Little Voice Quotes & Sayings

A voice of greeting from the wind was sent; The mists enfolded me with soft white arms; The birds did sing to lap me in content, The rivers wove their charms, And every little daisy in the grass Did look up in my face, and smile to see me pass! — Richard Henry Stoddard

Her last call, at midnight, had been the worst. "I'll pull your cock out of your asshole," she'd said, and for some reason her voice at that moment had reminded him of his mother's. — Bentley Little

Today [the voice of women] is being heard loud and clear. But I do not read the welcome triumph of feminism, social, economic, and creative, as a brief for postmodernism. The advance, while opening new avenues of expression and liberating deep pools of talent, has not exploded human nature into little pieces. Instead, it has set the stage for a fuller exploration of the universal traits that unite humanity. — E. O. Wilson

Courage doesn't always roar. Sometimes courage is the little voice at the end of the day that says I'll try again tomorrow. — Mary Anne Radmacher

And the very important fact that I'm here to worry with you and go through all of this - every little bit of it - by your side, even your worst-case-scenario, should it somehow come to that. You wouldn't be doing any of it alone.'
Her voice drops and she looks down at our hands, fingers entwined, resting on her lap. 'Whatever happens, there will always be us. — Tabitha Suzuma

Her voice was polished with a hint of a New England-boarding-school accent that shouted refinement over geographic locale. I was trying not to stare. She saw that and smiled a little. I don't want to sound like some kind of pervert because it wasn't like that. Femal beauty gets to me. I don't think I'm alone in that. It gets to me like a work of art gets to me. It gets to me like a Rembrandt or Michelangelo. It gets to me like night views of Paris or when the sun rises on the Grand Canyon or sets in the turquoise Arizona sky. My thoughts were not illicit. Ther were, I self-rationalized, rather artistic. — Harlan Coben

One Sunday evening when it was very hot and breathlessly still we sere sitting here in this room in the dusk. He switched on the record player. Liszt. We sat. As I say, here. In this very room. We listened to the piece. Neither of us said a word. That's when he took my hand and we went out into the garden. In a quiet voice he said that I wasn't like any other person in the world and that some people wouldn't understand that. They wouldn't want me to be the way I was. They'd want to change me. They'd try to order me about and make me into the kind of person they wanted me to be. Since I was still a child there would be little I could do except stay alone, stay out of trouble, and make myself very small in the world. — Laird Koenig

Pausing in front of her, her mother brushed the hair back from her face and smiled sweetly at her before she kissed her brow. "You've changed much, my little treasure."
A stinging wave of grief consumed her as she heard her mother's blessed voice again. Tears welled in her eyes. "I've missed you, Mama."
-Seren and her mother, in a dream. — Kinley MacGregor

Who am I? Laia muttered to her invisible audience, and they knew the answer and told it to her with one voice. She was the little girl with scabby knees, sitting on the doorstep staring down through the dirty golden haze of River Street in the heat of late summer, the six-year-old, the sixteen-year-old, the fierce, cross, dream-ridden girl, untouched, untouchable. She was herself — Ursula K. Le Guin

Make a lap. Near the fire. The assertive little voice rang in my mind. I looked down at him and he looked up at me. For an instant, our gazes brushed, then we both looked aside in instinctive courtesy. But he had already seen the ruins of my soul. He rubbed his cheek against my leg. Hold the cat. You'll feel better. I don't think so. He rubbed against my leg insistently. Hold the cat. I don't want to hold the cat. He reared up suddenly on his hind legs, and hooked his vicious little front claws into both flesh and leggings. Don't talk back! Pick up the cat. — Robin Hobb

No one has touched me in 264 days. Sometimes I think the loneliness inside of me is going to explode through my skin and sometimes I'm not sure if crying or screaming or laughing through the hysteria will solve anything at all. Sometimes I'm so desperate to touch to be touched to feel that I'm almost certain I'm going to fall off a cliff in an alternate universe where no one will ever be able to find me. It doesn't seem impossible. I've been screaming for years and no one has ever heard me. "Aren't you hungry?" His voice is lower now, a little worried now. I've been starving for 264 days. "No." The word is little more than a broken breath as it escapes my lips — Tahereh Mafi

Someday, I'll gain telepathic powers like every other regular movie ghost and I will go all Freddie Krueger on his bony, little, rat arse!"
I rolled my eyes, but kept marching down the street.
"Then I'd have to go all Ghostbusters on yours.", I tried to keep my voice low to keep from drawing attention to myself.
"No, you wouldn't. You love my arse, darling!", he walked backwards few feet in front of me.
His big smile was enough to make me grin and roll my eyes again at him. — Tia Artemis

Could anyone hear her out that window? Inexplicably, in her mind she saw the young man who saved the little girl from the runaway horse. Could he hear the desperation in her voice? Would he be willing to come to her aid and help her escape from the prison that was her life? But that was foolish. No one could help her. She had to save herself. — Melanie Dickerson

