Look Fear In The Eyes Quotes & Sayings

I rushed to the bathroom for every corner of the hospital was suffocating. I got hold of acid-bottle, which was meant for toilet cleaning. As I took it into my hands, I realized I had more filth inside me than a toilet. A toilet could be cleaned by an acid bottle, or a toilet cleaner, but there was no such product that could cleanse a criminal from inside. I felt so ashamed of myself that I couldn't even look into the eyes of my reflection in the mirror on the wall. — Mehek Bassi

If God made all our faces, did he laugh when he made me?
Does he make the legs that cannot walk and eyes that cannot see?
Does he curl the hair upon my head 'til it rebels in wild defiance?
Does he close the ears of a deaf man to make him more reliant?
Is the way I look a coincidence or just a twist of fate?
If he made me this way, is it okay, to blame him for the things I hate?
For the flaws that seem to worsen every time I see a mirror,For the ugliness I see in me, for the loathing and the fear.
Does he sculpt us for his pleasure, for a reason I can't see?
If God makes all our faces, did he laugh when he made me? — Amy Harmon

Sometimes the most beautiful things are in front of our eyes, and we don't even notice because we're either too busy or too afraid to take a closer look. — Katja Michael

In nightmares, we can't look into our own eyes except by indirection, perhaps because we fear discovering that therein lie the worst monsters plaguing us. — Dean Koontz

I look away from his eyes. Since I've met you, Brennus, my life has not been mine, I say with more honesty than I like to admit to myself. Time with you is visceral ... white-knuckle moments that make me know that I'm alive. I think I have become addicted to the rush of fear and desire you create ... the uncertainty that I was once forced to endure has now become a need, like those pills that people keep in their medicine cabinets. — Amy A. Bartol

Ryzhkova was accustomed to tarot with its layers of meaning, interpretations, and reversals, and how a picture might look one way but contain a contrary truth. Used to her silent apprentice, she had forgotten that language itself was as subtle and slippery as her cards, and that words contained hidden seeds that blossomed with a speaker's intent. A wish for safety meant nothing if the force behind it was a desire to kill. Though she spoke of love and protection, dread, grief, and anger bled through. Each word that fell from her tongue bound itself to paper with a small part of her soul, infusing the cards not with love as she thought, but with a hex burned strong and deep by fear. Buried in the heart of the deck, the Fool's eyes shut. She closed the box. A — Erika Swyler

I go out on the porch and gaze up at the stars twinkling above, the random scattering of millions of stars. Even in a planetarium you wouldn't find as many. Some of them really look big and distinct, like if you reached your hand out intently you could touch them. The whole thing is breathtaking. Not just beautiful though
the stars like the trees in the forest, alive and breathing. And they're watching me. What I've done up till now, what I'm going to do
they know it all. Nothing gets past their watchful eyes. As I sit there under the shining night sky, again a violent fear takes hold of me. My heart's pounding a mile a minute, and I can barely breathe. All these millions of stars looking down on me, and I've never given them more than a passing thought before. Bot just stars
how many other things haven't I noticed in the world, things I know nothing about? I suddenly feel helpless, completely powerless. And I know I'll never outrun that awful feeling. (135) — Haruki Murakami

I seen the look in your eyes ... I reached out to touch you but feared I would mark your skin. I do not want just tonight, my love. I want to know that always ... always ... you will be mine. — Faye Hall

I've never been afraid of ghosts. I live with them daily, after all. When I look in a mirror, my mother's eyes look back at me; my mouth curls with the smile that lured my great-grandfather to the fate that was me. No, how should I fear the touch of those vanished hands, laid on me in love unknowing? How could I be afraid of those that molded my flesh, leaving their remnants to live long past the grave? ... All the time the ghosts flit past and through us, hiding in the future. We look in the mirror and see shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway. By blood and by choice, we make our own ghosts; we haunt ourselves. — Diana Gabaldon

And if we dare to look into those eyes, then we shall feel their suffering in our hearts. More and more people have seen that appeal and felt it in their hearts. All around the world there is an awakening of understanding and compassion, and understanding that reaches out to help the suffering animals in their vanishing homelands. That embraces hungry, sick, and desperate human beings, people who are starving while the fortunate among us have so much more than we need. And if, one by one, we help them, the hurting animals, the desperate humans, then together we shall alleviate so much of the hunger, fear, and pain in the world. Together we can bring change to the world, gradually replacing fear and hatred with compassion and love. Love for all living beings. — Jane Goodall

