Make Stories Out Of Quotes & Sayings

The trees all whisper, leaves gossiping. The stones are heavy thinkers, the sullen silent types. He used to make up stories for everything in nature, giving it all voices, lives. If the moor wind ever sings, you mustn't listen, not with all of your ears. Use only the edges. Listen the way you'd look out the corners of your eyes. The wind is lonely, love, and always looking for company. — Victoria Schwab

You digest and absorb your life by turning it into stories,' he says, 'the same way this theater seems to digest people.' With one hand, he points to a carpet stain, this dark stain sticky and growing mold, branched with arms and legs.
Other events - the ones you can't digest - they poison you. Those worst parts of your life, those moments you can't talk about, they rot you from the inside out. Until you're Cassandra's wet shadow on the ground. Sunk in your own yellow protein mud.
But the stories that you can digest, that you can tell - you can take control of those past moments. You can shape them, craft them. Master them. And use them to your own good. Those are stories as important as food. Those are stories you can use to make people laugh or cry or sick. Or scared. To make people feel the way you felt. To help exhaust that past moment for them and for you. Until that moment is dead.
Consumed. Digested. Absorbed. — Chuck Palahniuk

I sail, run dogs, ride horses, play professional poker and tell stories about the stuff I've been through. And I'm still a romantic; I still want Bambi to make it out of the fire. — Gary Paulsen

Indirectly, though, he was present in many of our conversations. Once, for instance, my father asked me a series of questions that suddenly made me wonder whether I understood even my father whom I felt closer to than any man I have ever known. "You like to tell true stories, don't you?" he asked, and I answered, "Yes, I like to tell stories that are true." Then he asked, "After you have finished your true stories sometime, why don't you make up a story and the people to go with it? "Only then will you understand what happened and why. "It is those we live with and love and should know who elude us." Now nearly all those I loved and did not understand when I was young are dead, but I still reach out to them. — Norman Maclean

The problem that I think is reasonable to assert about Fox and its coverage is that they make up stories out of whole cloth and then make a big deal out of them. — Rachel Maddow

I have a way of making narrative sculpture, where first you make a text and out of that text you make objects. I start with a story and then I make sculpture from that story, it's just that the stories become more and more elaborate. — Matthew Barney

Survivor has been such a hit, and out of that have come so many interesting stories from people that we don't see on the big screen. We have helped make them incredible celebrities. — Mary Hart

Why are you here?"
"To fetch the woman I cut from the veil of the rock."
"Why did you cut?"
"To send her spirit out, so that she would come to make the child, for me to teach to dance and sing and dream, to free the beasts within the rock to fill the world."
"Have you found her?"
"She is not here. There are only people horrible to see."
"Where are your stories?" said the other.
"I cannot tell them. My head is a cloud. — Alan Garner

The store of fairy tales, that blue chamber where stories lie waiting to be rediscovered, holds out the promise of just those creative enchantments, not only for its own characters caught in its own plotlines; it offers magical metamorphoses to the one who opens the door, who passes on what was found there, and to those who hear what the storyteller brings. The faculty of wonder, like curiosity can make things happen; it is time for wishful thinking to have its due. — Marina Warner

All boys wish to be manly; but they often try to become so by copying the vices of men rather than their virtues. They see men drinking, smoking, swearing; so these poor little fellows sedulously imitate such bad habits, thinking they are making themselves more like men. They mistake rudeness for strength, disrespect to parents for independence. They read wretched stories about boy brigands and boy detectives, and fancy themselves heroes when they break the laws, and become troublesome and mischievous. Out of such false influences the criminal classes are recruited. Many a little boy who only wishes to be manly, becomes corrupted and debased by the bad examples around him and the bad literature which he reads. The cure for this is to give him good books, show him truly noble examples from life and history, and make him understand how infinitely above this mock-manliness is the true courage which ennobles human nature. — James Clarke

I feel good with my husband: I like his warmth and his bigness and his being-there and his making and his jokes and stories and what he reads and how he likes fishing and walks and pigs and foxes and little animals and is honest and not vain or fame-crazy and how he shows his gladness for what I cook him and joy for when I make him something, a poem or a cake, and how he is troubled when I am unhappy and wants to do anything so I can fight out my soul-battles and grow up with courage and a philosophical ease. I love his good smell and his body that fits with mine as if they were made in the same body-shop to do just that. What is only pieces, doled out here and there to this boy and that boy, that made me like pieces of them, is all jammed together in my husband. So I don't want to look around any more: I don't need to look around for anything. — Sylvia Plath

I was already doing a lot of splendid research reading all the books about ghosts I could get hold of, and particularly true ghost stories - so much so that it became necessary for me to read a chapter of _Little Women_ every night before I turned out the light - and at the same time I was collecting pictures of houses, particularly odd houses, to see what I could find to make into a suitable haunted house. — Shirley Jackson

