Living On In Memory Quotes & Sayings
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Top Living On In Memory Quotes

Things are either devolving toward, or evolving from, nothingness. As dusk approaches in the hinterlands, a traveler ponders shelter for the night. He notices tall rushes growing everywhere, so he bundles an armful together as they stand in the field, and knots them at the top. Presto, a living grass hut. The next morning, before embarking on another day's journey, he unknots the rushes and presto, the hut de-constructs, disappears, and becomes a virtually indistinguishable part of the larger field of rushes once again. The original wilderness seems to be restored, but minute traces of the shelter remain. A slight twist or bend in a reed here and there. There is also the memory of the hut in the mind of the traveler - and in the mind of the reader reading this description. Wabi-sabi, in its purest, most idealized form, is precisely about these delicate traces, this faint evidence, at the borders of nothingness. — Leonard Koren

As late as 1920, some 244,000 Civil War veterans were still living, several of whom were in Congress, while Union hero Oliver Wendell Holmes sat on the U.S. Supreme Court. As D. W. Brogan, an astute observer of national trends, would write: "The impact of the Civil War on American life and American memory can hardly be exaggerated. It is still 'the war.'" Brogan expressed this opinion in 1944 - during World War II. Not until the last Union and Confederate veterans died out in the 1940s would the national memory be truly rid of the Civil War. — Douglas Brinkley

And so it goes, thought Clay. Life was funny, and fickle, and often cruel. Sometimes the unworthy went on living, while those who deserved better was lost.
Or not lost, he considered, since they lingered on in the hearts of those who loved them, who love them still, their memory nurtured like a sprig of green in an otherwise desolate soul. Which was, he supposed, a kind of immortality, after all. — Nicholas Eames

And were sacred to the memory of five little brothers of mine, who gave up trying to get a living, exceedingly early in that universal struggle. I am indebted for a belief I religiously entertained that they all had been born on their back with their hands in their trouser-pockets, and had never taken them out of existence. — Charles Dickens

All life is bound to a simple truth ... that time goes on, that in each person's life begins a tale, a tale that will either end in memory or in legend. — M.J. Chrisman

Having Simultanagnosia (object blindness), Prosopagnosia (face blindness) and Semantic Agnosia (meaning blindness) goes in my favour with regards to abstract art living in world full of fragmented pieces when I draw it is in real time no visual memory means no "pre-formatted" picture in my mind so I go where my hand takes it's like journey that is happening in the moment, hence why I drew these without my lenses on. When I was younger I would draw pictures by "route" which made it a appear that I had a visual memory (cobbling together things out of context and making a contextual image) — Paul Isaacs

The day that I left my home, I had prayed that my children would forget me. I wanted to spare them the pain of remembering. But that night, as I crouched in the white mist, waiting, I knew more than anything that I wanted them to remember, I wanted desperately to go on living in someone's memory. If we are not remembered, we are more than dead, for it is as if we had never lived. — Karen Maitland

The memory had borne its burial well, had returned to her intact, untarnished, fully dimensional, part of her living history, complete with visceral analogues - tastes, smells, sensations - actual voltage. It was a sightless memory, however, clothed in darkness, which she took to mean that the remembered events had taken place at night. Either that or the girl she had been was resolutely shut-eyed, had decided from the outset to curtail the offensive sensory input. Initially, the explosion within had been all pain and alarm, but later on she learned the trick of surrender, came to understand that... — A.S.A Harrison

Solitude is an interesting companion. It is both enemy and friend, comforter and tormentor. I spent a lot of time in Dun Cinzci's meat locker trying to decide which. Fortunately, when I tired of solitude, I had guilt to keep me company. Guilt is an even more interesting acquaintance than solitude, let me tell you. Solitude is a harsh but essentially benign attendant. Guilt, on the other hand, is a living, breathing creature, cruel and remorseless. It eats you from the inside out; devours what little hope you have left. It feeds on you, growing stronger with every accursed replayed memory, every useless recrimination." ~ Cayal, The Immortal Prince — Jennifer Fallon

THERE ARE moments of great luxury in the life of a secret agent. There are assignments on which he is required to act the part of a very rich man; occasions when he takes refuge in good living to efface the memory of danger and the shadow of death; and times when, as was now the case, he is a guest in the territory of an allied Secret Service. — Ian Fleming

I was surrounded by heaven. The sun, the moon, the earth, and all those living stars. They wen't static like in pictures taken from impossibly far away- they breathed, they glowed. They were future and past, possibility and memory. They were beautiful.
"I never knew there were so many," I whispered. We are merely pieces of a grander design, even more insignificant than I imagined. When the earth ceases to be, all those stars will shine on. Out deaths will mean nothing to them.
"I feel so small." No one replied. I wondered as I watched the stars, really seeing them for the fist time, whether they could see me, too. — Shaun David Hutchinson

