Look Who's Talking Quotes & Sayings

I look forward all day to evening, and then I put an "engaged" on the door and get into my nice red bath robe and furry slippers and pile all the cushions behind me on the couch, and light the brass student lamp at my elbow, and read and read and read. One book isn't enough. I have four going at once. Just now, they're Tennyson's poems and "Vanity Fair" and Kipling's "Plain Tales" and - don't laugh - "Little Women." I find that I am the only girl in college who wasn't brought up on "Little Women." I haven't told anybody though (that would stamp me as queer). I just quietly went and bought it with $1.12 of my last month's allowance; and the next time somebody mentions pickled limes, I'll know what she is talking about! — Jean Webster

Here's one of the problems with communicating in the words of a man who is not around to explain himself: it's damn hard sometimes to tell what he was talking about. Look, the sheer fact that people have banged out book after article after dramatic interpretation of this guy should tell you that despite his eloquence, he wasn't the clearest of communicators. — Eleanor Brown

What behaviors are rewarded? Punished? Where and how are people actually spending their resources (time, money, attention)? What rules and expectations are followed, enforced, and ignored? Do people feel safe and supported talking about how they feel and asking for what they need? What are the sacred cows? Who is most likely to tip them? Who stands the cows back up? What stories are legend and what values do they convey? What happens when someone fails, disappoints, or makes a mistake? How is vulnerability (uncertainty, risk, and emotional exposure) perceived? How prevalent are shame and blame and how are they showing up? What's the collective tolerance for discomfort? Is the discomfort of learning, trying new things, and giving and receiving feedback normalized, or is there a high premium put on comfort (and how does that look)? — Brene Brown

You're talking to investors - and investors, they look at you and they realize, you know, not every business they invest in are the founders or the people running it going to have every bit of skill - and I think they looked at me and realized, OK, this is a guy who's got a lot - I'm much older than the usual run of people they fund. — David Plotz

The love of writing comes at a very early age. For me, for instance, comic books so affected me. And a lot of people who come up to me and start talking about writing, when I start talking to them about the "Fantastic Four," they look at me aghast. They say, "'The Fantastic Four?' That's not literature." I say, "Yeah, but it was when I was 11 years old." This was literature. — Walter Mosley

You're not like the others. I've seen a few; I know. When I talk, you look at me. When I said something about the moon, you looked at the moon, last night. The others would never do that. The others would walk off and leave me talking. Or threaten me. No one has time any more for anyone else. You're one of the few who put up with me. That's why I think it's so strange you're a fireman, it just doesn't seem right for you, somehow. — Ray Bradbury

Would you want people walking up to you and pointing at your d
k? I can't believe I'm still talking about this. But I've worn underwear every day of my life and the fact that I'm painted as this exhibitionist is a little annoying. It's become a meme, I guess. Being someone who people want to photograph, you have to open yourself up to the positive and negative. It is what it is. If I get mad at it I'll look like a douchebag. But it's silly. — Jon Hamm

Whether you're talking about Shakespeare or, you know, if you look at Greek tragedies. I mean, every playwright, every songwriter, every artist who's ever sat down and been moved to create something, has been living in a context. A political moment that's most often reflected in their work. Even if you're, you know, kind of a nature poet. — Sarah Jones

I often look to men to model behavior," she goes on after a pause. "Not because I want to squelch what's feminine about me, but because sometimes I want a little more action, a little less feeling in my interactions. I've been doing this thing lately where I try to talk slower at meetings. I take a lot of meetings with women and we all talk really fast. But every guy talks so much slower. Maybe there's a scientist who could tell me why, but I think men are just a little bit more comfortable taking up conversational real estate. So I've been seeing how slow I can tolerate talking. I'm doing it now. Let me tell you, it's really hard for me. — Amy Poehler

I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on. — Maggie Gyllenhaal

I may be, tied up, but at least, I am HIS. I may be hurting, But I am HIS, I may be reluctant, but I am HIS, I may be lonely, but I am HIS, I may be frustrated, but I am HIS, That's why I am praising Him, because I'm glad He tied me up. He stopped me from doing the things I would have done, that would've messed up myself. When I look at how my friends got loosed, I thank Him for tying me up. When I look at how the neighborhood boys are locked up in jail, I thank Him for tying me up. I am not happy about it then, but I'm glad about it now. When I think about the person I almost married, When I think about the job I almost got, When I think about the people who wouldn't let me join their clique, When I think about the people who stops talking to me, I thank Him for tying me up. I thank Him for the rope that got me tied up. — T.D. Jakes

All I can see when I look at him is a belt swinging toward Tobias, and the butt of a gun slamming into Caleb's jaw. I don't care that he hurt Caleb
I would have done it, too
but that he is simultaneously a man who knows how to hurt people and a man who parades around as the self-effacing leader of Abnegation, suddenly makes me so angry I can't see straight.
Especially because I chose him. I chose him over Tobias.
"Your brother is a traitor," says Marcus as we turn a corner. "He deserved worse. There's no need to look at me that way."
"Shut up!" I shout, shoving him hard into the wall. He is too surprised to push back. "I hate you, you know that! I hate you for what you did to him, and I am not talking about Caleb." I lean close to his face and whisper, "And while I may not shoot you myself, I will definitely not help you if someone tries to kill you, so you'd better hope to God we don't get into that situation. — Veronica Roth

I don't want to misrepresent who I am personally. I don't want my kids to see me on a talk show and say, "You're talking different" or "You look different, dad." I'm not gonna be an animal; I know how to conduct myself. — Michael Rapaport