Fear-Dog told me . . . we must return to our camp," he growled, his voice throaty with drool. "Now?" whimpered the little brown dog. "Now. Immediately." Terror swiped a trembling paw at her face, though this time he missed. "He says . . . we are to kill any strange dogs. Kill them all. Kill them on sight. Now go! — Erin Hunter

And of course, when you see your brother in the toilet bowl ... there's a little voice that say, 'I wonder where he would go ... ' ... if it hadn't been for his head ... — Bill Cosby

I do very little on-camera acting, so within a phrase as a voice actor you have to know how to convey when someone is 95 years old or 19 years old ... When I was the lead singer of the California Raisins commercials there was a traditional actor there as well and he would do all these body movements without saying anything because he was "acting." And the only acting the microphone picked up on was silence. — Jim Cummings

He ran his hand from my wrist up to the crook of my elbow and then to my shoulder. "When I was a little kid, my dad would come to my room at night to say a prayer with me. He used to say, 'Lord, We know there's a little girl out there who's meant for Henry. Please protect her and raise her up right.'" His voice changed to something slower and more country when he mimicked his dad. He smiled at the memory, and then he put his mouth near my ear and whispered. "You were that little girl. — Laura Anderson Kurk

Maybe if you had focused a little more in school, you could have gotten some scholar..." "No!" Owen shouts, plugging his ears. "How dare you speak that word in my presence?" "What word?" Liam asks with a chuckle. He raises his voice purposefully. "Scholarships? — Loretta Lost

In two easy strides, I reach her, weave my arms around her waist and lift her feet off the ground. My angel is so light she practically floats. "Isaiah! You're crazy!"
"Insane," I answer.
She rests her forehead against mine and braids her hands tightly on my neck. "That was close. He almost got you in the end."
I love the sensation of her body against mine. Tonight, I'm going to kiss her again and, if she'll let me, I'll explore a little further. "Were you doubting me?"
She smiles when she notices the lightness in my voice. "Never."
That's right, angel. I'll never let you down. — Katie McGarry

Sometimes you wake up, and there's a little voice inside your head that tells you that today is a special day. For a lot of kids, it sometimes happens on their birthday, and always on Christmas morning.
I remember exactly one of those Christmases, when I was little and my dad was still alive. I felt it again, eight or nine years later, the morning that Justin Demourn came to pick me up from the orphanage. I felt it one more time the morning Justin brought Elaine home from whatever orphanage she had been in.
And now, the little voice was telling me to wake up. That it was a special day.
My little voice is some kind of psycho. — Jim Butcher

What kind of understanding?" he murmured almost absently, his mind clearly on other, more provocative things.
The trace of amusement in his voice irritated her, as if he were merely humoring her. Savannah pushed at the solid wall of his chest to put a few inches between them. His large frame didn't budge, and she was locked in by his arm. She pushed at him again. "Forget it."
He bent his head to taste the vulnerable line of her neck, to feel her pulse in the warm, moist cavern of his mouth. His blood surged and pounded. Little jackhammers began to beat at his skull. "I am listening to every word you say, ma petite," he murmured, lost in her softness, in the scent of her. He wanted her with every fiber of his being, every cell in his body. "I could repeat each word verbatim, if you desire. — Christine Feehan

Madison rolled her eyes. "I blew a tire."
"Wait. I can't hear you. Guys, can you keep it down?" His voice got a little farther away from the mouthpiece. "Maddie's on the phone and she blew something." The room erupted in male laughter.
Oh. My. Freaking. God.
"Sorry about that, honey. Now, what happened?" her father asked. "You blew a fire?"
"I blew a tire! A tire! You know those things that are round and made of rubber? — Jennifer L. Armentrout

But then had come the voice that said, Come on, you little freak, wherever the hell you are,
whatever the hell you are, let's get this done with. — Michael Grant

Far away beyond the pine-woods,' he answered, in a low dreamy voice, 'there is a little garden. There the grass grows long and deep, there are the great white stars of the hemlock flower, there the nightingale sings all night long. All night long he sings, and the cold, crystal moon looks down, and the yew-tree spreads out its giant arms over the sleepers. — Oscar Wilde

I got to meet a lot of cool people [on the Voice], and my favorite part about the experience was getting to sit around and do little jam sessions in the hotel. We were pretty much in lockdown at the hotel in downtown Los Angeles, and there wasn't much to do. It was interesting to be in a room with someone that was a rapper next to me, a country artist, then you have someone playing a song on the keyboard, and it was just really cool as just a random ensemble. — Curtis Grimes

Mhysa!" a brown-skinned man shouted out at her. He had a child on his shoulder, a little girl, and she screamed the same word in her thin voice. "Mhysa! Mhysa!"

Dany looked at Missandei. "What are they shouting?"

