Quotes & Sayings About Literature And Identity

[Northrop] Frye was concerned mostly with literary criticism, and myths interested him as structural elements in works of literature. He used the word myth to mean story, without attaching any connotation of truth or falsehood to it; but a myth is a story of a certain kind. The myths of a culture are those stories it takes seriously - the ones that are thought to be a key to its identity. — Margaret Atwood

I hate to see great works of literature ghettoized, whereas others that conform to the rules, conventions, and procedures of the genre we call literary fiction get accorded greater esteem and privilege. I also have a problem with how books are marketed, with certain cover designs and typefaces. They're often stamped with an identity that has nothing to do with their effect on the reader. — Michael Chabon

Literature is that neuter, that composite, that oblique into which every subject escapes, the trap where all identity is lost, beginning with the very identity of the body that writes. — Roland Barthes

Faced with the numbering logic of neoliberal regimes, literature offers an intervention in order to consider identity and voice, to consider representation in both the political and artistic sense of the term... [Literature and art] cultivate tension between an unresolved past and present, between invisibility and exposure, showing the dualities of face and mask that leave their trace on identitarian struggles today. — Francine Masiello

Why is it that, in creative writing courses today, the very first thing we teach students is write what you know? Perhaps that's not the right way to start at all. Imaginative literature is not necessarily about writing who we are or what we know or what our identity is about. We should teach young people and ourselves to expand our hearts and write what we can feel. We should get out of our cultural ghetto and go visit the next one and the next. — Elif Shafak

Occasionally, noticing an exact identity of thought between what I felt but could not articulate and the clearly expressed idea of a writer, I was so carried away by emotion that, dropping the book, I would stand up and pace the room for a while to compose myself before continuing to read. In this way my mind was moulded by degrees as much by my own inborn ideas about the nature of things, developed by the exercise of reason in the healthy atmosphere of literature, as by the influence of the great thinkers whose ideas I imbibed from their works. — Gopi Krishna

Listening to music, reading literature, writing, and extended periods of personal introspection provide four prongs of the incitements available to form a conscious and subconscious designation of self. Other potential incentives that contribute to self-identity include religion and cultural events as well as painting, sculpture, dance, films, newspapers, television, Internet surfing, web sites, and online message boards. — Kilroy J. Oldster

To many writers and thinkers, though not to all, another text is, or can be, the most naked and charged of life-forces ... The concept of allusion or analogue is totally inadequate. To Dante these other texts are the organic context of identity. They are as directly about life as life is about them. — George Steiner

I want to
peel away all the labels
I had once given to others
and place them
upon the fabric
of my own identity.

They have reflected back to me,
everything that I refuse
to See in myself. — Meraaqi

I didn't read much SF as a kid - I was a total Tolkien geek - but I started reading Samuel Delany and Angela Carter and Ursula LeGuin in high school, and I was definitely taken with the notion that here was a literature that could explore various notions of gender identity and how it affects the culture at large. — Elizabeth Hand

The traveler from Europe edges into it like a tiny Jonah entering an inconceivably large whale, slipping past the straits of Belle Isle into the Gulf of St. Lawrence, where five Canadian provinces surround him, for the most part invisible. Then he goes up the St. Lawrence and the inhabited country comes into view, mainly a French-speaking country with its own cultural traditions. To enter the United States is a matter of crossing an ocean; to enter Canada is a matter of being silently swallowed by an alien continent. — Northrop Frye

Literature is one of the few areas left where black and white feel some identity of purpose; we all struggle under censorship. — Nadine Gordimer

clinical literature is virtually unanimous that full MPD [Multiple Personality Disorder] cannot be created iatrogenically. There is no evidence that such a case has been demonstrated; clinicians of widely different orientations have studied the available information and arrived at similar conclusions (e.g., Braun, 1984; Gruenewald, 1984; Kernberg, in press; Kluft, 1982; Putnam, 1989). Nonetheless, most of these observers have noted that many of the phenomena of MPD can be created quite readily, and that phenomena with striking superficial resemblance to MPD can be generated with relatively little effort. In fact, I noted in passing (Kluft, 1986a) that I had replicated the interventions of Harriman (1942,1943), Leavitt (1947), and Kampman (1976), and found the resultant phenomena clearly distinguishable from clinical MPD.
(from Kluft, R. P. (1989). Dissociation: Vol. 2, No. 2, p. 083-091: Iatrongenic creation of new alter personalities) — Richard P. Kluft

This story of loss and regaining of identity is, I think, the framework of all literature. — Northrop Frye

Our sexual fantasies are often redundant and intense, like many other ideas involving ourselves. Most people approach sexuality limited to the idea that they should imitate other people, art (e.g., romantic literature) or movies (e.g., pornography). In this way, vicarious events and even fictions become a point of reference that we can actually feel. We judge actual people in our real lives against fictional events and unrealistic concepts. As such, real lovers seem inferior as a result. — Todd Vickers

To recount modern life one has to have characters with iPads and smart phones who take trains and planes, and to be aware how this alters consciousness, identity, and the kind of experiences people have. They are constantly exposed to contact from everyone they know and many they don't. — Tim Parks

It is characteristic of all extension systems to be treated as distinct and separate from the user and to take on an identity of their own. Religions, philosophies, literature, and art illustrate this. After a time, the extended system accretes to itself a past and a history as well as a body of knowledge and skills that can be learned. Such systems can be studied and appreciated as entities in themselves. — Edward T. Hall

