Literary Author Quotes & Sayings

Rather, it provided a literary framework within which the author could effectively express the Hebraic conviction that one God created the world by bringing order out of chaos. He was interested in thematic rather than chronological organization. The — Gregory A. Boyd

A word, and all the infinite fluctuations it may possess. Like that moment when you know you have something to say, and you know you're speaking, even, but you still have no idea how you will say it. Or the moment when, as a reader, you're reading, and you are understanding what you are reading, but still have utterly no idea what will come next for you, what precisely the author wants to say. For me, that is the ultimate level of literary depth, of literary density. — Sergio Chejfec

Discussions of the effects of serial publication of Victorian novels on their authors and readers1 usually draw attention to the author's peculiar opportunities for cliff-hanging suspense, as, for instance, when Thackeray has Becky Sharp counter old Sir Pitt's marriage proposal at the end of Vanity Fair's fourth number with the revelation
that she is already married, and the reader must wait a month before the husband's identity is revealed. Or it may be pointed out how the author can modify his story in response to his readers' complaints or recommendations, as when Trollope records in his
Autobiography how he wrote Mrs Proudie out of the Barchester Chronicles after overhearing two clergymen in the Athenaeum complaining of his habit of reintroducing the same characters in his fiction. — Ian Gregor

There comes a point, in literary objectivity, when the author's self- effacement is hard to distinguish from moral cowardice. — Edward Abbey

one might argue that the Mandeville author's original deception was not a simple trick for its own sake, but rather that it allowed him the freedom to speak his mind in a society that did not encourage such expression: to critique the moral state of his fellow Christians through an unusually open-minded presentation of the sectarian Christian and non-Christian world beyond Latin Christendom,2 an open-mindedness extended to nearly every group except the Jews and some nomads like the Bedouins. If so, the deception can be considered akin to the sort of literary device used by his near contemporary, William Langland, who, to obtain similar critical freedom, couched his impassioned critique of Christendom in an allegorical dream vision called Piers Plowman (five of whose some fifty surviving copies are bound with TBJM, suggesting that they have concerns in common).3 — Iain Macleod Higgins

I burnt for the more active life of the world--for the more exciting toils of a literary career--for the destiny of an artist, author, orator; anything rather than that of a priest: yes, the heart of a politician, of a soldier, of a votary of glory, a lover of renown, a luster after power, beat under my curate's surplice. I considered; my life was so wretched, it must be changed, or I must die. After a season of darkness and struggling, light broke and relief fell: my cramped existence all at once spread out to a plain without bounds--my powers heard a call from heaven to rise, gather their full strength, spread their wings, and mount beyond ken. — Charlotte Bronte

The most celebrated American author of the twentieth century, Bellow objected during the first part of his career to being designated a "Jewish writer, " but it was he who demonstrated how a Jewish voice could speak for an integrated America. With Bellow, Jewishness moved in from the immigrant margins to become a new form of American regionalism. Yet he did not have to write about Jews in order to write as a Jew. Bellow's curious mingling of laughter and trembling is particularly manifest in his novel Henderson the Rain King, that follows an archetypal Protestant American into mythic Africa. Bellow not only influenced and paved the way for other American Jewish writers like Philip Roth and Cynthia Ozick, but naturalized the immigrant voice: the American novel came to seem freshly authentic when it spoke in the voice of one of its discernible minorities. — Hana Wirth-Nesher

Literary style is like crystal-ware: the cleaner the wineglass, the brighter the brilliance. As a reader, I agree with those who believe that a colour of the dress, which a character has on, as well as any enumeration and description of dishes at dinner or in the kitchen should be mentioned only in case if all this has a strong consequent relation to the plot, but as an author, I can't help mentioning all this, with no particular reason, just for love for my characters, desiring to give them something nice and pleasant. Melancholy grows a platinum rose. Affection grows a double rose. — Lara Biyuts

The author is impacted by a hidden insistence that takes the shape of different combinations each time a
different text is produced but the underlying problem remains the same for him. — Anuradha Bhattacharyya

A novel, in which all is created by the author's whim, must strike a more profound level of truth, or it is worthless."
"And yet, I have heard you say that any novel that relieves your ennui for an hour has proved its usefulness."
"You have a good memory. It must have been ten thousands of years ago that I uttered those words."
"And if it was?"
"In another ten thousand, perhaps I will agree with them again."
"In my opinion, the proper way to judge a novel is this: Does it give one an accurate reflection of the moods and characteristics of a particular group of people in a particular place at a particular time? If so, it has value. Otherwise, it has none."
"You do not find this rather narrow?"
"Madam - "
"Well?"
"I was quoting you. — Steven Brust

