Loss Of Voice Quotes & Sayings

Our feelings about menstruation are the image of what it is to be a woman in this culture. While menstruation and the fear of revealing evidence of loss of body control bear possibilities of humiliation for women of which men are not aware, it is humiliating too to be that sex whose voice and presence carry less significance. It is humiliating to speak the same words as a man and have his heard, and not yours. It is humiliating to feel invisible when God gave you a body as solid as his. It is humiliating that women are accorded little dignity unless they are married. We twist these humiliations around, of course, and say it is glorious to have a man fight our battles for us, put us on a pedestal, take care of us. It is, if you enjoy being dependent on someone else. — Nancy Friday

At first, it feels as if she has vanished forever, and all traces are destroyed. But later, when the pain of loss doesn't overwhelm all your other feelings, every time you think of her, or hear her voice in your head, or remember a happy time together, you realize she's still a part of you and will never be totally gone. — Maria V. Snyder

How sweetly sounds the voice of a good woman! It is so seldom heard that, when it speaks,it ravishes all senses. — Philip Massinger

Those who know how close the connection is between the state of mind of a man - his courage and hope, or lack of them - and the state of immunity of his body will understand that the sudden loss of hope and courage can have a deadly effect. The ultimate cause of my friend's death was that the expected liberation did not come and he was severely disappointed. This suddenly lowered his body's resistance against the latent typhus infection. His faith in the future and his will to live had become paralyzed and his body fell victim to illness - and thus the voice of his dream was right after all. — Viktor E. Frankl

It was magic to be above [the clouds], to see their uppermost contours, the way they caught the light and held it, their vast shadows moving upon the face of the earth. I wished I could open the window and know what the world sounded like at that altitude. I thought about the solitude of that world, how it must be inhabited by the voice of the wind, only. ... I thought about what my crows saw as they flew above canyons and treetops, the birds-eye view of life. They would recognize specific trees, perches, and nesting sites from a completely different perspective than I could. Their maps differed from mine; they knew the topography, the contours of the landscape, on a much grander scale. — Elizabeth J. Church

I knew this for a fact. Little by little, the ache to see him, to hear him would disappear. Little by little I'd forget how his arms felt, how his fingers felt, how his lips felt..the sound of his voice, the intensity of his gaze, all of it. Trace by trace it would slip from my mind, recede into foggy memory. The painful haze that dulled my present would melt into the past. Maybe not all the way, maybe there would be a few scars. Maybe I'd be different, but I'd be me again. Little by little. — Jennifer DeLucy

But the only thing worse than remembering the feel of Rose in his arms, the softness of her black and white feathers, the sound of her voice when she sang quietly to herself, would be forgetting it. — Melissa Grey

But undying memories stood like sentinels in her breast. When the notes of doves, calling to each other, fell on her ear, her eyes sought the sky, and she heard a voice saying, Majella! — Helen Hunt Jackson

When I missed the physical body of my partner, I meditated on its parts, tossed by the waves, torn, dispersed, and deteriorated. When memories of our lives together became acute and intense, I breathed. I breathed through each wave of yearning, of regret, of guilt, of what-could-have-been. Every time I asked him, "Where are you?" A quiet voice immediately responded, "I am here. I have never left you." I did not only lose a partner. I lost my childhood all over again. I lost my soul mate. I lost the accepting father and the gentle mother that he was to me. I lost the dream of a "normal life," which I had tried so hard to achieve. Now I had to face my own mind. — Dang Nghiem

Again, I am awed, overwhelmed by the strength and emotion conveyed in the human voice. For the first time since this phenomenon started happening to me, I begin to understand the power it could have and why our ancestors mourned its loss. Every sound around me - the renewed pattering of rain, the wind in the leaves - all of is suddenly has a new meaning. I can see how these sounds don't interfere with the world so much as enhance it. The scope and potential are huge. It's like having a new color to paint with. — Richelle Mead

The voice of grief is rather convincing, isn't it? It tells you you're "too old," "not good enough," or "not worthy enough" for another chance at life, that starting over is impossible. This voice in your head is the first thing you hear in the morning and the last thing you hear at night. It drives with you to work. It stays with you at lunch. Its message is so consistent that because of its repetitive power, you may be inclined to believe it. But, as persuasive as the voice of grief is, everything it says is a lie.
It's all a pack of lies.
Do you want the truth? If you do, then start listening to life calling to you inside your grief.
How? Every time you are yearning to be held and loved, to laugh again, listen to your yearning. Do not listen to your fear . . . Listen to life calling you, "I am here, come on over. Take a chance on me. I am your life, and you're all that I've got. — Christina Rasmussen