Look, who's the talking bear here?" Quentin snapped. "Is it you? Are you the talking fucking bear? All right. So shut the fuck up. — Lev Grossman

For crissakes, you're the frickin' poster boy for DarkRiver with your 'Gee, shucks, I'm harmless' act."
Dorian was used to being ribbed about his looks. With his blond hair and blue eyes, he looked more like a surfer hanging out for the right wave than blooded DarkRiver sentinel.
"Look who's talking, Miss Bikini Babe 2067. — Nalini Singh

Damn, damn, damn," she said. "I never said why I like you, and now I have to go."
"That's okay," he said.
"It's because you're kind," she said. "And because you get all my jokes ... "
"Okay." He laughed.
"And you're smarter than I am."
"I am not."
"And you look like a protagonist." She was talking as fast as she could think. "You look like the person who wins in the end. You're so pretty, and so good. You have magic eyes," she whispered. "And you make me feel like a cannibal."
"You're crazy."
"I have to go." She leaned over so the receiver was close to the base.
"Eleanor - wait," Park said. She could hear her dad in the kitchen and her heartbeat everywhere.
"Eleanor - wait - I love you. — Rainbow Rowell

Now, let's imagine that we have been condemned for life to making, year in year out a burdensome and nearly impossible decision to which the world increasingly and inexplicably ascribes a crazy importance. How do we go about it? We look for some simple, rapid, and broadly acceptable criteria that will help us get this pain out of the way. And since, as Borges himself noted, aesthetics are difficult and require a special sensibility and long reflection while political affiliations are easier and quickly grasped, we begin to identify those areas of the world that have grabbed public attention, perhaps because of political turmoil or abuses of human rights; we find those authors who have already won a huge level of respect and possibly major prizes in the literary communities of these countries and who are outspokenly committed to the right side of whatever political divide we're talking about, and we select them. — Tim Parks

I'm probably the only sixteen-year-old girl in a three hundred mile radius who knows how to distinguish between a poltergeist from an actual ghost (hint: If you can disrupt it with nitric acid, or if it throws new crap at you every time, it's a poltergeist), or how to tell if a medium's real or faking it (poke 'em with a true iron needle). I know the six signs of a good occult store (Number One is the proprietor bolts the door before talking about Real Business) and the four things you never do when you're in a bar with other people who know about the darker side of the world (don't look weak). I know how to access public information and talk my way around clerks in courthouses (a smile and the right clothing will work wonders). I also know how to hack into newspaper files, police reports, and some kinds of government databases (primary rule: Don't get caught. Duh). — Lilith Saintcrow

Alec shrugged "Look who's talking. 'Oh, I love her. Oh, she's my sister. Oh why,why,why
"
Jace threw a handful of dead leaves at Alec, making him splutter.
Isabelle was laughing. "You know he's right, Jace. — Cassandra Clare

People have come to me for my opinion since 'October Baby.' But, hey, look, I'm an actor who is very fortunate to be in a movie that's making wonderful noise, and hopefully helping parents and children to be a little closer. Leave me alone. I'm not talking about politics. I'm just trying to have a conversation with my own kids. — John Schneider

I hope they remake 'Look Who's Talking' - then I'd make some money! — Amy Heckerling

This is a very important undercover operation which you are endangering just by talking to us." He opened his jacket. "Look, I have a gun. I am Detective Inspector Me. This is my partner, Detective Her." The traffic warden frowned. "Her?" "Me," said Stephanie. "Him?" "Not me," said Skulduggery. "Her." "Me," said Stephanie. "You?" said the traffic warden. "Yes," said Stephanie. "I'm sorry, who are you?" Stephanie looked at him. "I'm Her, he's Me. Got it? Good. — Derek Landy

As for my faith: I've become my father's son-that is, I've become the kind of believer that Pastor Merrill used to be. Doubt one minute, faith the next-sometimes inspired, sometimes in despair. Canon Campbell taught me to ask myself a question when the latter state settles upon me. Whom do I know who's alive whom I love? Good question-one that can bring you back to life. These days, I love Dan Needham and the Rev. Katherine Keeling; I know I love them because I worry about them-Dan should lose some weight, Katherine should gain some! What I feel for Hester isn't exactly love; I admire her-she's certainly been a more heroic survivor than I've been, and her kind of survival is admirable. And then there are those distant, family ties that pass for love-I'm talking about Noah and Simon, about Aunt Martha and Uncle Alfred. I look forward to seeing them every Christmas. — John Irving

When I talk about a political revolution, what I am referring to is the need to do more than just win the next election. It's about creating a situation where we are involving millions of people in the process who are not now involved, and changing the nature of media so they are talking about issues that reflect the needs and the pains that so many of our people are currently feeling. A campaign has got to be much more than just getting votes and getting elected. It has got to be helping to educate people, organize people. If we can do that, we can change the dynamic of politics for years and years to come. If 80 to 90 percent of the people in this country vote, if they know what the issues are (and make demands based on that knowledge), Washington and Congress will look very, very different from the Congress currently dominated by big money and dealing only with the issues that big money wants them to deal with. — Bernie Sanders

Each big idea like that is an operating system upgrade," she says, smiling. Comfortable territory. "Writers are responsible for some of it. They say Shakespeare invented the internal monologue."
Oh, I am very familiar with the internal monologue.
"But I think the writers had their turn," she says, "and now it's programmers who get to upgrade the human operating system."
I am definitely talking to a girl from Google. "So what's the next upgrade?"
"It's already happening," she says. "There are all these things you can do, and it's like you're in more than one place at one time, and it's totally normal. I mean, look around."
I swivel my head, and I see what she wants me to see: dozens of people sitting at tiny tables, all learning into phones showing them places that don't exist and yet are somehow more interesting ... — Robin Sloan

