Look Up Film Quotes & Sayings
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Every film you do, you always look at it and you think, "I could do better," but I'm never going to tell people what I could do better. I think it's up to them to make up their own mind. — Cate Shortland

I remember once when I was young, and I was coming back from some place, a movie or something.
I was on the subway and there was a girl sitting across from me and she was wearing this dress that was bottoned queer up right to here, she was the most beautiful thing I've ever seen.
And I was shy then, so when she would look at me I would look away, then afterwards when I would look back she would look away.
Then I got to where I was gonna get off, and got off, the doors closed, and as the train was pulling away she looked right at me and gave me the most incredible smile. It was awful, I wanted to tear the doors open.
And I went back every night, same time, for two weeks, but she never showed up.
That was 30 years ago and I don't think that theres a day that goes by that I don't think about her, I don't want that to happen again.
Just one dance ?. — Jack Engelhard

It takes a while for audiences on film to see you as something different if they've seen you for so long as a specific character. It's up to the actor to be like, 'Look man, let's try something else,' even if it's an ultra-low-budget independent. People who rep you will keep going with whatever they can send you on. — Omar Dorsey

New York may end up being no more than a scrim, a spectral film that is none other than our craving for romance - romance with life, with masonry, with memory, sometimes romance with nothing at all. This longing goes out to the city and from the city comes back to us. Call it narcissism. Or call it passion. It has its flare-ups, its cold nights, its sudden lurches, and its embraces. It is our life finally revealed to us in the most lifeless hard objects we'll ever cast eyes on: concrete, steel, stonework. Our need for intimacy and love is so powerful that we'll look for them and find them in asphalt and soot. — Andre Aciman

-Of course movies today no longer require film. They are recorded and held in digital suspension as ones and zeroes. And so at the moment the last remaining piece of the world is lit and shot for a movie, there will be another Big Bang ... and the multitudes of ones and zeroes will be strewn through the universe as particles that act like waves ... until, shaken by borealic winds or ignited by solar flares or otherwise galvanized by this or that heavenly signal, they compose themselves into brilliant constellations that shine in full color across the night sky of a remote planet ... where a reverent, unrecognizable form of life will look up from its rooftops at the faces of Randolph Scott, Gail Russell, George Brent, Linda Darnell ... to name just a few of the stars. — E.L. Doctorow

The other thing is that when people mention computers - and I'm pretty much the same - they find it hard to comprehend that there's a performance there. They look at it as something that's just been made by a computer but in a way the difference is that when you make a normal film - and I'm simplifying it here - you put on the make-up and you put the scenery in before you start shooting, but with this you still perform in the same way but then you put the make-up on after, along with the costumes and scenery. — Ray Winstone

We film 'Resurrection' in Atlanta, where humidity is a force to be reckoned with, especially for those of us who have naturally curly hair. I would love for the au naturel look of the '60s to come back. No make up, no hair products - just sun-kissed skin, freckles, and crazy curls. — Devin Kelley

The way that I look at it is that, when we film for eight months straight for a new 'Jackass' movie, I know that I'm going to wind up with at least two broken bones. I don't know when it's going to happen, but you can't contemplate how you're going to fall and what's going to happen. — Bam Margera

I didn't want the film to be didactic, and this is tough because if you look at the list of issues, you have immigration, the education system, you have the grieving, you have suicide. I think what saved me were two things. I tried to do everything with some level of restraint and let the spectator make up his own mind. — Philippe Falardeau

I feel like I'm in a film about a struggling artist who keeps getting up at all hours of the night to look at his big, blank empty canvas. And in a way I am. Except that i'm not struggling. I'm Hector Kipling. I might be getting up at all hours of the night to look at my big, blank, empty canvas, but I am not fucking struggling. — David Thewlis

Actors go, 'I just want to act.' And I say to them, 'You know, stop for a second and think about what charges you up the most. Do you want to be on the stage, do you want to be in film, do you want to be a comic actor? Do you just want to make it for the money and capitalize on your look and do commercials and soaps?' — Jason Alexander

Every star, whether it's Harrison Ford or Robert De Niro, is remembered by one film. Persis is a star in the sky - how can a star be forgotten when all you have to do is look up and see her? — Persis Khambatta

