Literary Society Quotes & Sayings

The sneakiest form of literary subtlety, in a corrupt society, is to speak the plain truth. The critics will not understand you; the public will not believe you; your fellow writers will shake their heads. Laughter, praise, honors, money, and the love of beautiful girls will be your only reward. — Edward Abbey

Sylvia was an early literary manifestation of a young woman who takes endless selfies and posts them with vicious captions calling herself fat and ugly. She is at once her own documentarian and the reflexive voice that says she is unworthy of documentation. She sends her image into the world to be seen, discussed, and devoured, proclaiming that the ordinariness or ugliness of her existence does not remove her right to have it. — Alana Massey

I gather they are even vaguely pacifist, not on moral grounds but from an ingrained habit of belittling anything that concerns the great mass of their fellow men and from a dash of purely fashionable and literary communism. — C.S. Lewis

As recently as the grunge era, there remained a bohemian cachet in casually mentioning that you didn't own a TV. But nobody thinks like that anymore. Today, claiming you don't own a TV simply means you're poor (or maybe depressed). In one ten-year span, high-end television usurped the cultural positions of film, rock, and literary fiction. — Chuck Klosterman

The ideology of liberal humanism found expression in the earliest reviews of Hardy's writing and remained a dominant force until the explosion of literary theory in the 1980s. It is a broad and still influential category. It endorses the moral value of the individual, and the strength of the human spirit. It prefers the integrity of an organic rural society to the anonymity and materialism of an urbanised and technological world. Applied to fiction, this ideology involves the naturalisation of the novel's world and its values, and the recognition of fictional character as presenting a unified subject. — Geoffrey Harvey

one might argue that the Mandeville author's original deception was not a simple trick for its own sake, but rather that it allowed him the freedom to speak his mind in a society that did not encourage such expression: to critique the moral state of his fellow Christians through an unusually open-minded presentation of the sectarian Christian and non-Christian world beyond Latin Christendom,2 an open-mindedness extended to nearly every group except the Jews and some nomads like the Bedouins. If so, the deception can be considered akin to the sort of literary device used by his near contemporary, William Langland, who, to obtain similar critical freedom, couched his impassioned critique of Christendom in an allegorical dream vision called Piers Plowman (five of whose some fifty surviving copies are bound with TBJM, suggesting that they have concerns in common).3 — Iain Macleod Higgins

The slick concrete reflected the facades of the work weary - grey, cracked and old,
but more importantly, trodden upon. — Martin Hopkins

We can trace the communitarian fantasy that lies at the root of all humanism back to the model of a literary society, in which participation through reading the canon reveals a common love of inspiring messages. At the heart of humanism so understood we discover a cult or club fantasy: the dream of the portentous solidarity of those who have been chosen to be allowed to read. In the ancient world - indeed, until the dawn of the modern nation-states - the power of reading actually did mean something like membership of a secret elite; linguistic knowledge once counted in many places as the provenance of sorcery. In Middle English the word 'glamour' developed out of the word 'grammar'. The person who could read would be thought easily capable of other impossibilities. — Peter Sloterdijk

He shrunk more and more from the realities of life and above all from the society of his day which he regarded with an ever growing horror,
a detestation which had reacted strongly on his literary and artistic tastes; he refused, as far as possible, to have anything to do with pictures and books whose subjects were in any way connected with modern existence. — Joris-Karl Huysmans

For, the advantages which fashion values, are plants which thrive in very confined localities, in a few streets, namely. Out of this precinct, they go for nothing; are of no use in the farm, in the forest, in the market, in war, in the nuptial society, in the literary or scientific circle, at sea, in friendship, in the heaven of thought or virtue. — Ralph Waldo Emerson

His problem is that he has so completely internalized the values of his society that he judges himself by standards rooted in social myths rather than human necessities. — Christopher Bigsby

Is it not clear that to give to such women as desire it and can devote themselves to literary and scientific pursuits all the advantages enjoyed by men of the same class will lessen essentially the number of thoughtless, idle, vain and frivolous women and thus secure the [sic] society the services of those who now hang as dead weight? — Sarah Moore Grimke

Literary censorship should not be necessary within the parameters of the law because it's simply a reflection of prevailing social prejudices!

Writing should challenge and change prevailing ideas - churning the guts and ruffling feathers of friends, family and society. Antagonizing is a product of open writing. Expecting less is resignation and stagnation that slides the art into the status-quo.