In Hollywood, whenever you do anything, it seems like there's going to be 30 of them. When I did 'Look Who's Talking,' people went: 'Oh but there's going to be this baby movie and that baby movie.' I can't worry about that. I can only do what I want to do. — Amy Heckerling

I'm talking about the number of privileged, highly intelligent, motivated career-track people that I know, from my high school or college, who are, if you look into their eyes, empty and miserable. — David Lipsky

I moved to Chicago in the early 1990s and I studied improvisation there. I learned some rules that I try to apply still today: Listen. Say yes. Live in the moment. Make sure you play with people who have your back. Make big choices early and often. Don't start a scene where two people are talking about jumping out of a plane. Start the scene having already jumped. If you're scared, look into your partner's eyes - you will feel better. — Amy Poehler

It's not how you look in the mirror that's important, what's important is how you are reflected in the eyes of the people who love you. --T. Hammond (Red Rover) — T. Hammond

Thinking and talking about love leads to Love, which is the enemy. Do not consort with the enemy. Even if those hot-ass actors in the movies make it look cuddly and nice and tempting, don't fall for it. It's the biggest bad in the world, the worst villain ever created by hormone-pumped pubescent morons. It's the Joker, Lex Luthor, that one overweight guy who's always messing with the Scooby-Doo gang. It's the final boss in the massive joke of a video game you call your life. — Sara Wolf

Who's that man you were talking to?"

"Oh, that's Norwood. He was checking you in for your first shift. I'll introduce you tomorrow."

She made a face. "No rush."

"I mean, you were scheduled to have a brief orientation with him today, but you know, you needed your beauty sleep, so we don't have time. Are you aware, Lex, that sloth is a deadly sin?"

She made a face at him, then glanced back at the hallway. She thought she could make out a bustle of activity behind the array of frosted glass tiles that lined its right-hand wall, but Uncle Mort ushered her out the front door too quickly for her to get a closer look.

"Wait, we're done here?"

"Well, I was going to show you around upstairs as well, but - "

"No time. Sloth. I get it."

"Deadly sin. — Gina Damico

Today everybody is talking about the fact that we live in one world; because of globalization, we are all part of the same planet. They talk that way, but do they mean it? We should remind them that the words of the Declaration [of Independence] apply not only to people in this country, but also to people all over the world. People everywhere have the same right to life, liberty, and the pursuit of happiness. When the government becomes destructive of that, then it is patriotic to dissent and to criticize - to do what we always praise and call heroic when we look upon the dissenters and critics in totalitarian countries who dare to speak out. — Howard Zinn

It must be something voluntary, something self induced - like getting drunk, or talking yourself into believing some piece of foolishness because it happens to be in the Scriptures. And then look at their idea of what's normal. Believe it or not, a normal human being is one who can have an orgasm and is adjusted to society. It's unimaginable! No question about what you do with your orgasms. No question about the quality of your feelings and thoughts and perceptions. And then what about the society you're supposed to be adjusted to? Is it a mad society or a sane one? And even if it's pretty sane, is it right that anybody should be completely adjusted to it? — Aldous Huxley

You get this drama, babe, you got until the end of Tack's meeting to burn it out, but mark this, Lanie. After that meeting, I don't give a fuck if you're strapped into a rocket to go to the goddamned moon, I'm findin' you, we're sortin' this shit out and we're movin' on," he warned. "I just made a mental note to find a plastic surgeon who does emergency face alterations so you won't know who to look for," I shot back. "Jesus, I'm pissed as all fuck and still she's cute," he groused like he wasn't talking to me but actually complaining to the Son of God. "Jesus works on Sunday, Hop. You want a direct line, time to haul your biker ass to church," I shared. "You want me to let you go so you can burn this out, you better stop bein' cute, lady. You keep bein' cute, I'll kiss you in the goddamn forecourt and I won't give a fuck who sees." I snapped my mouth shut. "That's what I thought," he — Kristen Ashley

I hear so many people talking about what's wrong, whether it's climate change or whatever, but so few say, 'Well, look, we've got this problem, so let's find the solution. Let's find a scientist, let's find politicians who are prepared to shape the future, or try and keep up with it.' — Jenny Shipley

Not exactly what I wanted, but you know what they say about getting what you want."
"That you should want what you have instead?" I guessed.
"No! That's ridiculous advice. Jesus, who told you that? Never mind, don't even answer that. Just forget you ever heard it. They, and by 'they' I am referring to those who know what the hell they're talking about, say that you can't always get what you want. But if you try sometimes ... " He held out his hand for me to finish.
"You just might get what you need?"
He shucked me under the chin and gave me his best cocky smile. "There's hope for you yet."
He walked away from me with a determined swagger and didn't look back. — Liz Reinhardt

It's kind of like you, Bonnie. You cut off your long hair too. Just like Rapunzel."
"That's right, Katy. That's because a mean old witch locked me up at Tower Records, and I had to wait for my boyfriend to get out of jail and come rescue me."
"What the fu - heck are you talking about?" Finn asked, amending his curse at the last minute for the sake of the little girl who was hanging on every word.
A little snort escaped out of my nose at the incredulous look on his face, and Katy giggled.
"Bonnie Rae," Finn choked out, finally laughing, "can we please change the subject? — Amy Harmon

