Literature For Children Quotes & Sayings

Although I wasn't there to bear witness, I imagine Lot's wife scanned the masses for her children. Perhaps she sought out the curves of their mouths and the shapes of their faces, trying to memorize her children, grown now. She looked back as I and any strong, loving mother would have done. — Brenda Sutton Rose

The qualities that make for excellence in children's literature can be summed up in a single word: imagination. And imagination as it relates to the child is, to my mind, synonymous with fantasy. Contrary to most of the propaganda in books for the young, childhood is only partly a time of innocence. It is, in my opinion, a time of seriousness, bewilderment, and a good deal of suffering. It's also possibly the best of all times. Imagination for the child is the miraculous, freewheeling device he uses to course his way through the problems of every day ... It's through fantasy that children achieve catharsis. — Maurice Sendak

Many of the most popular children's stories have their roots in tales invented for particular children, and this casual, often serendipitous, approach produces a stream of ideas which are later refined into great literature. With Tolkien's shorter stories and poems, I am even more aware of the presence of the author, and his children. There are elements and events that are so strikingly original that they could only arise as a result of observations and conversations ignited by two or more lively minds. — Alan Lee

Her constant orders for beheading are shocking to those modern critics of children's literature who feel that juvenile fiction should be free of all violence and especially violence with Freudian undertones. Even the Oz books of L. Frank Baum, so singularly free of the horrors to be found in Grimm and Andersen, contain many scenes of decapitation. As far as I know, there have been no empirical studies of how children react to such scenes and what harm if any is done to their psyche. My guess is that the normal child finds it all very amusing and is not damaged in the least, but that books like Alice's Adventures in Wonderland and The Wizard of Oz should not be allowed to circulate indiscriminately among adults who are undergoing analysis. — Martin Gardner

It's a sort of patronizing idea that literature for children has to feature role models of exemplary behavior. I think not only is that bogus, but it leads to really boring books. — Mac Barnett

Fairytales teach children that the world is fraught with danger, including life-threatening danger; but by being clever (always), honest (as a rule, but with common-sense exceptions), courteous (especially to the elderly, no matter their apparent social station), and kind (to anyone in obvious need), even a child can succeed where those who seem more qualified have failed.
And this precisely what children most need to hear.
To let them go on believing that the world is safe, that they will be provided for and achieve worthwhile things even if they remain stupid, shirk integrity, despise courtesy, and act only from self-interest, that they ought to rely on those stronger, smarter, and more able to solve their problems, would be the gravest disservice: to them, and to society as a whole.
-On the Supposed Unsuitability of Fairytales for Children — J. Aleksandr Wootton

For the first time in his life, he decided to focus on his math homework. — Greg Pincus

The dying bees, the Antarctic melt, the mountains of old tires, the incessant toxic belch of factories that make Batman bobbleheads for Happy Meals. Off-gassing couches! Cancerous tinned tomatoes! Imprisoned killer whales! Our breastmilk is poisoned. We live absurdedly, ridiculously. OUR BREASTMILK IS POISONED. Try and explain even one sliver of it to a kid, just one angle of a thousand, and you'll see the face of the world's most incredulous and urgent WTF.

We have little to recommend us, and we know it. We shrug.

Rasmus Krook is the Captain of the Griffons. He doesn't shrug. — Kate Inglis

Those of us who write for children are called, not to do something to a child, but be someone for a child. — Katherine Paterson

Sunny was a treat to read. It is most appealing as the story is very well done and the artwork is beautiful. I applaud the author for writing a book to meet the needs of very young children as well as children of elementary school age. I experienced many different feelings as I read the book and I know otehrs will experience the same thing. The guide to further discussion at the end of teh book will be most helpful as foster parents read this story to the children in their care. — Theresa MacInnis Schimmel

I had been reading children's books all my life and saw them not as minor amusements but as part of the whole literary mainstream; not as "juveniles" or "kiddie lit," one of the most demeaning terms in the scholastic jargon.
My belief was, and is, that the child's book is a unique and valid art form; a means of dealing with things which cannot be dealt with quite as well in any other way. There is, I'm convinced, no inner, qualitative difference between writing for adults and writing for children. The raw materials are the same for both: the human condition and our response to it. — Lloyd Alexander