Writing needs the wider view that shows the causality of our prevailing social prejudice - and shakes at its foundation.

Writers spare us no less and please leave your praise and oppugn to Christopher Hitchens. — Jack Tar

Poetry aside, a religion is really a moral code that is expressed through legends, myths, or any type of literary device in order to establish a system of beliefs, values, and rules with which to regulate a culture or a society. — Carlos Ruiz Zafon

Horror itself is a bit of a bullied genre, the antagonist being literary snobbery and public misconception. And I think good horror tackles our darkest fears, whatever they may be. It takes us into the minds of the victims, explores the threats, disseminates fear, studies how it changes us. It pulls back the curtain on the ugly underbelly of society, tears away the masks the monsters wear out in the world, shows us the potential truth of the human condition. Horror is truth, unflinching and honest. Not everybody wants to see that, but good horror ensures that it's there to be seen. — Kealan Patrick Burke

He who, in an enlightened and literary society, aspires to be a great poet, must first become a little child. — Thomas B. Macaulay

It was terrifying, liberating, and risky. But one day I woke up and decided to try it." (On writing her first novel, "Miss Dreamsville and the Collier County Women's Literary Society") — Amy Hill Hearth

If you tell me bad things about someone, you're telling bad things about me behind me — Miguel El Portugues

We have a great literary tradition in Australia. I think the book is very much alive and the more people who are encouraged to read books the better our society will be and the wiser our society will be. — George Brandis

I promise myself great pleasure from my visit to England. You know I am to stay with Dickens while in London; and beside his own very agreeable society, I shall enjoy that of the most noted literary men of the day, which will be a great gratification to me. — Henry Wadsworth Longfellow

What you create when you're teaching fiction writing is a kind of literary salon, not a social club or a mutual admiration society, not a debating society, not a repair shop, not a fight club or a soap box. It's a place to have a conversation about a story. — John Dufresne

A religion is really a moral code that is expressed through legends, myths or any type of literary device in order to establish a system of beliefs, values and rules with which to regulate a culture or society — Carlos Ruiz Zafon

At some point I started getting published, and experienced a meager knock-kneed standing in the literary world, and I started to get almost everything that many of you graduates are hoping for
except for the money. I got a lot of things that society had promised would make me whole and fulfilled
all the things that the culture tells you, from preschool on, will quiet the throbbing anxiety inside you. I got some stature, the respect of other writers, even a low-grade fame. The culture says these things will save you, as long as you also manage to keep your weight down. But the culture lies. — Anne Lamott

It may be whispered to those uninitiated people who are anxious to know the habits and make the acquaintance of men of letters, that there are no race of people who talk about books, or, perhaps, who read books, so little as literary men. — William Makepeace Thackeray

When the literary class betray a destitution of faith, it is not strange that society should be disheartened and sensualized by unbelief. — Ralph Waldo Emerson

From the moment any of us utter our first goo-goo's and ga-ga's, we are as good as gone. At that precise instant, any possibility that It will ever arise in us is irrevocably crushed. If any proof is needed, consider how immune to strong emotion our society has grown. At your next visit to the local funeral parlor, glance at the mourners, who can more properly be defined as spectators. Notice how they smell, how well-dressed and dignified they are. This is because viewing the dead has become overwhelmingly acceptable as a social function. Yes, even the corpse is part of the festivities, lying there as the guest of honor, laid out in his best clothes, pumped full of chemicals and smeared with make-up as the patrons file by and nurse their long buried consciences with silk handkerchiefs. — Donald Jeffries

The beliefs and behaviour of the Restoration reflect the theories of society put forward by Thomas Hobbes in The Leviathan, which was written in exile in Paris and published in 1651. Like many texts of the time, The Leviathan is an allegory. It recalls mediaeval rather than Renaissance thinking. The leviathan is the Commonwealth, society as a total organism, in which the individual is the absolute subject of state control, represented by the monarch. Man - motivated by self-interest - is acquisitive and lacks codes of behaviour. Hence the necessity for a strong controlling state, 'an artificial man', to keep discord at bay. Self-interest and stability become the keynotes of British society after 1660, the voice of the new middle-class bourgeoisie making itself heard more and more in the expression of values, ideals, and ethics. — Ronald Carter

I don't see how the study of language and literature can be separated from the question of free speech, which we all know is fundamental to our society. [p.92] — Northrop Frye