When people look and decide they have nothing in common with me - I'm 43, balding, blond, whatever - there's something absolutely invigorating about winning them over. Even if it's eight people from Sweden who don't understand what I'm talking about. — Jim Gaffigan

I'm thinking we ought to rethink the whole self-esteem thing. It should almost be a dirty word. I mean, look at Kayla. She has the intelligence of a tree stump, and its sense of humour. She's less about real attractiveness than she is about advertising ... She's the kind of girl who shows how hot she is because she has nothing else to offer, who doesn't realise that hotness has an expiration date. Yet, I'm still a little nervous talking to her like she's holding a lottery ticket she just might or might not decide to hand over to me. It is nuts, if you stop to think about it. I give give her this power, and it's kind of like voting some idiot into office. But hey, we're good at that, too. — Deb Caletti

It's a very odd feeling for a daughter to see her mother blush over a man."
"You wouldn't?" Alan skimmed a thumb over her cheekbone. Shelby forgot her mother altogether.
"Wouldn't what?"
"Blush," he said softly, tracing her jawline. "Over a man."
"Once-I was twelve and he was thirty-two." She had to talk-just keep talking to remember who she was. "He,uh, came to fix the water heater."
"How'd he make you blush?"
"He grinned at me.He had a chipped tooth I thought was really sexy."
On a quick ripple of laughter, Alan kissed her just as Myra opened the door.
"Well,well." She didn't bother to disguise a self-satisfied smile. "Good evening.I see you two have met."
"What makes you think that?" Shelby countered breezily as she stepped inside.
Myra glanced from one to the other. "Do I smell strawberries?" she asked sweetly.
"Your lamp." Shelby gave her a bland look and indicated the box Alan carried. "Where would you like it? — Nora Roberts

Who takes the Pandorica takes the Universe. But bad news everyone. 'Cause guess who! Hah! Listen, you lot, you're all whizzing about. It's really very distracting. Could you all just stay still a minute because I. AM. TALKING! Now, the question of the hour is, who's got the Pandorica? Answer: I do. Next question: Who's coming to take it from me? Come on! Look at me! No plan, no back-up, no weapons worth a damn, oh, and something else. I don't have anything to lose. So if you're sitting up there in your silly little spaceship with all your silly little guns and you've got any plans on taking the Pandorica tonight, just remember who's standing in your way! Remember! Every black day I ever stopped you! And then! And then! Do the smart thing! Let somebody else try first. — Steven Moffat

I'd get this, I luuuuuuuv you, buddy! stuff, and I'd just look at him like, Who are you talking to, guy? What does that mean, your dad 'loves' you and hasn't a [bleep]ing clue who you are? What's he love then? Some kid in Happy Days. Not me. — Lionel Shriver

I'm not a big guy. I'm not a menacing guy. I'm not an intimidating guy. I may look that way, but just spend two seconds talking to me, and you know that's not who I am - not as a person, as a character. It's not who I intend to be. — Dave Bautista

Any kind of art that seems to be just about normal people, it's judged less by how good of a work of art it is, and more by how much the critic thinks that that is true to life. Which, you know, I think might be why something like Boyhood was so hugely praised, whereas something like Margaret was a little unfairly marginalized. There were people who said, "OK, well, I don't relate to these characters," or, "I think the way they speak is off from real-life" as opposed to saying, "Is what's being expressed in it - is the emotional content true to life?" You can just look on Youtube and see clips into people's real life very easily, so I'm actually more excited by that feeling of, I'm being immersed completely in this one guy's view of the world. But, obviously, I get more excited talking about other people's work than my own. — Adrian Tomine

It was part of war; men died, more would die, that was past, and what mattered now was the business in hand; those who lived would get on with it. Whatever sorrow was felt, there was no point in talking or brooding about it, much less in making, for form's sake, a parade of it. Better and healthier to forget it, and look to tomorrow.
The celebrated British stiff upper lip, the resolve to conceal emotion which is not only embarrassing and useless, but harmful, is just plain commons sense — George MacDonald Fraser

You're pining," said Jace.
Alec shrugged. "Look who's talking. 'oh I love her. Oh, she's my sister. Oh why, why, why - — Cassandra Clare

Ghouls," I heard Archer say. His voice was low and tense, like a person who's being confronted by a wild animal. "Reanimated human flesh, used as guardians. Seriously dark magic. Someone obviously didn't want us finding-"
"Oh my God,less talking, more stabbing, please." My voice was squeaky with fear, and I knew my eyes wer huge when I swiveled around to look at Archer.
He already had the sword in his hand, and he was crouching slightly. "I can slow them down, but ghouls can't be killed by blades. You're the one who has to stop them."
"Come again?" I nearly squeaked.
"You're a necromancer," he said. "They're dead."
Oh,right. One of the many "perks" of having a lot of dark magic at my disposal. But I'd never seen the point in boning up on my necromancer skills. When was I ever going to need to order around the dead? — Rachel Hawkins

Great," Shane said. "Look i'd rather not be on janitorial duty. I have allergies to cleaners."
"And to cleaning," Michael said.
"Look who's talking, Didn't the do one of those Animal Planet documentaries about the roaches in your room? — Rachel Caine

I sat up. Slowly. Between the belly dancing, the fire, the visit to Dave and it's aftermath, the night had taken its toll.
You look like crap!" Cole said merrily. "I like the hair though."
He made a camera frame with his thumbs and forefingers and in the genie voice from Aladdin said, "Now what does this say to me? Homeless women? Tornado victim? Britney Spears? I've got it! Preschooler who's misplaced her gum!"
I regarded him balefully. "You're a morning person, aren't you?"
You make that sound like a bad thing."
Not if you stop talking. — Jennifer Rardin