If arts and music, precious gifts in themselves, were akin to memory, literature was the self-knowing of the species; the human mind accumulated, a manifest of wisdom and knowledge, self-doubt and awareness, folly and foible, all transmitted through the generations. Books amplified the light of mind, reinforced the soul. — Mark Cantrell

All third world literature is about nation, that identity is the fundamental literary problem in the third world. The writer's identity is insecure because the nation's identity is not secure. The nation doesn't provide the third world writer with a secure identity, because the nation is colonized, it's oppressed, it's part of somebody else's empire. — Mark McMorris

I am constantly torn between the will to be seen and still hidden so god damn well,
a contradiction I never figured out. — Charlotte Eriksson

We build this country ourselves every day and we have to be, in the most positive sense, totally unreal. — J.C. Villamere

I am persuaded that a coldly-thought-out and independent verdict upon a fashion in clothes, or manners, or literature, or politics, or religion, or any other matter that is projected into the field of our notice and interest, is a most rare thing -- if it has indeed ever existed. — Mark Twain

No significant body of feminist writing addresses boys directly, letting them know how they can construct an identity that is not rooted in sexism. There is no body of feminist children's literature that can serve as an alternative to patriarchal perspectives, which abound in the world of children's books. — Bell Hooks

I thought those were others. Soon, I was to learn that they were us. — Ralph Webster

The language of literature is the language of all the world. It is necessary to divest ourselves at once of the notion of diversified vocal and grammatical speech which constitutes the various tongues of the Earth, and conceals the identity of image and logic in the minds of all men. — George Edward Woodberry

Post-modern intellectuals have pronounced their historical judgment on America's past, finding it to be morally indefensible. Every great human achievement of the past - whether in philosophy, religion, literature, or the humanities - came to be understood as a kind of exploitation of the powerless. Rather than allowing the past to be viewed in terms of its aspirations and accomplishments, it has been judged by its failures. The living part of the past is understood in terms slavery, racism, and identity politics. Political correctness arose as the practical and necessary means of enforcing this historical judgment. No public defense of past greatness could be allowed to live in the present. Public morality and public policy would come to be understood in terms of the formerly oppressed. — John Marini

All I can tell you with certainty is that I, for one, have no self, and that I am unwilling or unable to perpetrate upon myself the joke of a self ... What I have instead is a variety of impersonations I can do, and not only of myself - a troupe of players that I have internalised, a permanent company of actors that I can call upon when a self is required ... I am a theater and nothing more than a theater. — Philip Roth

Literature provides a person with a conceptual framework for recognizing human beings recurrent challenges in life. Reading good literature deepens a person's understanding of the variable ways that somebody might respond to circumstances in their world, thereby adding to their own potential intellectual and spiritual depth and expands their understanding of the nuances of their own personal behavior. — Kilroy J. Oldster

I feel like elements of race and identity and ethnicity are sort of missing in all of literature, not just in women's literature. — Cristina Henriquez

The mass media stereotype of an MPD patient is a woman harboring an internal collection of delightfully different people ranging from wide-eyed little kids to kung fu masters and nuclear physicists. Skeptics tend to focus concretely on the impossibility of there being 10 or 20 or 100 separate people inside that woman's body (e.g., Sarbin, 1995). By and large, this stereotype will not go away.

Alter personalities are real. They do exist - not as separate, individuals, but as discrete dissociative states of consciousness. When considered from this perspective, they are not nearly so amazing to behold or so difficult to accept. A fair reading of the MPD literature shows that authorities have long subscribed to this thesis: "Only when taken together can all of the personality states be considered a whole personality" (Coons, 1984, p. 53). Paradoxically, it is the critics who implicitly accept the view that the alter personalities are separate people. — Frank W. Putnam

Let me be very clear. For me geography does not exist! I strongly object to the whole concept of "foreign literature"...and speaking of national identity: that is how dictatorships get started! In literature there is no periphery and no center; there are only writers. The problem is not geographic but rather numeric. In the 19th century there were at least thirty literary geniuses in Russia, Germany, France, England and the United States. Today we are lucky if there are five writers of that caliber in the whole world...Where does one find good literature today? Mostly in third world countries, because adversity, isolation, combat provide good working conditions. It is harder to be a good writer in a so-called "civilized" country, in the so-called "democracies. — Antonio Lobo Antunes

Without reserve, I can say that my entire identity is in the books I write. — Elena Ferrante

In 1941, Dorothy L. Sayers provided a detailed analysis of that creative process in The Mind of the Maker. She developed the relevance of the imago Dei for understanding artistic creation in explicitly trinitarian terms. In every act of creation there is a controlling idea (the Father), the energy which incarnates that idea through craftsmanship in some medium (the Son), and the power to create a response in the reader (the Spirit). These three, while separate in identity, are yet one act of creation. So the ancient credal statements about the Trinity are factual claims about the mind of the maker created in his image. Sayers delves into the numerous literary examples, in what is one of the most fascinating accounts ever written both of the nature of literature and of the imago Dei. While some readers may feel she has a tendency to take a good idea too far, The Mind of the Maker remains an indispensable classic of Christian poetics. — Leland Ryken