The literary game is the abyss of human society itself: interactive, playful and tragic. We can't live alone. For me, Robinson [Crusoe] is either a false myth or else he represents the denial of human society. We can't play by ourselves. In literature, it's even more complicated, because one has to play with an indeterminate number of players simultaneously and every game is different. The other player can abandon your game at any time ... to go play chess. — Dumitru Tepeneag

I believe the visionaries and true reflections of society will be rewarded after their lives. Those being rewarded now are giving the public what it needs now, usually applauding its current state and clearing consciences. — Hollace M. Metzger

Finally, let us not forget the religious character of our origin. Our fathers were brought hither by their high veneration for the Christian religion. They journeyed by its light, and labored in its hope. They sought to incorporate its principles with the elements of their society, and to diffuse its influence through all their institutions, civil, political, or literary. Let us cherish these sentiments, and extend this influence still more widely; in full conviction that that is the happiest society which partakes in the highest degree of the mild and peaceful spirit of Christianity. — Daniel Webster

Human society is the embodiment of changeless laws which the whimsicalities and circumstances of men and women involve and overwrap. The realm of literature is the realm of these accidental manners and humours
a spacious realm; and the true literary artist concerns himself mainly with them. — James Joyce

Edmund Wilson was our greatest American literary critic because he was more than a literary critic: He was a fearless, even radical judge of the society he lived in. (See, for example, _A Piece of My Mind_; _The Cold War and the Income Tax_; the introduction to _Patriotic Gore_.) Our conventional critics cannot forgive him for those scandalous lapses in good taste. — Edward Abbey

Richardson, however, remains a vital figure in the history of the novel, and of ideology. He initiates a discourse on sexual roles which, in all its ambiguities, is as relevant to today's society as it was in the mid-eighteenth century and which fills the pages of hundreds of novels after Pamela and Clarissa. — Ronald Carter

As Solomon himself had remarked, 'We can be sure of talent, we can only pray for genius.' But it was a reasonable hope that in such concentrated society some interesting reactions would take place.
Few artists thrive in solitude and nothing is more stimulating than the conflict of minds with similar interests. So far, the conflict had produced worthwhile results in sculpture, music, literary criticism and film making. It was still too early to see if the group working on historical research would fulfil the hopes of its instigators, who were frankly hoping to restore mankind's pride in its own achievements.
Painting still languished which supported the views of those who considered that static, two dimensional forms of art had no further possibilities. It was noticeable, though a satisfactory explanation for this had not yet been produced that time played an essential part in the colony's achievements. — Arthur C. Clarke

We are transformed--magically--into the literary society each time we pass a book along, each time we ask a question about it, each time we say, 'If you liked that, I bet you'd like this.' Whenever we are willing to be delighted and share our delight, as Mary Ann [Shaffer] did, we are part of the ongoing story of The Guernsey Literary and Potato Peel Pie Society.
~Annie Barrows (niece of Mary Ann Shaffer, afterword The Guernsey Literary and Potato Peel Pie Society) — Mary Ann Shaffer

Woolf turned her back on a number of tokens of her rising eminence in the 1930s, including an offer of the Companion of Honour award, an invitation from Cambridge University to give the Clark lectures, and honorary doctorate degrees from Manchester University and Liverpool University.
'It is an utterly corrupt society,' she wrote in her diary, '. . . & I will take nothing that it can give me — Jane Goldman

Revolution was the great nightmare of eighteenth-century British society, and when first the American Revolution of 1776, then the French Revolution of 1789 overturned the accepted order, the United Kingdom exercised all its power so that revolution would not damage its own hardwon security and growing prosperity. Eighteenth-century writing is full of pride in England as the land of liberty (far ahead of France, the great rival, in political maturity), and saw a corresponding growth in national self-confidence accompanying the expansion of empire. — Ronald Carter

The authors we classified as villains, detractors, and bad role models for our children are part of the educational curriculum. Freethinkers and the gutsy ones who pursued love and went against what society preordained are those we admire. The talented that wrote about these adventurous escapades and secret interludes are part of our literary tradition. — Julia Ann Charpentier

The function of a writer is to call a spade a spade. If words are sick, it is up to us to cure them. Instead of that, many writers live off this sickness. In many cases modern literature is a cancer of words ... There is nothing more deplorable than the literary practice which, I believe, is called poetic prose and which consists of using words for the obscure harmonics which reosund about them and which are made up of vague meanings which are in contradiction with the clear meaning ... That is not all: we are living in an age of mystifications. Some are fundamental ones which are due to the structure of society; some are secondary. At any rate, the social order today rests upon the mystification of consciousness, as does disorder as well. — Jean-Paul Sartre