But for my money, and for my understanding of Jung and depth psychology, the stories of the Bible (and all sacred texts and oral traditions) emerged out of the collective unconscious. Paradoxically, this doesn't make them any less valuable. It makes them much more valuable to us, because they reveal to us the nature of being human, which is the purpose of religion.
If religion is about the business of helping us to become human, then these sacred stories are about how to be human. That is what religion is. To me, the idea that these myths welled up out of the collective unconscious is a liberating and empowering realization. I get it now! What a relief! — J. Pittman McGehee

I know that there are a lot of people out there with stories far worse than mine but you, too, can make it. To those of you who have, welcome to life. I celebrate you. — Tyler Perry

When you make music, you're in really direct contact with your fans out there, so you hear all kinds of stories. — Jared Leto

Iff replied that the Plentimaw Fishes were what he called 'hunger artists' - 'Because when they are hungry they swallow stories through every mouth, and in their innards miracles occur; a little bit of one story joins on to an idea from another, and hey presto, when they spew the stories out they are not the old tales but new ones. Nothing comes from nothing, Thieflet; no story comes from nowhere; new stories are born from old - it is the new combinations that make them new. — Salman Rushdie

You always dream of going to the Olympics and winning gold. I've learned over the years that there are lots of gold medals, but certain stories stick out and make a difference. — Kerri Strug

It seems like I always wrote, I just didn't think of it as a career choice. I just liked to tell stories ... to myself, to pen pals (I had a lot of them, all over the world). Of course this was in the days before computers were everywhere, and anyone could access the Web. You had to make an effort keeping up a correspondence, and the arrival of the mail once a day was a big deal. I think if modern technology had been around when I was a kid, I would never have left my bedroom except to take the dogs out for their run three times a day. — Charles De Lint

The consensus in Holocaust and genocide studies is that the systems that make mass murder possible would not function without the broad participation of society, and yet nearly all histories of the Holocaust leave out half of those who populated that society, as if women's history happens somewhere else. It is an illogical approach and puzzling omission. The dramatic stories of these women reveal the darkest side of female activism. They show what can happen when women of varied backgrounds and professions are mobilized for war and acquiesce in genocide. — Wendy Lower

At least I want to be making films that are somehow born out of me that are stories I want to tell. The challenge is figuring out how to do it where you can make them personal, yet still deliver to an audience a film experience that is satisfying and emotional, and that's what I'm trying to do. — Gavin O'Connor

I like doing whatever interests me. It's a challenge for me to try to make good comics out of any genre I tackle. I trust my instincts in getting me through the more difficult genres for modern readers, like violent crime or horror stories. — Gilberto Hernandez Guerrero

I think that a true economics thinker or a Marxist thinker would make nonsense of my argument, although I have given massive seminars and no one has demolished it so far. I did think that this idea from an artisanal and trading perception of the auratic quality of goods when they are given character and inscription, made the stories of phantasmic wealth read more powerfully in the 18th and 19th centuries than the stories of Cinderella's wealth, because they are conjured out of nothing by these magic means. — Marina Warner

Later, when his desires had been satisfied, he slept in an odorous whorehouse, snoring lustily next to an insomniac tart, and dreamed. He could dream in seven languages: Italian, Spanic, Arabic, Persian, Russian, English and Portughese. He had picked up languages the way most sailors picked up diseases; languages were his gonorrhea, his syphilis, his scurvy, his ague,his plague. As soon as he fell asleep half the world started babbling in his brain, telling wondrous travelers' tales. In this half-discovered world every day brought news of fresh enchantments. The visionary, revelatory dream-poetry of the quotidian had not yet been crushed by blinkered, prosy fact. Himself a teller of tales, he had been driven out of his door by stories of wonder, and by one in particular, a story which could make his fortune or else cost him his life. — Salman Rushdie

Here's what I think. We all want someone to build a fort with. We want somebody to swap crayons with and play hide-and-seek with and live out imaginary stories with. We start out getting that from our family. Then we get it from our friends. And then, for whatever reasons, we get it in our heads that we need to get that feeling- that intimacy- from a single someone else. We call if growing up. But really, when you take sex out of it, what we want is a companion. And we make that so damn hard to find. — David Levithan

It's easier to make up stories
than it is to write them down. When I speak, the words come pouring out of me. The story
wakes up and walks all over the room. Sits in a chair, crosses one leg over the other, says,
Let me introduce myself. Then just starts going on and on. — Jacqueline Woodson

Our stories about our own lives are a form of fiction, I began to see and become more insistent as we grow older, even as we try to make them come out in some other way. — Roger Angell

