Literary Writing Quotes & Sayings

Literary poetry in a painter is something special, and is neither illustration nor the translation of writing by form. — Paul Gauguin

To literary critics a book is assumed to be guilty until it proves itself innocent. — Nelson Algren

We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it still with us. Above all, we have to look at the total design of a writer's work, the title he gives to it, and the his main theme, which means his point in writing it, to understand that literature is still doing the same job that mythology did earlier, but filling in its huge cloudy shapes with sharper lights and deeper shadows. [p.32] — Northrop Frye

I often reread passages of "Lolita" for its exquisite language. To me, "Lolita" has no message, no purpose, other than to exist as a marvel of literary creation. It has wit, intelligence and style. It pointedly makes no attempt to serve a higher moral purpose, and previous attempts by critics to find one have proven ludicrous. The annotated edition is accompanied by a brilliant afterword by Nabokov that is a lucid reminder of the pure joy of writing, its interplay with life. — Amy Tan

Writing and making films aren't different things to me. Or maybe it has become so, now. Making film is a very long process and you have to be physically strong. The literary work is more mystical, because it's only the writer, and connected to something inside. — Abdellah Taia

Tolkien, who created this marvellous vehicle, doesn't go anywhere in it. He just sits where he is. What I mean by that is that he always seems to be looking backwards, to a greater and more golden past; and what's more he doesn't allow girls or women any important part in the story at all. Life is bigger and more interesting than The Lord of the Rings thinks it is. — Philip Pullman

Writing about Africa by Africans has been part of my literary apprenticeship, standing alongside works by authors such as Joseph Conrad, Joyce Cary and Graham Greene as influences. — Giles Foden

When you're a sportswriter, you learn how to use your imagination and to flex your literary muscle, because it's the same game played over and over again. There's nothing unique or marvelous. It's not an earthquake, or a weird mass murder. It's just the same old game played over and over, and you have to bring out the personalities. You have to drag them kicking and screaming out into the light of day, or you're not a good sportswriter. — Rick Bragg

The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into
if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes. — Charles De Lint

The literary man? An indiscreet man, who devaluates his miseries, divulges them, tells them like so many beads: immodesty-the sideshow of second thoughts-is his rule; he offers himself. — Emile M. Cioran

Fiction should be in its way subversive. I don't think books should be neat or gentle or genteel or comforting. I think they should be raw. They should be written as perfectly as possible, but what they do is to stir up, to lance the reader. — Edna O'Brien

I had been reading children's books all my life and saw them not as minor amusements but as part of the whole literary mainstream; not as "juveniles" or "kiddie lit," one of the most demeaning terms in the scholastic jargon.
My belief was, and is, that the child's book is a unique and valid art form; a means of dealing with things which cannot be dealt with quite as well in any other way. There is, I'm convinced, no inner, qualitative difference between writing for adults and writing for children. The raw materials are the same for both: the human condition and our response to it. — Lloyd Alexander

The critic's aim should be to interpret the work they are writing about and help readers appreciate it, by defining and analysing those qualities that make it precious and by indicating the angle of visions from which its beauties are visible. But many critics do not realize their function. They aim not to appreciate, but to judge; they seek first to draw lines about literature and then bully readers into accepting these laws. — David Cecil

The charm of your writing," Evelyn Waugh once wrote to Mitford, "depends on your refusal to recognize a distinction between girlish chatter and literary language. — Nancy Mitford

There's a long-standing (50 year old) flame war within the field over whether it's "sci-fi" or "SF".SF has traditionally been looked down on by the literary establishment because, to be honest, much early SF was execrably badly written - but these days the significance of the pigeon hole is fading; we have serious mainstream authors writing stuff that is I-can't-believe-it's-not-SF, and SF authors breaking into the mainstream. If you view them as tags that point to shelves in bricks-and-mortar bookshops, how long are these genre categories going to survive in the age of the internet? — Charles Stross

If there's another writer, like Ross McDonald or Raymond Chandler, and all they're writing are mysteries, they won't be accepted," he said. "And that's problematic. A lot of so-called literary novels are just not very good. They're not well-written, they're not well-thought-out. They have pyrotechnics of intelligence.
"On the other hand, some of the best writers and speculative ideas are in science-fiction. The science-fiction genre is completely, completely segregated. And these people are writing good stuff. They're writing about where you're going, which means they're talking about where you are. — Walter Mosley

