Literary Reviews Quotes & Sayings

Sometimes Joyce is hilarious. I read Finnegans Wake after graduate school and I had the great good fortune of reading it without any help. I don't know if I read it right, but it was hilarious! I laughed constantly! I didn't know what was going on for whole blocks but it didn't matter because I wasn't going to be graded on it. I think the reason why everyone still has so much fun with Shakespeare is because he didn't have any literary critic. He was just doing it; and there were no reviews except for people throwing stuff on stage. He could just do it. — Toni Morrison

I read reviews and consider myself pretty 'plugged in' to the literary cosmos, yet one of the things I love best about book-touring is the opportunity to compare notes with favorite booksellers around the country. I always come home with books by authors I'd never heard of - or books I've read about but didn't realize I might love. — Julia Glass

The ideology of liberal humanism found expression in the earliest reviews of Hardy's writing and remained a dominant force until the explosion of literary theory in the 1980s. It is a broad and still influential category. It endorses the moral value of the individual, and the strength of the human spirit. It prefers the integrity of an organic rural society to the anonymity and materialism of an urbanised and technological world. Applied to fiction, this ideology involves the naturalisation of the novel's world and its values, and the recognition of fictional character as presenting a unified subject. — Geoffrey Harvey

I owe all my originality, such as it is, to my determination not to be a literary man. Instead of belonging to a literary club I belong to a municipal council. Instead of drinking and discussing authors and reviews, I sit on committees with capable practical greengrocers and bootmakers ... Keep away from books and from men who get their ideas from books, and your own books will always be fresh. — George Bernard Shaw

The critic's aim should be to interpret the work they are writing about and help readers appreciate it, by defining and analysing those qualities that make it precious and by indicating the angle of visions from which its beauties are visible. But many critics do not realize their function. They aim not to appreciate, but to judge; they seek first to draw lines about literature and then bully readers into accepting these laws. — David Cecil

What readers ask nowadays in a book is that it should improve, instruct and elevate. This book wouldn't elevate a cow. I cannot conscientiously recommend it for any useful purposes whatever. All I can suggest is that when you get tired of reading "the best hundred books," you may take this for half an hour. It will be a change. — Jerome K. Jerome

(Feedback) People become addicted to it. That's why journalism is so popular, because you want to hear, every day, what people think of what you just wrote. I think a little patience on that front can be good, too. — Zadie Smith

The idea of some kind of objectively constant, universal literary value is seductive. It feels real. It feels like a stone cold fact that In Search of Lost Time, by Marcel Proust, is better than A Shore Thing, by Snooki. And it may be; Snooki definitely has more one-star reviews on Amazon. But if literary value is real, no one seems to be able to locate it or define it very well. We're increasingly adrift in a grey void of aesthetic relativism. — Lev Grossman

The Lethean Library, for all its incalculable volumes, is, I know, sadly incomplete without Mr. Goodman's effort. — Vladimir Nabokov

For a while, Criticism travels side by side with the Work, then Criticism vanishes and it's the Readers who keep pace. The journey may be long or short. Then the Readers die one by one and the Work continues on alone, although a new Criticism and new Readers gradually fall into step with it along its path. Then Criticism dies again and the Readers die again and the Work passes over a trail of bones on its journey toward solitude. To come near the work, to sail in her wake, is a sign of certain death, but new Criticism and new Readers approach her tirelessly and relentlessly and are devoured by time and speed. Finally the Work journeys irremediably alone in the Great Vastness. And one day the Work dies, as all things must die and come to an end: the Sun and the Earth and the Solar System and the Galaxy and the farthest reaches of man's memory. Everything that begins as comedy ends in tragedy. — Roberto Bolano

Do not start me on The Da Vinci Code ... a novel so bad that it gives bad novels a bad name.
(Discussion at Woodruff Auditorium in Lawrence, KS; October 7, 2005.) — Salman Rushdie

I know that an author must be brave enough to chop away clinging tentacles of good taste for the sake of a great work. But this is no great work, you see. — Dorothy Parker

A novelist must wrestle with all mysteries and strangeness of life itself, and anyone who dies not wish to accept that grand, bone-chilling commission should write book reviews, editorials, or health-insurance policies instead. — Pat Conroy

I would be wonderful with a 100-year moratorium on literature talk, if you shut down all literature departments, close the book reviews, ban the critics. The readers should be alone with the books, and if anyone dared to say anything about them, they would be shot or imprisoned right on the spot. Yes, shot. A 100-year moratorium on insufferable literary talk. You should let people fight with the books on their own and rediscover what they are and what they are not. Anything other than this talk. — Philip Roth

There was a period when I lived on book reviews, when I had basked and drawn sustenance from what I deemed the light of their intelligence, the beneficience of their charm. But something had gone sour. Over the years I had read too much, in dim-lighted railway stations, lying on the davenports of strangers' houses, in the bleak and dismal wards of insane asylums. That reading had forced the charm to relinquish itself. Now I found that reviews were not only bland but scarcely, if ever, relevant; and that all books, whether works of imagination or the blatant frauds of literary whores, were approached by the reviewer with the same crushing sobriety. I wanted to reviewer to be fair, kind, and funny. I wanted to be made to laugh. — Frederick Exley