How do you know when you're in love?
...
When you look into his eyes, and you're more alive than you've ever felt," Annebet said. "When the very breath you take sends both fear and joy rushing through you, and you feel as if you might die if you can't see him again
right now. When you want to shout and laugh and cry and curse all at once, when you burn for him to touch you, to make love to you, even though all your life you've been told that you mustn't, that you shouldn't, that you can't. It's when you feel yourself on the verge of becoming everything you've evre dreamed of being, when you can nearly touch your own potential because this other person gives you all of his strength and his power and you know he'd give you the very breath from his lungs if you asked. And you realize that you'll never be alone again because there's a piece of him that you'll carry with you, forever, in your heart. A heart that is infinitely bigger than it was just a week or two ago. — Suzanne Brockmann

It's not about fear. It's about never feeling clean, spending years scrubbing your soul raw so you can eat without feeling nauseous, can look in the mirror and meet your own eyes when you put on makeup, brush your hair. To learn to be strong, to run your life and not be a victim of it, knowing in your heart that everything you've built is sitting on a foundation that can sink at any time. And you build it anyway, on faith alone that it won't be shattered, when everything in your life tells you that faith is a fucking joke, but you do it anyway. You do it anyway.( ... ) — Joey W. Hill

I look in the mirror through the eyes of the child that was me. — Judy Collins

Life In Love

Escape me?
Never---
Beloved!
While I am I, and you are you,
So long as the world contains us both,
Me the loving and you the loth
While the one eludes, must the other pursue.
My life is a fault at last, I fear:
It seems too much like a fate, indeed!
Though I do my best I shall scarce succeed.
But what if I fail of my purpose here?
It is but to keep the nerves at strain,
To dry one's eyes and laugh at a fall,
And, baffled, get up and begin again,---
So the chace takes up one's life ' that's all.
While, look but once from your farthest bound
At me so deep in the dust and dark,
No sooner the old hope goes to ground
Than a new one, straight to the self-same mark,
I shape me---
Ever
Removed! — Robert Browning

He had seen that look in so many eyes lately, not the fear of death but the fear of life. Is it like this? Is it true that it's like this? Oh God, if it's like this what do we do? He had instantly pulled himself together to grapple with her fear.
"It's all right, Prunella," he had said a little wildly. "I tell you it's all right. Life's not this little bit of existence you're plodding through now, it's the whole thing, all that is. It's the breath of God, words that he spoke, a song, a stream of white light that goes back to him again. Life is good ... Life is fine and grand, and we should love it to the depths of our souls. — Elizabeth Goudge

Sonnet 23
As an unperfect actor on the stage,
Who with his fear is put besides his part,
Or some fierce thing replete with too much rage,
Whose strength's abundance weakens his own heart;
So I, for fear of trust, forget to say
The perfect ceremony of love's rite,
And in mine own love's strength seem to decay,
O'ercharg'd with burden of mine own love's might.
O, let my books be then the eloquence
And dumb presagers of my speaking breast;
Who plead for love, and look for recompense,
More than that tongue that more hath more express'd.
O, learn to read what silent love hath writ:
To hear with eyes belongs to love's fine wit. — William Shakespeare

Shall the dire day break when life
finds us merely husband and wife
with passion not so much denied
as neatly laundered and put aside
and the old joyous insistence
trimmed to placid coexistence?

Shall we sometime arise from bed
with not a carnal thought in our head
look at each other without surprise
out of wide awake uncandid eyes
touch and know no immediate urge
where all mysteries converge?

Speak for the sake of something to say
and now and then put on a display
of elaborate mimicry of the past to prove
that ritual reigns where once ruled love
and calmly observe those bleak rites
that once made splendour of our nights?