Whether we like it or not, quantification in history is here to stay for reasons which the quantifiers themselves might not actively approve. We are becoming a numerate society: almost instinctively there seems now to be a greater degree of truth in evidence expressed numerically than in any literary evidence, no matter how shaky the statistical evidence, or acute the observing eye. — J. H. Plumb

One's politics are part of one even when one is writing. But if I want to say anything about the state of civil society, I will write an essay. The responsibilities you feel as a novelist are literary ones, I think, not civic ones. And I think politicians are interesting to write about. — Thomas Mallon

All literary men are Red Sox fans - to be a Yankee fan in a literate society is to endanger your life — John Cheever

Nothing is 'wrong' with me, Dan. What's wrong with you? she said in the same eerily quiet voice, dark eyes fixated on Dan, as she breathed heavily. — Martin Hopkins

I find three basic characteristics that fundamentally distinguish the novel in principle from other genres: (i) its stylistic three-dimensionality, which is linked with the multi-languaged consciousness realized in the novel; (2) the radical change it effects in the temporal coordinates of the literary image; (3) the new zone opened by the novel for structuring literary images, namely, the zone of maximal contact with the present (with contemporary reality) in all its openendedness.
These three characteristics of the novel are all organically interrelated and have all been powerfully affected by a very specific rupture in the history of European civilization: its emergence from a socially isolated and culturally deaf semipatriarchal society, and its entrance into international and interlingual contacts and relationships. — Mikhail Bakhtin

The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations. — Chinua Achebe

Aesthetic value emanates from the struggle between texts: in the reader, in language, in the classroom, in arguments within a society. Aesthetic value rises out of memory, and so (as Nietzsche saw) out of pain, the pain of surrendering easier pleasures in favour of much more difficult ones ... successful literary works are achieved anxieties, not releases from anxieties. — Harold Bloom

Today the crime novelist has one advantage denied to writers of 'straight' or 'literary' novels. Unlike them he can range over all levels of society, for crime can easily breach the barriers that exist in our stratified society. Because of these barriers the modern literary novel, unlike its 19th-century predecessors, is often confined to the horizontal, dealing only with one class. But crime runs through society from top to bottom, and so the crime novelist can present a fuller picture of the way we live now. — Allan Massie

Lucien Goldmann has stated the central problem of Marxist aesthetics in the period of advanced capitalism. If the proletariat is not the negation of the existing society but to a great extent integrated into it, then Marxist aesthetics is confronted with a situation where "authentic forms of cultural creations" exist "though they cannot be attached to the consciousness -even a potential one- of a particular social group." The decisive question therefore is: how the "link is made between the economic structures and literary manifestations in a society where this link occurs outside the collective consciousness, i.e., without being grounded in a progressive class consciousness, without expressing such consciousness? — Herbert Marcuse

Melancholy, amorous and barbaric, these tales exalted adulterous love as the only true kind, while in the real life of the same society adultery was a crime, not to mention a sin. If found out, it dishonored the lady and shamed the husband, a fellow knight. It was understood that he had the right to kill both unfaithful wife and lover. Nothing fits in this canon. The gay, the elevating, the ennobling pursuit is founded upon sin and invites the dishonor it is supposed to avert. Courtly love was a greater tangle of irreconcilables even than usury. It remained artificial, a literary convention, a fantasy (like modern pornography) more for purposes of — Barbara W. Tuchman

As a novelist, Scott's influence was immense: his creation of a wide range of characters from all levels of society was immediately likened to Shakespeare's; the use of historical settings became a mainstay of Victorian and later fiction; his short stories helped initiate that form; his antiquarian researches and collections were a major contribution to the culture of Scotland. — Ronald Carter

All Renaissance drama, especially the works of Marlowe and Shakespeare, is profoundly concerned with shifting power relations within society. The individual was a new force in relation to the state. The threat of rebellion, of the overturning of established order, was forcefully brought home to the Elizabethan public by the revolt of the Earl of Essex, once the Queen's favourite. The contemporary debate questioned the relationship between individual life, the power and authority of the state, and the establishing of moral absolutes. Where mediaeval drama was largely used as a means of showing God's designs, drama in Renaissance England focuses on man, and becomes a way of exploring his weaknesses, depravities, flaws - and qualities. — Ronald Carter

