Literary World Quotes & Sayings

In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus at a discount and like everything else in a world ruled by the laws of exchange value, literature is required to submit itself to the requirements of the market and must learn, like any other commodity, to adapt and serve needs that lie outside of itself and its concrete value. It is forced to stand not for itself but for an ideological cause of one sort or another, whether it be political, social or literary. It cannot exist for itself: like everything else it has to be justified. And for this very reason the power of storytelling is automatically devalued. Literature is reduced to the status of complimentary utilitarian functions: as a pastime to provide distraction and entertainment, or as a heightened activity that would claim to explore 'great truths' about the human condition. — Michael Richardson

Grandpa said that we could solve a lot of the world's problems if we considered cats and dogs edible. Like the neighbor's dog who goes to the bathroom in his flower garden. And know what else? — Cole Alpaugh

Perhaps it was that I wanted to see what I had learned, what I had read, what I had imagined, that I would never be able to see the city of London without seeing it through the overarching scrim of every description of it I had read before. When I turn the corner into a small, quiet, leafy square, am I really seeing it fresh, or am I both looking and remembering? [ ... ]
This is both the beauty and excitement of London, and its cross to bear, too. There is a tendency for visitors to turn the place into a theme park, the Disney World of social class, innate dignity, crooked streets, and grand houses, with a cavalcade of monarchs as varied and cartoony as Mickey Mouse, Snow White, and, at least in the opinion of various Briths broadhseets, Goofy.
They come, not to see what London is, or even what it was, but to confirm a kind of picture-postcard view of both, all red telephone kiosks and fog-wreathed alleyways. — Anna Quindlen

Sylvia was an early literary manifestation of a young woman who takes endless selfies and posts them with vicious captions calling herself fat and ugly. She is at once her own documentarian and the reflexive voice that says she is unworthy of documentation. She sends her image into the world to be seen, discussed, and devoured, proclaiming that the ordinariness or ugliness of her existence does not remove her right to have it. — Alana Massey

Carla Hesse has given us an astonishing new look at women's struggle for independent expression and moral autonomy during the French Revolution and afterward. Denied the political and civil rights of men, literary women plunged into the expanded world of publication, answering the men's philosophical treatises with provocative novels about women's choices and chances. Lively and learned, The Other Enlightenment links women from Madame de Stael to Simone de Beauvoir in an alternate and daring path to the modern. — Natalie Zemon Davis

The sky had never seemed so sky; the world had never seemed so world. — Neil Gaiman

In the broad spectrum of the arts, two worlds rarely overlap - the literary world and the world of rock music. — William Boyd

What is literature, and why do I try to write about it? I don't know. Likewise, I don't know why I go on living, most of the time. But this not knowing is precisely what I want to preserve. As readers, the closest way we can engage with a literary work is to protect its indeterminacy; to return ourselves and it to a place that precludes complete recognition. Really, when I'm reading, all I want is to stand amazed in front of an unknown object at odds with the world. — M. John Harrison

The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into
if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes. — Charles De Lint

I feel like a lot has changed - ebooks are a much more valid format and bigger presses are taking less chances. As a bookseller, there are less real bookstores and more people buying on-line. As a writer, I think there are fewer paths to break through on a big press, but on the other hand there are more small presses doing awesome work now. Overall, artistically, I think it's a pretty exciting time in the literary world. — Kevin Sampsell

In truth, even if they have an imperfect insight into their own methods, I still slightly mistrust writers of fiction who are assured literary critics; it makes me suspect that they favour the word over the world it should describe. Such scribes fall victim too easily to the solecism of equating style with morality. — Will Self

The provincial intellectual is doomed to arguing at low level ... there is still no Australian literary world, not in Sydney, Melbourne, Adelaide. It is some consolation to realise that there is no literary world in Birmingham or Los Angeles either. I have heard there is one in Montreal, but I don't believe it. The literary world is in London and New York, the only cities big enough to sustain magazines which can afford to reject copy. — Clive James