Dear, when we stop being outrageous
and no longer find contagious
the innumerable ecstasies we find
in rise of hand or leap of mind -
not now or then, love, need we fear thus;
those two sad people will not be us. — Christy Brown

Padma, My darling. I have told you countless times that all these rites and rituals are meaningless. I will show you what God is. Just Look into the eyes of your mother Padma, and what you see is God. Look into the heart of a noble man, and what you see is God. Look at the lotus feet of your teacher, and what you see is God. God, as we know, is just a manifestation of our innate insecurity and fear of mortality. I do bow down dutifully before all Gods, but I really do not expect much from anyone. As far as I am concerned, I am yet to see any God in this big, wide and cruel world, except in the eyes of my mother and in feet of my teachers. — Biju Vasudevan

I do not believe in the government of the lash, if any one of you ever expects to whip your children again, I want you to have a photograph taken of yourself when you are in the act, with your face red with vulgar anger, and the face of the little child, with eyes swimming in tears and the little chin dimpled with fear, like a piece of water struck by a sudden cold wind. Have the picture taken. If that little child should die, I cannot think of a sweeter way to spend an autumn afternoon than to go out to the cemetery, when the maples are clad in tender gold, and little scarlet runners are coming, like poems of regret, from the sad heart of the earth - and sit down upon the grave and look at that photograph, and think of the flesh now dust that you beat. I tell you it is wrong; it is no way to raise children! Make your home happy. Be honest with them. Divide fairly with them in everything. — Robert G. Ingersoll

What do you call yourself?" the Fawn said at last. Such a soft sweet voice it had!
"I wish I knew!" thought poor Alice. She answered, rather sadly, "Nothing, just now."
"Think again," it said: "that won't do."
Alice thought, but nothing came of it. "Please, would you tell me what you call yourself?" she said timidly, "I think that might help a little."
"I'll tell you, if you'll come a little further on," the Fawn said. "I can't remember here."
So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arms. "I'm a Fawn!" it cried out in a voice of delight. "And dear me, you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed. — Lewis Carroll

Look in his eyes. He has died a thousand times these last moments...You defeated him utterly the moment you saw fear in his eyes. All else is redundancy. — Nathan Long

The fourteen-man snake moved in spasms ... Their eyes flickered rapidly back and forth as they tried to look in all directions at once. They carried Kool-Aid packages, Tang - anything to kill the chemical taste of the water in their plastic canteens. Soon the smears of purple and orange Kool-Aid on their lips combined with the fear in their eyes to make them look like children returning from a birthday party at which the hostess had shown horror films. — Karl Marlantes

There is a mirror across from me, and I check my reflection in it before heading home. Despite the bone-deep fatigue and the growing fear and frustration, I look ... fine. Da always said he'd teach me to play cards. Said I'd take the bank, the way things never reach my eyes. There should be something - a tell, a crease between my eyes, or a tightness in my jaw.
I'm too good at this.
Behind my reflection I see the painting of the sea, slanting as if the waves crashing on the rocks have hit with enough force to tip the picture. I turn and straighten it. The frame makes a faint rattling sound when I do. Everything in this place seems to be falling apart. — Victoria Schwab

Look not in my eyes, for fear
They mirror true the sight I see,
And there you find your face too clear
And love it and be lost like me. — A.E. Housman

Get me in here. Get me in here now!" I order. I have to get out of the swamp before it happens again.
But it does.
I feel it before I see it. Dozens of thick, razor-sharp needles pierce my right leg, sinking into my skin. It hurts like nothing I've felt before, and a strangled scream of pain escapes me.
Babette whips her head around, the motor forgotten. "Rylan! What is it!"
"Get me out! GET ME OUT!" I scream. Fearfully, I look over my shoulder, but seconds later I wish I hadn't as the attacker comes to the surface. It has a scaly body, sharp claws, feral eyes, and a long, ugly, sneering snout that's clamped around my leg.
Melanie identifies it with a shriek. "GATOR! — Colleen Boyd

The look in your eyes, boy. You're afraid. A man like you is afraid, I take stock." "I've known some fearless men. Hunted lions with them. A few of those gents forgot that Mother Nature is more of a killer than we humans will ever be and wound up getting chomped. She wants our blood, our bones, our goddamned guts. Fear is healthy. — Laird Barron