I do not so much write a book as sit up with it, as with a dying friend. During visiting hours, I enter its room with dread and sympathy for its many disorders. I hold its hand and hope it will get better.
This tender relationship can change in a twinkling. If you skip a visit or two, a work in progress will turn on you. — Annie Dillard

This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job. — Susan Sontag

On a spectrum of literary productions, memoir is just another form. If the person doing the reviewing or critiquing was ill-educated about literary forms, they could write something dunderheaded about the author or their life (I've seen these and barfed at them), but anyone who is well-practiced and educated in literature - why would they leave that at the door when entering memoir? — Lidia Yuknavitch

Few literary depictions of the 1906 San Francisco earthquake match the intensity and visceral power of those in Flacco's gripping first novel. The author's screenwriting talent shines in this story of the earth's destructive power and humanity's moral depravity. The emerging maniacal personality, revealed in increasingly gruesome and venomous detail, rivals the Ripper.Dickens meets Hannibal Lecter. Brace yourself. — William Bernhardt

It is a curious fact of literary history that a story which describes the loss of a gigantic prize provided the author with the greatest prize of his career. - — Ernest Hemingway,

They could never quite reconcile themselves to the idea that our lives don't follow the dramatic arc that a good author gives to a great literary character. Only in accidents of pure perfection does the world actually become a stage. (Rule of Four, 54-55) — Ian Caldwell

This brought to mind a story about George Bernard Shaw, the British author who found himself arranging a literary colloquium. Shaw told one of the speakers that he would have twenty minutes. Shocked, this man of letters responded, "How can I possibly tell the group everything I know on this subject in twenty minutes?" Shaw replied, "I suggest you speak very slowly. — Ed Mickolus

I would rather be attacked than unnoticed. For the worst thing you can do to an author is to be silent as to his works. — Samuel Johnson

Literary texts do not exist on bookshelves: they are processes of signification materialized only in the practice of reading. For literature to happen, the reader is quite as vital as the author. — Terry Eagleton

One aspect of Samantha's personality that drove me nuts was her tendency to reveal herself via literary allusions. She called it a quirk, but it was more of a compulsion. Her mother was Lady Macbeth; her father, Big Daddy. An uncle she liked was Mr. Micawber, a favorite governess, Jane Eyre; a doting professor, Mr. Chips.
This curious habit of hers quickly made the voyage from eccentric to bizarre when she began to invoke the names of literary characters to describe moments in our relationship. When she thought I was treating her rudely, she called me Wolf Larsen; if I was standoffish, I was Mr. Darcy; when I dressed too shabbily, I was Tom Joad.
Once, in bed, she yelled out the name Victor as she approached orgasm. I assumed she was referring to Victor Hugo because she'd been reading 'Les Miserables.'. It didn't really bother me that much though it was a little odd being with a woman who thought she was having sex with a dead French author. — John Blumenthal

Psmith is the only thing in my literary career which was handed to me on a plate with watercress round it, thus enabling me to avoid the blood, sweat and tears inseparable from an author's life. — P.G. Wodehouse

An author needs a lot more than one person to succumb to his literary seductive charms, but, like Saul, he must realize that he doesn't have to
and indeed cannot
capture the hearts of every possible reader out there. No matter who the writer, his ideal intended audience is only a small faction of all the living readers. Name the most widely read authors you can think of
from Shakespeare, Austen, and Dickens to Robert Waller, Stephen King, and J.K. Rowling
and the immense majority of book-buyers out there actively decline to read them. — Thomas McCormack

Having placed in my mouth sufficient bread for three minutes' chewing, I withdrew my powers of sensual perception and retired into the privacy of my mind, my eyes and face assuming a vacant and preoccupied expression. I reflected on the subject of my spare-time literary activities. One Beginning and one ending for a book was a thing I did not agree with. A good book may have three openings entirely dissimilar and inter-related only in the prescience of the author, or for that matter one hundred times as many endings. — Flann O'Brien

[N]o such thing as objective writing, ... every inscription, every traveler's tale, every news account, every piece of technical writing, tells more about the author and his time than it does about the ostensible subject. — Sue Hubbell