My reviews of the above books appear in my series, A Literary Cavalcade. Reviews are listed alphabetically by author across the six volumes. — Robert A. Parker

The critics greeted this book with a churlish and horrified outcry. Certain virtuous people, in newspapers no less virtuous, made a grimace of disgust as they picked it up with the tongs to throw it into the fire. Even the minor literary reviews, the ones that retail nightly the tittle-tattle from alcoves and private rooms, held their noses and talked of filth and stench. I am not complaining about this reception; on the contrary I am delighted to observe that my colleagues have such maidenly susceptibilities. — Emile Zola

Some who have read the book, or at any rate have reviewed it, have found it boring, absurd, or contemptible, and I have no cause to complain, since I have similar opinions of their works, or of the kinds of writing that they evidently prefer. — J.R.R. Tolkien

He writes the worst English that I have ever encountered. It reminds me of a string of wet sponges; it reminds me of tattered washing on the line; it reminds me of stale bean soup, of college yells, of dogs barking idiotically through endless nights. It is so bad that a sort of grandeur creeps into it. It drags itself out of the dark abysm of pish, and crawls insanely up the topmost pinnacle of posh. It is rumble and bumble. It is flap and doodle. It is balder and dash.
(writing about US President Warren G. Harding) — H.L. Mencken

I don't have a whole bunch of literary connections. I don't write reviews or attend writer's conferences. I'm kind of shy and don't want to go to a party. I just want to stay home and read my murder mysteries and try to write and cook dinner. — Susanna Kaysen

There's a certain kind of conversation you have from time to time at parties in New York about a new book. The word "banal" sometimes rears its by-now banal head; you say "underedited," I say "derivative." The conversation goes around and around various literary criticisms, and by the time it moves on one thing is clear: No one read the book; we just read the reviews. — Anna Quindlen

While clearly an impregnable masterpiece, Don Quixote suffers from one fairly serious flaw - that of outright unreadability. — Martin Amis

What are American dry-goods? asked the duchess, raising her large hands in wonder and accentuating the verb.
American novels, answered Lord Henry. — Oscar Wilde

The want of an international Copy-Right Law, by rendering it nearly impossible to obtain anything from the booksellers in the wayof remuneration for literary labor, has had the effect of forcing many of our very best writers into the service of the Magazines and Reviews. — Edgar Allan Poe

Books are portals for the imagination, whether one is reading or writing, and unless one is keeping a private journal, writing something that no one is likely to read is like trying to have a conversation when you're all alone. Readers extend and enhance the writer's created work, and they deepen the colors of it with their own imagination and life experiences. In a sense, there's a revision every time one's words are read by someone else, just as surely as there is whenever the writer edits. Nothing is finished or completely dead until both sides quit and it's no longer a part of anyone's thoughts. So it seems almost natural that a lifelong avid reader occasionally wants to construct a mindscape from scratch after wandering happily in those constructed by others. If writing is a collaborative communication between author and reader, then surely there's a time and a place other than writing reviews for readers to 'speak' in the human literary conversation. — P.J. O'Brien

I don't generally publicly respond to
reviews, no matter how wrong-headed or perspicacious I think them. Nine times out of ten, writers' responses to critics seem to me at best undignified. — China Mieville

Beware of the man who denounces woman writers; his penis is tiny and he cannot spell. — Erica Jong

Life is a very orderly thing, but in fiction there is a huge liberation and freedom. I can do what I like. There's nothing that says I can't write a page of full stops. There is no 'should' involved, although you wouldn't know that from literary reviews and critics. — Kate Atkinson

As for literary criticism in general: I have long felt that any reviewer who expresses rage and loathing for a novel or a play or a poem is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae or a banana split. — Kurt Vonnegut

Literary men now routinely tell their readers about their divorces. One literary man who reviews books wrote, in reviewing a study of Ruskin, that he had never read a book by Ruskin but that the study confirmed him in his belief that he didn't want to read a book by Ruskin. This man very often writes about his family life. — George W. S. Trow

For obvious reasons, the relationship between novelists, the reviewing establishment and critics in general is chronically, and often acutely, edgy. A kind of low-intensity warfare prevails, with outbreaks of savagery. It is partly an ownership issue. Who, other than its creator, is to say what a work of fiction means or is worth? It can take years to write a novel and only a few hours for a critic, or a reviewer rushing for a tight deadline, to trash it. — John Sutherland

One of the functions of literary criticism, or reviewing, generally - and I, most of my reviews actually are not about literature - but one of the functions of that is basically the sort of Consumer Reports function of letting readers know whether this is something they want to read. — Louis Menand

Thank you for sending me a copy of your book. I'll waste no time reading it. — Moses Hadas