Llenguatge Visual Quotes & Sayings
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Top Llenguatge Visual Quotes

To be true to life, a novel must have an ending that is inevitable given the specific personalities of the characters involved. The novelist must not impose an ending upon them. — Joyce Carol Oates

Even so, there were times I saw freshness and beauty. I could smell the air, and I really loved rock 'n' roll. Tears were warm, and girls were beautiful, like dreams. I liked movie theaters, the darkness and intimacy, and I liked the deep, sad summer nights. — Haruki Murakami

Luz et veritas, Light and truth — Yale

That's not so important to me, that time thing. — Max Cannon

There's nothing better than being able to give your children wings so they can soar and fly in the direction they want to go in. — Paula Deen

Like a kid, I hadn't wanted to make it true by saying it out loud. Because if you don't say it, there's still a chance God, or someone, or anyone will notice the mistake and fix it. — Lili St. Crow

And I have to admit that there is something undeniably fulfilling about hunting with Rosie. Somehow, it makes me feel as if the long list of differences between us doesn't exist. We're dressed the same, we fight the same enemy, we win together ... It's as though for that moment I get to be her, the one who isn't covered in thick scars, and she gets to understand what it is to be me. It's different than hunting with Silas
he and I are partners, not part of the same heart. — Jackson Pearce

As I said there is nothing wrong with failing. Pick yourself up and try it again. You never are going to know how good you really are until you go out and face failure. — Henry Kravis

I started moving away from poets like Wallace Stevens and Hart Crane and started reading poets like, again, Karl Shapiro, Howard Nemerov, Philip Larkin, and the British poets who were imported through that important anthology put together by Alvarez - and those would include Thom Gunn and Ted Hughes. And I think these poets gave me assurance that there were other ways to write besides the rather involuted style of high modernism whose high priests were Pound, Eliot and Stevens, and Crane perhaps. — Billy Collins