Literature Or Living Quotes & Sayings
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Top Literature Or Living Quotes
A novel works it's magic by putting a reader inside another person's life. The pace is as slow as life. It's as detailed as life. It requires you, the reader, to fill in an outline of words with vivid pictures drawn subconsciously from your own life, so that the story feels more personal than the sets designed by someone else and handed over via TV or movies. Literature duplicates the experience of living in a way that nothing else can, drawing you so fully into another life that you temporarily forget you have one of your own. That is why you read it, and might even sit up in bed till early dawn, throwing your whole tomorrow out of whack, simply to find out what happens to some people who, you know perfectly well, are made up. It's why you might find yourself crying, even if you aren't the crying kind. — Barbara Kingsolver
... But as soon as the dirty snow disappeared from the sidewalks and streets, as soon as the slightly rotten, disquieting spring breeze wafted through the window, Margarita Nikolaevna began to grieve more than in winter. She often wept in secret, a long and bitter weeping. She did not know who it was she loved: a living man or a dead one? And the longer the desperate days went on, the more often, especially at twilight, did the thought come to her that she was bound to a dead man.
She had either to forget him or to die herself. It was impossible to drag on with such a life. Impossible! Forget him, whatever the cost - forget him! But he would not be forgotten, that was the trouble. — Mikhail Bulgakov
If people lived forever - if they never got any older - if they could just go on living in this world, never dying, always healthy - do you think they'd bother to think hard about things, the way were doing now? I mean, we think about its everything, more or less - philosophy, psychology, logic. Religion. Literature. I kinda think, if there were no such t
hing as death, the complicated thoughts and ideas like that would never come into the world. — Haruki Murakami
The past is not another country; it is another life. The texture of daily living is different now than in the past, more different the further back we look, until we find people whose experiences created a psychology we might find baffling or rude. Many details that once made up the daily round are lost to us because people considered them too trivial to write down. Knowing the past means knowing what people carried in their pockets, what they did with their sewage, where their dogs slept. Those details may seem unimportant, but what they convey is not. — Scott Herring
Science is like literature, a continuing dialog among diverse and conflicting voices, no one ever wholly right or wholly wrong, but a steady conversation forever provisional and personal and living. — Gregory Benford
We are not simply intellectual creatures. We wish to make love, to enjoy a gourmet dinner, to jog in the park, to cheer lustily at a ball game, to engage in spirited conversation with our friends, to play bridge or tennis, travel to exotic places, struggle with others to build a better world, and to enjoy the arts. The arts are so vital because they help to make life worth living. Music, poetry, literature, paintings, dance, and the theater are among our richest joys ... The fine arts contribute immeasurably to the good life and that is why we cherish them. — Paul Kurtz
The library was a great sprawling complex with rolls and rolls of paper tucked into many shelves. Between the reading rooms were courtyards with living fountains and singing birds and butterflies that would transform into handsome young women to guide or entertain anyone who stayed there any length of time. I saw one among the stacks, explaining an older style of calligraphy to the newly appointed Heavenly Marine Official of the South China Sea. In another wing, a librarian stepped from her chrysalis for the first time, reciting T'ang Dynasty poetry to the flowers. That's how I knew I was in the right section. — Larissa Lai
It is through hearing stories about wicked stepmothers, lost children, good but misguided kings, wolves that suckle twin boys, youngest sons who receive no inheritance but must make their own way in the world, and eldest sons who waste their inheritance on riotous living and go into exile to live with the swine, that children learn or mislearn both what a child and what a parent is, what the cast of characters may be in the drama into which they have been born and what the ways of the world are. — Alasdair MacIntyre
The other night we talked about literature's elimination of the unessential, so that we are given a concentrated "dose" of life. I said, almost indignantly, "That's the danger of it, it prepares you to live, but at the same time, it exposes you to disappointments because it gives a heightened concept of living, it leaves out the dull or stagnant moments. You, in your books, also have a heightened rhythm, and a sequence of events so packed with excitement that I expected all your life to be delirious, intoxicated."