White camels, though highly prized in some areas, remain rare.18 One discovered in Rajasthan, India, was the first in living memory for that area. On the Arabian Peninsula, where white camels are actively bred for, they are more common but still rare.19 — Anonymous

This game still had its old ritual fascination for Pug; he was following it tensely, smoking a cigar. Once his nostalgia had been keen for the tough youthful combat on the grass, the slamming of bodies, the tricky well-drilled plays, above all for the rare moments of breaking free and sprinting down the field, dodging one man and another with the stands around him a roaring sea of voices. Nothing in his life had since been quite like it. But long ago that nostalgia had departed; those grooves of memory had worn out. To think that lads much younger than his own two sons were out on that chilly field in Philadelphia now, made Victor Henry feel that he had led a very long, multilayered existence, and was now almost a living mummy. Pug! — Herman Wouk

But I hope that in the lives of Ender Wiggin, Novinha, Miro, Ela, Human, Jane, the hive queen, and so many others in this book, you will find stories worth holding in your memory, perhaps even in your heart. That's the transaction that counts more than bestseller lists, royalty statements, awards, or reviews. Because in the pages of this book, you and I will meet one-on-one, my mind and yours, and you will enter a world of my making and dwell there, not as a character that I control, but as a person with a mind of your own. You will make of my story what you need it to be, if you can. I hope my tale is true enough and flexible enough that you can make it into a world worth living in. — Orson Scott Card

The great chasm of memory from her childhood in the intimate country surroundings of Cossethay and the Marsh Farm - she remembered the servant Tilly, who used to give her bread and butter sprinkled with brown sugar, in the old living-room where the grandfather clock had two pink roses in a basket painted above the figures on the face - and now when she was travelling into the unknown with Birkin, an utter stranger - was so great, that it seemed she had no identity, that the child she had been, playing in Cossethay churchyard, was a little creature of history, not really herself. — D.H. Lawrence

The United States is a conceited nation with shallow roots, and what happened before living memory doesn't seem to interest most people I know at home. We like living in our houses with our new furniture, on our new streets in new neighborhoods. Everything is disposable and everything is replaceable. Personal family history can feel simply irrelevant in our new world, beyond the simplest national identifications, and even those who can get sort of vague for people. I remember a boy in high school who told the history teacher he was 'half Italian, half Polish, half English, half German, and one-quarter Swedish.' I think one of the reasons so many of us are disconnected from our histories is because none of it happened where we live in the present; the past, for so many, is a faraway place across an ocean. — Katharine Weber

Janus found himself drawn to the edge of the rink, staring fixedly at Candace as she approached: grinning, puffing steam, her cheeks flushed, her brown hair peeking out from under a knitted cap, her hazel eyes sparkling green and gold in the bright winter sun. She wore a wool riding coat, brilliant red trimmed with black, which stood out amid the ice like a ruby on white gold. Janus thought she had never looked more beautiful than she did in that moment, with all her cares and duties laid aside for the pure joy of living. Janus wanted to freeze the moment in his memory and carry it forever: This is what happiness looks like. I never knew. — Chris Lester

Whenever I think of these writers together, I am reminded that what gives a city its special character is not just its topography or its buildings but rather the sum total of every chance encounter, every memory, letter, color, and image jostling in its inhabitants' crowded memories after they have been living, like me, on the same streets for fifty years. — Orhan Pamuk

The tweezers weren't where they were supposed to be. He dug in the bottom of the kit until he found them, cursed the men on other shifts with no respect for their colleagues. It was like living in a dorm, Darcy thought. No, not the right word, the right memory. Like living in a barracks. It was the semblance of order over an underlying mess. Crisp sheets with folded corners over stained mattresses. That's what this was, people not putting things back where they belonged. — Hugh Howey

The Sleeping
I have imagined all this:
In 1940 my parents were in love
And living in the loft on West 10th
Above Mark Rothko who painted cabbage roses
On their bedroom walls the night they got married.
I can guess why he did it.
My mother's hair was the color of yellow apples
And she wore a velvet hat with her pajamas.
I was not born yet. I was remote as starlight.
It is hard for me to imagine that
My parents made love in a roomful of roses
And I wasn't there.
But now I am. My mother is blushing.
This is the wonderful thing about art.
It can bring back the dead. It can wake the sleeping
As it might have late that night
When my father and mother made love above Rothko
Who lay in the dark thinking Roses, Roses, Roses. — Lynn Emanuel