"It is Ghiscari, the old pure tongue. It means 'Mother.'"

Dany felt a lightness in her chest. I will never bear a living child, she remembered. Her hand trembled as she raised it. Perhaps she smiled. She must have, because the man grinned and shouted again, and others took up the cry. "Mhysa!" they called. "Mhysa! MHYSA!" They were all smiling at her, reaching for her, kneeling before her. "Maela," some called her, while others cried "Aelalla" or "Qathei" or "Tato," but whatever the tongue it all meant the same thing. Mother. They are calling me Mother. — George R R Martin

I am drawn mostly, insistently to the human voice. How powerful and necessary the solo voice, the experience of being someone, something else for a little while. This is and will remain literature's killer app, the thing most impervious to threat by everything that's not the word. — Ander Monson

Who wants us?" Bianca demanded. "Because if you think you'll get a ransom, you're wrong. We don't have any family. Nico and I - " Her voice broke a little. "We've got no one but each other. — Rick Riordan

Ever since I was little, people would always make jokes about my low voice. But I think it's so cool that you don't have to have the picture-perfect, girly voice to do an animated film. I think it's great for kids with different voices to know that they could do something like this. — Miley Cyrus

What went on in that head of his? I would soon come to understand that he gave voice to only a fraction of the thoughts that swam behind his eyes. It was not nearly so clean and smooth in there as it seemed. Other lives were houses in that mind, parallel worlds. Maybe we're all built a little that way. But most of us drop hints. Most of us leave clues. My father was more careful. — Karen Thompson Walker

I jumped up from the bed and paced the small space in front of Romeo. He was absolutely nuts.
"Why the hell would you do that?" I asked.
Then I stubbed my toe on the edge of my desk.
"Ow!" I hissed and doubled over while bouncing around on one foot.
"You're like a one-woman show," Romeo remarked from behind me. His voice was clearly amused.
"I need my glasses," I muttered, hopping around and reaching for them somewhere near my bed. I knocked something over and it fell to the floor.
"Whoa there, graceful," Romeo said and scooped me up in his arms.
I let out a little squeak in surprise. "Put me down."
"No," he said mildly. "You are a danger to yourself."
I made a hmph sound and he snickered.
- Rimmel & Romeo — Cambria Hebert

Marie Caroline Jensen, will you marry me?" he asked suddenly, looking right into my eyes. I bit my lip, trying to decide how long to drag it out. Maybe a little longer ... he'd used the "b" word, I should probably make him suffer. I looked away, refusing to meet his eyes as he stopped laughing and grew still.
"Marie?" he asked, his voice suddenly strained. "Oh fuck, don't do this to me, please. I - "
"Yes," I said, catching his eye and smirking. "I'll marry your big, dumb ass but only because you said the magic word."
"Fuck? You're right, that is a magic word. Let's test it out. — Joanna Wylde

You speak into it and everything is recorded, voice, tone, intonation, everything. You turn a little wheel, and forth it comes, and can be repeated ten thousand times. Only fancy what this suggests. — Henry Irving

Between his eyes, there were four lines, the marks of such misery as children should never feel. He spoke with that wonderful whisky voice that so many Spanish children have, and he was a tough and entire little boy. — Martha Gellhorn

There's a smile in his voice when he goes on, "What are you doing in there, baby?"
"Nothing," I answer, a little too quickly.
"Okay, you keep on doing nothing. I'll just sit here while you're at it. This spot is surprisingly comfortable. — L. H. Cosway

But Roosevelt was just as much a faker. He constructed his macho persona from the ground up. When he first entered public life at the age of twenty-three as a New York state assemblyman, he was a rich kid with soft hands, a squeaky voice, and clothes that were a little too fashionable for his own good. The newspapers gave him nicknames: "Jane-Dandy," "our own Oscar Wilde," and "Punkin-Lily." He went west to shake this reputation. Viewed from this angle, Roosevelt's entire life looks like one gigantic exercise in overcompensation. — Nathanael Johnson

One day [when I relapsed] I walked into a store and saw a little bottle of Jack Daniel's. And then that voice - I call it the 'lower power' - goes, 'Hey. Just a taste. Just one.' I drank it, and there was that brief moment of 'Oh, I'm okay!' But it escalated so quickly. Within a week I was buying so many bottles I sounded like a wind chime walking down the street. — Robin Williams

I think US/UK genre has become more open to "diverse" writers and writing; there's a genuine interest in reading work from countries outside the US/UK and hearing voices that have been historically shut out, but at the same time, people are quite lazy. That sounds harsh, but I include myself in it - your tastes are shaped by what you've read and watched before, and it takes a little effort to understand stories that use a different voice, that follow different storytelling conventions, that are trying to subvert the dominant paradigm. There's a quite large group of people who are "yay diversity" in theory, but I think the number of people who have then said to themselves, "OK, if I'm committed to this, I need to start reading outside my comfort zone and making an effort" is maybe a little smaller. — Zen Cho