I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far. — J.K. Rowling

Our nation was born in genocide when it embraced the doctrine that the original American, the Indian, was an inferior race. Even before there were large numbers of Negroes on our shore, the scar of racial hatred had already disfigured colonial society. From the sixteenth century forward, blood flowed in battles over racial supremacy. We are perhaps the only nation which tried as a matter of national policy to wipe out its indigenous population. Moreover, we elevated that tragic experience into a noble crusade. Indeed, even today we have not permitted ourselves to reject or feel remorse for this shameful episode. Our literature, our films, our drama, our folklore all exalt it. Our children are still taught to respect the violence which reduced a red-skinned people of an earlier culture into a few fragmented groups herded into impoverished reservations. — Martin Luther King Jr.

Those who can afford private schooling need not worry about their children being deprived of art, music and literature in the classroom: they are more sheltered, for now, from the doctrine of efficiency that has been radically refashioning the public school curriculum. — Azar Nafisi

Of course all children's literature is not fantastic, so all fantastic books need not be children's books. It is still possible, even in an age so ferociously anti-romantic as our own, to write fantastic stories for adults: though you will usually need to have made a name in some more fashionable kind of literature before anyone will publish them. — C.S. Lewis

The work of one author or artist may stimulate another author or artist to push the edge, to take the risk, to go where the field hasn't gone before. The result -very exciting children's literature and art ... exciting both for the professional and for the intended audience, the children. — Karen Hesse

A child without an acquaintance of some kind with a classic of literature ... suffers from that impoverishment for the rest of his life. No later intimacy is like that of the first. — Lizette Woodworth Reese

Generally speaking, all true children's stories make promises to their readers. Here you are, they say, unhandy and short, and there is a big world that one day will be yours. Listen to how it happened for Cinderella once upon a time, and Jack with his beanstalk, and Aladdin with his lamp. — John Goldthwaite

I'm not terribly conversant with children's literature in general. I tend to read books for adults, being an adult. — Lois Lowry

I left a note for my mother. I always leave a note for my mother when I am on a case. — Marjorie Weinman Sharmat

Regarding children's literature, look for interesting content and well-constructed sentences clothed in literary language. The imagination should be warmed and the book should hold the interest of the child. Life's too short to spend time with books that bore us. — Deborah Taylor-Hough

Childhood is the time and children's books are the place for powerful emotions, powerful language, powerful art ... There is no room for cutesy books, dull books, or books that talk down. Children are not inferior. They may be small in stature but not in what they feel, think, listen, and see. — Betsy Hearne

I think any good literature, whether it's for children or for adults, will appeal to everybody. As far as children's literature goes, adults should be able to read it and enjoy it as much as a child would. — Amber Benson

To those of you who study history, economics, sociology, literature and language I present the challenge of the utilization of the enormous resources in our grasp to the problem of creating a genuinely good life for yourselves and your children. — Polykarp Kusch

What I can say is that it was clear to many of us that an indigenous African literary renaissance was overdue. A major objective was to challenge stereotypes, myths, and the image of ourselves and our continent, and to recast them through stories- prose, poetry, essays, and books for our children. That was my overall goal. — Chinua Achebe

If children haven't been read to, they don't love books. They need to love books, for books are the basis of literature, composition, history, world events, vocabulary, and everything else. — Edith Schaeffer

I have a real issue with anyone trying to protect children from their own imaginations. If we cannot acknowledge that a lot of us have a bit of darkness within ourselves, some more than others perhaps, and bring it into the light and examine it and talk about this part of the human condition, then I think we will be living in quite a dangerous climate. I think that's much more damaging for children. — J.K. Rowling

family structure that produces the best outcomes for children, on average, are two biological parents who remain married. Divorced parents produce the next-best outcomes. Whether the parents remarry or remain single while the children are growing up makes little difference. Never-married women produce the worst outcomes. All of these statements apply after controlling for the family's socioeconomic status.14 I know of no other set of important findings that are as broadly accepted by social scientists who follow the technical literature, liberal as well as conservative, and yet are so resolutely ignored by network news programs, editorial writers for the major newspapers, and politicians of both major political parties. In — Charles Murray

Fairies have to be one thing or the other, because being so small they unfortunately have room for one feeling only at a time. — J.M. Barrie