If someone had to lose weight, I would tell that person to lose weight. Lose some weight, why can't you take care of yourself. When I say this, the person might think, 'Look who's talking,' but I would reply, 'I'm a boy and you're a girl.' — Shindong

Yesterday, a beautiful day ... I was talking to [an older] woman who said that she wouldn't want to be me for anything in the world. She wouldn't want to live today and look ahead to what it is she sees because she's afraid. Fear is always with us but we just don't have time for it. Not now. HILLARY RODHAM, Wellesley commencement speech, 1969 — Rebecca Traister

My belief is that if we live another century or so - I am talking of the common life which is the real life and not of the little separate lives which we live as individuals - and have five hundred a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sitting-room and see human beings not always in their relation to each other but in relation to reality; and the sky, too, and the trees or whatever it may be in themselves; if we look past Milton's bogey, for no human being should shut out the view; if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women, then the opportunity will come and the dead poet who was Shakespeare's sister will put on the body which she has so often laid down. — Virginia Woolf

I would say the world's in terrible shape, but I'm afraid the world would say, 'Look who's talking!' — Cass Elliot

Everything okay, sweet pea?" Garret asked as he walked over.
"Yep. Just talking to Sean and getting some fresh air."
Garret shoved his hands into his pockets. "You mean you're hiding out here with this pussy who's here for the same reason."
Sean grunted. "Yeah, the exact same reason you've run outside like a damn girl."
Garret grinned. "Too many damned people. Ma eats that shit up, but I swear it makes the rest of us crazy."
"So at what point is she going to figure out we've fled the premises?" Rachel asked. The last thing she wanted was to hurt Marlene's feelings.
"Not to worry. Mom is well used to having to round us up. She usually gives us ten minutes or so to get the crazed look from our eyes, and then she'll come out all sweet-like but with a glint in her eyes you know better than to ignore."
"And at that point, she drags us back inside by our ears," Sean finished. — Maya Banks

Hey," Shane said from the other side of the bars. "Trade you cigarettes for a chocolate bar."
Funny," Eve said. She was almost back to her old unGothed self again, though there were still red splotches on her cheeks and around her eyes. "How come you're always behind bars, troublemaker?"
Look who's talking. I didn't try to outrun the cops in a hearse."
That hearse had horsepower." Eve got that moony look in her eyes again. "I love that hearse. — Rachel Caine

You see the suffering of children all the time nowadays. Wars and famines are played out before us in our living rooms, and almost every week there are pictures of children who have been through unimaginable loss and horror. Mostly they look very calm. You see them looking into the camera, directly at the lens, and knowing what they have been through you expect to see terror or grief in their eyes, yet so often there's no visible emotion at all. They look so blank it would be easy to imagine that they weren't feeling much.
And though I do not for a moment equate what I went through with the suffering of those children, I do remember feeling as they look. I remember Matt talking to me
others as well, but mostly Matt
and I remember the enormous effort required even to hear what he said. I was so swamped by unmanageable emotions that I couldn't feel a thing. It was like being at the bottom of the sea. — Mary Lawson

Surgery has warped the faces of every woman over thirty; they don't look younger, just not quite human in a way society has decided to pretend not to see. Half of the people are talking more to the holograms from their rings or badges than they are to the people around them. What conversation I can hear is mostly gossip: who's shagging who, who's making money, who's losing it, who's not invited to the next party like this. Maybe the technology is different, but the shallowness of the scene is probably universal. So this is the life my father escaped when he chose to go into science, to leave Great Britain and join Mom in California. He was even smarter than I knew. — Claudia Gray

I think it's good to know more than the average guy. If I'm in a bar now and some pretty girl is talking to some handsome 24-year-old man, I'll say, "Okay, who's the emperor after Caligula? What chief mistake did Marcus Aurelius make in choosing a successor?" He'll just look like an idiot. She'll just gravitate toward me, I'm thinking. It works in Detroit. — Emo Philips

I turn to Libby. "You're kind. Probably the kindest person I know. You're also forgiving, at least a little, but I'm hoping a lot, and in my book that's a superpower." Her eyes are on mine, and there's a lot going on there. "You're smart as hell, and you don't take people's crap, least of all mine. You are who you are. You know who that is, and you aren't afraid of it, and how many of us can say that." She's not smiling, but it's not about what her mouth is doing. It's about her eyes. "You're strong too. It's not just a matter of being able to knock down a guy with a single shot to the jaw." (Everyone laughs, except her.) "I'm talking about inner strength. Like, if I would draw that inner strength it might look a lot like a triangle made of carbyne. That's the world's strongest material. You also make things better for people around you... — Jennifer Niven

Penryn? Who are you talking to?" My mother sounds almost frantic now.
"Just my own personal demon, Mom. Don't worry. He's just a little weakling."
Weak or not, we both know he could have killed me if that's what he wanted. I won't give him the satisfaction of knowing I was scared, though.
"Oh." She sounds calm suddenly, as if that explained everything. "Okay. Don't underestimate them. And don't make them promises you can't keep." I can tell by her fading voice as she says this that she's reassured and walking away.
The baffled look the angel shoots at the door makes me chuckle. He glances my way, giving me a you're-weirder-than-your-mom look. — Susan Ee