Literature is an exaggeration, a dramatization, and those who are nourished on it (as I was) are in great danger of trying to approximate an impossible rhythm. Trying to live up to Dostoevskian scenes every day. And between writers there is a straining after extravagance. We incite each other to jazz-up our rhythm. — Anais Nin
Without people coming in to our lives we never evolve, we just remain stagnant. Surely there is more to life than standing still whilst letting it pass you by. What's even worse, is living a life pretending to be someone, or something that you believe others want you to be. — Skye High
The French approach to food is characteristic; they bring to their consideration of the table the same appreciation, respect, intelligence and lively interest that they have for the other arts, for painting, for literature, and for the theatre. We foreigners living in France respect and appreciate this point of view but deplore their too strict observance of a tradition which will not admit the slightest deviation in a seasoning or the suppression of a single ingredient. Restrictions aroused our American ingenuity, we found combinations and replacements which pointed in new directions and created a fresh and absorbing interest in everything pertaining to the kitchen. — Alice B. Toklas
In the course of a life devoted less to living than to reading, I have verified many times that literary intentions and theories are nothing more than stimuli and that the final work usually ignores or even contradicts them. — Jorge Luis Borges
Irma, she said. But I had started to walk away. I heard her say some more things but by then I had yanked my skirt up and was running down the road away from her and begging the wind to obliterate her voice. She wanted to live with me. She missed me. She wanted me to come back home. She wanted to run away. She was yelling all this stuff and I wanted so badly for her to shut up. She was quiet for a second and I stopped running and turned around once to look at her. She was a thimble-sized girl on the road, a speck of a living thing. Her white-blond hair flew around her head like a small fire and it was all I could see because everything else about her blended in with the countryside.
He offered you a what? she yelled.
An espresso! I yelled back. It was like yelling at a shorting wire or a burning bush.
What is it? she said.
Coffee! I yelled.
Irma, can I come and live
I turned around again and began to run. — Miriam Toews
Any man living in complete luxury and security who chooses to write a play or a novel which causes a flutter and exchange of compliments in Chelsea and Chiswick and a faint thrill in Streatham and Surbiton, is described as "daring," though nobody on earth knows what danger it is that he dares. I speak, of course, of terrestrial dangers; or the only sort of dangers he believes in. To be extravagantly flattered by everybody he considers enlightened, and rather feebly rebuked by everybody he considers dated and dead, does not seem so appalling a peril that a man should be stared at as a heroic warrior and militant martyr because he has had the strength to endure it. — G.K. Chesterton
I'm not much of a correspondent. My letters are not only uninteresting but sparse. I'm glad I don?t have to write for a living. It?s arduous work and the money is very uncertain. On those rare occasions when I wander into a bookstore it amazes me to see the avalanche of literature and semi-literature that is turned out weekly in this country. The people who write these things are either desperate for money or love starved. Why should anyone on a nice balmy day lock oneself in an office and hit a typewriter for hours on end. I think one of the greatest pleasures in the world is not writing ... — Groucho Marx
Until then I had thought each book spoke of the things, human or divine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library seemed all the more disturbing to me. It was then the place of a long, centuries-old murmuring, an imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to be ruled by a human mind, a treasure of secrets emanated by many minds, surviving the death of those who had produced them or had been their conveyors. — Umberto Eco
Who else would think to take running notes? With your nose rubbing constantly against the pages of scribbled life, while life, the real McCoy, lifted two fingers at you and went tumbling into the surf with a flock of Tahitian girls. Flowers in their hair and laughter on their lips.