The best part of being a nanny, Katya thought, was reading children's books aloud to enraptured children like Tricia, for no one had read such books aloud to her when she'd been a little girl. There hadn't been such books in the Spivak household on County Line Road, nor would there have been any time for such interludes. — Joyce Carol Oates

Our most fundamental social need, it turns out, to my amazement, is love. Now, I'm not a hippie-dippie whatever. If you look at the literature, our most fundamental need for children is an environment of maximum love, and that they can be hugged, kissed, and loved. That's what humanises us and allows us to realise our whole dimension. — David Suzuki

The most depressing part is that relationship instability, like home chaos, is a vicious cycle. As sociologists Paula Fornby and Andrew Cherlin found, a "growing body of literature suggests that children who experience multiple transitions in family structure may fare worse developmentally than children raised in stable two-parent families and perhaps even than children raised in stable, single-parent families." For — J.D. Vance

Children's reading and children's thinking are the rock-bottom base upon which this country will rise. Or not rise. In these days of tension and confusion, writers are beginning to realize that books for children have a greater potential for good or evil than any other form of literature on earth. — Dr. Seuss

Beautiful features, always immaculately dressed, the kind of woman that makes a great impression. Their hair is always nicely curled. They major in French literature at expensive private women's colleges, and after graduation find jobs as receptionists or secretaries. They work for a few years, visit Paris for shopping once a year with their girlfriends. They finally catch the eye of a promising young man in the company, or else are formally introduced to one, and quit work to get married. They then devote themselves to getting their children into famous private schools. As he sat there, Tsukuru pondered the kind of lives they led. — Haruki Murakami

I have a passion for children's literature. Young adult literature. I love it. I've always loved it. — Gretchen Rubin

The disobedient child is continuously condemned. The obedient child is, on the other hand, continuously praised. But have you heard of any obedient child having become world-famous in any dimension of creativity? Have you heard of any obedient child who has attained the Nobel prize for anything - literature, peace, science? The obedient child becomes just the common crowd. All that is added to existence is added by the disobedient. — Rajneesh

We create our work for children not because they're "cute," but because they're human beings, deserving of respect. — Mo Willems

The world belongs primarily to the dead, and we only rent it from them for a little while. They created it, they wrote its literature and its songs, and they are deeply invested in how children are treated, because the children are the ones who will keep it going. The idea that each of us has the right to change everything is a deep insult to them. — Robert Bly

Turkish Delight
Turkish delight has had a bad reputation since that man C.S.Lewis - a positive genius in other ways - linked it for ever with one of the most terrifying creations in literature, the White Witch of Narnia, and that naughty, sticky, traitorous Edmund. But with the sensuous pleasure imbued in its melting, gelatinous texture, and, when made in the proper way, delicately perfumed with rose petals, flavoured with oils and dusted with sugar, it reclaims its power as a sweet as seductive as Arabian nights. The fact that it now carries with it a whiff of danger merely adds to its pleasure. It is not, truly, a sweet for children. They simply complain, and get the almonds stuck up their noses, — Jenny Colgan

For a long time I found the celebrities of modern painting and poetry ridiculous. I loved absurd pictures, fanlights, stage scenery, mountebanks backcloths, inn-signs, cheap colored prints; unfashionable literature, church Latin, pornographic books badly spelt, grandmothers novels, fairy stories, little books for children, old operas, empty refrains, simple rhythms. — Arthur Rimbaud

If I had had a daughter, I always knew what I would tell her. First of all, I would try to counter all outdated stereotypical claptrap that girls are commonly told about their sex--that women are valued far more for their sexual characteristics than their character and brains--and encourage her to be a truly independent person. Only knowing who she is herself will she be able to find find her own life's work and make good decisions in choosing a partner and having children. — Doris Anderson

I have a passion for ballad ... They are the gypsy children of song, born under green hedgerows in the leafy lanes and bypaths of literature,
in the genial Summertime. — Henry Wadsworth Longfellow

The thing that is maybe the real difference, the fundamental difference, is that in adult literature you can have a literature of despair and end the work without any hope; you can have a literature of the absurd in which life is pointless, meaningless ... In children's literature you can have a tragic ending ... nevertheless, maybe what happens makes some kind of sense; maybe there is hope. We have got to pull out of ourselves some kind of hope. This is the key difference between writing for adults and children. — Lloyd Alexander