The dilemma for women who love to write may not have so much to do with finding the elusive literary voice, as with being reluctant to use the one that's already lurking inside, just waiting for the chance to speak up. Many of us, especiall,y those from the generations taught to be good, accommodating girls, are afraid of sounding too strong, too loud, too unconventional, or simply too much like the self we're afraid to reveal to the world. Most of us have at least an inkling of what form our writing voice should take, if only we might find the courage to reveal it. — Nava Atlas

We live today amid ritualized anithumanisms. Among those intelligent enough to feel despair, some seek salvation in the literary artist. Artists love flattery; and the scam doesn't work without mystifying the process.

The weather is unpredictable, but it is not mysterious.

Wall Street is unpredictable, but it is not mysterious.

Writing is unpredictable, (like street and sky, there are too many variables.) Its mystery vanishes, like a shadow, the moment the light aimed at your characters turns back upon yourself. — Doran Larson

Never try to keep it professional, keep it smutty, write with bodily fluids on sandpaper, and damn the men with clipboards in white suits, the literary bean-counters, the prose police. — Peter Selgin

Authors of so-called 'literary' fiction insist that action, like plot, is vulgar and unworthy of a true artist. Don't pay any attention to misguided advice of that sort. If you do, you will very likely starve trying to live on your writing income. Besides, the only writers who survive the ages are those who understand the need for action in a novel. — Dean Koontz

Asking a working writer what he thinks about critics is like asking a lamp-post what it feels about dogs.
[Time Magazine, October 31, 1977] — John Osborne

On a spectrum of literary productions, memoir is just another form. If the person doing the reviewing or critiquing was ill-educated about literary forms, they could write something dunderheaded about the author or their life (I've seen these and barfed at them), but anyone who is well-practiced and educated in literature - why would they leave that at the door when entering memoir? — Lidia Yuknavitch

Writing is not a literary act but spiritual. And pastoring is not managing a religious business but a spiritual quest. — Eugene H. Peterson

While he sweated out a story she bled put a poem. (Dark City Lights) — S.J. Rozan

Literary censorship should not be necessary within the parameters of the law because it's simply a reflection of prevailing social prejudices!

Writing should challenge and change prevailing ideas - churning the guts and ruffling feathers of friends, family and society. Antagonizing is a product of open writing. Expecting less is resignation and stagnation that slides the art into the status-quo.

Writing needs the wider view that shows the causality of our prevailing social prejudice - and shakes at its foundation.

Writers spare us no less and please leave your praise and oppugn to Christopher Hitchens. — Jack Tar

A funny little literary article in the hand is worth at least three Critiques of Pure Reason in the bush. — Aldous Huxley

An author needs a lot more than one person to succumb to his literary seductive charms, but, like Saul, he must realize that he doesn't have to
and indeed cannot
capture the hearts of every possible reader out there. No matter who the writer, his ideal intended audience is only a small faction of all the living readers. Name the most widely read authors you can think of
from Shakespeare, Austen, and Dickens to Robert Waller, Stephen King, and J.K. Rowling
and the immense majority of book-buyers out there actively decline to read them. — Thomas McCormack

We postpone our literary work until we have more ripeness and skill to write, and we one day discover that our literary talent wasa youthful effervescence which we have now lost. — Ralph Waldo Emerson

I have seldom met an individual of literary tastes or propensities in whom the writing of love was not directly attributable to the love of writing.
A person of this sort falls terribly in love, but in the end it turns out that he is more bemused by a sheet of white paper than a sheet of white bed linen. He would rather leap into print with his lady than leap into bed with her. (This first pleases the lady and then annoys her. She wants him to do both, and with virtually the same impulse.) — E.B. White

For his lunch break, Alex decided to sit outside for a smoke. There was no break room to speak of, just a backdoor that led to a neglected parking lot and an old payphone. There was an upturned crate by the door used to hold the door open or to sit on if one so desired. But Alex couldn't sit down, even though he had been standing for the past four hours, his anxious mind kept his feet moving.
He paced back and forth, smoking his cigarette with the speed of an anxious drug addict. The cool but faint breeze pushed the smoke away from him and dissipated it into nothing. He still felt angry about the run-in with Gonzalez. It had consistently poked at him like a curious sadist with a pointed stick ever since he walked away from the door slammed in his face. — J.C. Joranco