You know, don't you?" The unfamiliar voice startled him for a second, but Dan just figured that the guy hadn't been talking to him. Still, when he sneaked a look, he could see some stranger was staring directly into Dan's sunglassed eyes. Little guy, Dan thought, but then again, everyone looked little to Dan. Not short. Just small. Small hands, thin arms, almost frail. The guy who was staring at him now stuck out here because it was so clear he didn't belong. There was nothing football about him. Too little. Too nerdy. Big baseball cap pulled down too low. And that soft, friendly smile. "You — Harlan Coben

I always hated when the studios just kind of said that anybody can act. You look at people like Spencer Tracy, Henry Fonda - and I'm just talking about the male actors - there aren't a lot who can act. It's a very special talent, and I wish it were recognized as a very special talent. — Bob Newhart

But anyway, I look around sometimes and I think - this will maybe sound weird - it's like the corporate world's full of ghosts. And actually, let me revise that, my parents are in academia so I've had front row seats for that horror show, I know academia's no different, so maybe a fairer way of putting this would be to say that adulthood's full of ghosts."

"I'm sorry, I'm not sure I quite --"

"I'm talking about these people who've ended up in one life instead of another and they are just so disappointed. Do you know what I mean? They've done what's expected of them. They want to do something different but it's impossible now, there's a mortgage, kids, whatever, they're trapped. Dan's like that."

"You don't think he likes his job, then."

"Correct," she said, "but I don't think he even realises it. You probably encounter people like him all the time. High-functioning sleepwalkers, essentially. — Emily St. John Mandel

Little fussy Otto, in his red-lined black opera cloak with pockets for all his gear, his shiny black shoes, his carefully cut widow's peak and, not least, his ridiculous accent that grew thicker or thinner depending on who he was talking to, did not look like a threat. He looked funny, a joke, a music-hall vampire. It had never previously occurred to Vimes that, just possibly, the joke was on other people. — Terry Pratchett

But Max said: "Last summer I spent working these peace booths at state fairs. We'd go around in this bigole pickup with this knocked-down booth in the back and boxes of literature. People'd come up to me and hear me talking about colonialism or the bomb or who was responsible for the Cold War, and they'd start railing on Communists. Communists, these damn Communists. And I'd say hey, hold on now, you're talkin' about my mother. They'd look at me like I'd turned into a Russky before their very eyes. It certainly shut 'em up." He smiled to remember, delighted. "They were good people. Country people. Didn't want to say anything bad about a fellow's mom." Saul — John Crowley

Jacque leaned over and whispered in Sally's ear, "I give it two days before he lays one on her."
"You're being generous. I say less than twenty four hours."
"Is that a bet?" Jacque asked, eyebrows raised.
"Better believe it," Sally answered. Her lips eased into a crooked smile.
Jen leaned around Sally and glared at her two best friends. "What are you two betting on?"
"Good grief. What, does she have eagle ears or something?"
"No, you dork. Your whisper is just you talking in normal volume but making your voice raspy. Really, you sound more like a chick who's been smoking for thirty years."
Jen shrugged. "I'm just throwing that out there. You can take it and apply it at your leisure."
Fane was chuckling at Jen's words when Jacque elbowed him, causing him to cough."You don't get to laugh, wolf-man."
Jacque turned back to Jen. "Thank you for that observation, Sherlock."
"Always glad to help a friend in need, Watson." Jen grinned at Jacque's irritated look. — Quinn Loftis

Why are you talking to the King Loser Dork? You want to talk about ugly? Look at what he's wearing. (Stone) I like a man who takes fashion chances. It's the mark of someone who lives by his own code. A rebel. A real lone wolf is a lot sexier than a pack animal who follows orders and can't have an opinion unless someone else gives it to him. (Nekoda) — Sherrilyn Kenyon

I suddenly had a vision of my sperm swimming around and talking in Bruce Willis's voice like in Look Who's Talking. Come on! Swim faster! This little shit has no idea we escaped from the condom! Yippee-ki-yay, motherfucker! — Tara Sivec

I watched as an extremely nerdy exhibitor - I'm talking about a guy who makes Bill Gates look like Brad Pitt ... — Dave Barry

When I'm talking about a developing world, I also look at clean-water access - women who are more vulnerable to sexual violence when they're fetching water. And talking about what we have going on here, with our carbon footprints and our emissions, is just as important to me as figuring out how to provide clean water to people who need it in regions around the world. — Sophia Bush

Uncle seemed to take pleasure from knowing things other people didn't. Silas did not like thinking this about the man who'd given them a place to live, but there was a sort of smirk hidden inside his uncle's words that made Silas feel like he was being laughed at. He knew that tone. He'd heard it often enough from kids at school, from the ones who'd look at you like you weren't worth talking to, from the ones who looked at your unfashionable clothes, or the shape of your face, and told everyone else that you were a freak. Silas was scared of those kids, because usually, those were the ones who didn't think that normal rules applied to them, the ones who thought they could get away with anything. — Ari Berk

Look who's talking,' Darren repeated, angrier this time. 'I might've welcomed her along in hunts, but I wasn't tripping over myself to talk to her every night. Everyone could see the way you looked at the girl. You weren't exactly subtle, you know. Ruth nearly had kittens every time the two of you went off to do something. So don't lecture me about getting attached, Zeke. You were falling for that vampire - we all knew it. Maybe you'd better check your own neck before you go pointing fingers at other people. Seems to me the vampire could've bitten you anytime she wanted - — Julie Kagawa

Without total freedom, every perception, every objective regard, is twisted. It is only the man who is totally free who can look and understand immediately. Freedom implies really, doesn't it, the total emptying of the mind. Completely to empty the whole content of the mind-that is real freedom. Freedom is not mere revolt from circumstances, which again breeds other circumstances, other environmental influences, which enslave the mind. We are talking about a freedom that comes naturally, easily, unasked for, when the mind is capable of functioning at its highest level. — Jiddu Krishnamurti