There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book. In adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness ... The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do. We need stories so much that we're even willing to read bad books to get them, if the good books won't supply them. We all need stories, but children are more frank about it. — Philip Pullman

And after the briefest flowering of understanding, my own generation had grown complacent. At some level, we must have started taking it for granted that the way the universe worked was now obvious to any child ... even though it went against everything innate to the species: the wild, undisciplined love of patterns, the craving to extract meaning and comfort from everything in sight.
We thought we were passing on everything that mattered to our children: science, history, literature,
art. Vast libraries of information lay at their fingertips. But we hadn't fought hard enough to pass on
the hardest-won truth of all: Morality comes only from within. Meaning comes only from within. Outside our own skulls, the universe is indifferent. — Greg Egan

'Harry Potter' opened so many doors for young adult literature. It really did convince the publishing industry that writing for children was a viable enterprise. And it also convinced a lot of people that kids will read if we give them books that they care about and love. — Rick Riordan

She wasn't all that interested, as a reader, in the reader. She was still partial to that increasingly eclipsed entity: the writer. Madeleine had a feeling that most semiotic theorists had been unpopular as children, often bullied or overlooked, and so had directed their lingering rage onto literature. They wanted to demote the author. They wanted a book, that hard-won, transcendent thing, to be a text, contingent, indeterminate, and open for suggestions. They wanted the reader to be the main thing. Because they were readers.
Whereas Madeleine was perfectly happy with the idea of genius. She wanted a book to take her places she couldn't get to herself. She thought a writer should work harder writing a book than she did reading it. — Jeffrey Eugenides

How many people today live in a language that is not their own? Or no longer, or not yet, even know their own and know poorly the major language that they are forced to serve? This is the problem of immigrants, and especially of their children, the problem of minorities, the problem of a minor literature but also a problem for all of us: how to tear a minor literature away from its own language, allowing it to challenge the language and making it follow a sober revolutionary path? How to become a nomad and an immigrant and a gypsy in relation to one's own language? Kafka answers: steal the baby from its crib, walk the tight rope. — Gilles Deleuze

They came generally from people writing theses on fantasy or on the Dark Is Rising books. They were full of questions I'd never thought about and false assumptions that I didn't want to think about. They would ask me in great detail for, say, the specific local and mythical derivations of my Greenwitch, a leaf-figure thrown over a Cornish cliff as a fertility sacrifice, and I would have to write back and say, "I'm terribly sorry; I made it all up." They told me I echoed Hassidic myth, which I hadn't read, and the Mormon suprastructure, which I'd never even heard of. They saw symbols and buried meanings and allegories everywhere. I'd thought I was making a clear soup, but for them it was a thick mysterious stew.

from "In Defense of the the Artist" in Signposts to Criticism of Children's Literature (1983) — Susan Cooper

Writing for children can be completely honest in non-cynical ways. In adult books you're required to be cynical. It embarrasses us to say positive things. You can have affection and hope in children's books, but that is out of fashion in adult fiction. — Lloyd Alexander

More than this, I believe that the only lastingly important form of writing is writing for children. It is writing that is carried in the reader's heart for a lifetime; it is writing that speaks to the future. — Sonya Hartnett

I wish that the adults who are 'in power' cared more about what their children read. Books are incredibly powerful when we are young - the books I read as a child have stayed with me my entire life - and yet, the people who write about books, for the most part, completely ignore children's literature. — Gabrielle Zevin

Children are particularly literary, for they say what they feel not what someone has taught them to feel. — Fernando Pessoa

Do you know why teachers use me? Because I speak in tongues. I write metaphors. Every one of my stories is a metaphor you can remember. The great religions are all metaphor. We appreciate things like Daniel and the lion's den, and the Tower of Babel. People remember these metaphors because they are so vivid you can't get free of them and that's what kids like in school. They read about rocket ships and encounters in space, tales of dinosaurs. All my life I've been running through the fields and picking up bright objects. I turn one over and say, Yeah, there's a story. And that's what kids like. Today, my stories are in a thousand anthologies. And I'm in good company. The other writers are quite often dead people who wrote in metaphors: Edgar Allan Poe, Herman Melville, Washington Irving, Nathaniel Hawthorne. All these people wrote for children. They may have pretended not to, but they did. — Ray Bradbury