As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing for instance. It has always been clear to me that the stories of each other's lives are our best textbooks. Every social justice movement that I know of has come out of people sitting in small groups, telling their life stories, and discovering that other people have shared similar experiences. So, if we've shared many experiences, then it probably has something to do with power or politics, and if we unify and act together, then we can make a change. — Gloria Steinem

Lady Sylvia McCordle: Mr Weissman
Tell us about the film you're going to make.
Morris Weissman: Oh, sure. It's called "Charlie Chan In London". It's a detective story.
Mabel Nesbitt: Set in London?
Morris Weissman: Well, not really. Most of it takes place at a shooting party in a country house. Sort of like this one, actually. Murder in the middle of the night, a lot of guests for the weekend, everyone's a suspect. You know, that sort of thing.
Constance: How horrid. And who turns out to have done it?
Morris Weissman: Oh, I couldn't tell you that. It would spoil it for you.
Constance: Oh, but none of us will see it. — Julian Fellowes

Begin. Keep on beginning. Nibble on everything.
Take a hike. Teach yourself to whistle. Lie.
The older you get the more they'll want your stories.
Make them up. Talk to stones. Short-out electric
fences. Swim with the sea turtle into the moon. Learn
how to die. Eat moonshine pie. Drink wild geranium
tea. Run naked in the rain. Everything that happens
will happen and none of us will be safe from it.
Pull up anchors. Sit close to the god of night.
Lie still in a stream and breathe water. Climb to the
top of the highest tree until you come to the branch
where the blue heron sleeps. Eat poems for breakfast.
Wear them on your forehead. Lick the mountain's
bare shoulder. Measure the color of days
around your mother's death. Put your hands over
your face and listen to what they tell you. — Ellen Kort

In a sense, all these stories make up one story, namely that of a people struggling to see the face of God, to pierce the riddle of loneliness, the mist of unreality, and to come to full meaning of life. Because it is a story of struggle, this story can shed much light on our own struggle to break out of the slavery of loneliness and to meet others and God in intimacy and love. — Ronald Rolheiser

When we combine very real workplace inequalities with these romantic opt-out stories, the idea that "having it all" is a laughable goal becomes enshrined as immutable truth. And when we portray opting out as a simple matter of "choice," we ignore the systematic problems that make combining work and motherhood so difficult. — Emily Matchar

Rules only have meaning as long as you're abiding by them. As soon as you start ignoring them, it turns out that you don't owe anyone anything, you're not obligated to make up all kinds of silly stories about things you actually know nothing about. Then it turns out that you can get by just fine without all those made-up stories, and there aren't any rules - what they're showing you doesn't exist anymore, so there's nothing to say. It's all a sham, they're just trying to use you... and it's all perfectly legal, of course. It's like school all over again. The thing is that we all grew up a long time ago, but we're still being treated like kids, like unintelligent, deceitful, irrational bastards who need to be coerced and corrected and have the right answers beaten out of them. — Serhiy Zhadan

I know a bit about his [Sirk] life, but it's more about his style than biography. He was European and came out of a theater background, and could easily be defined as 'Brechtian.' He was expressionistic in his films, and was an example of those intensely intellectual artists who ended up working for American studios, and was handed the Ladies Home Journal and asked to adapt the stories for the screen. He found ways to use his artistry to make them interesting and nuanced, while critiquing American values in the process. — Todd Haynes

I still think that of all the people doing top fiction today, John D. MacDonald is the best.He was my model as a kid. If there are people out there that want to write, all you need to do is read 20 of his stories to get an idea what it takes to make a story kick over. — Stephen King

There are stories that are true, in which each individual's tale is unique and tragic, and the worst of the tragedy is that we have heard it before, and we cannot allow ourselves to feel it to deeply. We build a shell around it like an oyster dealing with a painful particle of grit, coating it with smooth pearl layers in order to cope. This is how we walk and talk and function, day in, day out, immune to others' pain and loss. If it were to touch us it would cripple us or make saints of us; but, for the most part, it does not touch us. We cannot allow it to. — Neil Gaiman

Well, see, I think it's that most people don't like that lonely feeling. People don't like looking up and feeling small or lost. That's what I think prayer is all about. It doesn't matter which stories they believe in, they're all doing the same thing, kind of casting a line out to outer space, like there's something out there to connect to. It's like people make themselves part of something bigger that way, and maybe it makes them less afraid. — Craig Silvey

Wishbone

Half-eaten chicken
lying on white serving plate
quartered potatoes
chunks of carrots
celery too
we tell stories
and laugh about the day
your little finger is locked around the wishbone
so is mine
I pretend to make a wish
close my eyes
mumbling my lips
that's the way I faked out the nuns
pretending to say the rosary
so they would leave me alone
your face is so determined
you win the wrestling match
lifting your piece of chicken bone above your head
in victory
I know better than to ask
what did you wish for
secret desires of the heart are not to be shared
or
they won't come true
everyone knows that
you clean the dishes
I turn on the TV
lying on the couch
listening to you make music
with running water
and closing cupboard doors. — Robert Hobkirk