Early in the summer of 1980, shortly after his son turned three, A. and the boy spent a week together in the country, in a house owned by friends who were off on vacation. A. noticed that Superman was playing in a local theater and decided to take the boy, on the off-chance that he would be able to sit through it. For the first half of the film, the boy was calm, working his way through a bin of popcorn, whispering his questions as A. had instructed him to do, and taking the business of exploding planets, rocket ships, and outer space without much fuss. But then something happened. Superman began to fly, and all at once the boy lost his composure. His mouth dropped open, he stood up in his seat, spilled his popcorn, pointed at the screen, and began to shout: Look! Look! He's flying! — Paul Auster

Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance. — Kevin Spacey

Recording a scene with paint rather than film sinks you more deeply into your surroundings. You have to look a little harder and a little longer. And you end up with a memento. — Susan Minot

In focusing on tooth film, Hopkins was ignoring the fact that this same film has always covered people's teeth and hadn't seemed to bother anyone. The film is a naturally occurring membrane that builds up on teeth regardless of what you eat or how often you brush.2.7 People had never paid much attention to it, and there was little reason why they should: You can get rid of the film by eating an apple, running your finger over your teeth, brushing, or vigorously swirling liquid around your mouth. Toothpaste didn't do anything to help remove the film. In fact, one of the leading dental researchers of the time said that all toothpastes - particularly Pepsodent - were worthless.2.8 That didn't stop Hopkins from exploiting his discovery. Here, he decided, was a cue that could trigger a habit. Soon, cities were plastered with Pepsodent ads. "Just run your tongue across your teeth," read one. "You'll feel a film - that's what makes your teeth look 'off color' and invites decay. — Charles Duhigg

If you look at Japanese film, it is made up of collage or bricolage, it is made up of lists, and suddenly when you stand back from the lists you begin to see the pattern of a life. — Michael Ondaatje

I always put in my 100 percent. Once the film is over, I look at my next, because then it's up to the audience to decide my fate. — Ravi Teja

If someone called me chubby, it would no longer be something that kept me up late at night. Being called fat is not like being called stupid or unfunny, which is the worst thing you could ever say to me. Do I envy Jennifer Hudson for being able to lose all that weight and look smokin' hot? Of course, yes. Do I sometimes look at Gisele Bundchen and wonder how awesome life would be if I never had to wear Spanx? Duh, of course. That's kind of the point of Gisele Bundchen. And maybe I will, once or twice, for a very short period of time. But on the list of things I want to do in my lifetime, that's not near the top. I mean, it's not near the bottom either. I'd say it's right above "Learn to drive a vespa," but several notches below "film a chase scene for a movie. — Mindy Kaling

Mike Leigh and Ken Loach are the people I look up to. They are quality film-makers making interesting, controversial, ground-breaking movies with very little eye on the marketplace. — Eric Fellner

So when my film career took off, I always felt like I was trying to play catch-up because I hadn't studied acting before. I didn't know how to manage money or my career. When I look back, I think I was a little bit shell-shocked. — Lea Thompson

If you look round Hollywood there's no end of white smiles and six packs. Long lines of beautiful people lining up to be incredible on film. — Tom Hardy

I'm not a genre film filmmaker. I'd rather look for a topic that I think we need to bring up and discuss because there's something about the issues in the film. — Ruben Ostlund

You look up after many years and you find that a film has become a classic because it's meaningful to people and alive, decade after decade. — Woody Allen

You try to do as much as you can on set because practical looks cool and practical looks great. Until you get to a point where the reality is you look at it - and I went through this in my last movie which was a war film, which my brother fought in Iraq and I did a ton of research and as much as I could made it documentary-like - and then at some point on set, the reality is somebody says to you, "You know, you can use a real squib and you can have three hours of clean up and you can lose five shots or we can do that blood explosion in post and you can get those five extra shots." — Kimberly Peirce

It is tricky because I do wear a lot of vintage on the red carpet, and usually when I'm getting ready, I'll say, 'We need to make sure that I don't look like I'm in a Scorsese film today.' Sometimes I do something a little bit more modern with my hair. You have to mix it up. — Christina Hendricks

When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it. — Andre Benjamin

I think the first thing I consider is whether I like the script. Once that is done, the next thing I look for is my part in the movie. Many a times you come across good offers, but the part they are offering might not be challenging. So, I don't take up that film. — Rani Mukerji