Taking the alphabet first and learning one letter a year for twenty-six years he will be able to read and write as early in life as he ought to. If we were more careful not to teach our children to read in their childhood we should not be so anxious about the effects of pernicious literature upon their adolescent morals. — John Kendrick Bangs

Who can think of Larkin now without considering his fondness for the buttocks of schoolgirls and paranoid hatred of blacks ... Or Eric Gill's copulations with more or less every member of his family, including the dog? Proust had rats tortured, and donated his family furniture to brothels; Dickens walled up his wife and kept her from her children; Lillian Hellman lied. While Sartre lived with his mother, Simone de Beauvoir pimped babes for him; he envied Camus, before trashing him. John Cheever loitered in toilets, nostrils aflare, before returning to his wife. P.G. Wodehouse made broadcasts for the Nazis; Mailer stabbed his second wife. Two of Ted Hughes's lovers had killed themselves. And as for Styron, Salinger, Saroyan ... Literature was a killing field; no decent person had ever picked up a pen. — Hanif Kureishi

Anything can become a children's book if you give it to a child ... Children are actually the best (and worst) audience for literature because they have no patience with pretence. — Orson Scott Card

The great subversive works of children's literature suggest that there are other views of human life besides those of the shopping mall and the corporation. They mock current assumptions and express the imaginative, unconventional, noncommercial view of the world in its simplest and purest form. They appeal to the imaginative, questioning, rebellious child within all of us, renew our instinctive energy, and act as a force for change. This is why such literature is worthy of our attention and will endure long after more conventional tales have been forgotten. — Alison Lurie

Misery is when you always seem to be getting dressed in black to go to a funeral.
Misery is when you get there and realize that the person who is dead is another close friend.
Misery is when you look around and all your friends are crying.
Misery is when you hear them say they'll try to stop and stay away from this stuff.
Misery is when the next day you see them stocking up in White Clay for a party soon to come.
Misery is whenyou hear the sirens, and you have to sit and wonder whose funeral you'll be attending for the next few days.
Misery is when you realize they'll never stop,
and you'll always be choosing black clothing for the next day.

(Kayla Matthews, student) — Timothy P. McLaughlin

There is a very big difference between writing for children and writing for young adults. The first thing I would say is that 'Young Adult' does not mean 'Older Children', it really does mean young but adult, and the category should be seen as a subset of adult literature, not of children's books. — Garth Nix

What about you?" I ask her. "What do you think I should read next?" She takes my hand and leads me to the children's section. She looks around for a second, then heads over to a display at the front. I see a certain green book sitting there and panic. "No! Not that one!" I say. But she isn't reaching for the green book. She's reaching for Harold and the Purple Crayon. "What could you possibly have against Harold and the Purple Crayon?" she asks. "I'm sorry. I thought you were heading for The Giving Tree." Rhiannon looks at me like I'm an insane duck. "I absolutely HATE The Giving Tree." I am so relieved. "Thank goodness. That would've been the end of us, had that been your favorite book." "Here - take my arms! Take my legs!" "Take my head! Take my shoulders!" "Because that's what love's about!" "That kid is, like, the jerk of the century," I say, relieved that Rhiannon will know what I mean. "The biggest jerk in the history of all literature, — David Levithan

One of my pet irritations today is the whole idea that the great interest and upsurge in books about black life has just come along. 1937 and 1938 were the years when the interest in this whole subject was born.

from "Guidelines for Black Books: An Open Letter to Juvenile Editors" (1969) in Children and Literature (1973) — Augusta Baker

When last I checked, you were a sorcerer, not a Jedi."
"You've seen Star Wars?"
"Seen it and denounced it."
"You've denounced Star Wars?"
She looked me straight in the eye and said, "Hollywood should not glorify witches."
"I think you've missed the point ... "
"I also denounce Harry Potter."
"Really?"
"Yes."
"Because ... "
" ... because literature, especially children's literature, should not glorify witches."
"Oda, what do you do for fun?"
She thought about it, then said, without a jot of humor, "I denounce things. — Kate Griffin

Instead he thinks up the worst ending imaginable: Hemingway has Catherine die from
hemorrhaging after their child is stillborn. It is the most torturous ending I have ever
experienced and probably will ever experience in literature, movies, or even television.
I am crying so hard at the end, partly for the characters, yes, but also because Nikki
actually teaches this book to children. I cannot imagine why anyone would want to
expose impressionable teenagers to such a horrible ending. Why not just tell high school
students that their struggle to improve themselves is all for nothing? — Matthew Quick