I don't read a lot of books that were published after 1755. One thing about having friends in New York who belong to the literary world, however, is that I have a steady stream of books coming to the house. — John Jeremiah Sullivan

The ideology of liberal humanism found expression in the earliest reviews of Hardy's writing and remained a dominant force until the explosion of literary theory in the 1980s. It is a broad and still influential category. It endorses the moral value of the individual, and the strength of the human spirit. It prefers the integrity of an organic rural society to the anonymity and materialism of an urbanised and technological world. Applied to fiction, this ideology involves the naturalisation of the novel's world and its values, and the recognition of fictional character as presenting a unified subject. — Geoffrey Harvey

Probably because I really love this bookmaking and storytelling world, I'd been thinking for years about the possibility of becoming a literary agent. — Rebecca Stead

Tess is not simply presented as a passive victim, however. Throughout the novel she is shown as experiencing tension between the intractable materiality of the social and economic world in which she has to live, and her extraordinarily vulnerable, sensitive self. Hardy is particularly interested in the nature of her consciousness, and in the intense subjectivity of her experience. — Geoffrey Harvey

The world is full of sluts on skates. From Penn-warren's "All the Kings Men. — Martha Miller

It doesn't matter whether a sequence of words is called a history or a story: that is, whether it is intended to follow a sequence of actual events or not. As far as its verbal shape is concerned, it will be equally mythical in either case. But we notice that any emphasis on shape or structure or pattern or form always throws a verbal narrative in the direction we call mythical rather than historical.(p.21) — Northrop Frye

I burnt for the more active life of the world--for the more exciting toils of a literary career--for the destiny of an artist, author, orator; anything rather than that of a priest: yes, the heart of a politician, of a soldier, of a votary of glory, a lover of renown, a luster after power, beat under my curate's surplice. I considered; my life was so wretched, it must be changed, or I must die. After a season of darkness and struggling, light broke and relief fell: my cramped existence all at once spread out to a plain without bounds--my powers heard a call from heaven to rise, gather their full strength, spread their wings, and mount beyond ken. — Charlotte Bronte

Publishing is not, of course, dependent on the individual taste of the publisher," Perkins replied to one reader of Hemingway's novel. "He is under an obligation to his profession which binds him to bring out a work which in the judgment of the literary world is significant in its literary qualities and is a pertinent criticism of the civilization of the time. — A. Scott Berg

The Bible is not interested in arguing, because if you state a thesis of belief you have already stated it's opposite; if you say, I believe in God, you have already suggested the possibility of not believing in him. [p.250] — Northrop Frye

I live within the world of books. — Lailah Gifty Akita

The bestselling novel taking the Ankh-Morpork literary world by storm was dedicated to Commander Samuel Vimes.
The title of the book was Pride and Extreme Prejudice. — Terry Pratchett

Just one short hour before, I was a woman on the brink of literary success, engaged to a real up-and-comer in the media world, looking toward a fresh new chapter in my life. A few minutes later, and I was unemployed, single, and sitting in a bar in the middle of the afternoon. What a difference a day makes. — T. Torrest

The dilemma for women who love to write may not have so much to do with finding the elusive literary voice, as with being reluctant to use the one that's already lurking inside, just waiting for the chance to speak up. Many of us, especiall,y those from the generations taught to be good, accommodating girls, are afraid of sounding too strong, too loud, too unconventional, or simply too much like the self we're afraid to reveal to the world. Most of us have at least an inkling of what form our writing voice should take, if only we might find the courage to reveal it. — Nava Atlas

In the humanist world following Erasmus, man is at the centre of the universe. Man becomes largely responsible for his own destiny, behaviour and future. This is the new current of thought which finds its manifestation in the writing of the 1590s and the decades which follow. The euphoria of Elizabeth's global affirmation of authority was undermined in these years by intimations of mortality: in 1590 she was 57 years old. No one could tell how much longer her golden age would last; hence, in part, Spenser's attempts to analyse and encapsulate that glory in an epic of the age. This concern about the death of a monarch who - as Gloriana, the Virgin Queen - was both symbol and totem, underscores the deeper realisation that mortality is central to life. After the Reformation, the certainties of heaven and hell were less clear, more debatable, more uncertain. — Ronald Carter