We kiss for a long time, a good long time. I don't even notice that it's cold and I forget to be afraid because that's just how good a kisser he is. His lips move above my lips. My lips ache for the touch of him, the softness of his skin. We keep kissing. My hands wrap themselves in his hair. His hand presses me close into him, as close as I can be against him, and he is solid, strong, amazing. My hands leave his hair and journey down to the sides of his face, still tingling.
"We should keep going," he says, voice gruff and husky again. I love when his voice sounds like that, deeper than normal. His lips puff out a little more, too. "You're blushing."
I pull my lips in against each other like I'm still trying to taste him. I move my snowshoes off of his snowshoes. It's tricky.
"You're a good kisser," I say.
"So are you. — Carrie Jones

Frustrated, Ria threw down her napkin and rose to her feet. "If he's that great, you marry him. I will not marry a man who hasn't even attempted to French-kiss me the entire year we've been 'dating.'"
Her parents yelled her name, but Jet's incredulous voice drowned them out. "Seriously? Not even a little tongue? You're right
dude is lame. — Nalini Singh

Romeo came forward and grabbed me by the shoulders. "What the hell were you thinking?"
I stared at him blankly.
He blew out a frustrated breath. "You got in between me and a chair, Rimmel."
"He was going to hit you," I said, grim. "I wasn't just going to stand there. I won't let him hurt you."
"I'd rather him hurt me than you." His voice was gentle. Then he smirked. "That chair wouldn't have hurt me anyway. — Cambria Hebert

Something about family and trying to relate it to the movie with, 'Oh, if I was to have a child how many kids do I want?' And 'do I want a boy or a girl?' I didn't realize you could place orders, I honestly didn't realize it was like a drive-through, that you could talk to a little electronic voice. — Jennifer Aniston

I tried to smile back, but I was trying not to stare at the ribbon of skin that was showing beneath his T-shirt as he bent over. As usual, my mouth went a little dry and my breathing sped up, and that weird, almost sad feeling settled in my stomach. I never thought I'd be glad to hear Vandy's braying voice, but when she shouted, 'All right! That's it for today!' I could have kissed her.
Well, on second thought, no. Maybe a firm handshake. — Rachel Hawkins

Nothing lasts," she says, and there's a little crack in her voice. "You think it's going to. You think, 'Here's something I can hold on to,' but it always slips away. — Tim Tharp

She came back pinked, sun-dazed and slow moving, with spume-salted hair and a sandy butt, displaying upon a narrow palm, with a child's innocence, a small and perfect white shell, saying in a voice still drugged with sun and heat, "It's like the first perfect thing I ever saw, or the first shell. It's a little white suit of armor with the animal dead and gone. What does it mean when things look so clear and so meaningful? Silly little things." I sat on a low stool, hating the phone. — John D. MacDonald

Little sleep, no investment portfolio, no family around, no hot water. On an evening a few days after arriving in Cange, I wondered aloud what compensation he got for these various hardships. He told me, "If you're making sacrifices, unless you're automatically following some rule, it stands to reason that you're trying to lessen some psychic discomfort. So, for example, if I took steps to be a doctor for those who don't have medical care, it could be regarded as a sacrifice, but it could also be regarded as a way to deal with ambivalence." He went on, and his voice changed a little. He didn't bristle, but his tone had an edge: "I feel ambivalent about selling my services in a world where some can't buy them. You can feel ambivalent about that, because you should feel ambivalent. Comma." This was for me one of the first of many encounters with Farmer's — Tracy Kidder

Bree arched, trying to stretch out her muscles and Alessandro gave her a dirty look as if she was displaying herself to him on purpose. Well, maybe she was a little. Even though he blocked her from the hotel attendant's gaze with his body in the doorway, Bree was sure to cover herself with the blanket. Alessandro turned around, pulling in the tray with him and his eyes flared hungrily as he looked down at her. "You look like a beautiful debauched angel," he said, his voice rough with desire. "And you're what, the demon that's corrupted me?" Bree asked raising an eyebrow and letting the blanket fall down to her waist, baring her to him. "It's my life's work, you know?" Alessandro grinned, going down on to his knees and leaning over her. Bree placed a hand on his chest, halting him. "Is that coffee, I smell?" she asked. "The debauched angel is kind of hungry." She bit her lip and smiled up at his frustrated face. — E. Jamie

She sent you to your death once, in case you've forgotten," he said, a sudden chill dropping into his voice. "Why should her collapse concern me?"
I paused. Tybalt was a cat before he was anything else. If something didn't affect him personally, he was unlikely to give a damn. Slowly, I said, "Because Rayseline is blaming me, and if Luna dies
"
"The little bitch will push for your execution under Oberon's law," he snarled. I blinked. I'd expected a reaction, but nothing that strong. — Seanan McGuire