Literature is conscious mythology: as society develops, its mythical stories become structural principles of story-telling, its mythical concepts, sun-gods and the like, become habits of metaphoric thought. In a fully mature literary tradition the writerenters intoa structure of traditional stories and images. — Northrop Frye

If Gissing is less compassionately observant than Mrs Gaskell, less overtly polemical than Kingsley, still The Nether World and Demos would be sympathetically endorsed by either of them, or by their typical readers. Yet Gissing does introduce an important new element, and one that remains significant. He has often been called 'the spokesman of despair,' and this is true in both meanings of the phrase. Like Kingsley and Mrs Gaskell, he writes to describe the true conditions of the poor, and to protest against those brute forces of society which fill with wreck the abysses of the nether world. Yet he is also the spokesman of another kind of despair: the despair born of social and political disillusion. In this he is a figure exactly like Orwell in our own day, and for much the same reason. Whether one calls this honesty or not will depend on experience. — Raymond Williams

One summer at the fag end of the nineties, I had to go out of London to talk to a literary society, of the sort that must have been old-fashioned when the previous century closed. When the day came, I wondered why I'd agreed to it; but yes is easier than no, and of course when you make a promise you think the time will never arrive: that there will be a nuclear holocaust, or something else diverting. — Hilary Mantel

American literature has, since the time of the Puritans, featured the jeremiad as a prolonged complaint, a prophet's indictment of his society characteristic of work such as the muckrakers' novels or Allan Ginsberg's "Howl." Doctorow struggles to accommodate this form to his artistry (as successful practitioners of the work have always done). To this end, he has repeatedly adapted genres such as the Western, the romance, and the detective novel, often playing with accepted conventions, and thus avoiding didacticism. — Michelle M. Tokarczyk

In Japan, the writers have made up a literary community, a circle, a society. I think 90 percent of Japan's writers live in Tokyo. Naturally, they make a community. There are groups and customs, and so they are tied up in a way. — Haruki Murakami

The artist has some internal experience that produces a poem, a painting, a piece of music. Spectators submit themselves to the work, which generates an inner experience for them. But historically it's a very new, not to mention vulgar, idea that the spectators experience should be identical to, or have anything to do with, the artist's. That idea comes from an over-industrialized society which has learned to distrust magic. — Samuel R. Delany

Society has really no graver interest than the well-being of the literary class. — Ralph Waldo Emerson

[I began to unload] the pyramid of honors, civic and literary, which had been heaped on me by the headlong process of rewarding a popular success. One day, I sat down and wrote a wholesale lot of letters of resignation. When I finished, I didn't belong to a single authors club or patriotic society. I was myself again, whatever that was. — Mary Antin

Join us. Play the game. It will bring you an untold number of rewards and you will finally have some direction and purpose in your lives. Take control of yourselves and those around you. Bend them to your will and all worldly pleasures will be yours ... — Martin Hopkins

In 1952, I had gone to England on a literary pilgrimage, but what I also saw, even at that distance from the blitz, were bombed-out ruins and an enervated society, while the continent was still, psychologically, in the grip of its recent atrocities. — Cynthia Ozick

A Literary Society is the most proper form for the introduction of our Order into any state where we are yet strangers. — Adam Weishaupt

When we consider the close connection between science and industrial development on the one hand, and between literary and aesthetic cultivation and an aristocratic social organization on the other, we get light on the opposition between technical scientific studies and refining literary studies. We have before us the need of overcoming this separation in education if society is to be truly democratic. — John Dewey

Put your hand on your heart to keep it from flying off to the lovely magical literary island Mary Ann Shaffer and Annie Barrows have created in The Guernsey Literary and Potato Peel Pie Society. This novel is a delightful mix of fine writing, powerful emotions, glorious settings and amazing characters who deal with life in a way that will have readers falling in love on every single page. — Kris Radish

It is a fact that unless children are brought up in the nurture and admonition of the Lord, they, and the society which they constitute or control, will go to destruction. Consequently, when a state resolves that religious instruction shall be banished from the schools and other literary institutions, it virtually resolves on self-destruction. — Charles Hodge

Remember the country and the age in which we live. Remember that we are English, that we are Christians. Consult your own understanding, your own sense of the probable [ ... ]. Does our education prepare us for such atrocities? Do our laws connive at them? Could they be perpetrated without being known, in a country like this, where social and literary intercourse is on a such footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open? — Jane Austen