The biggest misconception that people have about the literary life is the romance of it. That a writer has this large world available to him or her of people, of ideas, of experiences, of interchange of ideas. — Walter Mosley

"I always read everything when I was a kid-and I do mean everything, from Nancy Drew to Dickens to my dad's John D. MacDonald-but then I went to regular school and the English teachers started telling me to read 'real' books, so I tried. And you know, I kinda went off reading for a while. I had already been reading literary novels and the classics mixed in with whatever else, but-" She waved a hand. "So I went back to reading whatever I wanted, whenever I wanted to-reading had been my greatest pleasure in all the world. I mean I never really watched all that much television, because we were moving around, never really had solid digs until I was thirteen, so reading was everything. — Barbara O'Neal

I started out as a writer with an hour removed from Kingdom of Heaven. You have to make one print for the entire world, and that's something that influences the theatrical cuts of pictures to an enormous degree. It's a reality. You can't have one cut for the Sunni, and one for the Shia, and one each for Tories, Whigs, vegetarians, one cut for the Cineplex, and one for literary intellectuals. — William Monahan

The world gets older, without getting either better or worse and so does literature. But I do think that the drab current phenomenon that passes for literary studies in the university will finally provide its own corrective. — Harold Bloom

The Lord giveth and the world taketh away. — Maryann Austin

Clever lies become matters of self-congratulation. Solemn pledges become a farce - laughable for their very solemnity. The Nation, with all its paraphernalia of power and prosperity, its flags and pious hymns, its blasphemous prayers in the churches, and the literary mock thunders of its patriotic bragging, cannot hide the fact that the Nation is the greatest evil for the Nation, that all its precautions are against it, and any new birth of its fellow in the world is always followed in its mind by the dread of a new peril. — Rabindranath Tagore

Most of the makers of the twentieth-century mind, figures such as Freud, Heisenberg, Picasso, Joyce, and Eliot, have in common an about-face on the subject-object question and the mindmatter question; they all reject the dualism that arbitrarily and irreversibly splits the world into pieces. This rejection of dualism and the corresponding reach for monism are of the essence in understanding the revolutionary nature of twentieth-century science and art. — Jewel Spears Brooker

Horror itself is a bit of a bullied genre, the antagonist being literary snobbery and public misconception. And I think good horror tackles our darkest fears, whatever they may be. It takes us into the minds of the victims, explores the threats, disseminates fear, studies how it changes us. It pulls back the curtain on the ugly underbelly of society, tears away the masks the monsters wear out in the world, shows us the potential truth of the human condition. Horror is truth, unflinching and honest. Not everybody wants to see that, but good horror ensures that it's there to be seen. — Kealan Patrick Burke

"Little magazines" are, for the most part, the mayflies of the literary world. — Frederick Crews

The party at the bar was for an Internet literary journal that prints a hard copy version that was famous in the world of Internet literary journals that prints hard copy versions. What that means, I do not know. — Noah Cicero

Everything is much easier in the half-blind and half-deaf world of modern giants that seduce processions of the blind into the world of great emptiness. In their sky the stars shine and their names live in the parallel and independently of their work. — Dejan Stojanovic

Literary or scientific, liberal or specialist, all our education is predominantly verbal and therefore fails to accomplish what it is supposed to do. Instead of transforming children into fully developed adults, it turns out students of the natural sciences who are completely unaware of Nature as the primary fact of experience, it inflicts upon the world students of the humanities who know nothing of humanity, their own or anyone else's. — Aldous Huxley

You know what people are doing on the other side of the world, what's happening on another planet, but not what's going on inside the person next to you. — Graham Spaid