I missed her so much I wanted to die: a hard, physical longing, like a craving for air underwater. Lying awake, I tried to recall all my best memories of her - to freeze her in my mind so I wouldn't forget her - but instead of birthdays and happy times I kept remembering things like how a few days before she was killed she'd stopped me halfway out the door to pick a thread off my school jacket. For some reason, it was one of the clearest memories I had of her: her knitted eyebrows, the precise gesture of her reaching out to me, everything. Several times too - drifting uneasily between dreaming and sleep - I sat up suddenly in bed at the sound of her voice speaking clearly in my head, remarks she might conceivably have made at some point but that I didn't actually remember, things like Throw me an apple, would you? and I wonder if this buttons up the front or the back? and This sofa is in a terrible state of disreputableness. — Donna Tartt

May you hear my feeble voice! It will tell you that here below there is a heart full of the memory of you. — Herculine Barbin

I have memories and dreams and they get confused and wrapped up together, There are so many thoughts whirling around inside my head," He winced, almost as if he were in pain, and when he spoke, there was nothing but the sadness of loss in his voice. "Sometimes it is hard to tell them apart, to know what really was and what I have only imagined." He reached into his voluminous coats and pulled out a thick sheaf of paper held together with string. "I write things down," he said quickly. "That's how I remember. — Michael Scott

What I wanted to preserve was the turbulent gasp in his voice which lingered with me for days afterward and told me that, if I could have him like this in my dreams every night of my life, I'd stake my entire life on dreams and be done with the rest. (p. 109) — Andre Aciman

Jase took a step around the desk, moving closer, narrowing his eyes.
Rebecca placed her hands on her hips, defiance in her stance and voice. "My kids, too."
Two steps brought him in front of her. "You don't have a job if you leave. Your job is here working the ranch with me. If you want to go, go, but don't take off with my children. You can't even fix them dinner."
When she turned, he took hold of her arm, hating this deceit ... and loss. "Why, Rebecca? I've been a good husband to you. — Mary J. McCoy-Dressel

Deep spirit scanning," Eisfanger says. His voice has a strange resonance to it, like I'm hearing him through a bad phone connection. "Don't worry, it's completely safe. Well, mostly."
"Mostly?"
"Side effects have been documented," he admits. "In a very small percentage of cases. Less than two percent."
"What kind of side effects?" Suddenly I'm feeling nauseous. Feels like the ants are crawling around inside me now, which is exactly as disturbing as it sounds.
"Memory loss. Synesthesia. And occasionally ... vestigial growths."
"So I could forget my own name, start smelling purple everywhere and have an extra nipple sprout from my forehead? — D.D. Barant

Voices and movements approach loss and remembrance profoundly, making poetry of the mundane and seasoning it with wit. — Deborah Jowitt

But sometimes Belbo, when he became really angry, lost his composure. Since loss of composure was the one thing he could not tolerate in others, his own was wholly internal - and regional. He would purse his lips, raise his eyes, then look down, tilt his head to the left, and say in a soft voice: "Ma gavte la nata." For anyone who didn't know that Piedmontese expression, he would occasionally explain: "Ma gavte la nata. Take out the cork." You say it to one who is full of himself, the idea being that what causes him to swell and strut is the pressure of a cork stuck in his behind. Remove it, and phsssssh, he returns to the human condition. — Umberto Eco

Catarina was the blue-tinted voice of reason and minor rebellion in the hallowed halls of the Academy. — Cassandra Clare

For my sake," he said firmly, addressing the air in front of him as though it were a tribunal, "I dinna want ye to bear another child. I wouldna risk your loss, Sassenach," he said, his voice suddenly husky. "Not for a dozen bairns. I've daughters and sons, nieces and nephews, grandchildren - weans enough."

He looked at me directly then, and spoke softly.

"But I've no life but you, Claire."

He swallowed audibly, and went on, eyes fixed on mine.