Oftentimes, if a writer really gets her hooks into me, I'll want to read interviews, or listen to an interview, or read a literary biography or a memoir of some kind. And doing so almost always deepens my enjoyment of the author and her work. — Brad Listi

In one of these tales, 'The Ascetic', the title character tells his interlocutor that paradises and nirvanas are 'illusions inside other illusions. If you dream you're dreaming, is the dream you dream less real than the dream you dream you're dreaming?' This sort of musing is vaguely reminiscent of Disquiet in its formative phase, which may be why Pessoa decided to entrust it to Guedes, whose wide-ranging literary talents made him a potentially excellent author-administrator of such a capacious work. — Fernando Pessoa

Excellent Sheep is likely to makea lasting mark for three reasons. One, Mr. Deresiewicz spent twenty-four years in the Ivy League, graduating from Columbia and teaching for a decade at Yale.He brings the gory details. Two, the author is a striker, to put it in soccer terms. He's a vivid writer, a literary critic whose headers tend to land in the back corner of the net. Three, his indictment arrives on wheels: He takes aim at just about the entirety of upper-middle-class life in America.Mr. Deresiewicz's book is packed full of what he wants more of in American life: passionate weirdness. — Dwight Garner

Literary critics, however, frequently suffer from a curious belief that every author longs to extend the boundaries of literary art, wants to explore new dimensions of the human spirit, and if he doesn't, he should be ashamed of himself. — Robertson Davies

A man of letters, merely by reading a phrase, can estimate exactly the literary merit of its author. — Marcel Proust

I know that an author must be brave enough to chop away clinging tentacles of good taste for the sake of a great work. But this is no great work, you see. — Dorothy Parker

(On literary festivals) When you go and see a band play live, you are watching it do on stage what it is meant to do. When you watch an author perform live, you are, most of the time, watching a dog walk on its hind legs. — Nicholas Lezard

Most literary critics agree that fiction cannot be reduced to mere falsehood. Well-crafted protagonists come to life, pornography causes orgasms, and the pretense that life is what we want it to be may conceivably bring about the desired condition. Hence religious parables, socialist realism, Nazi propaganda. And if this story likewise crawls with reactionary supernaturalism, that might be because its author longs to see letters scuttling across ceilings, cautiously beginning to reify themselves into angels. For if they could only do that, then why not us? — William T. Vollmann

There is a technical, literary term for those who mistake the opinions and beliefs of characters in a novel for those of the author. The term is 'idiot'. — Larry Niven

Up until relatively recently, creating original characters from scratch wasn't a major part of an author's job description. When Virgil wrote The Aeneid, he didn't invent Aeneas; Aeneas was a minor character in Homer's Odyssey whose unauthorized further adventures Virgil decided to chronicle. Shakespeare didn't invent Hamlet and King Lear; he plucked them from historical and literary sources. Writers weren't the originators of the stories they told; they were just the temporary curators of them. Real creation was something the gods did.
All that has changed. Today the way we think of creativity is dominated by Romantic notions of individual genius and originality, and late-capitalist concepts of intellectual property, under which artists are businesspeople whose creations are the commodities they have for sale. — Lev Grossman

I see a lot of writers who complain when their book doesn't sell and the reason that happens sometimes, is they don't know how to publicize or promote themselves. A writer is more successful when they're involved in their literary community somehow. It's very easy for an author's book to fade away if they don't get out in public and meet people. — Kevin Sampsell

There is a literature that does not reach the voracious mass. It is the work of creators, issued from a real necessity in the author, produced for himself. It expresses the knowledge of a supreme egoism, in which laws wither away. Every page must explode, either by profound heavy seriousness, the whirlwind, poetic frenzy, the new, the eternal, the crushing joke, enthusiasm for principles, or by the way in which it is printed. On the one hand a tottering world in flight, betrothed to the glockenspiel of hell, on the other hand: new men. Rough, bouncing, riding on hiccups. Behind them a crippled world and literary quacks with a mania for improvement. — Tristan Tzara

I would not employ an author to referee a Ping-Pong match. By their very nature they are biased and bloody-minded. Better put a fox in a henhouse than to ask an author to judge his peers. (in a letter to the Governor General about the GA's Literary Awards & his issue
among others
with the judging system, 1981) — Jack McClelland