Winner of the "Booker of Bookers," Midnight's Children is the novel that can be said to have done for Indian literature what One Hundred Years of Solitude did for the literature of the Americas, exciting a boom whose echoes have yet to fade. — Salman Rushdie

Every time you open a book for the first time, there is something akin to safe-breaking about it. Yes, that's exactly it: the frantic reader is like a burglar who has spent hours digging a tunnel to enter the strongroom of a bank. He emerges face to face with hundreds of strongboxes, all identical, and opens them one by one. And each time a box is opened, it loses its anonymity and becomes unique: one is filled with paintings, another with a bundle of banknotes, a third with jewels or letters tied in ribbon, engravings, objects of no value at all, silverware, photos, gold sovereigns, dried flowers, files of paper, crystal glasses, or children's toys
and so on. There is something intoxicating about opening a new one, finding its contents and feeling overjoyed that in a trice one is no longer in front of a set of boxes, but in the presence of the riches and wretched banalities that make up human existence. — Jacques Bonnet

While they read these stories, moreover - and this is a comforting thought for those who believe that the best way for anyone to become a lover of real literature is to be exposed to it early and often - boys and girls are not only gratifying their love for a
stirring tale, they are making the acquaintance of the great story-tellers of the past, taking them into their lives as companions. This early contact gives children an experience which will keep their horizon in after life from being entirely circumscribed by the mediocre and ephemeral. If a boy has sailed the wine dark Aegean, or climbed a height whence he could watch Roland's last heroic stand in the Pass of Roncevaux, some gleam remains, and there is far less likelihood that his adult reading will be entirely commonplace. — Anne Thaxter Eaton

The main vehicle for nineteenth-century socialization was the leading textbook used in elementary school. They were so widely used that sections in them became part of the national language. Theodore Roosevelt, scion of an elite New York family, schooled by private tutors, had been raised on the same textbooks as the children of Ohio farmers, Chicago tradesman, and New England fishermen. If you want to know what constituted being a good American from the mid-nineteenth century to World War I, spend a few hours browsing through the sections in the McGuffey Readers. — Charles Murray

Listen, I traipse no I run no I sprint--a fat, impotent ghoul sprung straight from the cellar of my childhood home--past the pregnant girl with five skeletal children and the nun and the synagogue with its windows stoned through and I'm headed directly for my daughter, Sylvia, at her school where she's stationed with classmates of wannabe punks and black boys with their heads shaved and every one of them, apes, gushing out their hormones as I sprint to the edge of the Earth where Sylvia studies the canon of our national literature that I'm desperately trying to forget. — Leland Pitts-Gonzalez

In our time, when the literature for adults is deteriorating, good books for children are the only hope, the only refuge. — Isaac Bashevis Singer

Science fiction is held in low regard as a branch of literature, and perhaps it deserves this critical contempt. But if we view it as a kind of sociology of the future, rather than as literature, science fiction has immense value as a mind-stretching force for the creation of the habit of anticipation. Our children should be studying Arthur C. Clarke, William Tenn, Robert Heinlein, Ray Bradbury and Robert Sheckley, not because these writers can tell them about rocket ships and time machines but, more important, because they can lead young minds through an imaginative exploration of the jungle of political, social, psychological, and ethical issues that will confront these children as adults. — Alvin Toffler

Art is a form of exploration, of sailing off into the unknown alone, heading for those unmarked places on the map. If children are not permitted-not taught-to be adventurers and explorers as children, what will become of the world of adventure, of stories, of literature itself? — Michael Chabon

You must return to the fairy cave while children sleep. Fairies only exist if children believe in Fairyland. If you return after they wake from their dreams, you could remain frozen between two worlds for all eternity. — Caz Greenham

On the level of high art, in their common efforts to express human truths, relationships, attitudes, and personal visions, children's literature and adult literature meet and sometimes merge, and we wonder then whether a given work is truly for children or truly for grown-ups. The answer, of course, is: for both. — Lloyd Alexander