A man who tells secrets or stories must think of who is hearing or reading, for a story has as many versions as it has readers. Everyone takes what he wants or can from it and thus changes it to his measure. Some pick out parts and reject the rest, some strain the story through their mesh of prejudice, some paint it with their own delight. A story must have some points of contact with the reader to make him feel at home in it. Only then can he accept wonders. — John Steinbeck

We have to hear the stories of women at all ages of their lives in order to really present a picture of what it felt like to be alive in our time. That's what our job is as writers is to present that and create it. Our job as writers isn't to make as much money as we can. Our job is to create a record of this time. That's why if you leave out women and the stories of women, we failed at our mission. All of us. Men and women. — Marsha Norman

The teacher always used me as an example to the class of good English and good storytelling because we all had to write the same stories. But she used to make me go out front - which I hated - and read my story to the class and I would get huge applause. Not because of who I was but because they truly enjoyed the stories I wrote. — Michael Jackson

For me, if its television, if it's theater, if it's film, and it's good, I don't make much of distinction between the 3. I think there's only so many great stories out there. If you get the chance to be a part of one, it doesn't matter what it is. — Tom Cavanagh

My heart didn't break into a thousand pieces after he left. Instead, I realized all the things he didn't do. He didn't want to hear my stories. He didn't ask me questions. He didn't smile when I was talking to him. He didn't hug me out of the blue to make me feel good. His hugs were always a preamble to something else and after he was gone, I wondered if he ever knew me at all. — Diane Les Becquets

By nature, human beings search for ways to make sense and meaning out of their lives and their world. One way that we make meaning is through the telling of our stories. Stories connect us, teach us, and warn us never to forget. — Susan Campbell Bartoletti

We gathered up the kids and sat up on the hill. We had no time to get our chickens and no time to get our horses out of the corral. The water came in and smacked against the corral and broke the horses' legs. The drowned, and the chickens drowned. We sat on the hill and we cried. These are the stories we tell about the river," said [Ladona] Brave Bull Allard. The granddaughter of Chief Brave Bull, she told her story at a Missouri River symposium in Bismark, North Dakota, in the fall of 2003.

Before The Flood, her Standing Rock Sioux Tribe lived in a Garden of Eden, where nature provided all their needs. "In the summer, we would plant huge gardens because the land was fertile," she recalled. We had all our potatoes and squash. We canned all the berries that grew along the river. Now we don't have the plants and the medicine they used to make. — Bill Lambrecht

I live in a country where I'd say nine out of ten people know me when I walk through the streets. There's people taking pictures, there's tabloids trying to make up stories. I'm used to that. The same thing when I'm in Australia or the U.K.: I get stopped. — Trevor Noah

The issue I focus on the most is extreme poverty. I think it's kind of out of sight out of mind. I wish there would be more stories about that to connect people to what's happening. To personalize it, to make it real to people, to inspire them to action. — John Legend

Who makes things up? Who tells the real story? We all turn our lives into stories. It is a defining characteristic of our species. We retell our experiences. We quickly learn what parts are interesting to our listeners and what parts lag, and we shape our narratives accordingly. It doesn't mean we aren't telling the truth; we've simply learned which parts to leave out. Every time we tell the story again, we don't go back to the original event and start from scratch, we go back to the last time we told the story. It's the story we shape and improve on, we don't change what happened. This is also a way we have of protecting ourselves. It would be too painful to relive a childhood illness or the death of your best friend every time you had to speak of it. By telling the story from the story, instead of from the actual events, we are able to distance ourselves from our suffering. It also gives us the chance to make the story something people can hear. — Ann Patchett

Fear holds us back from living the lives we want. Use your 20s to make bold decisions, follow different paths, learn from heartbreak, and figure out who you are. When you're 30, do you want to look back at the same boring job, the stale relationship that isn't working, and no stamps in your passport? If you want something different, if you want a life that is filled with experiences, if you want to learn and grow, if you want to make a difference ... conquer the fears, believe in yourself, and just do it. You may be questioning something right now. You may be battling thoughts in your mind about taking a leap. Ask yourself what you have to lose if you leap. Ask yourself what kind of stories you want to have. Ask yourself if you're worth it, if you deserve it. — Katie Robinson