If you have your attention on what is see its fullness in every moment you will discover the dance of the divine in every leaf in every petal in every blade of grass in every rainbow in every rushing stream in every breath of every living being ... beyond memory and judgement lies the ocean of universal consciousness. — Deepak Chopra

And you, my friends who have been called away,
I have been spared to mourn for you and weep,
not as a frozen willow over your memory,
but to cry to the world the names of those who sleep.
What names are those!
I slam shut the calendar,
down on your knees, all!
Blood of my heart,
the people of Leningrad march out in even rows,
the living, the dead: fame can't tell them apart. — Anna Akhmatova

SUGGESTIONS FOR FURTHER READING Judith Barrington, Writing the Memoir: From Truth to Art; Annie Dillard and Cort Conley, eds., Modern American Memoirs; Patricia Hampl, I Could Tell You Stories: Sojourns in the Land of Memory; Anne Lamott, Bird by Bird: Some Instructions on Writing and Life; Phillip Lopate, ed., The Art of the Personal Essay; Jane Taylor McDonnell, Living to Tell the Tale: A Guide to Writing Memoir; and William Zinsser, ed., Inventing the Truth: The Art and Craft of Memoir. — Vivian Gornick

yet I have ever thought the knowledge of kindred and genealogies of the ancient families of a country a matter so far from contempt, that it deserveth highest praise. Herein consisteth a part of the knowledge of a man's own selfe. It is a great spurr to vertue to look back on the worth of our line. In this is the memory of the dead preserved with the living, being more firm and honourable than any epitaph. The living know that band which tyeth them to others. By this man is distinguished from the reasonless creatures, and the noble of men from the base sort. For it often falleth out (though we cannot tell how) for the most part, that generositie — Katherine Thomson

Most of our difficulties, our hopes, and our worries are empty fantasies. Nothing has ever existed except this moment. That's all there is. That's all we are. Yet most human beings spend 50 to 90 percent or more of their time in their imagination, living in fantasy. We think about what has happened to us, what might have happened, how we feel about it, how we should be different, how others should be different, how it's all a shame, and on and on; it's all fantasy, all imagination. Memory is imagination. Every memory that we stick to devastates our life. — Charlotte Joko Beck

Stored in everyone's memory are past experiences of terror. By reminding you of those feelings, fear is trying to protect you from repeating the traumas of the past. As long as you push down your fear, you will not be able to receive it as an ally. But by the same token you can't just act on the basis of fear. At the soul level you see no need for fear, because you don't need protecting. Living in the now poses no threat, and referring to the past therefore serves no purpose. It is safe to go into your fear and ask it where it came from and what it wants you to know. Having seen the world from its perspective, reassure yourself that the soul needs no guardian. Learn from fear, heal it, and ask it to leave. — Deepak Chopra

I'm sorry it's had to be this hard. But if I hadn't walked this path, who would I be? At the moment I felt at the center of my life, the dream still braided like sweetgrass in my memory. I remembered Duffy's challenge. Imagine a world worth living in, a world worth fighting for. I closed my eyes and allowed my hopes to soar. I heard the beatings of wings nearby. I opened my eyes. A young man on a nearby rooftop released his pigeons, like dreams, into the dawn. — Leslie Feinberg

The place I was bound for on my latest pilgrimage was filled with living, first-hand memories of all the enchanted years that lie between two and eighteen. How enchanted those years are is made more and more clear to me the older I grow. There has been nothing in the least like them since; and though I have forgotten most of what happened six months ago, every incident, almost every day of those wonderful long years is perfectly distinct in my memory. — Elizabeth Von Arnim

Well I knew when I first laid eyes on her
I could never be free
One look at her and I knew right away
She should always be with me
Well the dream dried up a long time ago
Don't know where it is anymore
True to life, true to me
Was the girl from the red river shore
Well I'm wearing the cloak of misery
And I've tasted jilted love
And the frozen smile upon my face
Fits me like a glove
Well I can't escape from the memory
Of the one I'll always adore
All those nights when I lay in the arms
Of the girl from the red river shore
Well we're living in the shadows of a fading past
Trapped in the fires of time
I've tried not to ever hurt anybody
And to stay out of the life of crime
And when it's all been said and done
I never did know the score
One more day is another day away
From the girl from the red river shore. — Bob Dylan