It was terrifying, liberating, and risky. But one day I woke up and decided to try it." (On writing her first novel, "Miss Dreamsville and the Collier County Women's Literary Society") — Amy Hill Hearth

I'm very keenly aware that there aren't very many women writing literary fiction in Ireland and so that gives me a sense that what I say matters, in some small way. — Anne Enright

We can now say with considerable confidence that the Bible is not a history of anyone's past ... The Bible's "Israel" is a literary fiction ... Not only have Adam and Eve and the flood story passed over to mythology, but we can no longer talk about a time of the patriarchs. There never was a "United Monarchy" in history and it is meaningless to speak of pre-exilic prophets and their writings ... The Bible deals with the origin traditions of a people who never existed as such — Thomas L. Thompson

Certainly the highest posthumous praise that can be conferred upon any writer is the assertion that his or her writing permanently altered the literary landscape for the better, opening new textual doors and engaging new readers. That the author's oeuvre was essential and irreplaceable and transformative. — Paul Di Filippo

Recent fads in history and biography have increasingly exalted the aridity of chronology and fact, and have, with some valid reason, rejected romanticizing and the presumption of guessing at the inner thoughts of historical figures. Unfortunately, the result has largely been not to demythologize the past, but merely to dehumanize and depersonalize it. As Roger Mudd has pointed out, 'Too many of today's historians [and biographers] ... seem to have forgotten that the writing of history is a literary art. — Markham Shaw Pyle

I imagine the proverb about too many cooks spoiling the broth can be applied to writing as well as anything else. The poetical or literary broth is better cooked by one person. — Barbara Pym

As we have seen, French culture and language interacted with native English culture for several generations after the Norman Conquest. A common word such as 'castle' is a French loan word, for example; and the whole romance tradition comes from the French. But this sensibility, culture, and language becomes integrated with native culture.
As well as the beginnings of what came to be called a courtly love tradition, we can find in Early Middle English (around the time that Layamon was writing Brut) the growth of a local tradition of songs and ballads. — Ronald Carter

Young writers should be encouraged to write, and discouraged from thinking they are writers. If they arrive at college with literary ambitions, they should be told that everything they have done since their first childhood poems, printed in the school paper, has been preparation for entering a long, long apprenticeship. — Wallace Stegner

A scientific autobiography belongs to a most awkward literary genre. If the difficulties facing a man trying to record his life are great - and few have overcome them successfully - they are compounded in the case of scientists, of whom many lead monotonous and uneventful lives and who, besides, often do not know how to write ... — Erwin Chargaff

For obvious reasons, the relationship between novelists, the reviewing establishment and critics in general is chronically, and often acutely, edgy. A kind of low-intensity warfare prevails, with outbreaks of savagery. It is partly an ownership issue. Who, other than its creator, is to say what a work of fiction means or is worth? It can take years to write a novel and only a few hours for a critic, or a reviewer rushing for a tight deadline, to trash it. — John Sutherland

If there is any message in the 'Wimpy Kid' books, it is that reading can be and should be fun. As an adult reader, when I see an obvious moral lesson to be taught, I run in the other direction ... Kids can sniff out an adult agenda from an early age. I'm writing for entertainment, not to impress literary judges. — Jeff Kinney

In Catcher in the Rye, the protagonist Holden Caulfield mentions reading books that make him wish he could be friends with the author and be able to call him on the phone and so forth. I would consider a literary work that made someone feel this way a success. Furthermore, it's the only kind of success in literature that means anything to me. — Thomas Ligotti

Messages are the death of an honest literary transaction with children — Maurice Sendak

As for literary criticism in general: I have long felt that any reviewer who expresses rage and loathing for a novel or a play or a poem is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae or a banana split. — Kurt Vonnegut

I have written a number of short biographical studies of insignificant personages from literary history. My interest has always been in writing biographies of the also-rans: people who lived in the shadow of fame in their own lifetime and who, since their death, have sunk into profound obscurity. — Diane Setterfield

A literary agent is nothing but a cheap salesman (or woman); while a writer is a cheap salesman (or woman) who also has to actually write the books. — John Hodgman