I can make a case that I regret nothing. After all, most of my mistakes turned out to be things I survived, or turned into funny stories, or, on occasion, even made money from. — Nora Ephron

was because he wanted there to be conspirators. It was much better to imagine men in some smoky room somewhere, made mad and cynical by privilege and power, plotting over the brandy. You had to cling to this sort of image, because if you didn't then you might have to face the fact that bad things happened because ordinary people, the kind who brushed the dog and told their children bedtime stories, were capable of then going out and doing horrible things to other ordinary people. It was so much easier to blame it on Them. It was bleakly depressing to think that They were Us. If it was Them, then nothing was anyone's fault. If it was Us, what did that make Me? After all, I'm one of Us. I must be. I've certainly never thought of myself as one of Them. No one ever thinks of themselves as one of Them. We're always one of Us. It's Them that do the bad things. Around — Terry Pratchett

You had to hand it to human beings. They had one of the strangest powers in the universe. Even her grandfather had remarked upon it. No other species anywhere in the world had invented boredom. Perhaps it was boredom, not intelligence, that had propelled them up the evolutionary ladder. Trolls and dwarfs had it, too, that strange ability to look at the universe and think "oh, the same as yesterday, how dull. I wonder what happens if I bang this rock on that head?" And along with this had come the contrary power, to make things normal. The world changed mightily, and within a few days humans considered it was normal. They had the most amazing ability to shut out and forget what didn't fit. They told themselves little stories to explain away the inexplicable, to make things normal. Historians — Terry Pratchett

Remembrance is acknowledging that a life was lived ...
My father finally wrote out his memories for a reason. I took on a year of reading books for a reason. Because words are witness to life: they record what has happened, and they make it all real.
Words create the stories that become history and become unforgettable. Even fiction portrays truth: good fiction is truth. Stories about lives remembered bring us backward while allowing us to move forward. — Nina Sankovitch

When I was four or five years old, I heard a lot of stories about the Holocaust because both my parents were survivors. I'm sure that was very important in my life. My father snuck out from under the floorboards to make love to my mother. I can't imagine why they kept me. — Christian Boltanski

People who need to possess the physical copy of a book, and not merely an electronic version, are in some sense mysteics. We believe that the objects themselves are sacred, not just the stories they tell. We believe that books possess the power to transubstantiate, to turn darkness into light, to make being out of nothingness. — Joe Queenan

My mama loved books; I became fascinated by the wonderful stories that came out of these things she held in her hand - and started to make them up myself. — Wilbur Smith

grew up reading books where vampires were scary. This novel is an attempt to make them scary again. When I thought of the premise that became DRACULAS, I knew it needed to be a group project. Take four well-known horror authors, let them each create their own unique characters, and have them fight for their lives during a vampire outbreak at a secluded, rural hospital. This is NOT a collection of short stories. It's a single, complete novel. And it's going to freak you out. If you're easily disturbed, have a weak stomach, or are prone to nightmares, stop reading right now. There are no sexy teen heartthrobs herein. You have been warned. — Blake Crouch

I smoked my first pipe with Seth. I knew the stuff was bad, but I was so tired of being the cop, begging and ragging at him, throwing Pampers in his face when he walked in the door. I wanted to be on the same side again. So I smoked with Seth one afternoon when the girls were napping, and oh my God, I can only think about this for a minute or every part of me will turn into a mouth wanting more: the sexiness of it, fucking Seth like wild for the first time in months, going on even when the girls started to whimper and bang on the door. Then looking out the window and seeing the world shake itself to life: the heavy trees, the sky. And I was back on top. We were going to make it, Seth and I. The voice in my head was back again, telling me stories, too many to write down or even tell one from another. — Jennifer Egan

We have to make a disciplined effort to find out what our governments are doing in these various parts of the world and what is actually happening. We have to learn to listen to each other's stories. Something we are not very good at. — Karen Armstrong

Let's make really good stories that people get something out of. That's the one common denominator with everything I try to do. — Frank Spotnitz

All the characters are made out of words. With reading, I understand that the people aren't real but the fact that they are made out of language and are made out of words is extremely powerful to me. It becomes transformative for me. Different people have different ways of trying to make stories using language. — John Green

Anything is bearable if you can make a story out of it. — N. Scott Momaday

All the stories, all the incidents that made the life were stopped in a second - opinions stopped, and the ability to feel, all stopped without any meaning.'He wanted to make himself know what happened, for he could feel the beginning of the calm settling upon him. He wanted to cry out once in personal pain before he was cut off and unable to feel sorrow or resentment. There were little stinging drops of cold on his head. He looked up and saw that it was raining gently. The drops fell on Elizabeth's cheeks and flashed in her hair. — John Steinbeck

It [love about acting] is all about role playing - the same thing you do when you're a kid, when you play with dolls or toys and make up stories. I never grew out of it. — Morgan Freeman