"I did think, though . . . if ye do want another child . . . perhaps I could still give ye one. — Diana Gabaldon

I hate to sound like an old man, but why are these people famous? What qualities do they possess that endear them to the wider world? We may at once eliminate talent, intelligence, attractiveness, and charm from the equation, so what does that leave? Dainty feet? Fresh, minty breath? I am at a loss to say. Anatomically, many of them don't even seem quite human. Many have names that suggest they have reached us from a distant galaxy: Ri-Ri, Tulisa, Naya, Jai, K-Pez, Chlamydia, Mo-Ron. (I may be imagining some of these.) As I read the magazine, I kept hearing a voice in my head, like the voice from a 1950s B-movie trailer, saying: They came from Planet Imbecile! — Bill Bryson

I do miss you so much, but it gets harder and harder to keep you in my mind. You re like a ghost almost, fading in the light of dawn. Sometimes I close my eyes and try to summon up your face and I cant see you anymore. Then at other times I hear your voice so clearly I turn round expecting to see you standing there, and every time it happens there's the same pang of loss. Cant you send me a sketch of where you are? It would help me a lot if I could picture you somewhere definite, not just have letters dropping in from outer space. Paul — Pat Barker

Never far from a dining table, the characters in Heather A. Slomski's limpid and elegant debut collection are not given to melodramatics. Civility reigns, voices are not raised, much goes unsaid. But just beneath the sophisticated composure are longing, loss, heartbreak. And how intensely familiar is the table itself, which made this reader suddenly understand how much of our real life takes place there. Heather A. Slomski is truly a fresh voice on the scene, and The Lovers Set Down Their Spoons is that rare thing, a new book as innovative in its design as it is compulsively readable. — Jaimy Gordon

player hummed for a second, then sweet sad acoustic guitar filled the air, arpeggiated cascades that transformed the cramped space of the room. The voice that followed was smoky and haunting, filled with loss: — John Skipp

I was sitting in this small coffee shop a couple days ago and I saw this old man sitting at a table across from me. He looked so lonely, so sad. I was too, but it suddenly occurred to me that some people go through their whole lives never being loved or loving as deeply as I love you. There's always going to be the chance that I could lose you in this lifetime. There's nothing any of us can do about the possibility of loss. But in that moment, I decided that I was more interested in focusing on the great privilege I've been given in having you at all. Ch. 32 — Mia Sheridan

If she lives, she shall be my wedded wife. If she dies
mother, I can't speak of what I shall feel if she dies. His voice was choked in his throat. — Elizabeth Gaskell

All that guides me is fear,
And all that finds me is loss
Death defines which paths I cross
It is within the shadows that I stumble
And I am desperate without a voice
Here I am threatened by the resolve that you are
my soul
But if my lies are the path that I have to wander
because there is no choice
Will you love me still?
In the darkness of the night when I wish to do
nothing more than take flight?
Will you hold me to this plane and ease the
suffering and pain?
When all you know is the truth
And all they see is the lies
Will I be the one you find, or the one you leave
behind?
Alone may be the only home I shall find — Cassandra Giovanni

Remember that every government service, every offer of government - financed security, is paid for in the loss of personal freedom ... In the days to come, whenever a voice is raised telling you to let the government do it, analyze very carefully to see whether the suggested service is worth the personal freedom which you must forgo in return for such service. — Ronald Reagan

Mandy, I hardly think this was appropriate, not after ... you know ... after the funeral we haven't had the money for any of your weird little games and I was hoping you'd be more mature now that Jud's gone," her father had disappointedly added. "How much'd that cake cost you?"
"It's paid for," Mandy had argued, but her voice had sounded tiny in the harbour wind. "I used the cash from my summer job at Frenchy's last year and I ... it was my birthday, dad!"
"You can't even be normal about this one thing, can you?" her father had complained.
Mandy hadn't cried, she'd only stared back knowingly, her voice shaky. " ... I'm normal. — Rebecca McNutt

We can produce imagery to share the beauty of the oceans and what is there to protect. We can also expose the truths about overharvest, climate change, and habitat loss to give oceans a voice. — David Doubilet