I don't like to bust drunk drivers. I don't like to listen to their explanations, watch their pitiful attempts to affect sobriety, or see the sheen of fear break out in their eyes when they realize they're headed for the drunk tank with little to look forward to in the morning except the appearance of their names in the newspaper. Or maybe in truth I just don't like to see myself when I look into their faces. — James Lee Burke

Across the sky
I will come for you
If you ask me to
Demystify
Your uncommon dreams
Stranger things have come true
Fear no more the midnight
Fear no more the sea
Close your eyes, regret nothing
You're safe with me
Look into the shadows
Step into the mist
Search your land but doubt never
I still exist
Ask yourself: is this all there is
Take no answer but the one you find
I have put my faith in aberrations of your kind
But even if you're in my mind.
Should we hear the silence
Should we hear the noise
I don't need this blind acceptance
I have made my choice
Light lives in the darkness
Beauty lives in pain
In destruction we may lose ourselves
But still I will remain
Across the sky
Across the sky
See beyond the moment
Think beyond the day
Hear the word
Hear the word — Emilie Autumn

Ghouls," I heard Archer say. His voice was low and tense, like a person who's being confronted by a wild animal. "Reanimated human flesh, used as guardians. Seriously dark magic. Someone obviously didn't want us finding-"
"Oh my God,less talking, more stabbing, please." My voice was squeaky with fear, and I knew my eyes wer huge when I swiveled around to look at Archer.
He already had the sword in his hand, and he was crouching slightly. "I can slow them down, but ghouls can't be killed by blades. You're the one who has to stop them."
"Come again?" I nearly squeaked.
"You're a necromancer," he said. "They're dead."
Oh,right. One of the many "perks" of having a lot of dark magic at my disposal. But I'd never seen the point in boning up on my necromancer skills. When was I ever going to need to order around the dead? — Rachel Hawkins

No, time has silverted the dark sheen of her hair, and thickened her body, and lined the corners of her eyes and her lips.
He saw in them the hints of the smile he loved, and knew, to be fair, that time had been no kinder to him. Or perhaps, it had been just as kind; for she did not look the part of a young girl, and she was not: she was stronger, wiser, and more just than the fear of youth allowed; she gave him the shelter that he needed, on the rare occasions that that need drove him. She trusted him, always; she looked up to him, still; he strove, in every way, to continue to live up to her expectation. She was the one person in his life he did not wish to disappoint. — Michelle Sagara West

Mary dragged in a long breath as the kiss eased to an end, but she wouldn't look at him. Her cheeks were red, her eyes downcast.
Mal put his hand under her chin, gently tilting her head up. "Don't feel shame, love. There's nothing shameful about kissing a man because you enjoy it."
The look in her eyes when she finally met his gaze wasn't shame. It was defiance, and fear. — Jennifer Ashley

Here's the painful pattern that emerged from my research with men: We ask them to be vulnerable, we beg them to let us in, and we plead with them to tell us when they're afraid, but the truth is that most women can't stomach it. In those moments when real vulnerability happens in men, most of us recoil with fear and that fear manifests as everything from disappointment to disgust. And men are very smart. They know the risks, and they see the look in our eyes when we're thinking, C'mon! Pull it together. Man up. As Joe Reynolds, one of my mentors and the dean at our church, once told me during a conversation about men, shame, and vulnerability, Men know what women really want. They want us to pretend to be vulnerable. We get really good at pretending. — Brene Brown

Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe, 45
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations. 50
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water. — T. S. Eliot

There was something wrong with me. The human body doesn't want to get hurt. We're programmed to feel squeamish at the sight of blood. Pain is a careful orchestration of chemical processes so that we keep our body alive. Studies have shown that people born with congenital analgesia
the inability to feel pain
bite off the tips of their tongues and scratch holes in their eyes and break bones. We are a wonder of checks and balances to keep running. The human body doesn't want to get hurt. There was something wrong with me, because sometimes I didn't care. There was something wrong with me, because sometimes I wanted it. We fear death; we fear the void; we scrabble to keep our pulses. I was the void. What are you afraid of? Nothing ... I wasn't meant to live, probably. This was why I was wired this way. Biology formed me and then took a look and wondered what the hell it was thinking and put in a mental fail-safe. In case of emergency pull cord. — Maggie Stiefvater