Anger is a luxury. Anger wants answers, retribution, reason, something that makes sense. Anger wants a story, stories help us make sense out of everything. But while we scramble to help those who need it, who has time for anger? Who has time to make sense out of anything? There is only what is. Anger is a distraction. Anger removes me from grief, and the opportunity to be helpful. — Abigail Thomas

You get a lot of narrative energy from people who make really big mistakes, who act against their best interests, who do things that turn out to have serious consequences. It's very hard make a story out of people doing the right thing over and over again. — Kelly Link

Art is central to all our lives, not just the better-off and educated ... I know that from my own story, and from the evidence of every child ever born - they all want to hear and to tell stories, to sing, to make music, to act out little dramas, to paint pictures, to make sculptures. This is born in and we breed it out. And then, when we have bred it out, we say that art is elitist, and at the same time we either fetishize art - the high prices, the jargon, the inaccessibility - or we ignore it. The truth is, artist or not, we are all born on the creative continuum, and that is a heritage and a birthright of all of our lives. — Jeanette Winterson

Even when they're asleep they're not asleep. Earthborn animals do this thing, inside their brains-a sort of mad firing-off of synapses, controlled insanity. While they're asleep. The part of their brain that records sight or sound, it's firing off every hour or two while they sleep; even when all the sights and sounds are complete random nonsense, their brains just keep on trying to assemble it into something sensible. They try to make stories out of it. It's complete random nonsense with no possible correlation to the real world, and yet they turn it into these crazy stories. And then they forget them. All that work, coming up with these stories, and when they wake up they forget almost all of them. But when they do remember, then they try to make stories about those crazy stories, trying to fit them into their real lives. — Orson Scott Card

It was dark, so I couldn't make out much of her face, but she had brilliant red hair, like honey and roses and the sun altogether. — Kiera Cass

I love to make stories out of license plates on cars about the initials and the numbers - my mum used to do that with me. — Olivia Newton-John

Perhaps some day I'll crawl back home, beaten, defeated. But not as long as I can make stories out of my heartbreak, beauty out of sorrow. — Sylvia Plath

[H]istory, in the end, is only another kind of story, and stories are different from the truth. The truth is messy and chaotic and all over the place. Often it just doesn't make sense. Stories make things make sense, but the way they do that is to leave out anything that doesn't fit. And often that is quite a lot. — Paul Murray

There are those from religious backgrounds who resist and oppose LGBT equality; some very obsessively and publicly. They make bold accusations and negative statements about gay and lesbian people, their supposed "lifestyle" and relationships. But when a son, daughter, brother, sister or close friend comes out it is no longer an "issue" it becomes a person. They realise everything they'd said was painfully targeted at someone they love. Then ... everything changes. — Anthony Venn-Brown

You grow a whole lot more as a writer by getting old stories out of the house and letting new ones come in and live with you until they grow up and are ready to go. Don't let the old ones stay there and grow fat and cranky and eat all the food out of the refrigerator. You have dozens of generations of stories inside you, but the only way to make room for the new ones is to write the old ones and mail them off. — Orson Scott Card

Sam: I wonder if we'll ever be put into songs or tales. Frodo: [turns around] What? Sam: I wonder if people will ever say, 'Let's hear about Frodo and the Ring.' And they'll say 'Yes, that's one of my favorite stories. Frodo was really courageous, wasn't he, Dad?' 'Yes, my boy, the most famousest of hobbits. And that's saying a lot.' Frodo: [continue walking] You've left out one of the chief characters - Samwise the Brave. I want to hear more about Sam. [stops and turns to Sam] Frodo: Frodo wouldn't have got far without Sam. Sam: Now Mr. Frodo, you shouldn't make fun; I was being serious. Frodo: So was I. [they continue to walk] Sam: Samwise the Brave ... — J.R.R. Tolkien

I know that I too could try a story out, rebuild mine, make it live again several minutes before the full of the day, the sun, the city. But I haven't the strength, stupidly. I rise and carry on. One more time. — Danielle Collobert

Just recognizing and naming that many of the things we treat as historical fact are stories can help erode their power over our sense of identity and thinking. If they are stories rather than "truth," we can write new stories that better represent the country we aspire to be. Our new stories can be about diverse people working together to overcome challenges and make life better for all, about figuring out how to live sustainably on this one planet we share, and on deep respect for cooperation, fairness, and equity instead of promoting hyper-competitive individualism. — Annie Leonard

Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story. — Kelly Link

You may feel like your future is slipping from your grasp, that if you don't rush now to greet your dreams you might lose out on them, but please wait. If you are coming from an unsupportive environment with regards to your sexual orientation, the best thing to do is to establish your independence. Make sure you have a support network of loving and loyal friends. Make sure you have somewhere to live. Make sure you have an income to sustain you. Place a premium on your life. Always, always place a premium on your life.