A scream is a sound we make that is born of intense feeling. A scream of fear, of being startled, is often high-pitched. It may be short or prolonged. A scream may also accompany delight or amusement, though often that is more of a squeal. And a scream of sorrow or rage ... well, that is an entirely different thing. That comes from a darker place, from the depths of our souls, and when we scream in those times, because we are sad or angry, there is a terrible knowledge that accompanies it, that we are giving voice to our emotions, to what is simply too big for our hearts to contain.
And as Li Wei cries out, I know Feng Ji is right. It is his heart I am hearing, a way of expressing what he feels over his father's loss that is both primal and beautiful, and it comes from his soul and reaches something within mine. It is the sound my own heart made when my parents died, only I didn't know it until now. — Richelle Mead

Should I give the baby mouth to mouth?" George asked.
Simon froze. "No, don't do that. The baby is breathing. The baby's breathing, right?"
They all stood and stared at the little bundle. The baby waved his fist again. If the baby was moving, Simon thought, the baby must be breathing. He was not even going to think about zombie babies at this time.
"Should I get the baby a hot water bottle?" George said.
Simon took a deep breath. "George, don't lose your head," he said. "This baby is not blue because he is cold or because he cannot breathe. Mundane babies are not blue in this way. This baby is blue because he is a warlock, just like Catarina."
"Not just like Ms. Loss," Beatriz said in a high voice. "Ms. Loss is more of a sky blue, whereas this baby is more of a navy blue."
"You seem very knowledgeable," George decided. "You should hold the baby."
"No!" Beatriz squawked. — Cassandra Clare

Of all the multitudes who throughout history have spoken for human dignity in times of great suffering and loss, no voice is more compelling than that of Anne Frank. — John F. Kennedy

Dave once asked me what blind people dream about. Mostly in sound and feeling, I replied. At night I fall in love with a voice, and then wake to a feeling of physical loss. Sometimes I close my eyes to a chorus of "Happy Birthday!" The smell of cake and the sound of feet under the table. I awake in a body that's too big. I also dream in motion and sensation. My father's boat and the snore of the mast; the rough fabric of the safety harness and the rip of Velcro. The sun on my legs. And endless stretch of water impossible to imagine. — Simon Van Booy

It was only out on the cold street ... that Riley began to feel the full loss of his father. Poppa, he thought, Oh Poppa. He'd grieved him since Christmas when he first took ill ... but it was here now, an empty place where once had been Poppa. A quietness to replace Poppa's good voice. A gust of wind that said he was there, not on earth, but in the air. Riley knew he would not be the same man again, for Riley had been Poppa's son and was now only his survivor. — Lori Lansens

Poet of Nature, thou hast wept to know
That things depart which never may return:
Childhood and youth, friendship and love's first glow,
Have fled like sweet dreams, leaving thee to mourn.
These common woes I feel. One loss is mine
Which thou too feel'st, yet I alone deplore.
Thou wert as a lone star, whose light did shine
On some frail bark in winter's midnight roar:
Thou hast like to a rock-built refuge stood
Above the blind and battling multitude:
In honored poverty thy voice did weave
Songs consecrate to truth and liberty,
Deserting these, thou leavest me to grieve,
Thus having been, that thou shouldst cease to be — Percy Bysshe Shelley

Looking out over the water, I spotted him right away,straddling his board. He was only a dot, but I would have known him anywhere.I thought of the shape of his hands,the hollow at the base of his spine,the way my heart had never stopped skipping a beat at the sound of his voice, and I realized it was the kind of loss- because I knew now that the thing I wanted more than anything in the world not to go fully wrong could- from which I would never fully recover. And I'm not sure I ever fully have. — Heather King

Don't fight in front of the client, boys." Catarina implored in her sweet voice," or I will knock your heads together so hard, your skulls will crack like eggs — Cassandra Clare

As children inch their way into adolescence, the parent changes. He is an authority, a source of answers, and a chastising voice. Depending on the day, he may be resented, emulated, questioned, or defied.
Only as an adult can a child imagine his parent as a whole person, as a husband, a brother, or a son. Only then can a child see how his parent fits into the world beyond four walls. Saleem had only bits and pieces of his father, mostly the memories of a young boy. He would spend the rest of his life, he knew, trying to reconstruct his father with the scraps he could recall or gather from his mother. — Nadia Hashimi