Apology now is of little consequence," she said, her voice flat and chill as slate. "Anything you say at this point cannot be trusted. You know I am well and truly angry, so you are in the grip of fear.
"This means I cannot trust any word you say, as it comes from fear. You are clever, and charming, and a liar. I know you can bend the world with your words. So I will not listen."
"Vashet to Kvothe — Patrick Rothfuss

Warmth stole into Murdoch's voice at the memory, and Farah's heart clenched at the picture of her Dougan not yet a man, and yet not a boy, regaling a room full of hardened prisoners about the graveyard capers and bog adventures of a ten-year-old girl in the Scottish Highlands. "He described ye so many times, I feel as though any of us would have recognized ye had we seen ye on the streets. He told us of yer kindness, yer innocence, yer gentle ways and boundless curiosity. Ye became something of a patron saint to us all. Our daughter. Our sister. Our... Fairy. Without even knowing it, ye gave us- him- a little bit of sunshine and hope in a world of shadow and pain. — Kerrigan Byrne

I mean, my voice has gotten a little deeper sounding as I've gotten older, I think. I noticed that. — Alan Jackson

Issie?"
After a second her voice comes out small and tired. "I'm not here."
"Oh." I back up so I can stare at the bathroom door. No feet. "Then I should probably freak out because the toilet is talking back to me, huh? A little too many pain meds for Zara today. — Carrie Jones

You heard what the little filth said to me," Ury growled. "He'll be trouble. I say trench him now."

The other man spoke, his voice low and even. "I heard him, Ury. His mind is quick, and his Greek is good." He knelt down beside my head. "Your choice, boy. Decide now. — Patrick Bowman

She'd eat you alive." "She would, would she?" Niko said dryly. "Seriously, Nik, she's dangerous, a predator." This voice-of-reason shit, it had to stop. It was a strain on my resources. His lip twitched. "And what, little brother, do you think I am?" Damn. He had me there. — Rob Thurman

I used to always have a pretty high, little clear voice, but as I got older, I got a little cornbread in it. — Wilson Pickett

How's Alison getting on?'

Conway snorted. 'Tucked up in the sick room like she's dying in some season finale. Little fadey voice on her and all. She's having a great old time. — Tana French

There are a thousand spears in my back,' said a little sharp voice, 'and they are all devoted to the Princess and to her alone. — E. Nesbit

After they had gone another mile, Pinocchio heard the same little low voice saying to him:
'Bear it in mind, simpleton! Boys who refuse to study, and turn their backs upon books, schools, and masters, to pass their time in play and amusements, sooner or later come to a bad end ... I know it by experience ... and I can tell you. A day will come when you will weep as I am weeping now ... but then it will be too late! ... '
On hearing these words whispered very softly, the puppet, more frightened than ever, sprang down from the back of his donkey and went and took hold of his mouth.
Imagine his surprise when he found that the donkey was crying ... and he was crying like a boy! — Carlo Collodi

I've always wanted to do a cutesy little song with a guy and girl singing back and forth and thought that Regina Spektor would be kind of cool for that. I love her voice. She's an amazing musician. — Brendon Urie

Just dinner?"
If there was a God in heaven, no was the answer to that.
"Whatever else is up to you and that little voice inside you telling you to jump my bones like a trampoline, darlin'."
This time she did roll her eyes. "How charming."
"Trust me, my charm isn't what the ladies love most about me. — Avery Flynn

His voice was languidly dense, as if he was a little slow on the uptake, but Strike knew that tone came from the man's feeling of complete control. — Richard Price

Keep your mouth shut around me," he says, his voice low, "or I will do this again, only next time, I'll shove it right through your esophagus."
"That's enough," Evelyn says. Edward drops the fork and releases Peter. Then he walks across the room and sits next to the person who called him "Eddie" a moment before.
"I don't know if you know this," Tobias says, "but Edward is a little unstable."
"I'm getting that," I say.
"That Drew guy, who helped Peter perform that butter-knife maneuver," Tobias says. "Apparently when he got kicked out of Dauntless, he tried to join the same group of factionless Edward was a part of. Notice that you haven't seen Drew anywhere."
"Did Edward kill him?" I say.
"Nearly," Tobias says. "Evidently that's why that other transfer--Myra, I think her name was?--left Edward. Too gentle to bear it. — Veronica Roth

I heard someone walk out of the alley behind me, and my body went tense and tight, despite my weariness. Then a young woman's voice said, in a passable British accent, "The Little People are easily startled, but they'll soon be back. And in greater numbers."
I sagged in sudden, exhausted relief. The bad guys hardly ever quote Star Wars. — Jim Butcher