When all these elements have been configured and your psychic compass is at the ready, go forth in the knowledge that you've created a self-preserving future for yourself. Go forth in the knowledge that you have a safe space to call home. Go forth in the knowledge that not only are you kicking ass but you are kicking ass on a major scale. Go forth in the knowledge that not only are you winning at life but you have already won. — Diriye Osman

Stories have their own kind of truth," I pointed out. "And there's not much story if you don't make things up. I mean, you can't be a writer and just write about real life."
"Why not?" Luke snapped a twig.
I was amazed he even had to ask. "Because real life's only bearable if you don't have to live in it all the time. — K.M. Grant

The best stories proceed from a mysterious truth-seeking impulse that narrative has when revised extensively; they are complex and baffling and ambiguous; they tend to make us slower to act, rather than quicker. They make us more humble, cause us to empathize with people we don't know, because they help us imagine these people, and when we imagine them - if the storytelling is good enough - we imagine them as being, essentially, like us. If the story is poor, or has an agenda, if it comes out of a paucity of imagination or is rushed, we imagine those other people as essentially unlike us: unknowable, inscrutable, incontrovertible. — George Saunders

She was an original ... She was an eccentric. She'd come alive like a fire, telling funny stories and entertaining everyone, then she'd suddenly run out of fuel, make her excuses and leave. You always knew when she'd had enough. Those that didn't would find themselves talk to the walls. — Santa Montefiore

If he had but a little more brains, she thought to herself, I might make something of him; but she never let him perceive the opinion she had of him; listened with indefatigable complacency to his stories of the stable and the mess; laughed at all his jokes...When he came home, she was alert and happy; when he went out she pressed him to go; when he stayed at home, she played and sang for him, made him good drinks, superintended his dinner, warmed his slippers, and steeped his soul in comfort. The best of women {I have heard my grandmother say) are hypocrites. We don't know how much they hide from us: how watchful they are when they seem most artless and confidential: how often those frank smile which they wear so easily are traps to cajole or elude or disarm--I don't mean in your mere coquettes, but your domestic models and paragons of female virute. — William Makepeace Thackeray

One of the problems with all of this is that not all narratives are equal. Imagine, to take a silly example, that someone told you story after story extolling the virtues of eating dog shit. You've been told these stories since you were a child. You believe them. You eat dog shit hotdogs, dog shit ice cream, General Tso's dog shit. Sooner or later, if you are exposed to some other foods, you might figure out that dog shit really doesn't taste good. Or if you cling too tightly to these stories (or if your enculturation is so strong that dog shit actually does taste good to you), the diet might make you sick or kill you. To make this example a little less silly, substitute the word pesticides for dog shit. Or, for that matter, substitute Big Mac, Whopper, or Coca Cola. — Derrick Jensen

We tell stories to talk out the trouble in our lives, trouble otherwise so often so unspeakable. It is one of our main ways of making our lives sensible. Trying to live without stories can make us crazy. They help us recognize what we believe to be most valuable in the world, and help us identify what we hold demonic. — William Kittredge

Feelings and stories of unworthiness and shame are perhaps the most binding element in the trance of fear. When we believe something is wrong with us, we are convinced we are in danger. Our shame fuels ongoing fear, and our fear fuels more shame. The very fact that we feel fear seems to prove that we are broken or incapable. When we are trapped in trance, being fearful and bad seem to define who we are. The anxiety in our body, the stories, the ways we make excuses, withdraw or lash out - these become to us the self that is most real. — Tara Brach

I've never been comfortable with the idea of using family and friends in stories. Which is why it takes me longer than something else. Because you make them up out of nothing. Doing that is harder. — Edward P. Jones

IGNORANCE

I didn't know love would make me this
crazy, with my eyes
like the river Ceyhun
carrying me in its rapids
out to sea,where every bit
of shattered boat
sinks to the bottom.

An alligator lifts its head and swallows
the ocean, then the ocean
floor becomes
a desert covering
the alligator in
sand drifts.

Changes do
happen. I do not know how,
or what remains of what
has disappeared
into the absolute.

I hear so many stories
and explanations, but I keep quiet,
because I don't know anything,
and because something I swallowed
in the ocean
has made me completely content
with ignorance. — Jalaluddin Rumi

Baby's World
I wish I could take a quiet corner in the heart of my baby's very
own world.
I know it has stars that talk to him, and a sky that stoops
down to his face to amuse him with its silly clouds and rainbows.
Those who make believe to be dumb, and look as if they never
could move, come creeping to his window with their stories and with
trays crowded with bright toys.
I wish I could travel by the road that crosses baby's mind,
and out beyond all bounds;
Where messengers run errands for no cause between the kingdoms
of kings of no history;
Where Reason makes kites of her laws and flies them, the Truth
sets Fact free from its fetters. — Rabindranath Tagore