(Crossstitch, in Island of Nothing) — Steven William Lawrie
At a period when Literature was wont to attribute the grief of living exclusively to the mischances of disappointed love or the jealousy of adulterous deceptions, he had said not a word of these childish maladies, but had sounded those more incurable, more poignant and more profound: wounds that are inflicted by satiety, disillusion and contempt in ruined souls tortured by the present, disgusted with the past, terrified and desperate of the future. — Joris-Karl Huysmans
Do books, after all, change anything? For all their proverbial liberalism, have they made the world more liberal? Or have they offered the fig leaf that allows us to go on as we were, liberal in our reading and conservative in our living. Perhaps art is more part of the problem than the solution; we may be going to hell, but look how well we write about it, look at our paintings and operas and tragedies. — Tim Parks
We keep quiet about what we read. Our enjoyment of a book remains a jealously guarded secret. Perhaps because there's no need to talk, or because it takes time to distill what we've read before we can say anything. Silence is our guarantee of intimacy. We might have finished reading but we're still living
the book. — Daniel Pennac
The great works of art and literature have a lot to say on how to tackle the concrete challenges of living, like how to escape the chains of public opinion, how to cope with grief or how to build loving friendships. Instead of organizing classes around academic concepts - 19th-century French literature - more could be organized around the concrete challenges students will face in the first decade after graduation. — David Brooks
A man should begin with his own times. He should become acquainted first of all with the world in which he is living and participating. He should not be afraid of reading too much or too little. He should take his reading as he does his food or his exercise. The good reader will gravitate to the good books. He will discover from his contemporaries what is inspiring or fecundating, or merely enjoyable, in past literature. He should have the pleasure of making these discoveries on his own, in his own way. What has worth, charm, beauty, wisdom, cannot be lost or forgotten. But things can lose all value, all charm and appeal, if one is dragged to them by the scalp. — Henry Miller
Little in his brief life was lost on him; there are premonitions of Nineteen Eighty-Four even in his memoir of schooldays 'Such, Such Were the Joys'. Experiences in the colonies and the BBC can be seen to have furnished raw materials; so indeed can his reading of Evgeny Zamyatin's We and other dystopian literature from the early days of Stalinism. But the transcendent or crystallising moment undoubtedly occurred in Spain, or at any rate in Catalonia. This was where Orwell suffered the premonitory pangs of a man living under a police regime: a police regime ruling in the name of socialism and the people. For a Westerner, at least, this epiphany was a relatively novel thing; it brushed the sleeves of many thoughtful and humane people, who barely allowed it to interrupt their preoccupation with the 'main enemy', fascism. But on Orwell it made a permanent impression. — Christopher Hitchens
Yet Katie held fast to the dream that perhaps there were men in the world who appreciated good women - men capable of loving a woman enough to die for her.
Something had to inspire the heroes in fairy tales and books.
Her Aunt Augusta always said it was only womenfolk's eternal wish for better men that inspired such stories ... but Katie liked to believe that living or, at least, once-living men inspired them. — Marcia Lynn McClure
I am through generalizing about ideas apart from men who generate them. I am through writing books about the dead, or writing books about the living to the unborn (tucked away as Literature) or writing books about the unborn to the living (whiffed away as prophecy). I put up my life on advertising the living to the living, on making men of genius known to the people and interpreted to their time, that the time in which I live, may live face to face with its men of vision and that they may live face to face with one another. — Gerald Stanley Lee
Further expanding the already large class of Foucauldian apparatuses, I shall cal an apparatus literally anything that has in some way the capacity to capture, determine, intercept, model, control , or secure the gestures, behaviors, opinions, or discourses of living beings. Not only, therefore, prisons, madhouses, the panopticon, schools, confession, factories, disciplines, juridical measures, and so forth (whose connection with power is in a certain sense evident), but also the pen, writing, literature, philosophy, agriculture, cigarettes, navigation, computers, cellular telephones and - why not - language itself, which is perhaps the most ancient of apparatuses - one in which thousands and thousands of years ago a primitive inadvertently let himself be captured, probably without realizing the consequences that he was about to face. — Giorgio Agamben
If you're wondering how you'll find time, it means you don't really want to read. Because nobody's ever got time. Children certainly haven't, nor have teenagers or grown-ups. Life always gets in the way.
Time to read is always time stolen.
Stolen from what?