Anuj Bahari has always been a really good literary agent for me. What a good agent does is that he manages many of your business aspects so you can keep your time free for writing. — Amish Tripathi

I am at the moment writing a lengthy indictment against our century. When my brain begins to reel from my literary labors, I make an occasional cheese dip. — John Kennedy Toole

It ought to be the first endeavour of a writer to distinguish nature from custom; or that which is established because it is right, from that which is right only because it is established; that he may neither violate essential principles by a desire of novelty, nor debar himself from the attainment of beauties within his view, by a needless fear of breaking rules which no literary dictator had authority to enact. — Samuel Johnson

When I first started writing in my early 20s it was literary criticism for a very eccentric magazine called Books And Bookmen, which allowed me to write, more or less anything. — Jonathan Meades

F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused. — Chuck Klosterman

When I became more involved in music, I had to give up some of my writing in the literary sense. However, on occasion, I would write something for my own pleasure or I would write notes and introductory remarks in the songbooks I put together. — Tom Glazer

I still write in literary Arabic but I try to rid it of the rhetoric, the symbolism, and the stuff that ordinary people don't understand. — Hassan Blasim

No matter how much enthusiasm and effort you put into writing, if you totally lack literary talent you can forget about being a novelist. — Haruki Murakami

She said, "Your approach is wrong. You're writing an essay rather than creating a literary figure. What a literary character does in ten minutes might be a reflection of ten years' experience. You can't be limited to the plot of a novel - you've got to imagine her entire life, and what actually gets put into words is just the tip of the iceberg." So — Liu Cixin

I see manuscripts and books that are spoiled for the literary reader because they are one long stream of top-of-the-head writing, a writer telling a story without concern for precision or freshness in the use of language. Some of this storytelling reads as if it were spoken rather than written, stuffed with tired images that pop into the writer's head because they are so familiar. The top of the head is fit for growing hair, but not for generating fine prose. — Sol Stein

Maurice Kenny stands at the forefront of his generation. Few writers of any ethnicity are destined to be remembered in the mainstream of literary history; I believe that Kenny's contributions as a poet are among those few. He writes from the center, as our Elders would say. — Wendy Rose

Stop being part of the social norms of writing and teaching, which then leads to the point, stop being a capitalist person, one who works for a salary to teach writing in a form that's acceptable to capitalism, which then leads further to the point, exit social norms imposed upon you, do not have a lifestyle that requires living by capitalist rules even outside the teaching and practice of writing - which ultimately is the only way to a real literary community, which is based on real art, and you see how impossible a track I'm on? — Anis Shivani

As a footnote to the above, I would like to say that I am getting very tired of literary authorities, on both the stage and the screen, who advise young writers to deal only with those subjects that happen to be familiar to them personally. It is quite true that this theory probably produced "A Tree Grows in Brooklyn," but the chances are it would have ruled out "Hamlet. — Wolcott Gibbs

If my opinion runs more than twenty pages," she said, "I am disturbed that I couldn't do it shorter." The mantra in her chambers is "Get it right and keep it tight." She disdains legal Latin, and demands extra clarity in an opinion's opening lines, which she hopes the public will understand. "If you can say it in plain English, you should," RBG says. Going through "innumerable drafts," the goal is to write an opinion where no sentence should need to be read twice. "I think that law should be a literary profession," RBG says, "and the best legal practitioners regard law as an art as well as a craft. — Irin Carmon

There was the usual dreaminess, I suppose. Also a shyness that caused me - and others - to notice that I could express myself better by writing than by speaking. This is typical of many writers, I think. What is a drawback in childhood is an asset to a literary life. Not being fluent on one's feet sends one to the page and a habit is born. — Lorrie Moore

Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great hypnotic blah, blah." You can sit around and have these pity parties for yourself. Of course this is bullshit. If an art form is marginalized it's because it's not speaking to people. One possible reason is that the people it's speaking to have become too stupid to appreciate it. That seems a little easy to me. — David Foster Wallace

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement. — Jules De Goncourt

I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation. — F Scott Fitzgerald

One's politics are part of one even when one is writing. But if I want to say anything about the state of civil society, I will write an essay. The responsibilities you feel as a novelist are literary ones, I think, not civic ones. And I think politicians are interesting to write about. — Thomas Mallon

Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it. — George R R Martin

To vest a few fallible men - prosecutors, judges, jurors - with vast powers of literary or artistic censorship, to convert them into what J.S. Mill called the "moral police" is to make them despotic arbiters of literary products ... If one day they ban mediocre books as obscene, another day they may do otherwise to a work of a genius. Originality, not too plentiful, should be cherished, not stifled. An author's imagination may be cramped if he must write with an eye on prosecutors or juries ... — Jerome Frank

Hone your writing skills as if they were your finest weapons of war. For in the literary arena, your pen will truly be your sword. — Max Hawthorne

Delayed gratification hints that something terrible is going to happen, and then delays the resolution.