Classical quotation is the parole of literary men all over the world. — Samuel Johnson

When a bookworm finally decides to leave the house, perhaps to explore some literary destination in one of her novels, she will be surprised to know that there is a volatile, often antagonistic force in the real world known as the weather. — Joyce Rachelle

How to explain the sheer tingling joy one experiences when two interesting, complex, and occasionally aggravating characters have at last settled their misunderstandings and will live happily ever after, no matter what travails life might throw in their path, because Jane Austen said they will, and that's that? How to describe the exhilaration of being caught up in an unknown but glamorous world of balls and gowns and rides in open carriages with handsome young men? How to explain that the best part of Jane Austen's world is that sudden recognition that the characters are just like you? — Margaret C. Sullivan

My daughter has pointed out that there were not enough lovejobs to go around in this new world. In any event, I probably learned tolerance, maybe even literary affection for the person in the wrong historical moment, living such long, never to be mediate wars with other sufferers. — Grace Paley

Reading a novel after reading semiotic theory was like jogging empty-handed after jogging with hand weights. What exquisite guilt she felt, wickedly enjoying narrative! Madeleine felt safe with a nineteenth century novel. There were going to be people in it. Something was going to happen to them in a place resembling the world. Then too there were lots of weddings in Wharton and Austen. There were all kinds of irresistible gloomy men. — Jeffrey Eugenides

The same tantalizing guile and sublime skill ... [The series is] reinforced in its claim to be one of the major literary works of this century ... Only two other writers that this reviewer can think of have each created an entire, discrete and compelling world, a totally believable entity which one might wish to inhabit, and they are Joyce and Proust. It is not pretentious to place Patrick O'Brian in the first canon of literature ... — Kevin Myers

He was born with a gift of laughter and a sense that the world was mad. — Rafael Sabatini

Do you ever read a book and it just changes your life? A book you didn't really think too much about when you picked it up- when you opened it and considered the averageness of its first few pages? But when you're done, your head hurts and your head is spinning and you question the authenticity of your own life, and you vow to be better and do better, to love deeper and laugh harder. I know that something such as a collection of meagre pages doesn't mean much to some people, but I literally could not think of a world without literary fiction (or non-fiction for that matter). I feel so blessed that I get to experience other peoples thoughts and imaginations through a book. — Unknown

Nebraska was home to indigenous peoples for centuries. It became a state in 1867, and has produced an important literary figure, Willa Cather, as well as an investor said to be the world's second richest man, Warren Buffett. — Stephen Kinzer

I will not allow people to impose rules on me that don't make sense to me. And I live and work very much outside the literary world and the literary system. What they think and what they believe and what their rules are mean nothing to me. — James Frey

All the children in the world, when they go to school, have the right to study in their mother tongue. But we go to school and run into literary Arabic as children. It sounds like a foreign language. The words for "house" or "table" or "lamp" are not the same as the words we use at home, and most of the other words are alien to children at school. Classical Arabic is one of the prisons of the Arab world. — Hassan Blasim

Used books are the sluts of the literary world. Passed around from person to person, spreading their pages for anyone, getting cheaper and cheaper until eventually they end up in prison. — Stephen Colbert

I have always loved reading, so was interested in the literary world, and took many literary portraits. — Fay Godwin

Whereas story is processed in the mind in a straightforward manner, poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It's the crack cocaine of the literary world. — Jasper Fforde

Most definitely the real world, Komatsu said, and he rubbed his inner forearm. Pale veins rose to the surface. They were not very healthy-looking blood vessels - blood vessels damaged by years of drinking, smoking, an unhealthy lifestyle, and various literary intrigues. — Haruki Murakami

I do find stories - or literary fiction - an apt form for analyzing the world. And especially for trying to imagine the other. An agenda, again, that seems more important now than ever. — Jim Shepard

Anna is the sort of woman who writers write about, Tom. Somewhere in the third act, women like her save characters like you and me from ourselves. She's the loveliest literary device in the world. — Matthew Norman