I watched L'eclisse [1962] with Alain Delon and Monica Vitti. Changed my world. What a glamorous and modern film. This is what a genius is - the thing of a genius. The dresses, the tiny heels, the Cardin look, the boys dressed up as Italian gigolos - it was divine, very modern. [ Michelangelo] Antonioni, I loved and I realized: how modern. — Manolo Blahnik

Quite a few people still listen to vinyl records, use film cameras to take photographs, and look up phone numbers in the printed Yellow Pages. But the old technologies lose their economic and cultural force. They become progress's dead ends. It's the new technologies that govern production and consumption, that guide people's behavior and shape their perceptions. That's why the future of knowledge and culture no longer lies in books or newspapers or TV shows or radio programs or records or CDs. It lies in digital files shot through our universal medium at the speed of light. — Nicholas Carr

I broke up with this girl, and they put me with a psychiatrist who said, 'Why did you get so depressed, and do all those things you did?' I said, 'I wanted this girl and she left me.'
And he said,'Well, we have to look into that.'
And I said, 'There's nothing to look into! I wanted her and she left me.' And he said, 'Well, why are you feeling so intense?'
And I said, 'Cause I want the girl!' And he said, 'What's underneath it?' And I said, 'Nothing!'
He said, 'I'll have to give you medication.'
I said, 'I don't want medication! I want the girl!'
And he said, 'We have to work this through.'
So, I took a fire extinguisher from the casement and struck him across the back of his neck. And before I knew it, guys from Con Ed had jumper cables in my head and the rest was ... — Woody Allen

I grew up in New York and I've always lived here, so I look at myself as a regular person. When somebody recognizes me from the film - and it can be a wide range of people, which shows the power of film - I feel like they're talking about someone else we both know. I just find it hard to believe that anyone would stop me to share how much they loved something that I was a part of. — Adepero Oduye

Feature-length film comedy is harder to pull off than the episodic sitcom - it doesn't have the same factory machinery up and running, teams of writers putting familiar characters through permutations - but that doesn't explain the widening quality gap that makes movie humor look like a genetic defective. — James Wolcott

I am still very surprised that I managed to make that film [Close Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience. — Abbas Kiarostami

Sometimes you almost forgot: that you didn't look like everyone else. In homeroom or at the drugstore or at the supermarket, you listened to morning announcements or dropped off a roll of film or picked up a carton of eggs and felt like just another someone in the crowd. Sometimes you didn't think about it at all. And then sometimes you noticed the girl across the aisle watching, the pharmacist watching, the checkout boy watching, and you saw yourself reflected in their stares: incongruous. Catching the eye like a hook. Every time you saw yourself from the outside, the way other people saw you, you remembered all over again. — Celeste Ng

Google is so strange. It promises everything, but everything isn't there. You type in the words for what you need, and what you need becomes superfluous in an instant, shadowed instantaneously by the things you really need, and none of them answerable by Google....Sure, there's a certain charm to being able to look up and watch Eartha Kitt singing Old Fashioned Millionaire in 1957 at three in the morning or Hayley Mills singing a song about femininity from an old Disney film. But the charm is a kind of deception about a whole new way of feeling lonely, a semblance of plenitude but really a new level of Dante's inferno, a zombie-filled cemetery of spurious clues, beauty, pathos, pain, the faces of puppies, women and men from all over the world tied up and wanked over in site after site, a great sea of hidden shallows. More and more, the pressing human dilemma: how to walk a clean path between obscenities. — Ali Smith

Our first point of discussion is the hunt. ( ... ) My idea is to start the film with an image of the vixen locked out of her lair which has been plugged up. Her terror as she's pursued across the country. This is a big deal. It means training a fox from birth or dressing up a dog to look like a fox. Or hiring David Attenbrorough, who probably knows a few foxes well enough to ask a favour. — Emma Thompson

Watching a Kubrick film is like gazing up at a mountaintop. You look up and wonder, how could anyone have climbed that high? — Martin Scorsese

Many producers state without blinking that the audience wants a happy ending. They say this because up-ending films tend to make more money than down-ending films. The reason for this is that a small percentage of the audience won't go to any film that might give it an unpleasant experience. Generally their excuse is that they have enough tragedy in their lives. But if we were to look closely, we'd discover that they not only avoid negative emotions in movies, they avoid them in life. Such people think that happiness means never suffering, so they never feel anything deeply. The depth of our joy is in direct proportion to what we've suffered. Holocaust survivors, for example, don't avoid dark films. They go because such stories resonate with their past and are deeply cathartic. — Robert McKee