There is no narrative without structure, or plot. In a great story this structure seems like fate, like an inescapable judgment descending on its still unaware heroes, a great metaphysical causality, that crowds out all room for choice. Fate arises not as a limitation on our freedom, but as a manifestation of our freedom, testimony that choice is consequent. The exercise of your freedom cannot prevent the exercise of my own freedom, but it can determine the context in which I am to act freely. You cannot make choices for me, but you can largely determine what my choices will be about. Great stories explore the drama of this deeper touching of one free person by another. They are therefore genuinely sexual dramas astounding us once more with the magic of origins. — James P. Carse

The universe is one being. Everything and everyone is interconnected through an invisible web of stories. Whether we are aware of it or not, we are all in a silent conversation. Do no harm. Practise compassion. And do not gossip behind anyone's back - not even seemingly innocent remark! The words that come out of our mouth do not vanish but are perpetually stored in infinite space, and they will come back to us in due time. One man's pain will hurt us all. One man's joy will make everyone smile. — Elif Shafak

Chance and Destiny have between them woven two-thirds of all history, and of the history of Ireland wellnigh the whole. The literature of a nation, on the other hand, is spun out of its heart. If you would know Ireland - body and soul - you must read its poems and stories. They came into existence to please nobody but the people of Ireland. Government did not make them on the one hand, nor bad seasons on the other. They are Ireland talking to herself. — W.B.Yeats

I was always an actress, even as a little kid, and fantasy, horror, sci-fi stories are really all about playing make believe. I just never grew out of that. — Virginia Madsen

If folks don't like the way you look, they almost never take the time to find anything out about you. They just make up their own stories — Ann Haywood Leal

Kiran says (the shelf) is full of stories. If it is, then I like fairy stories. Fairy stories are fair. In them wishes are granted, words are enchanted, the honest and brave make it safely through to the last page and the baddies either have to give up their wickedness for ever and ever, no going back, or get ruthlessly written out of the story, which they hardly ever survive. Also in fairy stories there are hardly any of those half-good half-bad people that crop up so constantly in real life and are so difficult to believe in ... — Hilary McKay

But even if they could go home it would be difficult for me to tell you what the moral of the story is. In some stories, it's easy. The moral of "The Three Bears," for instance, is "Never break into someone else's house." The moral of "Snow White" is "Never eat apples." The moral of World War One is "Never assassinate Archduke Ferdinand." [ ... ] and as the Baudelaire orphans sat and watched the dock fill with people as the business of the day began, they figured out something that was very important to them. It dawned on them that unlike Aunt Josephine, who had lived up in that house, sad and alone, the three children had one another for comfort and support over the course of their miserable lives. And while this did not make them feel entirely safe, or entirely happy, it made them feel appreciative. — Lemony Snicket

My sister, the one who knows everything and pulls out facts out of a bottomless hat, told me people aren't afraid of snakes or water upon birth. It is only once we hear the snake and water stories, she says, once we are exposed to fear, that we deny our primal instincts and make room for the dread to take root and mature. — Tania Aebi

So from now on, screw "perfect." Forget for a while about what kind of person you want to be, and just be the best version of the person you are. Figure out which of your classmates you genuinely like (not who you want to like you), and get to know them by telling your own stories and listening to theirs. Hang out with the people you think are cool, not the people you'd like to be considered cool by. Do things because they interest you, not because they make you look interesting ... and then, take stock in a month and see whether you're not happier, healthier, and working on some actual friendships with other imperfect-but-lovely humans. — Kat Rosenfield

You come out of your MFA program with a cogent clutch of stories, trying to get an agent interested, and she or he admits these are quality, sure, but this agent actually needs something the publisher can make money on. So you get kind of bullied by the market into writing a novel. — Stephen Graham Jones

He tunneled into stories where weak men changed into strong half-animals or used eye beams or magic hammers to power through steel or climb up the sides of skyscrapers. He was the Hulk when angry and Spidey the rest of the time. When he felt his heart hurt he turned into something stronger than a little boy, and he grew up this way. A heart that flashed from heart to stone, heart to stone. As I watched I thought of what Grandma Lynn liked to say when Lindsey and I rolled our eyes or grimaced behind her back. Watch out what faces you make. You'll freeze that way. — Alice Sebold

Doreen Fernandez' foreword to "Rizal Without the Overcoat":
His essays remind us that history need not and should not be relegated to schoolbooks and classrooms, where it often becomes a set of names and dates to memorize and spew out on test papers. History is a living and lively account of what we were and are; it could and should be as real to each of us as stories about family or about recent and past events.. If all of that makes us understand humanity better, so does history make us understand ourselves, and our country infinitely better, in the context of our culture and our society. — Ambeth R. Ocampo