I couldn't stand the waiting anymore. I couldn't stand how alone it made me feel."
And a part of you wished it would just end, said the monster, even if it meant losing her.
And the nightmare began. The nightmare that always ended with -
"I let her go," Conor choked out. "I could have held on but I let her go."
And that, the monster said, is the truth.
"I didn't mean it, though!" Conor said, his voice rising. "I didn't mean to let her go! And now it's for real! Now she's going to die and it's my fault!"
And that, the monster said, is not the truth at all. — Patrick Ness

I had to see the beauty of my future so I could create it. I gave airtime to my dreams, and they spoke to me.
I recognized grief's voice and turned the volume down. Was it easy? No.
Was I scared? Yes.
Did fear get in the way? Heck, no. And it never will.
My life is worth more than that. Your life is too. — Christina Rasmussen

K'Vruck is so much more complete than death. It is the reduction of matter to a state of utter inertness, from which nothing can ever rise again. It is less than nothing. Nothing is something. K'Vruck is absolute. Your species would postulate the loss of soul to try to wrap their puny brains around it.
I stiffen. I know this voice. This mockery. My spear will be no use against it. If I kill the Hunter, it would probably just hop a ride on me.
I will tell you a secret, it says silkily. You do go on. Humans. Unless you are - it laughs softly - K'Vrucked. — Karen Marie Moning

The depths of winter longing are ice within my heart
The shards of broken covenants lie sharp against my soul
The wraiths of long-lost ecstasy still keep us two apart
The amen winds of bitterness sill keen from turn to pole.
The scares are twisted tendons, the stumps of struck-off limbs,
The aching pit of hunger and throb of unset bone,
My sanded burning eyeballs, as might within them dims,
Add nothin to the torment of lying here alone ...
The shimmering flames of fever trace out your blessed face
My broken eardrums echo yet your voice inside my head
I do not fear the darkness that comes to me apace
I only dread the loss of you thy comes when I am dead. — Robert A. Heinlein

I felt the loss of my voice like a fresh wound, a cold blade against my throat, and I closed my eyes to keep the sea from spilling down my cheeks. No one knew me like my family in Tobago, but they'd known me always as Elyse, beautiful songbird, weaver of music that could bring a man to his knees. Music was my life, a rare gift that Natalie and I had shared, had grown into, had grown because of.
And now, without the music, I was just . . . Elyse. Broken.
My family didn't know me anymore. Natalie didn't know me. I didn't know me. — Sarah Ockler

I am sorry for your loss." "I had a new hand made, of gold." He showed her. "Very nice. Will they make you a gold father too?" Lady Genna's voice was sharp. "Tywin was the loss I meant. — George R R Martin

She does not want to feel even the faintest temptation to call his mobile number, as she had done obsessively for the first year after his death so she could hear his voice on the answering service. Most days now his loss is a part of her, an awkward weight she carries around, invisible to everyone else, subtly altering the way she moves through the day. But today, the Anniversary of the day he died, is a day when all bets are off. — Jojo Moyes

Falling apart is curling up into a fetal position and staying in bed for a week. What you were doing is having the emotional response an individual has to the loss of someone they love. We cry to give voice to our pain. — Anna Quindlen

Gospel ministers should not only be like dials on watches, or mile-stones upon the road, but like clocks and larums, to sound the alarm to sinners. Aaron wore bells as well as pomegranates, and the prophets were commanded to lift up their voice like a trumpet. A sleeping sentinel may be the loss of the city. — Joseph Hall

I was a reader before I was a writer, and when I started putting together my first collection of short stories, Fairytales For Lost Children, I drew on my rich history as a reader to try and create my voice. I wanted this voice to reflect my Somali background, my Kenyan upbringing and my London home. This voice would be a mashup of all the elements that formed my youth; the sticky-sweet Jamaican patois, the Kenyan street slang, my Somali and Italian linguistic tics, my love of jazz poetics and nineties hip-hop slanguistics. This language would form the bed on which my narratives of love, loss, identity and hope would rest. — Diriye Osman

His father asked Ethan in a raspy voice, "You spend time with your son?" "Much as I can," he'd answered, but his father had caught the lie in his eyes. "It'll be your loss, Ethan. Day'll come, when he's grown and it's too late, that you'd give a kingdom to go back and spend a single hour with your son as a boy. To hold him. Read a book to him. Throw a ball with a person in whose eyes you can do no wrong. He doesn't see your failings yet. He looks at you with pure love and it won't last, so you revel in it while it's here." Ethan thinks often of that conversation, mostly when he's lying awake in bed at night and everyone else is asleep, and his life screaming past at the speed of light - the weight of bills and the future and his prior failings and all these moments he's missing - all the lost joy - perched like a boulder on his chest. — Blake Crouch