[E]verything is fiction. When you tell yourself the story of your life, the story of your day, you edit and rewrite and weave a narrative out of a collection of random experiences and events. Your conversations are fiction. Your friends and loved ones - they are characters you have created. And your arguments with them are like meetings with an editor - please, they beseech you, you beseech them, rewrite me. You have a perception of the way things are, and you impose it on your memory, and in this way you think, in the same way that I think, that you are living something that is describable. When of course, what we actually live, what we actually experience - with our senses and our nerves - is a vast, absurd, beautiful, ridiculous chaos. — Keith Ridgway

There are some things we really need to take care of: the children, and grandparents. Children, whether they are young or older, they are the strength that moves us forward. We place our hope in them.Grandparents are the living memory of the family. They passed on the faith, they transmitted the faith, to us. — Pope Francis

I have occupied this idle, empty winter with writing a story. It has been written to please myself, without thought of my own vanity or modesty, without regard for other people's feelings, without considering whether I shock or hurt the living, without scrupling to speak of the dead.
The world, I know, is changing. I am not indifferent to the revolution that has caught us in its mighty skirts, to the enormity of the flood that is threatening to submerge us. But what could I do? In the welter of the surrounding storm, I have taken refuge for a moment on this little raft, constructed with the salvage of my memory. I have tried to steer it into that calm haven of art in which I still believe. I have tried to avoid some of the rocks and sandbanks that guard its entrance.
[from the introduction] — Dorothy Bussy

On two chairs beneath the bole of the tree and canopied by a living bough there sat, side by side, Celeborn and Galadriel. Very tall they were, and the Lady no less tall than the Lord; and they were grave and beautiful. They were clad wholly in white; and the hair of the Lady was of deep gold, and the hair of the Lord Celeborn was of silver long and bright; but no sign of age was upon them, unless it were in the depths of their eyes; for these were keen as lances in the starlight, and yet profound, the wells of deep memory. — J.R.R. Tolkien

At the hill's foot Frodo found Aragorn, standing still and silent as a tree; but in his hand was a small golden bloom of elanor, and a light was in his eyes. He was wrapped in some fair memory: and as Frodo looked at him he knew that he beheld things as they had been in this same place. For the grim years were removed from the face of Aragorn, and he seemed clothed in white, a young lord fall and fair; and he spoke words in the Elvish tongue to one whom Frodo could not see. Arwen vanimelda, namarie! He said, and then he drew a breath, and returning out of his thought he looked at Frodo and smiled.
'Here is the heart of Elvendom on earth,' he said, 'and here my heart dwells ever, unless there be a light beyond the dark roads that we still must tread, you and I. Come with me!' And taking Frodo's hand in his, he left the hill of Cerin Amroth and came there never again as a living man. — J.R.R. Tolkien

Our angels often come to us in the times when we are unconscious because those are the times we are free of the continual thoughts of our mind. It is here that we remember who we really are. We remember who we are in our soul. We are greater than the physical life we have been living on earth. — Kate McGahan

What made Olive the saddest about the Gardners was that everyone wanted to be enshrined in someone's memory. It was the only way of living on after death, really: in the minds of loved ones. Memories were the only things that made aging bearable, a way of reverting to better, simpler days. — Andrea Lochen

Create a trophy room in your heart. Each time you experience a victory, place a memory on the shelf. Before you face a challenge, take a quick tour of God's accomplishments. Look at all the paychecks he has provided, all the blessings he has given, all the prayers he had answered. Imitate the shepherd boy David. Before he fought Goliath, the giant, he remembered how God had helped him kill a lion and a bear (1 Samuel 17:34-36). He faced his future by revisiting the past. — Max Lucado

Now I often think of the first time I received artillery fire, and the subsequent obliteration of the enemy observation post. I'll never know how many men manned the OP, but in memory I fix the number at two, and though at the time I was angry that the pompus captain took the handset from me and stole m y kills, I have lately been thankful he insisted on calling the fire mission, ans sometimes when I am feeling hopeful or even religious, I think that buy taking my two kills the pompous captain handed me life, some extra moments of living for myself or that I can offer others, though I have no idea to use or disuse these extra moments, or if I've wasted them already. — Anthony Swofford

Her address book confirmed it, the pages inhabited equally by the living and the dead ... Each name called up raucous dinner parties and gin-and-tonics on sunny patios, lazy Saturday afternoons at the swim club, station wagons filled with noisy boys in polyester baseball uniforms. — Stewart O'Nan

What I love about the sculpture is that it makes the bones that we are always walking and playing on manifest, like in a world that so often denies the reality of death and the reality that we are surrounded by and outnumbered by the dead. Here, is a very playful way of acknowledging that and acknowledging that and that always, whenever we play, whenever we live, we are living in both literal and metaphorical ways on the memory and bones of the dead. — John Green