What is it?" said Jeanne, when Diana was gone; "you look rather gloomy."
"Why, yes."
"What has happened?"
"Oh, mon Dieu! an accident."
"To you?"
"Not precisely to me, but to a person who was near me."
"Who was it?"
"The person I was walking with."
"M. de Monsoreau?"
"Alas! yes; poor dear man."
"What has happened to him?"
"I believe he is dead."
"Dead!" cried Jeanne, starting back in horror.
"Just so."
"He who was here just now talking ... "
"Yes, that is just the cause of his death - he talked too much. — Alexandre Dumas

His eyes widened. "Pain? Darling, you haven't yet experienced the pain I can inflict when I've been played for a fool. I'm in awe at your gall to try and fool me."
Bree went still as panic froze her. Oh, God. No.
"Ah, the light bulb finally goes off," he purred against her face; his voice low and
cold.
Even knowing who he was, and the family he came from, Bree could say that deep inside, she'd never felt any real fear of him.
She did now. He knew. The look on his face told her he knew that she had lied about him being her baby's father. Frantically, she grasped for any foothold she could find. "I don't know what you're talking-"
"DON'T!" he snapped, grabbing the sides of her face. — E. Jamie

I know very well you can't help me," he said. "But I tell you, because unsuccessful and superfluous people like me find their salvation in talking. I have to generalise about everything I do. I'm bound to look for an explanation and justification of my absurd existence in somebody else's theories, in literary types - in the idea that we, upper-class Russians, are degenerating, for instance, and so on. Last night, for example, I comforted myself by thinking all the time: 'Ah, how true Tolstoy is, how mercilessly true!' And that did me good. Yes, really, brother, he is a great writer, say what you like!" Samoylenko, who had never read Tolstoy and was intending to do so every day of his life, was a little embarrassed, and said: "Yes, all other authors write from imagination, but he writes straight from nature. — Anton Chekhov

. . . you've got to do something about her," Aunty was saying. "You've let things go on too long, Atticus, too long." "I don't see any harm in letting her go out there. Cal'd look after her there as well as she does here." Who was the "her" they were talking about? My heart sank: me. I felt the starched walls of a pink cotton penitentiary closing in on me, and for the second time in my life I thought of running away. Immediately. "Atticus, — Harper Lee

I used to think that words and music could change the world, but look at the people who have made it. You see their faces all over the tabloids talking about their latest stint in rehab — Carolee Dean

No matter how shitty it got, I could always look back and say, "At least I don't have my arm stuck up a cow's vagina." In fact, that's kind of become my life's motto. It's also what I say when I'm at a loss for words when talking to people who are grieving the loss of their grandparents. — Jenny Lawson

If it makes you feel any better, he's been all sad doll lately too."
"What are you talking about, Chels?"
Chelsea stopped walking and stared at Violet.
"Jay. I'm talking about Jay, Vi. I thought you might want to know that you're not the only one who's hurting. He's been moping around school, making it hard to even look at him. He's messed up ... bad." Just like the other night in Violet's bedroom, something close to ... sympathy crossed Chelsea's face.
Violet wasn't sure how to respond.
Fortunately sympathetic Chelsea didn't stick around for long. She seemed to get a grip on herself, and like a switch had been flipped, the awkward moment was over and her friend was back, Chelsea-style: "I swear, every time I see him, I'm halfway afraid he's gonna start crying like a girl or ask to borrow a tampon or something. Seriously, Violet, it's disgusting. Really. Only you can make it stop. Please make it stop. — Kimberly Derting

They'd paid some madman who thought he was a decorator a lot of money to make the place look hip and unique. Maybe it's my lack of fashion sense talking, but I thought they should have held out for one of these gorillas who has learned to paint. The results would have been of similar quality, and they could have paid in fresh produce. — Jim Butcher

New Rule: Bring back a little pubic hair. Not a lot, I'm not talking about reviving that 1973 look that said "I'm liberated" and "I'm smuggling a hedgehog."I just want a friendly, fuzzy calling card that's a middle ground between toddler smooth and "Dr. Livingston, I presume?" It's supposed to have some hair on it. It's a pussy, not Dr. Evil's cat. Call me old school, but there's a name for a guy who needs it hair-free: He's called a pedophile. — Bill Maher

I cannot drive hundreds of miles with a total stranger," I said. "It's a fuck of a lot safer than driving alone." "Not if you're a serial killer!" "Look who's talking. You're the one who decapitated a U.S. president." I couldn't help but laugh. This situation was seriously insane. "Holy shit, Princess, is that a laugh at your own expense, I see? — Penelope Ward

Grimalkin snorted. "Just because he cannot lie does not mean he cannot deceive, human. Robin Goodfellow is an expert at dancing around the truth."
"Oh, look who's talking. If you're not an expert at screwing people over, I'll eat my head. — Julie Kagawa

Kien, talking with Akabe, caught Ela's glance and grinned, luring her thoughts toward him. Gorgeous man! How dare he distract her?
*****************************************
Akabe turned and saw what-or rather who-had distracted Kien mid-sentence. He should have known. And he understood. If Caitria had cast him such a loving smile, Akabe would have abandoned this impromptu conference altogether. But Caitria petted Issa, ignoring everyone else. Therefore...
Akabe backhanded Kien's shoulder. "Stop flirting with your wife and pay attention!"
Kien shot him a mock-threatening look. "I am your servant, sir."
A headstrong and unexpected servant, Akabe agreed silently. But most welcome. — R.J. Larson