I make a joke of it, but ... but I'm afraid of death." He straightened up and turned to look into Joseph's eyes. Joseph saw the fear there and was shocked by the intensity of it. "Are you afraid to die, Joseph?"
Joseph considered for a moment, then shook his head. "I'm not afraid to now, but then I'm not dying now. When I come to that moment, I will probably be ... what's the right word? Maybe frightened in a way that you're frightened when an experience lies before you you've never had.
"No more than that?"
"I hope not. — Gilbert Morris

Evan saw a man across the kitchen, butt leaning against the counter, muscular arms folded over his broad chest. His blond hair was cut very short, and his eyes were bright blue sparks. Evan's gaze locked with Paul's, and a sudden sense of vertigo swam through his head. The conversation in the other room, the back and forth between John and Alden, the startling brilliance of Bill's teeth
all of that faded away as Paul stared back at him. Evan found himself inside a strange bubble that blocked all outside stimuli. He had never experienced a connection this intense before, especially with an initial look, and even though it terrified him in a thrillingly sexual way, he didn't dare pull his gaze away from Paul's for fear of breaking the timeless moment between them. — Hank Edwards

We're going to bash them birds,
Them rat-feathered birds.
Them bad-butt owls ain't never heard
'Bout Gylfie, Soren, Dig, and Twilight
Just let them get to feel my bite
Their li'l ole gizzards gonna turn to pus
And our feathers hardly mussed.
Oh, me. Oh, my. They gonna cry.
One look at Twilight,
They know they're gonna die.
I see fear in their eyes
And that ain't all.
They know that Twilight's got the gall.
Gizzard with gall that makes him great
And every bad owl gonna turn to bait. — Kathryn Lasky

They won't take the time to see that Gem's claws aren't extended, that his arms are gentle around me, or that my fingers linger over his. They won't notice that I lean into him, not away, or that my head turns to look over my shoulder, bringing my cheek so near his mouth that his silent breath warms my skin. They would never in a thousand years imagine that my eyes slide closed and a shiver runs through me not because I fear for my life but because Gem's body is pressed against mine, because his hand on my belly makes it ache, because the longing to taste him is stronger than it was before ...
I would kiss him until I was breathless. — Stacey Jay

For the moment, everything had disappeared: the church, the battle, the screams and shouts and the rumble of limber wheels along the rutted road through Freehold. There wasn't anything but her and him, and he opened his eyes to look on her face, to fix it in his mind forever. — Diana Gabaldon

He would move on. Because he would not be like the ancient kings in the song and keep her for himself. She deserved a loyal, brave knight who saw her for what she was and did not fear her. And he deserved someone who would look at him like that, even if the love wouldn't be the same, even if the girl wouldn't be her.
So Dorian closed his eyes, and took another long breath. And when he opened his eyes, he let her go. — Sarah J. Maas

Who can unravel this most snarled, knotty tangle? It is disgusting, and I do not want to look at it or see it. O justice and innocence, fair and lovely, it is on you that I want to gaze with eyes that see purely and find satiety in never being sated. With you is rest and tranquil life. Whoever enters into you enters the joy of his Lord; there he will fear nothing and find his own supreme good in God who is supreme goodness. — Augustine Of Hippo

The most important are the eyes. In a fight if you look down out of fear you'll certainly be defeated — Mas Oyama

We can look at any experience in two ways: through the eyes of lack, or the eyes of plenty. Fear sees limits, while love sees possibilities. Each attitude will be justified by the belief system you cherish. Change your allegiance from fear to love, and love will sustain you wherever you walk. — Alan Cohen

This silent call you make, A silence so loud I fear the world knows it's meaning If you fill every corner of a room Where can I look? If I close my eyes the silence becomes louder! There is no escape from you The only way out is in — Spike Milligan

His eyes widened. "Pain? Darling, you haven't yet experienced the pain I can inflict when I've been played for a fool. I'm in awe at your gall to try and fool me."
Bree went still as panic froze her. Oh, God. No.
"Ah, the light bulb finally goes off," he purred against her face; his voice low and
cold.
Even knowing who he was, and the family he came from, Bree could say that deep inside, she'd never felt any real fear of him.
She did now. He knew. The look on his face told her he knew that she had lied about him being her baby's father. Frantically, she grasped for any foothold she could find. "I don't know what you're talking-"
"DON'T!" he snapped, grabbing the sides of her face. — E. Jamie