Literary Teas are constantly in a state of flux. The uninitiated gravitates toward the author, the author toward the editor or publisher, the publisher toward the reviewer, and the reviewer, in desperation, toward another drink. — Mark Kurlansky

The sorcery is not confined to the story; it's matched by the magic of Austin's literary craftsmanship.
--Leland Dirks, author of Angelo's Journey — R.L. Austin

... the primary trait of young adult literature is that the author's emphasis is on plot and character and not on his own brilliance. And because few people talk about whether a young adult work is commercial or literary; the two are still in sync, and everyone's benefitting. — Eliot Schrefer

Most modern literary criticism is literary and nothing else - that is, it concentrates on an author's style and thinks it rather vulgar to notice his subject matter. — George Orwell

Writing without revising is the literary equivalent of waltzing gaily out of the house in your underwear. — Patricia Fuller

The Renaissance did not break completely with mediaeval history and values. Sir Philip Sidney is often considered the model of the perfect Renaissance gentleman. He embodied the mediaeval virtues of the knight (the noble warrior), the lover (the man of passion), and the scholar (the man of learning). His death in 1586, after the Battle of Zutphen, sacrificing the last of his water supply to a wounded soldier, made him a hero. His great sonnet sequence Astrophel and Stella is one of the key texts of the time, distilling the author's virtues and beliefs into the first of the Renaissance love masterpieces. His other great work, Arcadia, is a prose romance interspersed with many poems and songs. — Ronald Carter

I love this quote uttered by the character Widget in The Night Circus. He credits it to Herr Thiessen but knows it is a literary quote by the another author.
Wine is bottled poetry — Robert Louis Stevenson

Mr. Morris's poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous Poems and Ballads, - a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne's enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman's own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris's poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne. — Henry James

In general, when a novel manipulates its material to conform to the pieties of the day, or alternatively to attack those pieties for no other reason than the visibility such an attack will generate, when its literary tropes are all too familiar, its clever prose reminiscent of other clever prose, then the compass needle is slipping away from true north ... When, on the other hand, the author renounces some easy twist, some expected payoff, to take us into territory we didn't expect but that nevertheless fits with the drift of the story, then the novel gains force and conviction. And when he or she does it again, telling quite a different story that is nevertheless driven by the same urgent tensions, then we are likely moving into the zone of authenticity. — Tim Parks

In Russia, the person who put Sevastopol on the literary map was Leo Tolstoy, a veteran of the siege. His fictionalized memoir The Sebastopol Sketches made him a national celebrity. Already with the first installment of the work published, Tsar Alexander II saw the propaganda value of the piece and ordered it translated into French for dissemination abroad. That made the young author very happy. Compared with Tolstoy's later novels, The Sebastopol Sketches hasn't aged well, possibly because this is not a heartfelt book. As the twenty-six-year-old Tolstoy's Sevastopol diaries reveal, not heartache but ambition drove him at the time. Making a name as an author was just an alternative to two other grand plans - founding a new religion and creating a mathematical model for winning in cards (his losses during the siege were massive even for a rich person). — Constantine Pleshakov

The act of writing itself is much like the construction of a mirror made of words. Looking at certain illuminated corners of or cracks within the mirror, the author can see fragments of an objective reality that comprise the physical universe, social communities, political dynamics, and other facets of human existence. Looking in certain other corners of the same mirror, he or she may experience glimpses of a True Self sheltered deftly behind a mask of public proprieties. — Aberjhani

If the relation of morality to art were based simply on the demand that art be concerned with values, then almost every author should satisfy it even if he wrote with his prick while asleep. (Puritans will object to the language in that sentence, and feminists to the organ, and neither will admire or even notice how it was phrased.) — William H Gass

When I finally find that one willing agent, I'll have found my prize in the Cracker Jack box. — Richelle E. Goodrich

Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection. — Joseph Brodsky

There could be no better time to read THE END OF BLISS, Rhonda Cutler's beautifully researched and heartfelt novel about another of our great country's bust-and-boom cycles. The story of how the Merkals redefine themselves and their marriage through the Great Depression and after shines a personal light on a continuing American story--and provides, in our own time of flux, universal understanding and solace."
JENNA BLUM, New York Times bestselling author of Those Who Save Us and The Stormchasers — Rhonda Ringler Cutler

My reviews of the above books appear in my series, A Literary Cavalcade. Reviews are listed alphabetically by author across the six volumes. — Robert A. Parker