Those who can't do, teach. And, as Woody Allen says, those who can't teach, teach gym. And, as I say, those who can't teach gym become experts. That's who we look to for answers these days-the people telling you how to make your marriage work. Men telling women how to raise their self-esteem. The only thing that cures everything is talking to people who have the same problem you do. The rest is just a moneymaking bullshit scheme that some asshole is getting rich on. — Roseanne Barr

There's a lot of Hollywood bullshit about flying. I mean, look at the movies about test pilots or fighter pilots who face imminent death. The controls are jammed or something really important has fallen off the plane, and these guys are talking like magpies; their lives are flashing past their eyes, and they're flailing around in the cockpit. It just doesn't happen. You don't have time to talk. You're too damn busy trying to get out of the problem you're in to talk or ricochet around the cockpit. Or think about what happened the night after your senior prom. — Robin Olds

I'm talking about a little truth-in-packaging here. To be perfectly frank, you don't quite look like yourself. And if you walk around looking like someone other than who you are, you could end up getting the wrong job, the wrong friends, who knows what-all. You could end up with somebody else's life."
I shrugged again, and smiled. "This is my life," I said. "It doesn't seem like the wrong one. — Michael Cunningham

Jehovah's Witness are welcomed into my home ... You gotta respect anybody who gets all dressed up in Sunday clothes and goes door-to-door on days so hot their high heels sink a half-inch into the pavement.
The trick is to do all the talking yourself. Pretty soon, they'll look at their watches and say, 'Speaking of end times, wouldja look at what time it is now! — Celia Rivenbark

"Please look at me. I missed you. I was so worried about you."
"Really? Which one of us are you talking to?" His attention crosses to Morpheus, who smirks conspiratorially. — A.G. Howard

Look, do you want to come in? Because for someone who's not talking to me, you certainly seem to have a lot to say. — Lauren Barnholdt

I wake on the fiction couch deeply hungover, my head cracking, with Rachel telling me to get up. She's holding my eyelids open like she used to do in high school when we'd stayed up all night talking and then slept through the morning alarm. 'Get. Up. Henry.'

'What time is it? I ask, batting off her hands.

'It's eleven. The shop's been open for an hour. There are customers asking for books I can't find. George is yelling at a guy called Martin Gamble who's here to help me create the database. And as a separate issue, Amy's waiting in the reading garden.'

'Amy's here?' I sit up and mess my hair around. 'How do I look?'

'I decline to answer on the grounds that technically you're my boss and I don't want to start my new job by insulting you.'

'Thank you,' I say. 'I appreciate that. — Cath Crowley

Look out for the people who allow you to do all the talking. — Kin Hubbard

Are you all right to drive without me talking you home?" He laughed a little. "You know what? I can't remember doing this before. Talking to a woman for over an hour on the phone." "You can't possibly expect me to believe that," she said. "I know you've had a million women!" "Not like you, Jilly. I was always looking for women who would take me to bed. It never occurred to me to look for a woman who would take me to heart. — Robyn Carr

The irony of talking to animals and an imaginary girlfriend, who keep me sane, even though I know I look like a raving lunatic, isn't lost on me. — Elyse Draper

The most effective preaching comes from those who embody the things they are saying. They are their message ... Christians ... need to look like what they are talking about. It is people who communicate primarily, not words or ideas ... Authenticity ... gets across from deep down inside people ... A momentary insincerity can cast doubt on all that has made for communication up to that point ... What communicates now is basically personal authenticity.3 — John R.W. Stott

None of us want to make God look bad. But in the end, being fake makes God look worse. It makes people think he tastes like Crisco.
Not only that, but when we meet people who have been fed the fake stuff about who God is and what He's about, it's not surprising that they have a little indigestion. So we can either spend our time talking about wrappers or we can show them what God is really made of. We can show them that God is full of love and is the source of hope and every creative idea. People don't want to be told that their experiences were wrong or that their wrapper or someone else's wrapper is made of the wrong stuff. Instead, we get to be the ones to show them real love from God. — Bob Goff

And you look like a protagonist." She was talking as fast as she could think. "You look like the person who wins in the end. You're so pretty, and so good. You have magic eyes," she whispered. "And you make me feel like a cannibal. — Rainbow Rowell

Cam starts laughing, "Oh, I love it when she reads." He turns to Lucy who's face is starting to contort and turn to a bright shade of red, "She reads these smutty books, like full on dirty shit, full of sex and like ... bdsm shit."
"I'm not joking boys, they're like full on pornographic. Talking about silky shafts and veiny dicks and shit," Logan is now on the ground holding his side from the pain of laughing too hard.
"Sometimes she'll be reading, then all of sudden she'll put her book down and look at me like she wants to eat me, literally eat me!" he yells, laughing harder, still swatting away her hands that are trying to shut him up, "I mean I don't mind it, not at all. It's hot as fuck. And she wants to try everything she reads in these books. Like ... everything. She learns everything from these books ... so I don't give a shit when, of how much she reads, I get rewards. — Jay McLean

He takes the view that mornings happen to other people. I think I once saw him at breakfast, although possibly it was just someone who looked a bit like him who was lying with their head in the plate of baked beans. He likes good sushi, and quite likes people, too, although not raw; he is kind to fans who are not total jerks, and enjoys talking to people who know how to talk. He doesn't look as though he's forty; that may have happened to someone else, too. Or perhaps there's special picture locked in his attic. — Terry Pratchett