And how do you explain to your wife that you don't have all the answers, and that you might not know what you are doing, and that you are afraid you are going to fail? How do you admit that you are most afraid that, one day, she'll walk - and replace you with an educated, professor-type guy, who shares her same interests, schedule, and the way she was used to living, especially when all of your friends, your business associates, even your own damned brother, are all just waiting for you to mess up so they can have a shot at taking her away from you? How do you look the woman you love in her eyes and tell her that? — Leslie Esdaile

Anita Johnston, Ph.D., author of Eating in the Light of the Moon, taught me to look in the mirror with curiosity rather than fear. So I may look at my reflection and think, 'That's interesting. I wonder why my body seems bigger today than it did yesterday. Maybe it's water weight. Maybe it's my outfit. Or maybe my eyes are just playing tricks on me.' I know it's not possible for me to gain a noticeable amount of weight overnight, so I will go no further than that. I move on with my day without skipping a beat - and definitely without missing a meal. — Jenni Schaefer

Two years ago," she says, "I was afraid of spiders, suffocation, walls that inch slowly inward and trap you between them,getting thrown out of Dauntless, uncontrollable bleeding, getting run over by a train, my father's death,public humiliation, and kidnapping by men without faces."
Everyone stares blankly at her.
"Most of you will have anywhere from ten to fifteen years in your fear landscapes. That is the average number," she says.
"What's the lowest number someone has gotten?" asks Lynn.
"In recent years," says Lauren, "four."
I have not looked at Tobias since we were in the cafeteria,but I can't help but look at him now. He keeps his eyes trained on the floor. I knew that four was a low number, low enough to merit a nickname,but I didn't know it was less than half the average.
I glare at my feet.He's exceptional. And now he won't even look at me. — Veronica Roth

You think you know horror, Irnakk? Horror is looking into the eyes of the Shadowed One, knowing you are about to die ... and then being forced to live. Horror is waking each day to see every part of your body moving on its own - a shifting mass of Protodites where once was solid metal and living tissue. Horror is what is in the eyes of your partners when they look at you ... and in the cries of your enemies when your swarm engulfs them. Don't talk to me about fear, creature - I am fear!
-Zaktan — Greg Farshtey

I tried to give her my best "I Am A Demon Princess" look, which was quite the challenge, seeing as how my hair was hanging in my face and my nose was running. "What's your name?" I asked.
The girl kept her eyes on me, but her hands were moving restlessly over the ground around her, no doubt searching for the knife. "Izzy," she said.
I raised both my eyebrows. Not exactly a name to strike fear into the heart.
Izzy must've read that in my expression, because she frowned. "I'm Isolde Brannick, daughter of Aislinn, daughter of Fiona, daughter of-"
"Right, right, daughter of a bunch of fierce ladies, got it. — Rachel Hawkins

91 He who dwells in a the shelter of the Most High will abide in b the shadow of the Almighty. 2 I will say [1] to the LORD, "My c refuge and my d fortress, my God, in whom I e trust." 3 For he will deliver you from f the snare of the fowler and from the deadly pestilence. 4 He will g cover you with his pinions, and under his h wings you will i find refuge; his j faithfulness is k a shield and buckler. 5 l You will not fear m the terror of the night, nor the arrow that flies by day, 6 nor the pestilence that stalks in darkness, nor the destruction that wastes at noonday. 7 A thousand may fall at your side, ten thousand at your right hand, but it will not come near you. 8 You will only look with your eyes and n see the recompense of the wicked. 9 Because you have made the LORD your o dwelling place - the Most High, who is my c refuge — Anonymous

Each of us from the seance stood alone. Like so many pillars of salt, we had tried to look back and failed. And in the eyes of the others who shared the pale, flat sky with us, there was sometimes suspicion, sometimes a little fear. — Joan Lowery Nixon