Children's literature is considerably more functional than a good portion of adult literature. If I were cynical, I might say: Children's books are written to be read; adult books are written to be talked about at cocktail parties.
There may be more truth that cynicism in that statement. My impression is that many adult books are written only to shock the reader (a short term goal, since shock quickly turns into boredom) or as calisthenics for the author's ego.
On the other hand, children's literature seems an area where books function as they were meant to; where they amaze, delight, and move our emotions. We can respect and admire any number of current adult books, but I find it hard to love them. — Lloyd Alexander

You've seen Star Wars?'
'Seen it and denounced it.'
'You've denounced Star Wars?'
She looked me straight in the eye and said, 'Hollywood should not glorify witches.'
'I think you've missed the point ... '
'I also denounced Harry Potter.'
'Really?'
'Yes.'
'Because ... '
' ... because literature, especially children's literature, should not glorify witches.'
'Oda, what do you do for fun?'
She thought about it, then said, without a jot of humour, 'I denounce things. — Kate Griffin

None of the seven is really good, for the excellent reason that Australian children never are. — Ethel Turner

Max was fascinated by the woman and more than a little curious about what she might be up to. Sarah Johnson had come from a two-parent, affluent home with a squeaky-clean past. She'd been the golden girl, high school cheerleader, valedictorian and had apparently glided through college without making a ripple, coming out with a bachelor of arts degree in literature. She'd married well, had six children and then one winter night, for some unknown reason, she'd driven her car into the Yellowstone River. Her body was never found. Because there were no skid marks on the highway, it had looked like a suicide. Foul play had never been suspected.
That was twenty-two years ago. Now she was back - with no memory of those years or why she'd apparently tried to take her own life.
Max wanted this story more than he wanted a hot cup of coffee this morning. — B. J. Daniels

Fairytales are healthy for the children. As they grow up, the magical thinking wears off, but the fairytale-induced creative brain circuits stay forever. — Abhijit Naskar

Of all the unexpected things in contemporary literature, this is among the oddest: that kids have an inordinate appetite for very long, very tricky, very strange books about places that don't exist. — Adam Gopnik

Real literature is something much better than a harmless instrument for getting through idle hours. The purpose of great literature is to help us to develop into full human beings. — Russell Kirk

The two sexes are different to the core, and each is necessary - culturally and biologically - for the optimal development of a human being."12 In a summary of the relevant science, University of Virginia sociologist W. Bradford Wilcox finds much the same: Let me now conclude our review of the social scientific literature on sex and parenting by spelling out what should be obvious to all. The best psychological, sociological, and biological research to date now suggests that - on average - men and women bring different gifts to the parenting enterprise, that children benefit from having parents with distinct parenting styles, and that family breakdown poses a serious threat to children and to the societies in which they live.13 — Sherif Girgis

Humor is the oxygen of children's literature. There's a lot of competition for children's time, but even kids who hate to read want to read a funny book. — Sid Fleischman

Themes that are "too large for adult fiction can only be dealt with adequately in a children's book" - Philip Pullman
(Hunt and Lenz, 2001, p. 122 as cited by Hunt, 2005, p. 204) — Philip Pullman

The Grimm collections were never intended for children. Not because kids were excluded, but because the division we make today of children's literature didn't exist then. The idea of protecting children from tales with violence didn't occur until the earlier part of the 19th century. — Jack Zipes

It was not really Saturday night, at least it may have been, for they had long lost count of the days; but always if they wanted to do anything special they said this was Saturday night, and then they did it. — J.M. Barrie

Come, my child," I said, trying to lead her away. "Wish good-bye to the poor hare, and come and look for blackberries."
"Good-bye, poor hare!" Sylvie obediently repeated, looking over her shoulder at it as we turned away. And then, all in a moment, her self-command gave way. Pulling her hand out of mine, she ran back to where the dead hare was lying, and flung herself down at its side in such an agony of grief as I could hardly have believed possible in so young a child.
"Oh, my darling, my darling!" she moaned, over and over again. "And God meant your life to be so beautiful! — Lewis Carroll

It was all beginning to run together in the back of Eleanor's mind, and the things that had probably really happened were confused with the things that probably hadn't. And every day everything in her whole past life - the real things and the imaginary things - was being pushed farther and farther back, because going to high school was so enormous, so vast! so different from all of Eleanor's life before. The milling crowds in the hall between classes, all those jostling elbows and swollen shoulders and bosoms, all those enormous hands and feet, they pushed and thumped and shoved at Eleanor's childhood, until there was no room anymore for anything but now, right now, a hurrying rushing now that was just incredibly thrilling, or absolutely rotten and just disgusting, this heaving present moment, right now. — Jane Langton

