Llao Llao Quotes & Sayings

Oh God." said Magnus, "they're dead. They're all dead! — Cassandra Clare

Years later she finally realized what he'd been doing by making her wait so long. He'd given her a reason to leave him. A very good reason. He loved her enough to let her go even before he'd had her. And she'd loved him enough to wait for him. — Tiffany Reisz

I think that music is crucially important in Shakespeare - and, clearly, was an important part of the Elizabethan theatre. And, it's always been something that was a profound element of the experience of Shakespeare that I have been drawn to - and interpreters have, as well. — Kenneth Branagh

There are only a handful of really good TV programmes, and I'm blessed to be in one of them. — Peter Capaldi

The Klamath tribe of Native Americans who witnessed the eruption believed it was a fierce battle between Llao, the spirit of the underworld, and Skell, the spirit of the sky. — Cheryl Strayed

I didn't have any idea that I would be able to have a career in film. — Philip Seymour Hoffman

I really do not know that anything has ever been more exciting than diagramming sentences. — Gertrude Stein

Nobody talks about music as having intrinsic meaning, how it engages the mind. — Tod Machover

Every bride and groom would do well to remember that in wedding, the we comes before the I. — Evan Esar

Even the simplest wicker basket can become priceless when it is loved and cared for through the generations of a family. — Sister Parish

Tears begin to well in my eyes. I have no idea how or if I even deserve him, but there's one thing I know for sure. As long as he's part of it, I'll never live a life of mediocrity. — Colleen Hoover

How can a thing possibly govern others when it cannot be governed itself? — Seneca The Younger

Freud has said in Totem and Taboo that acts that are illegal for the individual can be justified in another way: the one who initiates the act takes upon himself both the risk and the guilt. The result is truly magic: each member of the group can repeat the act without guilt. They are not responsible, only the leader is. Redl calls this, aptly, "priority magic." But it does something even more than relieve guilt: it actually transforms the fact of murder. This crucial point initiates us directly into the phenomenology of group transformation of the everyday world. If one murders without guilt, and in imitation of the hero who runs the risk, why then it is no longer murder: it is "holy aggression. For the first one it was not." In other words, participation in the group redistills everyday reality and gives it the aura of the sacred-just as, in childhood, play created a heightened reality. — Ernest Becker