I have to find Tobias, but I'll come back after I do and sit with you, okay?"
She finally looks at me, and her knee goes still. "They didn't tell you?"
My stomach clenches with fear. "Tell me what."
"Tobias was arrested," she says quietly. "I saw him siting with the invaders right before I came in here. Some people saw him at the control room before the attack
they say he was disabling the alarm system."
There is a sad look in her eyes, like she pities me. But I already knew what Tobias did.
"Where are they?" I say.
I need to talk to him. And I know what I need to say. — Veronica Roth

He cupped her face and forced her to see him. She had to see past her fear. Her eyes met his and he knew they were together. "Watch me. Don't look at them or anything else. Watch me until I motion for you, then run for the car as fast as you can." Once more, he did not hesitate. He jerked open the door, set up fast on the man in the drive, and fired the Colt twice. He reset on the man coming across the yard. Pike doubled on each man's center of mass so quickly the four shots sounded like two - baboomba-boom - then he ran to the center of the front yard. He saw no more men, so he waved out the girl. "Go. — Robert Crais

I turned to look into his face one last time. It was as if I could see the whole universe in his eyes. Maybe he was God, maybe he was simply enlightened. I didn't care right then, in that blessed moment, I just loved him. Later, though, the love was to turn to hate, to fear. They seemed so opposite, the feelings, yet they were all one note on his flute. — Christopher Pike

Murderer!" he said suddenly in a quiet but clear and distinct voice.

Raskolnikov went on walking beside him. His legs felt suddenly weak, a cold shiver ran down his spine, and his heart seemed to stand still for a moment, then suddenly began throbbing as though it were set free. So they walked for about a hundred paces, side by side in silence. The man did not look at him.

"What do you mean... what is... Who is a murderer?" muttered Raskolnikov hardly audibly.

"You are a murderer," the man answered still more articulately and emphatically, with a smile of triumphant hatred, and again he looked straight into Raskolnikov's pale face and stricken eyes. — Fyodor Dostoyevsky

I was so anxious to make him believe me that I leaned towards him, across the table. He looked at me, right into my eyes. That queer, veiled expression in his
that I fear I used to call his daft look
was suddenly not there; there seemed to be a light in them and yet I have never seen them look so dark. And they were do direct that it was more like being touched than being looked at. It only lasted a second, but for that second he was quite a different person
much more interesting, even a little bit exciting. — Dodie Smith

In the depth of my soul there are songs unwilling to take the garb of words, songs living as seed in my heart. They will not flow with ink onto paper. Like a translucent veil, they are wrapped about emotions that can never flow sweetly on my tongue.
Yet how can I even whisper them when I fear what the particles of air may do to them? To whom shall I sing them when they have become accustomed to live in the house of my soul and fear the harshness of other ears?
Were you to look into my eyes, you would see the image of their image. Were you to touch my fingertips, you would feel their quick movements. The works of my hands reveal them as the lake reflects the twinkling of the stars.
My tears disclose them as the mystery of the rose petal is disclosed at the moment the heat dissolves the drops of dew when that rose withers.
... Who can combine the roaring of the sea and the warbling of the nightingale? Who can link the crashing thunder with the baby's sigh? — Kahlil Gibran

There's something in your eyes that scares me,"
Max whispired, looking through the window.
Landon took her face into his hand and made her look into his eyes "What?" he asked. "What do you see?"
"Fear," she answered plainly. "I see fear — Shawn Kirsten Maravel

I just want to wake up in the morning and for the light to be on, and I want to stop feeling like a success just because I can eat my toast and I want to be able to brush my teeth without throwing up and then when I get through all of that, I want to work at getting that look out of your eyes. That look of fear that I put there and I hate myself for that. — Melina Marchetta

All expression is missing from her face and he sees that her eyes look totally blank. He says with fear gripping his throat, "Where are you?"
"Nowhere," she responds with difficulty. Zeb drops his head before he says, "I'm a minister with a calling to help people. I wish I could help you..."
She remains motionless with eyes half open, looking toward the horizon.
Zeb continues, "...but you've shut me out."
He thinks he sees Annika gesture sluggishly toward the house before he hears her say thickly, "He's like a boarder in an old-time rooming house. He sleeps in our bed and eats at our table, but we don't really know who he is at all. — Jane E. Ryan