A sensible girl would not have been crying, grieving for the boy with the magic in his voice and the blues in his eyes, mourning the loss of something that was a lie-a lie-from beginning to end. — Cinda Williams Chima

Before we leave the gravesite, Mary sings Mother's favorite gospel hymn ...
Mary's lovely voice rises and lingers in the air, and by the end of the song most of us are crying. I am too, though I still don't know what those stars are meant to represent. My mistake, I suppose, is in thinking they should mean something. — Christina Baker Kline

He looks up and the loss in his Noise is so great it feels like I'm standing on the edge of an abyss, that I'm about to fall down into him, into blackness so empty and lonely there'd never be a way out.
"Todd," I say again, a catch in my voice. "On the ledge, under the waterfall, do you remember what you said to me? Do you remember what you said to save me?"
He's shaking his head slowly. "I've done terrible things, Viola. Terrible things-"
"We all fall, you said." I'm gripping his hand now. "We all fall but that's not what matters. What matters is picking yourself up again. — Patrick Ness

She played a great deal better than either of the Miss Musgroves; but having no voice, no knowledge of the harp, and no fond parents to sit by and fancy themselves delighted, her performance was little thought of, only out of civility, or to refresh the others, as she was well aware. She knew that when she played she was giving pleasure only to herself; but this was no new sensation: excepting one short period of her life, she had never, since the age of fourteen, never since the loss of her dear mother, know the happiness of being listened to, or encouraged by any just appreciation or real taste. In music she had been always used to feel alone in the world; and Mr. and Mrs. Musgrove's fond partiality for their own daughters' performance, and total indifference to any other person's, gave her much more pleasure for their sakes, than mortification for her own. — Jane Austen

Sarah, though, was still sometimes ruled by stark pain, lost to everything else. Grief slipped away, only to attack from behind. It changed shape endlessly. It lacerated her, numbed her, stalked her, startled her, caught her by the throat. It deceived her eye with glimpses of Charles, her ear with the sound of his voice. She would turn and turn, expecting him, and find him gone. Again. Each time Sarah escaped her sorrow, forgetful amid other things, she lost him anew the instant she remembered he was gone. — Kate Maloy

For my convalescence, I had to exercise my voice only with vowels. It is a medical rule after a long loss of voice. — Nana Mouskouri

The greatest tragedy in your life will not be the death of a loved one or a natural disaster; those things hurt like hell and devastate to the core. But loss like that is part of life. What's not necessary and is therefore most tragic is the demise of your truest identity, your dying before you're dead, the moments when you let the words and judgments of others define who you are instead of rising above that pain to be the person you were meant to be. No matter what has happened in your past, you are still capable of becoming a better version of who you are at this moment. Think right. Believe the voice inside of you that speaks the truth. You are a divine marvel. Act like it. Live like it. — Toni Sorenson

For him life was all full of opportunities, and I don't think that was necessarily a bad thing, but I think he wanted to grab them for all the wrong reasons. He wasn't passionate about art, he didn't care about lawyers helping people, he didn't even care about my singing voice. It was all for more money. And so I suppose it was fitting that it was the loss of all his money that killed him in the end. The pills and the whiskey were just the nails in the coffin. — Cecelia Ahern

Jackson blinked again, almost at a loss for words as he ignored the mini Cooper reference, a term the girls loved and had begun calling their offspring. Having four women all entering the second trimester of their pregnancy at the same time was just about killing the brothers. How the hell had he become part of this? He wasn't married to any of them, and yet now he was the peanut butter bearer. Hell. "Four ... four types of peanut butter?" Jackson asked. "Yes. Four. I'm alone in the house with four pregnant women who all want peanut butter of their own choosing. For the love of God, help me." The panic in his brother's voice made Jackson smile. Matt had the pre-daddy jitters. In fact, all his brothers did. — Carrie Ann Ryan

It's all of a piece, I thought. It's an echo so close to perfect you can't tell which one is the living voice and which is the ghost-voice returning. For a moment everything was clear, and when that happens you see that the world is barely there at all. Don't we all secretly know this? It's a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dreamclock chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark. Mike — Stephen King