A great number of elements in the characters' lives, both psychic and factual, are not communicated to us. [ ... ] These characters, I believe, enjoy a much greater autonomy than we usually think, and are able to take initiatives unknown both to the writer and the reader. When characters have their own will, their own autonomy, it gives the literary universe a greater internal mobility; it also makes the texts through which we view this world all the more open and incomplete. — Pierre Bayard

But because I do not wish to be remembered (if I will be remembered) as a self-indulgent fantasist, I'll skip the purple patch for now, however much I wish to write it. I need to make amends for my indifference, for having turned my back on the world in favor of the beauties of the way. I'll try to study cruelty (I regret my own) and render it in more familiar terms. — Norman Lock

In the modern world, all literary art is necessarily political
especially that which pretends not to be. — Edward Abbey

What's fascinating is where they come from in the world. People in Bangladesh, a chap in a fire-base in Tikrit in Iraq. Chap in an Irish pub in Dublin. And lovely to think this literary network - or rather network of readers - is well spread out. — John Gimlette

For I'm neither a submitter nor a hating retaliator, I acknowledge the boundaries of my existence; yet, I still care. I care regardless of the way they choose to reduce me to the brand that is the birthmark of the accident of my conception. I care less about what that brand signifies in terms of my character, potential, and intentions. For the harmed I care. For the real victims. It's the most basic of my mandatory civil duties. Only in caring, am I a citizen of the world. — Asaad Almohammad

Kiana loved birds," Breena told him late one dusky evening. "When she was just a few summers old, she would run beneath them as they flew, her chubby arms stretched out as if tmo take flight alongside them." She sniffed and wrapped her arms around her stomach. "A few weeks before the attack, she told me that she was still going to fly one day. 'I look at the birds, and I see freedom,' she said. 'To soar above the hurt of the world, to be too high for the wars of men to touch you: that is what it means to fly. — Elizabeth Wilson

The development of objective thinking by the Greeks appears to have required a number of specific cultural factors. First was the assembly, where men first learned to persuade one another by means of rational debate. Second was a maritime economy that prevented isolation and parochialism. Third was the existence of a widespread Greek-speaking world around which travelers and scholars could wander. Fourth was the existence of an independent merchant class that could hire its own teachers. Fifth was the Iliad and the Odyssey, literary masterpieces that are themselves the epitome of liberal rational thinking. Sixth was a literary religion not dominated by priests. And seventh was the persistence of these factors for 1,000 years. — Carl Sagan

Oh poor Octave, no luck at all, as usual," said Madame Rocher, "he is still with his regiment, still only a captain. Of course, if it hadn't been for this wretched war, he would be at least a colonel by now. — Nancy Mitford

For the Tintin books were my emotional universe. To read them felt quite simply like being loved: in advance and by an entire world of pure possibility, my future. But to write to the author was to reach out for the lover. Even today, the power of reading one remains visceral: each book acts as a form of transportation, not just to the emotional landscape of this first literary love affair but to very specific memories. — Luke Davies

That has always seemed to me one of the stranger aspects of literary fame: you prove your competence as a writer and an inventor of stories, and then people clamour for you to make speeches and tell them what you think about the world. — J.M. Coetzee

There are a few critics overseas, and occasionally a critic will write an astute analysis of the movie. There is value in reading critics that actually have something intelligent to say, but the journalistic community lives in a world of sound bites and literary commerce: selling newspapers, selling books, and they do that simply by trashing things. They don't criticize or analyze them. They simply trash them for the sake of a headline, or to shock people to get them to buy whatever it is they're selling. — George Lucas

Dante and Shakespeare divide the world between them. There is no third. — T. S. Eliot

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement. — Jules De Goncourt

Theories about world literature, of which fairy tale is a fundamental part, emphasize the porousness of borders, geographical and inguistic: no frontiercan keep a good story from roaming. It will travel, and travel far, and travel back again in a different guise, a changed mood, and, above all, a new meaning. — Marina Warner