My reality is that God speaks to you every day. There's an inner voice, and when you hear it, you get a little tingle in your medulla oblongata at the back of your neck, a little shiver, and at two o'clock in the morning, everything's really quiet and you meditate and you got the candles, you got the incense and you've been chanting, and all of a sudden you hear this voice: Write this down. It is just an inner voice, and you trust it. That voice will never take you to the desert. — Carlos Santana

You start screaming. The screams are in Denise's voice, in your father's voice, in the voice of an innocent little girl, in voices you don't recognize and never will. You — Mike Allen

As Tristan left the darkroom he heard Lacey's soap opera voice. "And so our two heroes part," she said, "blinded by love, neither of them listening to the wise and beautiful Lacey" - she hummed a little - "who, by the way, is getting a broken heart of her own. But who cares about Lacey?" she asked sadly. "Who cares about Lacey? — Elizabeth Chandler

mong the hundred thousand mysterious influences which a man exercises over a woman who loves him, I doubt if there is any more irresistible to her than the influence of his voice. I am not one of those women who shed tears on the smallest provocation: it is not in my temperament, I suppose. But when I heard that little natural change in his tone my mind went back (I can't say why) to the happy day when I first owned that I loved him. I burst out crying. — Wilkie Collins

How can you imagine what particular region of the first ages a man's untrammelled feet may take him into by the way of solitude-utter solitude without a policeman-by the way of silence-utter silence, where no warning voice of a kind neighbor can be heard whispering of public opinion? These little things make all the great difference. When they are gone you must fall back upon your own innate strength, upon your own capacity for faithfulness. — Joseph Conrad

She played a great deal better than either of the Miss Musgroves; but having no voice, no knowledge of the harp, and no fond parents to sit by and fancy themselves delighted, her performance was little thought of, only out of civility, or to refresh the others, as she was well aware. She knew that when she played she was giving pleasure only to herself; but this was no new sensation: excepting one short period of her life, she had never, since the age of fourteen, never since the loss of her dear mother, know the happiness of being listened to, or encouraged by any just appreciation or real taste. In music she had been always used to feel alone in the world; and Mr. and Mrs. Musgrove's fond partiality for their own daughters' performance, and total indifference to any other person's, gave her much more pleasure for their sakes, than mortification for her own. — Jane Austen

I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake. — Kelly Link

For a long moment there was only the sound of her soft, half-gasping little breaths, and the thud of his heart, loud in his ears. He had never felt this ... this liberation, this unfettered contentment. Not with another woman, not after a hard day of accomplishment, not after a brilliant business maneuver, not even after beating his brothers at anything. His body was wrung out with physical satisfaction, his mind fely fogged and sluggish, but his head ...
'If this be madness,' came Francesca's weak voice from behind the shining veil of her hair, 'lead me to Bedlam.'
'Perhpas tomorrow. I don't think I can make it further than the bed. — Caroline Linden

People like to say that Plutarch's is a really "personal" voice, but in truth Plutarch tells us very little about his life. His voice is personable but never personal. It feels intimate because he's addressing the world as we experience it, at this level, a human level, rather than way up here where very few of us live. — John D'Agata

You should hate me," she said brokenly. "You should leave me - "
"Hush." His grip tightened, just short of bruising her. "Do you think so little of me? Damn you." He crushed his lips in her hair. "You don't understand anything about me. Did you think I wouldn't want to help you? That I would abandon you if I knew?"
"Yes," she whispered.
"Damn you," he repeated, his voice choked with anger and love. He forced her face upward. The hopelessness in her eyes caused a cold pressure to squeeze around his heart. — Lisa Kleypas

I was going to sip on a diet soda, but a little voice convinced me I needed the extra calcium from a cup of hot chocolate. — Cathy Guisewite

Does he ever eat cotton candy for breakfast?"
He stepped around the counter to face us, lowered his gaze, and took a sip from the black mug in his hands.
"No," I said. "He's very much like the Big Bad Wolf. He eats little girls for breakfast."
He spoke from behind the cup, his voice deep and as smooth as butterscotch. "She's wrong. I eat big girls for breakfast. — Darynda Jones

Listen to your being. It is continuously giving you hints; it is a still, small voice. It does not shout at you, that is true. And if you are a little silent you will start feeling your way. Be the person you are. Never try to be another, and you will become mature. Maturity is accepting the responsibility of being oneself, whatsoever the cost. Risking all to be oneself, that's what maturity is all about. — Osho

To me, the simplest gift that a husband or a wife can do for their partner is to remind them of their precious visions, goals and dreams. What a gift that is to have a voice of reason right in your corner when you sometimes need a little nudge to get back on track. To have a team player to cheer you on and to support your efforts is indeed a massive present from the universe. Whomever has such a gift should surely treasure and protect it for all its worth. It's worth is invaluable to the world. — Sereda Aleta Dailey