When you get inside a literary novel you feel that the author, more often than not, just doesn't know enough about things. They haven't been around enough - novelists never go anywhere. Once I discovered true books about real things - books like 'How To Run a Company' - I stopped reading novels. — Peter York

I'm a pluralist about perspectives on literature. There seem to me to be all sorts of illuminating ways of responding to major literary works, some of them paying considerable attention to context, others applying various theoretical ideas, yet others focusing on details of language, or linking the work to the author's life, or connecting it with other works. — Philip Kitcher

Sometimes I still feel that there are two of me: one clean, flawless picture, the other imperfect and cracked; one boy, one girl; one voice that speaks aloud and one that whispers in my ear; one publicly known to have been troubled but be on the mend, the other who has privately lost something to do with innocence and gained something to do with knowledge and adulthood that can never be undone. I feel sometimes there are things that tear me in two directions, that there are two sets of thoughts that grow side by side. But then I realize that I am whole, whatever that means and does not mean; I am complete without the need for additions or alteration. — Abigail Tarttelin

Books are portals for the imagination, whether one is reading or writing, and unless one is keeping a private journal, writing something that no one is likely to read is like trying to have a conversation when you're all alone. Readers extend and enhance the writer's created work, and they deepen the colors of it with their own imagination and life experiences. In a sense, there's a revision every time one's words are read by someone else, just as surely as there is whenever the writer edits. Nothing is finished or completely dead until both sides quit and it's no longer a part of anyone's thoughts. So it seems almost natural that a lifelong avid reader occasionally wants to construct a mindscape from scratch after wandering happily in those constructed by others. If writing is a collaborative communication between author and reader, then surely there's a time and a place other than writing reviews for readers to 'speak' in the human literary conversation. — P.J. O'Brien

The concept of an author, the single creative person who gives the text 'authority', only comes later in this period. Most Old English poetry is anonymous, even though names which are in no way comparable, such as Caedmon and Deor, are used to identify single texts. Caedmon and Deor might indeed be as mythical as Grendel, might be the originators of the texts which bear their names, or, in Deor's case only, the persona whose first-person voice narrates the poem. Only Cynewulf 'signed' his works, anticipating the role of the 'author' by some four hundred years. — Ronald Carter

Just read The Virtue of Minding Your Own Business. Oh my, what currents run deep! Beautifully seen, beautifully told. Praise praise praise ... Pardon my French, but you are one darn major American writer!
Richard Bach, author of Jonathan Livingston Seagull and Illusions, on Sandcastle and Other Stories — Richard Bach

A preface is a species of literary luxury, where an author, like a lover, is privileged to be egotistical ... — Letitia Elizabeth Landon

Many of the characters who appear in the pages of the Fourth Gospel are literary creations of its author and were never intended to be understood as real people, who actually lived in history. — John Shelby Spong

I can't change overnight into a serious literary author. You can't compare apples to oranges. William Faulkner was a great literary genius. I am not. — John Grisham

Certainly the highest posthumous praise that can be conferred upon any writer is the assertion that his or her writing permanently altered the literary landscape for the better, opening new textual doors and engaging new readers. That the author's oeuvre was essential and irreplaceable and transformative. — Paul Di Filippo

SATIRE, n. An obsolete kind of literary composition in which the vices and follies of the author's enemies were expounded with imperfect tenderness. — Ambrose Bierce

There is a payoff for examining the divine author's literary style. It will tell you something about Him. Whereas, Jonah's actions are extensively described and laboriously detailed, God's reactions (although miraculous) are only described in sparse, minimalist terms.
God seems much more amused by Jonah than Jonah is with God. Every miracle is directed at Jonah. Yet, very little copy is used to described God's miracles. Although God's miracles are much more astonishing than Jonah's immature fits of rebellion, more copy is dedicated to Jonah. — Michael Ben Zehabe

Forget ideas, Mr. Author.
What kind of pen do you use? — Stephen Fry

Write from Beyond what you know. From the authority of your senses. -author of Meditations in Green — Steven Wright

[ ... ] students should be told that an effort is always required, when you start to read a serious author, to overcome mental laziness and reluctance, because you are about to enter the mind of someone who thinks differently from yourself. And that is the whole point and the only point: the literary treasure-house has many mansions. — Doris Lessing

Everyone has the right to the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author. — United Nations

