monkey's. — Craig Taylor

However, in order to make progress in anything, we must make the first move - from then on, our personal rhythm and intuition will show us how to conserve his energy. — Paulo Coelho

1st Valentine's Day: 200,000 BC men and women congregate on opposite sides of Pangaea, waiting for someone to make the first move. — Kristen Schaal

Ending a relationship doesn't end the love that was shared. Love doesn't ever die, it just morphs. Love is eternal. Allowing love to move freely rather than try to force it to be something it's not is the only way to find peace. Gratitude is the first step to happiness and peace. Accepting someone is not what you wanted them to be doesn't make anyone "bad" or "wrong." That's love. Accepting the whole. Letting go out of love takes courage. Staying safe is of the ego. Entrapment is of the ego. And fear. And letting go simply means allowing everyone to be who they are and to live the life they came here to live. — Camille Lucy

Desperately wanting to define what's in the air between us but unwilling to make the first move — Emily Giffin

Dr. Y. Hiraiwa, professor of Hiroshima University of Literature and Science, and one of my church members, was buried by the bomb under the two storied house with his son, a student of Tokyo University. Both of them could not move an inch under tremendously heavy pressure. And the house already caught fire. His son said, 'Father, we can do nothing except make our mind up to consecrate our lives for the country. Let us give Banzai to our Emperor.' Then the father followed after his son, 'Tenno-heika, Banzai, Banzai, Banzai!' . . . In thinking of their experience of that time Dr. Hiraiwa repeated, 'What a fortunate that we are Japanese! It was my first time I ever tasted such a beautiful spirit when I decided to die for our Emperor. — John Hersey

Existentialism's first move is to make every man aware of what he is and to make the full responsibility of his existence rest on him. — Jean-Paul Sartre

Can you make it past me, thief-catcher?" Mat called, careful not to take his eyes off the man waiting for him with blade poised to strike. Sandar had insisted irritably on "thief-catcher," not "thief-taker," though Mat could not see any difference.
"I cannot," Sandar called from behind him. "If you move to let me by, you will lose room to swing that oar you call a staff, and he will spit you like a grunt."
Like a what? "Well, think of something, Tairen. This ragamuffin is grating my nerves."
The man in the gold-striped coat sneered. "You will be honored to die on the blade of the High Lord Darlin, peasant, if I allow it so." It was the first time he had deigned to speak. "Instead, I think I will have the pair of you hung by the heels, and watch while the skin is stripped from your bodies - "
"I do not think I'd like that," Mat said. — Robert Jordan

They say that dogs may dream, and when Topsy was old, his feet would move in his sleep. With his eyes closed he would often make a noise that sounded quite human, as if greeting someone in his dreams. At first it seemed that he believed Sara would return, but as the years went by I understood that his loyalty asked for no reward, and that love comes in unexpected forms. His wish was small, as hers had been
merely to be beside her. As for me, I already knew I would never get what I wanted. — Alice Hoffman

When it's just sex, you're allowed to be predatory, to make the first move, to entice them into bed, because it's not necessary to make them fall in love with you. — Jane Green