It's that interval between the promise of something awful and it actually happening, where suspense resides. — Sandy Vaile

When I heard the book (Thomas Friedman's latest) was actually coming out, I started to worry. Among other things, I knew I would be asked to write the review. The usual ratio of Friedman criticism is 2:1, i.e., two human words to make sense of each single word of Friedmanese. Friedman is such a genius of literary incompetence that even his most innocent passages invite feature-length essays. — Matt Taibbi

The look that one directs at things, both outward and inward, as an artist, is not the same as that with which one would regard the same as a man, but at once colder and more passionate. As a man, you might be well-disposed, patient, loving, positive, and have a wholly uncritical inclination to look upon everything as all right, but as an artist your daemon constrains you to "observe", to take note, lightning fast and with hurtful malice, of every detail that in the literary sense would be characteristic, distinctive, significant, opening insights, typifying the race, the social or the psychological mode, recording all as mercilessly as though you had no human relationship to the observed object whatever. — Joseph Campbell

Our sufferings and weaknesses, in so far as they are personal, are of no literary interest whatsoever. They are only interesting in so far as we can see them as typical of the human condition. — W. H. Auden

The story we write today will support the next generation. — Lailah Gifty Akita

For writers from working-class families, the making of art is cultural disenfranchisement, for we do not belong in literary circles and our writing rarely makes it back home. — Valerie Miner

Yes, I hate orthodox criticism. I don't mean great criticism, like that of Matthew Arnold and others, but the usual small niggling, fussy-mussy criticism, which thinks it can improve people by telling them where they are wrong, and results only in putting them in straitjackets of hesitancy and self-consciousness, and weazening all vision and bravery.
... I hate it because of all the potentially shining, gentle, gifted people of all ages, that it snuffs out every year. It is a murderer of talent. And because the most modest and sensitive people are the most talented, having the most imagination and sympathy, these are the very first ones to get killed off. It is the brutal egotists that survive. — Brenda Ueland

You never push a noun against a verb without trying to blow up something. — H.L. Mencken

The dilemma for women - writing after everything else was finished - has prevented women from reaching their literary potential for centuries. — Joan M. Drury

Gunn would be an important figure-rewarding, delightful, accomplished, enduring-in the history of English-language poetry even were his life not as fascinating as it now seems; he would be an important figure in the history of gay writing and in the history of transatlantic literary relations even were his poetry not so good as it is. With his life as it was and his works as they are, he's an obvious candidate for a volume of retrospective and critical essays, and this one is first-rate. — Stephen Burt

Regardless of the criticisms I receive from the left, the right and the middle, I think it's important to maintain a prolific writing jab, as long as my literary legs hold up. — Ishmael Reed

{Y}ou make do with what you're given, and I've spent a good many years learning to write fine-sounding sentences so that I can hide behind them. It's the way of the hermit crab, with nothing to recommend it but the pretty shell it annexes for its own. — Norman Lock

What a joy it is to read a book that shocks one into remembering just how high one's literary standards should be. ... a tour de force by one of England's best novelists ... . Atonement is a spectacular book; as good a novel - and more satisfying ... - than anything McEwan has written ... .sublimely written narrative ... . The Dunkirk passage is a stupendous piece of writing, a set piece that could easily stand on its own. ... — Noah Richler

Forget ideas, Mr. Author.
What kind of pen do you use? — Stephen Fry

The genesis of my interest in being a writer can be traced to fourth grade when we listened to a radio production of Shakespeare's The Taming of the Shrew and I asked the teacher if I could rewrite it for our class to present. Nothing like going head-to-head with the Bard, right?
I can still visualise the pages I filled creating this first "great" literary endeavor. Encouraged by teachers (and one doting grandmother), I went on to write reams of yearbook copy in high school and college and, then, to teach high school English. My "real" writing career didn't begin until I turned from education to the full-time pursuit of storytelling. — Laura Abbot

