Ma And Pa Quotes & Sayings

The god of creation broke me from stone
The mountain's the only ma I've known
My pa is the blue sky sheltering me
So stone I am and stone I'll be — Shannon Hale

Ma sighed gently and said, "A whole year gone, Charles." But Pa answered, cheerfully: "What's a year amount to? We have all the time there is. — Laura Ingalls Wilder

My name is Abe Marcus. Ned and I are identical twins. We look exactly alike. Even Ma and Pa can't tell us apart. But we don't act alike. I am the serious twin. Maybe it's because I am two minutes older. — R.L. Stine

To her complete surprise, Robbie wrapped his arms around her waist and pressed his cheek against her apron. He smelled of sunshine, river water, and sun-warmed blackberries. Ada's eyes filled. "I'm sorry about your ma and pa. And I'm sorry I made you sad." It was easy to see why Wyatt set such store by this boy. He was a treasure. She held him by the shoulders and smiled into his bright blue eyes. "You are a wonderful boy, Robbie Whiting, and I can never be sad when you're around." He smiled, and she swallowed the lump in her throat. — Dorothy Love

I can read it.
I can read her.
Cuz she's thinking about how her own parents also came here with hope like my ma. She's wondering if the hope at the end of our hope is just as false as the one that was at the end of my ma's. And she;s taking the words of my ma and putting them into the mouths of her own ma and pa and hearing them say that they love her and they miss her and they wish her the world. And she's taking the song of my pa and she's weaving it into everything else till it becomes a sad thing all her own.
And it hurts her, but it's an okay hurt, but it hurts still, but it's good, but it hurts.
She hurts.
I know all this.
I know it's true.
Cuz I can read her.
I can read her Noise even tho she ain't got none.
I know who she is.
I know Viola Eade. — Patrick Ness

Ma had been very fashionable, before she married Pa, and a dressmaker had made her clothes. — Laura Ingalls Wilder

Record stores are the backbone of the recorded music culture. It's where we go to network, browse around, and find new songs to love. The stores whose staff live for music have spread the word about exciting new things faster and with more essence than either radio or the press. Any artist that doesn't support the wonderful ma and pa record stores across America is contributing to our own extinction. — Joan Jett

Dear brother,
I feel what Pa and Ma instinctively think about me (I don't say reasonably).
There's a similar reluctance about taking me into the house as there would be about having a large, shaggy dog in the house. He'll come into the room with wet paws - and then, he's so shaggy. He'll get in everyone's way. And he barks so loudly.
In short - it's a dirty animal.
Very well - but the animal has a human history and, although it's a dog, a human soul, and one with finer feelings at that, able to feel what people think about him, which an ordinary dog can't do.
And I, admitting that I am a sort of dog, accept them as they are.
Vincent van Gogh to his brother Theo, Nuenen, 15 December 1883 — Vincent Van Gogh

dear little baby of the folks I work for, I got a present for you .. my whole damn life! I'm handin' it over to you & your ma & pa. if you got no money to pay, I wanna stay anyhow, my pleasure is to wait on you forever. to hell with my children & hooray for you!.. you stayin' up all night fixin' up Character Parts for me! givin' 'em what you call dignity! dignity! you know what your dignity is? a black straw hat with a flower stickin' up in front, hands folded cross my stomach, sayin' the same damn fool things .. only nice & easy & proper!" --trouble in mind (1955) — Alice Childress

So Pa sold the little house. He sold the cow and calf. He made hickory bows and fastened them upright to the wagon box. Ma helped him stretch white canvas over them. — Laura Ingalls Wilder

She's your partner in all things. Remember how Ma and Pa used to act?'

Simon nodded as he sat beside him. 'Every decision, every action taken together.'