She hadn't been Rachel that night. She was evidence, a body of things to be picked and probed at, pictured and asked about, recorded and quoted. I want my life back. The voice was faint inside her own mind. She could hear the plaintive, almost despairing note to that voice. Like the wail of a scared child, this wasn't just about facing her fears. This was about everything. Her injuries, the loss of the life and world she'd once taken for granted, her long recovery. — Anais Torres

Countless times, I have imagined A. rising through the rivers of this land, to the surface of Florida to be found again, pulled into the air by new hands. The possibilities are endless, but most often I imagine him found by children. Above him, the sky shimmers and undulates blue through transparent springwater. Then four small brown hands break the surface and pull him into the air and into their excited and frightened vocabularies. The delicate bones of their arms and ribs absorb his voice, shattering their knowledge of what is possible. — Rhonda Riley

And then Jonah heard God's voice.
"Jonah, do you know what the difference is between you and the trees?"
He was confident it was God because God usually asked questions but gave no answers. Jonah didn't need a divine answer to this question, he knew it.
"Yes," he said. "The difference between me and the trees is that the trees let go of their leaves. I keep holding onto mine. The trees make room for new life. I don't. — David W. Jones

Heavy is the head that holds the pen of creation. We construct these characters from nothing, molding them from our imaginations. We give them hopes and dreams and unique personalities until they feel so real you're mind believes it must be so. We watch them grow by our hands, not always knowing the paths they will choose with the obstacles we throw at them. They take on a life of their own and often surprise even us by their actions we couldn't have imagined before it poured out of us onto the paper. We could change it if we really wanted to, but it would be forced and not be true to the characters. And when something tragic happens and one is lost, we feel that loss even though we know they were not a friend, a family member or even ourselves. It can be a hard thing to voice sometimes, to give tribute to the one's left behind with the real sadness over something not so real. But we find the words and press on to the next challenge, because that's what good writers do. — Jennifer A. Marsh

One foot in front of the other, more aimless than direct, Bradford left the waiting room for the outside world. Called for a taxi and then dialed Munroe again, desperate for her voice, for one ray of light in the darkness, afraid of what he might say if she did answer, afraid of himself and the inner deadening that pointed to a danger far more lethal than any rage he'd felt. — Taylor Stevens

The voice of a person thinking, discovering, revising, is ever-present without any loss in grace or ease. — Susan Stewart

Joy is the sweet voice, joy the luminous cloud. We in ourselves rejoice! And thence flows all that charms or ear or sight, all melodies the echoes of that voice, all colours a suffusion from that light. — Samuel Taylor Coleridge

You cannot let a fear of failure or a fear of comparison or a fear of judgment stop you from doing what's going to make you great. You cannot succeed without this risk of failure. You cannot have a voice without the risk of criticism and you cannot love without the risk of loss. — Charlie Day

I had often said that I would write, the wives of geniuses I have sat with. I have sat with so many. I have sat with wives who were not wives, of geniuses who were real geniuses. I have sat with real wives of geniuses who were not real geniuses. In short, I have sat very often and very long with many wives and wives of many geniuses.' Gertrude Stein wrote this in the voice of her partner, Alice B. Toklas, Stein being apparently the genius, Alice apparently the wife.
'I am nothing,' Alice said after Gertrude dies, 'but a memory of her.'
... the flashing blues and red made him look ill, then well, then ill again ... — Lauren Groff

He had also been married to an English girl who was killed in a car accident, a fact to mention because he was the driver. His sorrow was complete; it was as if he had been dipped into a tragic rue. This loss permeated every pore and organ cell, left him, indeed, a complete man, all of one piece, one whole tincture of loss. He spoke in a gentle voice and listened to every word that everyone said, as if words were as much of a comfort as warm clothing. While he sipped his one beer and I had three, — Norman Mailer

I am just as deaf as I am blind. The problems of deafness are deeper and more complex, if not more important than those of blindness. Deafness is a much worse misfortune. For it means the loss of the most vital stimulus- the sound of the voice that brings language, sets thoughts astir, and keeps us in the intellectual company of man. — Helen Keller

I stand, and wait among the sea foam. I swim in my own tears-I sing without my voice. I do not reach for higher ground, because I have lapped in the churning waters. — Meredith T. Taylor