A good part of 'The Information' is about the transition from an oral to a literary culture. Books effected such a great transformation in the way we think about the world, our history, our logic, mathematics, you name it. I think we would be greatly diminished as a people and as a culture if the book became obsolete. — James Gleick

Seeking the Cave is part travelogue, part literary history, and part spiritual journey. James Lenfestey is a lively and entertaining tour guide. Modest, funny, curious, and wide open to the world, he gives us perceptive glimpses of Chinese culture, ancient to contemporary, and into what it means to be a poet, both now and twelve centuries ago. The account of his quest to find Han Shan's cave is a delight from beginning to end. — Chase Twichell

I have long admired the visceral storytelling and moral complexity of John Vaillant's brilliant non-fiction about humankind's tragically ambivalent relationship with the natural world. Now he brings his abundant literary gifts to a debut novel set in a very real borderland in which human beings are themselves treated like animals. The Jaguar's Children is a beautifully rendered lament for an imperiled culture and the brave lives that would preserve it. You should read it. — John Burnham Schwartz

If literary fiction is reduced to only middle-class families dealing only with middle-class angst, then it's really finished as a force for grappling with the world. — J.M. Ledgard

Let me be very clear. For me geography does not exist! I strongly object to the whole concept of "foreign literature"...and speaking of national identity: that is how dictatorships get started! In literature there is no periphery and no center; there are only writers. The problem is not geographic but rather numeric. In the 19th century there were at least thirty literary geniuses in Russia, Germany, France, England and the United States. Today we are lucky if there are five writers of that caliber in the whole world...Where does one find good literature today? Mostly in third world countries, because adversity, isolation, combat provide good working conditions. It is harder to be a good writer in a so-called "civilized" country, in the so-called "democracies. — Antonio Lobo Antunes

My fears are the obvious ones: that marketplace-minded publishers - all four of them - will shy further away from literary fiction, international authors, poetry, and the other marginal but hugely important regions of the book world. — David Edelstein

As a writer, I was deliberately creating an alternate world, and then populating it with experiences and people that I knew in this world, but I'd shake up the mix considerably. And about the same time that the memoir was becoming the dominant popular literary form in the mid to late 90s, I started reading writers who were deliberately playing with the notion of "truth" and "fiction" - that struck me as a much more interesting way to tell certain stories, particularly in the realm of comedy. — Kevin Keck

I have never as yet gone a step to see a literary lion; but I would go a considerable way to see Emerson, this pioneer in the moral forests of the New World, who applies his axe to the roots of the old trees to hew them down and to open the paths for new planting. — Fredrika Bremer

My mullet was an insecurity shield. My mullet was an ethnic hatchet. My mullet was an arrow on fire.
My mullet said to the literary world, Hello, you privileged prep-school assholes, I'm here to steal your thunder, lightning, and book sales. — Sherman Alexie

I had the lonely child's habit of making up stories and holding conversations with imaginary persons, and I think from the very start my literary ambitions were mixed up with the feeling of being isolated and undervalued. I knew that I had a facility with words and a power of facing unpleasant facts, and I felt that this created a sort of private world in which I could get my own back for my failure in everyday life. — George Orwell

I don't think in terms of that bizarre tautology 'value for money' in my literary and journalistic work - and nor will I in my academic role. However, if I don't believe I'm helping my students towards a fuller and more empowering relationship with the world, then I'll resign. — Will Self

The urge to change my mind and not go at all is enormous. I'm absolutely terrified to leave on that boat. But, if I don't go, there'll be one more broken person in this world who gave up a dream to sit in a chair, pick up the TV remote and shrink. — Lexis De Rothschild

Essayists, like poets, are born and not made, and for one worth remembering, the world is confronted with a hundred not worth reading. Your true essayist is, in a literary sense, the friend of everybody. — William Ernest Henley