If you write a screenplay that gets circulated, you have a bigger readership than any literary novelist. And it's an educated audience as well. — William Monahan

Jacques Derrida is a very important thinker and philosopher who has made serious contributions to both philosophy and literary criticism. Roland Barthes is the one I feel most affinity for, and Michel Foucault, well, his writing influenced my novel, 'Middlesex.' — Jeffrey Eugenides

I write across several genres. I'm a slut for words. I can't keep it in my literary pants. — Fierce Dolan

All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium. — John Banville

Since I make my living as a literary journalist, not a book scout, I spend inordinate amounts of time either reading or writing. — Michael Dirda

It always seems to me that one of the saddest things about the death of a literary man is the fact that the breaking-up of his collection of books almost invariably follows; the building up of a good library, the work of a lifetime, has been so much labour lost, so far as future generations are concerned. Talent, yes, and genius too, are displayed not only in writing books but also in buying them, and it is a pity that the ruthless hammer of the auctioneer should render so much energy and skill fruitless. — Stuart Dodgson Collingwood

I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted with thriller and fantasy and even science fiction. I wanted the coming-of-age story and the love story to be about "outsiderdom" - one of the themes I am most interested in. — Porochista Khakpour

I don't just want a gripping story line. I shoot for the three dimensional literary Braille to a silent Scorsese movie — Carl Henegan

This is the same establishment that all those who want, or rather aspire to, to be literary figures of the century, artists, painters and sculptors want acceptance from and approval. They want to be looked up to. Young and upcoming poets must approach their craft with an almost angelic perspective. So many writers are missing a condensed fusion in their writing, they condescend to their audience, the truth is not spoken in their work, they gabble, their words seem to make a hot fuss on the page. What do they gain? They gain this, simply nothing. Poets must assemble and present their work accordingly to how they see fit and should be careful of advice from other writers and editors. Sometimes there can be too much going on in the words that are meant to be given with the best of intentions. — Abigail George

And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen. — Chuck Klosterman

England has the most sordid literary scene I've ever seen. They all meet in the same pub. This guy's writing a foreword for this person. They all have to give radio programs, they have to do all this just in order to scrape by. They're all scratching each other's backs. — William S. Burroughs

I came into science fiction at a very good time, when the doors were getting thrown open to all kinds of more experimental writing, more literary writing, riskier writing. It wasn't all imitation Heinlein or Asimov. And of course, women were creeping in, infiltrating. Infesting the premises. — Ursula K. Le Guin

A man of genuine literary genius, since he possesses a temperament whose susceptibilities are of wider area than those of any other, is inevitably of all people the one most variously affected by his surroundings. And it is he, in consequence, who of all people most faithfully and compactly exhibits the impress of his times and his times' tendencies, not merely in his writings where it conceivably might be just predetermined affectation but in his personality. — James Branch Cabell

Anyway, back to the crush. Sorry to shift gears so fast, but we both know why we're here. I mean, if I wanted to discuss the existential angst of motherhood I'd be writing in a journal. Diaries are for the down and dirty, the stuff you don't want people to ever find out about you. Journals are the things you leave open around the house, hoping a literary agent will wander in, read it and declare you the next genius of your age. — Lani Diane Rich

The dull people decided years and years ago, as everyone knows, that novel-writing was the lowest species of literary exertion, and that novel reading was a dangerous luxury and an utter waste of time. — Wilkie Collins

There are a few critics overseas, and occasionally a critic will write an astute analysis of the movie. There is value in reading critics that actually have something intelligent to say, but the journalistic community lives in a world of sound bites and literary commerce: selling newspapers, selling books, and they do that simply by trashing things. They don't criticize or analyze them. They simply trash them for the sake of a headline, or to shock people to get them to buy whatever it is they're selling. — George Lucas

It is from him, from Beolco Ruzzante, that I've learned to free myself from conventional literary writing and to express myself with words that you can chew, with unusual sounds, with various techniques of rhythm and breathing, even with the rambling nonsense-speech of the 'grammelot.' — Dario Fo