M Rklin Trains Quotes & Sayings

There is neither creation nor destruction,
neither destiny nor free will, neither
path nor achievement.
This is the final truth. — Ramana Maharshi

One thing I think celebrities shy away from is exposing the reality that we're all the same. Somebody's not more important because they have a Bentley or a big house or a famous boyfriend or plastic surgery - we're all the same. — Aubrey O'Day

We happen to be the vanguard of that revolutionary struggle because we are the most dispossessed. — H. Rap Brown

Reformed rakes often make the best husbands. — Judith McNaught

Plain girls who were also clever were a ha'pence a dozen. — Julie Anne Long

To complicate is easy. To simplify is difficult — Bruno Munari

It is easier to kill than to heal. It is easier to destroy than to preserve. It is easier to tear down than to build. Those who feed on destructive emotions and ambitions and deny the responsibilities that are the price of wielding power can bring down everything you care for and would protect. Be on guard, always. — Anne Bishop

He is afraid, as suddenly he knows that he was afraid all along, that if he felt her body so close to him he would never let her go. — Joan D. Vinge

Without vulnerability, you're not really alive. — Daphne Zuniga

If there's anything I dislike it's the violin", she answered. "Why one should want to hear anyone scrape the hairs of a horse's tail against the guts of a dead cat is something I shall never understand. — W. Somerset Maugham

Music is in every country and every culture around the world. It's universal. — Mark Hoppus

If Life is short, then mine is fat and balding also — Josh Stern

We will simply say here that, as a means of contrast with the sublime, the grotesque is, in our view, the richest source that nature can offer art. Rubens so understood it, doubtless, when it pleased him to introduce the hideous features of a court dwarf amid his exhibitions of royal magnificence, coronations and splendid ceremonial.
The universal beauty which the ancients solemnly laid upon everything, is not without monotony; the same impression repeated again and again may prove fatiguing at last. Sublime upon sublime scarcely presents a contrast, and we need a little rest from everything, even the beautiful.
On the other hand, the grotesque seems to be a halting-place, a mean term, a starting-point whence one rises toward the beautiful with a fresher and keener perception. The salamander gives relief to the water-sprite; the gnome heightens the charm of the sylph. — Victor Hugo