From the mountain peaks for streams descend and flow near the town; in the cascades the white water is calling, but the mistis do not hear it. On the hillsides, on the plains, on the mountaintops the yellow flowers dance in the wind, but the mistis hardly see them. At dawn, against the cold sky, beyond the edge of the mountains, the sun appears; then the larks and doves sing, fluttering their little wings; the sheep and the colts run to and fro in the grass, while the mistis sleep or watch, calculating the weight of their steers. In the evening Tayta Inti gilds the sk, gilds the earth, but they sneeze, spur their horses on the road, or drink coffee, drink hot pisco.
But in the hearts of the Puquios, the valley is weeping and laughing, in their eyes the sky and the sun are alive; within them the valley sings with the voice of the morning, of the noontide, of the afternoon, of the evening. — Jose Maria Arguedas

That's too bad, because you're going to get me," I say hoarsely, and her struggles abruptly cease. "You're going to get these rough hands that need to touch you. These eyes that will never tire of looking at you. These arms that will hold you steady or lift you up whenever you need their strength. This head that's crazy about every little thing you do." My voice deepens. "And you're going to get this heart that's already falling in love with you. — Kati Wilde

Supposing an emperor was persuaded to wear a new suit of clothes whose material was so fine that, to the common eye, the clothes weren't there. And suppose a little boy pointed out this fact in a loud, clear voice ...
Then you have The Story of the Emperor Who Had No Clothes.
But if you knew a bit more, it would be The Story of the Boy Who Got a Well-Deserved Thrashing from His Dad for Being Rude to Royalty, and Was Locked Up.
Or The Story of the Whole Crowd Who Were Rounded Up by the Guards and Told 'This Didn't Happen, OK? Does Anyone Want to Argue?'
Or it could be a story of how a whole kingdom suddenly saw the benefit of the 'new clothes', and developed an enthusiasm for healthy sports in a lively and refreshing atmosphere which got many new adherents every year, and led to a recession caused by the collapse of the conventional clothing industry.
It could even be a story about The Great Pneumonia Epidemic of '09.
It all depends on how much you know. — Terry Pratchett

Get away from my ex-girlfriend, you moany little whinge-bag.'
Caelen took a deep breath, like he was in pain, and stood up. His voice was low, guttural. 'I was hoping I'd get the chance to kill you.'
'You won't be killing anyone, you sad little emo git.'
'You've stood in the way of our love for long enough.'
'Just listening to you makes me want to top myself, you self-pitying Paranormal Romance novel reject.'
Caelen glared. 'Stop insulting me.'
'Why? If you cry will your mascara run? — Derek Landy

Well I've been doing it for about twenty years, I did films when I was a little kid, when I was about six or seven, I was in films and I had this really high voice, I did a series called Dinobabies, that was my first one. And then after that I did Madeline, yeah so it just kind of happened and then never went away. Then everyone said your voice is going to change and you'll be out ... No, no, still on helium. — Andrea Libman

Daisy began to sing with the music in a husky, rhythmic whisper, bringing out a meaning in each word that it had never had before and would never have again. When the melody rose, her voice broke up sweetly, following it, in a way contralto voices have, and each change tipped out a little of her warm human magic upon the air. — F Scott Fitzgerald

So, it was that bad? That you couldn't just leave Layton behind but had to flee the entire continent?"

"Mm," Felix said noncommittally. His voice went raw. "I am sorry I left like that."

"It's okay. You don't belong here. You were a wild toad caught in a mason jar."

"With a stick and a leaf."

"Hold on . . . am I the stick in this metaphor? Because I have lost some weight . . ."

"I didn't know what I was doing. There was something uncomfortable about it."

"I can't imagine what."

"Certainly not The Little Mermaidcomforter. That felt oh-so-right. — Shannon Hale

The first time we meet another person an insidious little voice in our heads says, "I might wear eyeglasses or be chunky around the hips or a girl, but at least I'm not Gay or Black or a Jew." Meaning: I may be me- but at least I have the good sense not to be YOU. — Chuck Palahniuk

Listen little Songkeeper, the voice whispered, and I will sing you a Song. — Gillian Bronte Adams

Sharp knives seemed to cut her delicate feet, yet she hardly felt them, so deep was the pain in her heart. She could not forget that this was the last night she would ever see the one for whom she had left her home and family, had given up her beautiful voice, and had day by day endured unending torment, of which he knew nothing at all. An eternal night awaited her. — Hans Christian Andersen

More truly characteristic of dissent is a dignity, an elevation, of mood and thought and phrase. Deep conviction and warm feeling are saying their last say with knowledge that the cause is lost. The voice of the majority may be that of force triumphant, content with the plaudits of the hour, and recking little of the morrow. The dissenter speaks to the future, and his voice is pitched to a key that will carry through the years. — Benjamin Cardozo