He would come to feel that history, even more than memory, distorts the present of the past by focusing on big events and making one forget that most people living in the present are otherwise preoccupied, that for them omens often don't exist. — Tracy Kidder

Gray mattresses with red and blue stripes in something that looks like a hallway or an overly long waiting room. In any case, his memory is frozen in immediate past like a faceless man in a dentist's chair. There are houses and streets that run down to the sea, dirty windows and shadows on staircase landings. We hear someone say "a long time ago it was noon," the light bounces off the center of immediate past, something that's neither a screen nor attempts to offer images. Memory slowly dictates soundless sentences. We imagine that all of this has been done to avoid confusion, a layer of white paint covers the film on the floor. Fleeing together long ago became living together and thus the integrity of the gesture was lost; the shine of immediate past. — Roberto Bolano

I never knew him. We both knew this place,
apparently, this literal small backwater,
looked at it long enough to memorize it,
our years apart. How strange. And it's still loved,
or its memory is (it must have changed a lot).
Our visions coincided--'visions' is
too serious a word--our looks, two looks:
art 'copying from life' and life itself,
life and the memory of it so compressed
they've turned into each other. Which is which?
Life and the memory of it cramped,
dim, on a piece of Bristol board,
dim, but how live, how touching in detail
--the little that we get for free,
the little of our earthly trust. Not much.
About the size of our abidance
along with theirs: the munching cows,
the iris, crisp and shivering, the water
still standing from spring freshets,
the yet-to-be-dismantled elms, the geese. — Elizabeth Bishop

People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in the ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic. — Diane Setterfield

I was right when I said a very long time ago that our age would leave few living documents behind it: it was rare for anyone to keep a diary, letters were short and businesslike--"I'm alive and well"--and few memoirs were written. There are many reasons for this. Let me mention just one, not perhaps recognized by everybody: we were too often at loggerheads with our own past to give it proper thought. Within the half-century, our ideas on people and events have changed many times; conversations were broken off in mid-sentence; thoughts and feelings could not but be affected by circumstances. — Ilya Ehrenburg

To be rich, to be famous? do these profit a year hence, when other names sound louder than yours, when you lie hidden away under ground, along with the idle titles engraven on your coffin? But only true love lives after you, follows your memory with secret blessings or pervades you, and intercedes for you. Non omnis moriar, if, dying, I yet live in a tender heart or two; nor am lost and hopeless, living, if a sainted departed soul still loves and prays for me. — William Makepeace Thackeray

On Monday I received a letter from Golden Days, a Philadelphia juvenile, accepting a short story I had sent there and enclosing a cheque for five dollars. It was the first money my pen had ever earned; I did not squander it in riotous living, neither did I invest it in necessary boots and gloves. I went up town and bought five volumes of poetry with it
Tennyson, Byron, Milton, Longfellow, Whittier. I wanted something I could keep for ever in memory of having arrived. — L.M. Montgomery

as "a general endorsement of the exploitative colonization tactics of the Spanish. Though Junipero Serra was known to have argued on behalf of the property rights and economic entitlement of converted Native Americans, he consistently advocated against their right to self-governance, and was a staunch supporter of corporal punishment, appealing to the Spanish government for the right to flog Indians." When Doc had finished this particular lecture, I just looked at him and went, "Photographic memory much?" He looked embarrassed. "Well," he said. "It's good to know the history of the place where you're living." I filed this away for future reference. Doc might be just the person I needed if Jesse showed up again. Now, standing in the cool office of the ancient building Junipero Serra had constructed for the betterment of the natives in the area, I wondered — Meg Cabot

I got this month's delivery bill today - you're practically living off pastries!"
"The pastries are easier on my teeth," Grandpa called after him with a smile.
"That wouldn't be an issue if you would get new teeth!" John's voice carried in from the kitchen.
Grandpa pretended not to hear him. His memory might have gone to shit, but there were a few things about being old that he really enjoyed. — April Adams

Will bit at his lip. This was the last time Jem, as Jem, might ever touch him. The sharp memory went through him like a knife - of years of Jem's light tap on his shoulder, his hand reaching to help Will up when he fell, Jem holding him back when he was furious, Will's own hands on Jem's thin shoulders as Jem coughed blood into his shirt. Listen to me. I am leaving, but I am living. I will not be gone from you entirely, Will. When you fight now, I will be still by you. When you walk in the world, I will be the light at your side, the ground steady under your feet, the force that drives the sword in your hand. We are bound, beyond the oath. The Marks did not change that. The oath did not change that. It merely gave words to something that existed already. — Cassandra Clare