No one in the modern world is more lonely than the writer with a literary conscience. — Ellen Glasgow

Our generation grew up with the Review as a fact of life. It was America's literary magazine. To our minds, it still is. It has launched our favorite writers. It has made a special claim for the quarterly as such, being both timely and lasting, free of the news of the day or the pressure to please a crowd. Most of all, the Review has shown, repeatedly, that works of imagination can be as stylish and urgent as the flashiest feature reporting, and can do more to refocus our picture of the world. — Lorin Stein

I have read all of Daniel Aaron's books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own. — Harold Bloom

I wasn't an expert or even the biggest Dennis Hopper fan in the world. All I knew about him were through his associations with James Dean and Andy Warhol, the fact that he made 'Easy Rider.' I thought his story would have a really great outlaw literary quality to it. — Tom Folsom

We all know what good writing is: It's the novel we can't put down, the poem we never forget, the speech that changes the way we look at the world. It's the article that tells us when, where, and how, the essay that clarifies what was hazy before. Good writing is the memo that gets action, the letter that says what a phone call can't. It's the movie that makes us cry, the TV show that makes us laugh, the lyrics to the song we can't stop singing, the advertisement that makes us buy. Good writing can take form in prose or poetry, fiction or nonfiction. It can be formal or informal, literary or colloquial. The rules and tools for achieving each are different, but one difficult-to-define quality runs through them all: style. "Effectiveness of assertion" was George Bernard Shaw's definition of style. "Proper words in proper places" was Jonathan Swift's. You — Mitchell Ivers

Most critics agree with the seventeenth-century printer who gave them to the world, that the Mutabilitie Cantos seem to be part of some following book of The Faerie Queene. — Janet Spens

I've been in the art world for many years. But the sad fact is that most writers are visually prepubescent. Generally speaking, the literary world is provincial when it comes to matters of art. And it always has been. — Richard Grossman

Can I help it if the world cannot worship what it has not first martyred? — Casper Silk

The setting, concerns, and mood of The Woodlanders are consonant with the Wessex of the earlier novels. There is an element of nostalgia in Hardy's treatment of the woodlands of Little Hintock. Although such rural economies were very much alive in Hardy's day, he strikes an elegiac note in his evocation of a world that will inevitably pass away. However, the woodlands do not form the backdrop to an idyllic pastoral of humanity living in tranquil harmony with nature. The trees, which are such a dominant presence in the novel, compete with each other for nourishment and light, are vulnerable to disease and damage, and are frightening in their moaning under the lash of the storm. The woodlands represent the Darwinian struggle for existence that Hardy sees as extending not only to the inhabitants of this little world but also beyond ... — Geoffrey Harvey

In ancient Ireland the soul had but to stretch out its arms to fill them with beauty. Now all manner of ugliness besets the world. — Orna Ross

Poetry and art nourish the soul of the world with the flavor-filled substances of beauty, wisdom and truth. — Aberjhani

The world that seemed so various and new, well, it does contract. One's burning desire to investigate human behavior, and to make, or imply, statements about it, does fall off. And so one does find that early works are full of energy and also full of vulgarity, crudity, and incompetence, and later works are more carefully finished, and in that sense better literary products. But ... there's often a freshness that is missing in later works
for every gain there's a loss. I think it evens out in that way. — Kingsley Amis

The moment weighs down on me, threatening to unstitch my seams and expose me to the world. — Rebecca Berto

The makers of literature are those who have seen and felt the miraculous interestingness of the universe. If you have formed ... literary taste ... your life will be one long ecstasy of denying that the world is a dull place. — Arnold Bennett

The literary artist will ... portray what he knows, and little else. Imagination is built upon knowledge, and his dreams will rest upon his facts. He is worth to the world just about what he has learned from it, and no more. — Elizabeth Stuart Phelps Ward

Drama school introduced me to a world I had no idea about. I wasn't brought up in a literary household at all. — Imelda Staunton

The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same. — Clive James