Hearing may make shorter intuitive leaps than sight, but it too is subject to illusions. The most pleasant of these are 'mondegreens,' named by the author Sylvia Wright from her youthful mishearing of the Scottish ballad that actually says, 'They hae slain the Earl o' Moray / and they layd him on the green'--not, alas, 'the Lady Mondegreen.' Children, with their relaxed expectations for logic, are a rich source of these (pledging allegiance to 'one Asian in the vestibule, with little tea and just rice for all'), but everyone has the talent to infer the ridiculous from the inaudible--and, what's more, to believe in it. Here, at least, we do behave like computers, in that our voice-recognition software has little regard for probability but boldly assumes we live in a world of surrealist poets. We are certain that Mick Jagger will never leave our pizza burning and that the Shadow knows what evil lurks in the hot cement. — Michael Kaplan

Give me hunger,
O you gods that sit and give
The world its orders.
Give me hunger, pain and want,
Shut me out with shame and failure
From your doors of gold and fame,
Give me your shabbiest, weariest hunger!
But leave me a little love,
A voice to speak to me in the day end,
A hand to touch me in the dark room
Breaking the long loneliness. — Carl Sandburg

I should have bailed. That little voice had my back. That little voice is older than I am. It's older than the oldest person who ever lived. I should have listened to that voice. — Rick Yancey

The little boy was looking for his voice.
(The king of the crickets had it.)
In a drop of water
the little boy was looking for his voice.
I do not want it for speaking with;
I will make a ring of it
so that he may wear my silence
on his little finger

In a drop of water
the little boy was looking for his voice.

(The captive voice, far away,
put on a cricket's clothes.)

- The Little Mute Boy
Translated by William S. Merwin — Federico Garcia Lorca

I would prefer," Pat said, his voice a little stiff, as if he expected resistance, "that I be the cosigner on the loan, if you go through with this. I know I'm not a famous billionaire, but I think my credit's just as good."
No, you're wrong about that," Tess said, shaking her head.
What?"
As far as I'm concerned, it's better. I'd much rather do business with you."
They shook on it. It was a deal, after all, not a time for hugging.
Favors, Arnie Vasso had once said. Your father knows all about favors. He had meant it as an insult, a sly reference to the corners the Monaghans and Weinsteins cut here and there. Now Tess saw it for the simple truth it was: Her father understood favors. How to do them, how to accept them, how to walk away when the price was too steep. It was a lesson she wouldn't mind learning someday.
Maybe this was the place to start. — Laura Lippman

I recall the scent of some kind of toilet powder - I believe she stole it from her mother's Spanish maid - a sweetish, lowly, musky perfume. It mingled with her own biscuity odor, and my senses were suddenly filled to the brim; a sudden commotion in a nearby bush prevented them from overflowing - and as we drew away from each other, and with aching veins attended to what was probably a prowling cat, there came from the
house her mother's voice calling her, with a rising frantic note - and Dr. Cooper ponderously limped out into the garden. But that mimosa grove - the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since - until at last, twenty-four years later, I broke her spell by incarnating her in another. — Vladimir Nabokov

This involves more than I can discuss here, but do it. Read the writers of great prose dialogue-people like Robert Stone and Joan Didion. Compression, saying as little as possible, making everything carry much more than is actually said. Conflict. Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet. — Janet Fitch

Erah Graesin had a silky, low voice. It was reputed to be sexy, but then, everything about Terah Graesin was supposed to be sexy. Kylar didn't see it. Oh, she was pretty. She had a wide mouth, full lips, and the kind of figure that was unattainable for the majority of noblewomen who spent their days doing nothing more strenuous than issuing orders to the servants. Maybe it was that she was a little too self-consciously good-looking. She wore lots of makeup - expertly applied and subtle, but lots - and had tweezed her eyebrows down to tiny lines. The truth was, she held herself like he ought to admire her, and it pissed him off. What pissed him off more was that to look her in the eye with his disguise, he had to stare straight at her admittedly perky breasts. Dammit, why were breasts so intriguing? — Brent Weeks

Little in American culture, politics, or business encourages the institutionalization of a collective employee voice. — Nelson Lichtenstein

Wisdom
I who have decided to love mankind
instead of men,

to love life's contradictions,
impossibilities.

I who have grown into a fine old
philosopher, when suddenly

the telephone rings, his voice
prickling the length of my neck.

Or he teases me, calls me
sweet little goose
and my heart careens.

What we love in another
is the life in that person;
that is why we must never
seek to possess him.

sweet little goose — Janice Kulyk Keefer

Ever since I was little, I would just make stories up in my mind. It was based on people I saw in the street or someone I would talk to, or I would hear a specific voice. — Harmony Korine

Folk music usually has an emphasis on the lyrics and melody. And those lyrics are usually relevant in some way. And it's populist in scope, which is also true of Bad Religion. So it's more meant to draw some parallels between the two. And I think even my voice and my delivery can be thought of as a little bit folky. — Greg Graffin