James raised his brows as he leaned against the wall. 'That's a tall order. Based on some of the married folks I've seen in town, not every marriage is such a joyful union. — Regina Scott

When the fiddle had stopped singing Laura called out softly, "What are days of auld lang syne, Pa?"
"They are the days of a long time ago, Laura," Pa said. "Go to sleep, now."
But Laura lay awake a little while, listening to Pa's fiddle softly playing and to the lonely sound of the wind in the Big Woods, ...
She was glad that the cozy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago. — Laura Ingalls Wilder

We had different lives. We come from different places."
"Surely ye do. And you got different bodies, too. That's what marriage is about, Meggie-gal, making differences intertwine into something whole and new."
Meggie didn't want to argue. "He didn't love me, Pa," she said.
"I'll believe that when I see coons a-taking up farming," the old man answered. He raked his hair with his hands helplessly. "What do ye think love is, Meggie. Do you think it's heart pounding and breath stealing and verse reciting?" he asked. "Yes, ma'am, there is some of that involved, but mostly love is quiet and caring and friendlylike. It's wanting to tell that person something afore you whisper it to another soul. It's not being alone. — Pamela Morsi

Pa did not like a country so old and worn out that the hunting was poor. He wanted to go west. For two years he had wanted to go west and take a homestead, but Ma did not want to leave the settled country. — Laura Ingalls Wilder

My ma and pa are both very artistic, so I suppose it's in my blood. But my ma's the one who was into theater and such. I owe my love of it to her. If she didn't drag me to small community workshops when I was a wee little lad or exposed me to anything artistic for that matter, I wouldn't be who I am today. — Grey Damon

I was born into all that, all that mess, the over-crowded swamp and the over-crowded sematary and the not-crowded-enough town, so I don't remember nothing, don't remember a world without Noise. My pa died of sickness before I was born and then my ma died, of course, no surprises there. Ben and Cillian took me in, raised me. Ben says my ma was the last of the women but everyone says that about everyone's ma. Ben may not be lying, he believes it's true, but who knows? — Patrick Ness

She scarcely spoke at all and might have been one of those huge dolls which, when inclined backwards, say "Ma-ma" or "Pa-pa": though impossible to imagine in any position so undignified as that required for the mechanism to produce these syllables. — Anthony Powell

The last thing Pa and Big Ma wanted to hear was how we made a grand Negro spectacle of ourselves thirty thousand feet up in the air around all these white people. — Rita Williams-Garcia

So Captain Jack's come a-courtin'." Her hands stilled on the basket. "Who?" "The tall Shawnee who come by your cabin." The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. "He come by, but I don't know why." "Best take a long look in the mirror, then." Lael's eyes roamed the dark walls. Ma Horn didn't own one. "Beads and a blanket, was it?" She nodded and looked back down. "I still can't figure out why some Shawnee would pay any mind to a white girl like me." Ma Horn chuckled, her face alight in the dimness. "Why, Captain Jack's as white as you are." "What?" she blurted, eyes wide as a child's. Ma Horn's smile turned sober. "He's no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name - Jack. — Laura Frantz

You can't write about a horrible restaurant - if it's a Ma & Pa restaurant no one wants to see you kick Ma & Pa in the chops. — Robert Sietsema

I lay down beside Carlo in his bassinet. I must have been there five or six hours, my arm around his neck, and would have stayed another six if Pa-pa hadn't started tugging at me. He would tell people how I had all the strength of a steam engine, and that he couldn't pull me loose until I heard Ma-am cry.
"Em," she moaned, "you cannot stay in this room forever with a dead dog. — Jerome Charyn

All day the storm lasted. The windows were white and the wind never stopped howling and screaming. It was pleasant in the warm house. Laura and Mary did their lessons, then Pa played the fiddle while Ma rocked and knitted, and bean soup simmered on the stove.
All night the storm lasted, and all the next day. Fire-light danced out of the stove's draught, and Pa told stories and played the fiddle. — Laura Ingalls Wilder