Poetry and art nourish the soul of the world with the flavor-filled substances of beauty, wisdom and truth. — Aberjhani

In Catcher in the Rye, the protagonist Holden Caulfield mentions reading books that make him wish he could be friends with the author and be able to call him on the phone and so forth. I would consider a literary work that made someone feel this way a success. Furthermore, it's the only kind of success in literature that means anything to me. — Thomas Ligotti

She had pronounced the words "New Books" with caution and regret, articulating them reluctantly, as if they were vulgar, even obscene words. As I listened to her, I realised that that it was indeed a commercial term, used to designate an item in fashion, but inappropriate to define a literary work; I also realised that to her eyes I was nothing but an author of 'New Books' a supplier in a way. "But novels by Daudet or Maupassant - weren't they 'New Books' when they came out?" I asked.

"Time has given them their place", she replied, as though I had just said something insolent. — Eric-Emmanuel Schmitt

[W]hen the modern mythmaker, the writer of literary fairy tales, dares to touch the old magic and try to make it work in new ways, it must be done with the surest of touches. It is, perhaps, a kind of artistic thievery, this stealing of old characters, settings, the accoutrements of magic. But then, in a sense, there is an element of theft in all art; even the most imaginative artist borrows and reconstructs the archetypes when delving into the human heart. That is not to say that using a familiar character from folklore in the hopes of shoring up a weak narrative will work. That makes little sense. Unless the image, character, or situation borrowed speaks to the author's condition, as cryptically and oracularly as a dream, folklore is best left untapped. — Jane Yolen

We all exist in similar systems that mirror and reproduce the same American culture for the most part. What Oscar Wilde said about the lucky author who has a non-literary day job no longer holds, if it ever did. Artists seek validation as much as they seek money. The creation and invention of culture and canon is where most of the trouble lies. — Fady Joudah

I certainly think that the publishing houses have to learn more about this informal network of literary blogging and get over the idea that sending an author on a book tour - to Dallas, Houston, Los Angeles - is a successful model anymore. — Jay McInerney

My view, as one who taught it, is that the whole purpose of a literary education should be to tell people that these things exist. I don't think any teacher should try to 'teach an author,' but rather simply describe what the author has written. And this is what I tried to do. — Guy Davenport

To vest a few fallible men - prosecutors, judges, jurors - with vast powers of literary or artistic censorship, to convert them into what J.S. Mill called the "moral police" is to make them despotic arbiters of literary products ... If one day they ban mediocre books as obscene, another day they may do otherwise to a work of a genius. Originality, not too plentiful, should be cherished, not stifled. An author's imagination may be cramped if he must write with an eye on prosecutors or juries ... — Jerome Frank

Hone your writing skills as if they were your finest weapons of war. For in the literary arena, your pen will truly be your sword. — Max Hawthorne

All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium. — John Banville

Certainly the most diverse, if minor, pastime of literary life is the game of Find the Author. — Arthur Miller

Fiction writing was in my blood from a very young age, but I never considered writing as a real career. I thought you had to have some literary pedigree to be a successful author, the son of Hemingway or Fitzgerald. — James Rollins

Honorius Hatchard had been old Miss Hatchard's great-uncle; though she would undoubtedly have reversed the phrase, and put forward, as her only claim to distinction, the fact that she was his great-niece. For Honorius Hatchard, in the early years of the nineteenth century, had enjoyed a modest celebrity. As the marble tablet in the interior of the library informed its infrequent visitors, he had possessed marked literary gifts, written a series of papers called "The Recluse of Eagle Range," enjoyed the acquaintance of Washington Irving and Fitz-Greene Halleck, and been cut off in his flower by a fever contracted in Italy. Such had been the sole link between North Dormer and literature, a link piously commemorated by the erection of the monument where Charity Royall, every Tuesday and Thursday afternoon, sat at her desk under a freckled steel engraving of the deceased author, and wondered if he felt any deader in his grave than she did in his library. — Edith Wharton

As always, I wonder if I'll get through the winter. Then when winter is over, I wonder about the summer. But that's because the system decided which author shall be commercially successful. As I said, the most vicious of them all is The New York Times, because it pretends to be literary and impartial, and it's really this opinionated, myopic, stupid giant of incompetence. — James Purdy

In the context of Lawrence's rejection of the Freudian notion of incest and the close identification between author and character, Sons and Lovers becomes an exercise in deliberate ambiguity. — John E. Stoll