You know, Dorothy, you can't let people bring you down so easily or you'll have your nose in the dirt for the rest of your life. From what I make of it, for every person with a good thought, there are about fifty who'd try to spoil it. We have to guard our good ideas, our happy thoughts, and fight for them. Because if we let those others snuff them out, well, we didn't after all deserve them. — J.M. Lavallee

Kid's books should be just as good as any other books. No. They should be held to a *higher* standard than other literature for the same reason that we take extra care with children's food. — Patrick Rothfuss

If it's not good enough for adults, it's not good enough for children. If a book that is going to be marketed for children does not interest me, a grownup, then I am dishonoring the children for whom the book is intended, and I am dishonoring books. And words. — Madeleine L'Engle

The other thing about the Nights is that it is quite racist. One parentheses is that I think this is one of the negative things that appeal to people, that The Arabian Nights could be used as a disguise for racism. It suited the West. You could smuggle racism into children's literature, you see. The African magician in the story of Aladdin, he's labeled explicitly as the "African Magician." He's not a character but a stereotype, and a lot of this got into nursery literature in this Oriental disguise. — Marina Warner

Indian misery is when somebody takes your land.
Indian misery is when somebody kills your friends.
Indian misery is when your people turn against you.
Indian misery is being slaves to people.
Indian misery is being locked up in jail.
Indian misery is people killing your food for money.
Indian misery is fighting. Indian misery is no peace.
Indian misery is when you get killed. Indian misery is if you lose the fight.

(Andrew Herman, student) — Timothy P. McLaughlin

To write for children at all is an act of faith. — Madeleine L'Engle

The solution which I am urging is to eradicate the fatal disconnection of subjects which kills the vitality of our modern curriculum. There is only one subject-matter for education, and that is LIfe in all its manifestations. Instead of this single unity, we offer children
Algebra, from which nothing follows; Geometry, from which nothing follows; Science, from which nothing follows; History, from which nothing follows; a Couple of Languages, never mastered; and lastly, most dreary of all, Literature, represented by plays of Shakespeare, with philological notes and short analyses of plot and character to be in substance committed to memory. Can such a list be said to represent Life, as it is known in the midst of living it? The best that can be said of it is, that it is a rapid table of contents which a deity might run over in his mind while he was thinking of creating a world, and has not yet determined how to put it together — Alfred North Whitehead

No one spoke in terms of children's literature, as opposed to adult literature, until around the 1940s. It wasn't categorised much before then. Even Grimm's tales were written for adults. But it is true that ever since 'Harry Potter' there has been a renaissance in fantasy literature. J. K. Rowling opened the door again. — Rick Riordan

Playdate. (n) A Date arranged by adults in which young children are brought together, usually at the home of one of them, for the premeditated purpose of "playing". A feature of contemporary American upscale suburban life in which "neighborhoods" have ceased to exist, and children no longer trail in and out of "neighbor childrens" houses or play in "backyards". In the absence of sidewalks in newer "gated" coummunities, children cannot "walk" to playdates but must be driven by adults, usually mothers. A "playdate" is never initiated by the players (i.e., children), but only by their mothers.
In American-suburban social climbing through playdating, this is the chapter you've been awaiting. — Joyce Carol Oates

Reading to younger children has come to be more or less an accepted thing, but reading to older children or to a family group is done less today with all the other attractions taking the time. Reading to a group provides a unity, a cohesion, that is wonderful. It is common bond of interest. It brings up plenty of things for family talk and discussion. A child who has been read to shows results in his speech and wider experience with languages. And definitely, if the reading is of good books, it is the beginning of good taste in literature. — Phyllis R. Fenner

The clerical work is par for the course. "Keep on file in numerical order" means throw in wastebasket. You'll soon learn the language. "Let it be a challenge to you" means you're stuck with it; "interpersonal relationships" is a fight between kids; "ancillary civic agencies for supportive discipline" means call the cops; "Language Arts Dept." is the English office; "literature based on child's reading level and experiential background" means that's all they've got in the Book Room; "non-academic-minded" is a delinquent; and "It has come to my attention" means you're in trouble. — Bel Kaufman

If you write a kid's book only for kids, then you have failed. — Don Roff