Once upon a time, before the boys were killed and when there were more horses than cars, before the male servants disappeared and they made do, at Upleigh and at Beechwood, with just a cook and a maid, the Sheringhams had owned not just four horses in their own stable, but what might be called a 'real horse', a racehorse, a thoroughbred. Its name was Fandango. It was stabled near Newbury. It had never won a damn thing. But is was the family's indulgence, their hope for fame and glory on the racecourses of southern England. The deal was that Pa and Ma - otherwise known in his strange language as 'the shower' - owned the head and body and he and Dick and Freddy had a leg each.
'What about the fourth leg?'
'Oh the fourth leg. That was always the question. — Graham Swift

Even the draft dodgers are not pursued and hounded. They are here on our streets, most of them ... unless they are breaking Canadian laws .. are getting American dollars from Ma and Pa at home to spend here. — Gordon Sinclair

I wonder Pa went so easy. I wonder Grampa didn' kill nobody. Nobody never tol' Grampa where to put his feet. An' Ma ain't nobody you can push aroun' neither. I seen her beat the hell out of a tin peddler with a live chicken one time 'cause he give her a argument. She had the chicken in one han', an' the ax in the other, about to cut its head off. She aimed to go for that peddler with the ax, but she forgot which hand was which, an' she takes after him with the chicken. Couldn' even eat that chicken when she got done. They wasn't nothing but a pair of legs in her han'. Grampa throwed his hip outa joint laughin'. — John Steinbeck

How she wished she were back at home with her family, strumming her banjo on the porch while Grampa Cornpone played the fiddle. Oh, the steamy bayou nights of her youth! Ma would cook up a huge pan of Creole innards, whilst Pa sat in the corner smoking his pipe of tabaccy with the hound dogs snoozing at his feet. — Howard Mittelmark

But my mother is a fish. Vernon seen it. He was there.
"Jewel's mother is a horse," Darl said.
"Then mine can be a fish, can't it, Darl? I said.
Jewel is my brother.
"Then mine will have to be a horse, too," I said.
"Why? Darl said. "If pa is your pa, why does your ma have to be a horse just because Jewel's is?"
"Why does it? I said. "Why does it, Darl?"
Darl is my brother.
"Then what is your ma, Darl?" I said.
"I haven't got ere one," Darl said. "Because If I had one, it is was. And if it is was, it can't be is. Can't it?"
"No," I said.
"Then I am not," Darl said. "Am I?"
"No," I said.
I am. Darl is my brother.
"But you are, Darl," I said.
"I know it," Darl said. "That's why I am not is. Are is too many for one woman to foal. — William Faulkner

I also miss the support that I had of so many people. You know I'm a very Ma and Pa operation right now, and I was used to having everything working for me. It was a similar situation when I left Anne Klein and started Donna Karan. All of a sudden I was working in my apartment and it was, "Oh my god, what am I doing?" — Donna Karan

Laura knew then that she was not a little girl any more. Now she was alone; she must take care of herself. When you must do that, then you do it and you are grown up. Laura was not very big, but she was almost thirteen years old, and no one was there to depend on. Pa and Jack had gone, and Ma needed help to take care of Mary and the little girls, and somehow to get them all safely to the west on a train. — Laura Ingalls Wilder

Oh, they'll be punished." Amaranthe smiled and pointed at the heretofore silent Sicarius.
"Pa here, he's the farm dis-ci-pli-nar-i-an. He was a soldier and he knows how to lay into a man an' make him wish he'd never thunk of running off. Ain't that right, Pa?" She smiled up at Sicarius.
"Yes," he said flatly. "Ma. — Lindsay Buroker

Mary and Carrie and baby Grace and Ma had all had scarlet fever. The Nelsons across the creek had had it too, so there had been no one to help Pa and Laura. — Laura Ingalls Wilder

When I started, I faced a lot of hardships. People used to call me a Rafi clone because I used to sing my favourite singer's songs. Then 'Sa Re Ga Ma Pa' happened. It gave me a good break. — Sonu Nigam

A long time ago, when all the grandfathers and grandmothers of today were little boys and little girls or very small babies, or perhaps not even born, Pa and Ma and Mary and Laura and Baby Carrie left their little house in the Big Woods of Wisconsin. — Laura Ingalls Wilder