In this course I have tried to reveal the mechanism of those wonderful toys - literary masterpieces. I have tried to make of you good readers who read books not for the infantile purpose of identifying oneself with the characters, and not for the adolescent purpose of learning to live, and not for the academic purpose of indulging in generalizations. I have tried to teach you to read books for the sake of their form, their visions, their art. I have tried to teach you to feel a shiver of artistic satisfaction, to share not the emotions of the people in the book but the emotions of its author - the joys and difficulties of creation. We did not talk around books, about books; we went to the center of this or that masterpiece, to the live heart of the matter. — Vladimir Nabokov

In serious Victorian fiction, as in Shakespearian tragedy, melodrama normally functions as metaphor. The author finds a vivid equivalent for a reality too elaborate or too extended to be briefly depicted. — Ian Gregor

In fact I don't think of literature, or music, or any art form as having a nationality. Where you're born is simply an accident of fate. I don't see why I shouldn't be more interested in say, Dickens, than in an author from Barcelona simply because I wasn't born in the UK. I do not have an ethno-centric view of things, much less of literature. Books hold no passports. There's only one true literary tradition: the human. — Carlos Ruiz Zafon

Writing a book is like dating. It's exciting. It's dreamy. And after four years, I just want to end it. — Carole Radziwill

We can be reluctant to recognize how much of our culture was literary, particularly now that so many of the institutional purveyors of literature happily have joined in proclaiming its death. A substantial number of Americans who believe they worship God actually worship three major literary characters: the Yahweh of the J Writer (earliest author of Genesis, Exodus, Numbers), the Jesus of the Gospel of Mark, and Allah of the Koran. — Harold Bloom

The vitality of literary character has less to do with dramatic action, novelistic coherence, and even plain plausibility - let alone likeability - than with a larger philosophical or metaphysical sense, our awareness that a character's actions are deeply important, that something profound is at stake, with the author brooding over the face of that character like God over the face of the waters. — James Wood

The pale organisms of literary heroes feeding under the author's supervision swell gradually with the reader's lifeblood; so that the genius of a writer consists in giving them the faculty to adapt themselves to that - not very appetizing - food and thrive on it, sometimes for centuries. — Vladimir Nabokov

Chaucer's world in The Canterbury Tales brings together, for the first time, a diversity of characters, social levels, attitudes, and ways of life. The tales themselves make use of a similarly wide range of forms and styles, which show the diversity of cultural influences which the author had at his disposal. Literature, with Chaucer, has taken on a new role: as well as affirming a developing language, it is a mirror of its times - but a mirror which teases as it reveals, which questions while it narrates, and which opens up a range of issues and questions, instead of providing simple, easy answers. — Ronald Carter

The syndicates take the strip and sell it to newspapers and split the income with the cartoonists. Syndicates are essentially agents. Now, can you imagine a novelist giving his literary agent the ownership of his characters and all reprint, television, and movie rights before the agent takes the manuscript to a publisher? Obviously, an author would have to be a raving lunatic to agree to such a deal, but virtually every cartoonist does exactly that when a syndicate demands ownership before agreeing to sell the strip to newspapers. — Bill Watterson

I always assume that a good book is more intelligent than its author. It can say things that the writer isn't aware of. — Umberto Eco

The most accomplished literary work would be reduced to nothing by carping criticism, if the author would listen to all critics and allow every one to erase the passage which pleases him the least. — Jean De La Bruyere

For the Tintin books were my emotional universe. To read them felt quite simply like being loved: in advance and by an entire world of pure possibility, my future. But to write to the author was to reach out for the lover. Even today, the power of reading one remains visceral: each book acts as a form of transportation, not just to the emotional landscape of this first literary love affair but to very specific memories. — Luke Davies

Lawrence's claims for the vital self and his inability to make it
convincing independently of Freudian psychology are serious flaws in the novel, explain the sense in which the author's vision exceeds his grasp, and bring the cleavage between intention and performance into clear perspective. — John E. Stoll

I read a lot of science fiction, but I also mixed it up with a lot of other genres: crime, literary fiction, as well as nonfiction. Author-wise, I'm a fan of Stephen King, Lauren Beukes, Robert McCammon, Raymond Chandler, Greg Rucka, Ed Brubaker and Gail Simone, among many others. — Adam Christopher

F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused. — Chuck Klosterman