Concha would cry when she found out I was dead, she should have no taste for life for months afterward. But I was still the one who was going to die. I thought of her soft, beautiful eyes. when she looked at me something passed her to me. But I knew it was over: if she looked at me now the look would stay in her eyes, it wouldn't reach me. I was alone — Jean-Paul Sartre

Rose," said my mother. For once in my life, she sounded unsure about herself. Scared, maybe. "Mia said you wanted to see me." I didn't answer. I didn't look at her. "What ... what do you need?" I didn't know what I needed. I didn't know what to do. The stinging in my eyes grew unbearable, and before I knew it, I was crying. Big, painful sobs seized my body. The tears I'd held back so long poured down my face. The fear and grief I'd refused to let myself feel finally burst free, burning in my chest. I could scarcely breathe. My mother put her arms around me, and I buried my face in her chest, sobbing even harder. "I know," she said softly, tightening her grip on me. "I understand. — Richelle Mead

As far as I can figure, the way that it works is this: everyone has something that happened to them. The thing that we each carry. And you can see it in people, if you look. See it in the way someone walks, in the way someone takes a compliment, sometimes you can just see it in someone's eyes. In one moment of desperation, of fear, in one quick moment you can see that thing that happened. Everyone has it. The thing that keeps you up at night, or makes you not trust people, or stops love. The thing that hurts. And to stop it, to stop the hurt, you have to turn it into a story. And not just a story you play over and over for yourself, but a story that you tell. A story's not a story unless you tell it. And once you tell it, it's not yours anymore. You give it away. And once you give it away, it's not something that hurts you anymore, it's something that helps everyone who hears it. It's the kind of thing that's hard to explain. It's probably best if we just show you how it works. — Daniel MacIvor

He swallowed hard and looked deep into my eyes so intensely, I tried hard not to look away. I didn't want him to see how mildly scared of him I was. I touched the hand in his lap and he answered. — Mercy Cortez

could not forget your conduct to me, Jane--the fury with which you once turned on me; the tone in which you declared you abhorred me the worst of anybody in the world; the unchildlike look and voice with which you affirmed that the very thought of me made you sick, and asserted that I had treated you with miserable cruelty. I could not forget my own sensations when you thus started up and poured out the venom of your mind: I felt fear as if an animal that I had struck or pushed had looked up at me with human eyes and cursed me in a man's voice. — Charlotte Bronte

Eyes the broad-shouldered faceless character that symbolizes Men's Room, does Sternberg, and struggles with himself. He's needed a bowel movement for hours, and since the LordAloft 7:10 lifted things have gotten critical. He tried, back at O'Hare. But he was unable to, because he was afraid to, afraid that Mark, who has the look of someone who never just has to, might enter the rest room and see Sternberg's shoes under a stall door and know that he, Sternberg, was having a bowel movement in that stall, infer that Sternberg had bowels, and thus organs, and thus a body. Like many Americans of his generation in this awkwardest of post-Imperial decades, an age suspended between exhaustion and replenishment, between input too ordinary to process and input too intense to bear, Sternberg is deeply ambivalent about being embodied; an informing fear that, were he really just an organism, he'd be nothing more than an ism of his organs. — David Foster Wallace

Journalism is an extraordinary and terrible privilege. Not by chance, if you are aware of it, does it consume you with a hundred feelings of inadequacy. Not by chance, when I find myself going through an event or an important encounter, does it seize me like anguish, a fear of not having enough eyes and enough ears and enough brains to look and listen and understand like a worm hidden in the wood of history. — Oriana Fallaci

In this country, you look at a person, and you know them. It is the inside-out way the people of this country wear their soul. In their eyes you can find civilisations of honesty or sweeping fields of lies. It's taken some getting used to but now Asanka likes it - this casual unguardedness that comes from never really knowing fear. — Maxine Beneba Clarke

I found Ivanka in the same place, gazing at the hill and jumping up and down. I had never seen her so excited, and chills went through my body when she turned to look at me. Her normally-tanned skin looked as pale as milk, and her eyes were radiant. "Look now, please!" she begged. I slowly turned and looked up at the hill. When I saw the figure, my heart whirled with fear and wonder but my brain struggled to process it. No one ever climbed that hill, but what I saw was unmistakable - there, among the rocks and brambles, was a young woman. — Mirjana Soldo