From the tyranny of living." — Daniel Pennac
The reading of great books has been a life-altering activity to me and, for better or worse, brought me singing and language-obsessed to that country where I make my living. Except for teaching, I've had no other ambition in life than to write books that mattered. — Pat Conroy
In classrooms and living rooms across the globe, an agnostic or an atheist may be heard to strenuously argue, 'But the Bible is just a book.' Similar arguments may be raised against other holy books. But they all are too ironic, by half. A book is the Bible. — Gerald Weaver
Post-modern intellectuals have pronounced their historical judgment on America's past, finding it to be morally indefensible. Every great human achievement of the past - whether in philosophy, religion, literature, or the humanities - came to be understood as a kind of exploitation of the powerless. Rather than allowing the past to be viewed in terms of its aspirations and accomplishments, it has been judged by its failures. The living part of the past is understood in terms slavery, racism, and identity politics. Political correctness arose as the practical and necessary means of enforcing this historical judgment. No public defense of past greatness could be allowed to live in the present. Public morality and public policy would come to be understood in terms of the formerly oppressed. — John Marini
This paying attention is the foundational act of empathy, of listening, of seeing, of imagining experiences other than one's own, of getting out of the boundaries of one's own experience. There's a currently popular argument that books help us feel empathy, but if they do so they do it by helping us imagine that we are people we are not. Or to go deeper within ourselves, to be more aware of what it means to be heartbroken, or ill, or six, or ninety-six, or completely lost. Not just versions of our self rendered awesome and eternally justified and always right, living in a world in which other people only exist to help reinforce our magnificence, though those kinds of books and movies exist in abundance to cater to the male imagination. Which is a reminder that literature and art can also help us fail at empathy if it sequesters us in the Big Old Fortress of Magnificent Me. — Rebecca Solnit
He accepted the deformity which had made life so hard for him; he knew that it had warped his character, but no he saw also that by reason of it he had acquired that power of introspection which had given him so much delight. Without it he would never have had his keen appreciation of beauty, his passion for art and literature, and his interest in the varied spectacle of life. [ ... ] Then he saw that normal was the rarest thing in the world. Everyone had some defect of body or of mind [ ... ] The only reasonable thing was to accept the good of men and be patient with their faults. — W. Somerset Maugham
Which is probably one of the reasons those of us who love contemporary fiction love it as we do. We're alone with it. It arrives without references, without credentials we can trust. Givers of prizes (not to mention critics) do the best they can, but they may - they probably will - be scoffed at by their children's children. We, the living readers, whether or not we're members of juries, decide, all on our own, if we suspect ourselves to be in the presence of greatness. We're compelled to let future generations make the more final decisions, which will, in all likelihood, seem to them so clear as to produce a sense of bafflement over what was valued by their ancestors; what was garlanded and paraded, what carried to the temple on the shoulders of the wise. — Michael Cunningham
To endure the pain of living, we all drug ourselves more or less with gin, with literature, with superstitions, with romance, with idealism, political, sentimental, and moral, with every possible preparation of that universal hashish: imagination. — George Bernard Shaw
You always know more than you think you know without being aware of it. You always remember best what has hurt most.
Memory is a reflex of the pain. Knowledge is the memory of the pain combined with the unconsciousness which we 'rationalize' via dreams or by means of reading literature. It is impossible to learn from someone else's experience unless we don't assume this experience as our own's, which we can achieve only by living it anew and from scratch. We can not live our lives at someone else's expense. Only life fraught with dangers and risks and lived as your own's deserves its name. Only selfish people do not live their lives as if they do not belong entirely to them. Cowardice equals a life that you refuse to live at its fullest and at its most dangerous. — Martin Walser
Literature might be called the art of story, and story might in turn be called a universal language, for every culture we know of has a tradition of storytelling. No doubt stories have touched your life, too, from bedtime stories you may have heard as a child to news stories you see on TV or read in a newspaper. We might even say that a major goal of living is to created the story of our own lives, a story we hope to take pleasure and pride in telling. — Andrea A. Lunsford
