Literary Art Quotes & Sayings

In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus at a discount and like everything else in a world ruled by the laws of exchange value, literature is required to submit itself to the requirements of the market and must learn, like any other commodity, to adapt and serve needs that lie outside of itself and its concrete value. It is forced to stand not for itself but for an ideological cause of one sort or another, whether it be political, social or literary. It cannot exist for itself: like everything else it has to be justified. And for this very reason the power of storytelling is automatically devalued. Literature is reduced to the status of complimentary utilitarian functions: as a pastime to provide distraction and entertainment, or as a heightened activity that would claim to explore 'great truths' about the human condition. — Michael Richardson

I'm working when I'm fighting with my wife. I constantly ask myself-how can I use this stuff to literary advantage. — Art Buchwald

The art of writing books is not yet invented. But it is at the point of being invented. Fragments of this nature are literary seeds. There may be many an infertile grain among them: nevertheless, if only some come up! — Novalis

Without entering here into a dissertation upon the historical romance, it may be said that in proper hands it has been and should continue to be one of the most valued and valuable expressions of the literary art. To render and maintain it so, however, it is necessary that certain well-defined limits should be set upon the licence which its writers are to enjoy; it is necessary that the work should be honest work; that preparation for it should be made by a sound, painstaking study of the period to be represented, to the end that a true impression may first be formed and then conveyed. Thus, considering how much more far-reaching is the novel than any other form of literature, the good results that must wait upon such endeavours are beyond question. The neglect of them - the distortion of character to suit the romancer's ends, the like distortion of historical facts, the gross anachronisms arising out of a lack of study, have done much to bring the historical romance into disrepute. — Rafael Sabatini

During five literary generations every enlightened person had despised him, and at the end of that time nine-tenths of those enlightened persons are forgotten and Kipling is in some sense still there. — George Orwell

They do the essential work of literary art: they make us more human than we were before. (from the Introduction to Tiny Beautiful Things by Cheryl Strayed) — Steve Almond

Desmond O'Grady is one of the senior figures in Irish
Literary life, exemplary in the way he has committed
himself over the decades to the vocation of poetry and
has lived selflessly for the art — Seamus Heaney

The provincial intellectual is doomed to arguing at low level ... there is still no Australian literary world, not in Sydney, Melbourne, Adelaide. It is some consolation to realise that there is no literary world in Birmingham or Los Angeles either. I have heard there is one in Montreal, but I don't believe it. The literary world is in London and New York, the only cities big enough to sustain magazines which can afford to reject copy. — Clive James

Literary criticism can be no more than a reasoned account of the feeling produced upon the critic by the book he is criticizing. Criticism can never be a science: it is, in the first place, much too personal, and in the second, it is concerned with values that science ignores. The touchstone is emotion, not reason. We judge a work of art by its effect on our sincere and vital emotion, and nothing else. All the critical twiddle-twaddle about style and form, all this pseudoscientific classifying and analysing of books in an imitation-botanical fashion, is mere impertinence and mostly dull jargon. — D.H. Lawrence

I had been reading children's books all my life and saw them not as minor amusements but as part of the whole literary mainstream; not as "juveniles" or "kiddie lit," one of the most demeaning terms in the scholastic jargon.
My belief was, and is, that the child's book is a unique and valid art form; a means of dealing with things which cannot be dealt with quite as well in any other way. There is, I'm convinced, no inner, qualitative difference between writing for adults and writing for children. The raw materials are the same for both: the human condition and our response to it. — Lloyd Alexander

[Women] are conditioned to ever prove ourselves, as if our value is contingent on our ability to meet the expectations of others. As if our worth is a tank forever draining that we must fill and fill. We complete tasks and in some half-buried way believe that if we don't, we will be discredited. Sometimes, this is true. But here is a question: Do you want to be a reliable source of literary art (or whatever writing you do), or of prompt emails? — Melissa Febos

Faced with the numbering logic of neoliberal regimes, literature offers an intervention in order to consider identity and voice, to consider representation in both the political and artistic sense of the term... [Literature and art] cultivate tension between an unresolved past and present, between invisibility and exposure, showing the dualities of face and mask that leave their trace on identitarian struggles today. — Francine Masiello

Executive Severance, a laugh out loud comic mystery novel, epitomizes our current cultural moment in that it is born from the juxtaposition of authorial invention and technological communication innovation. Merging creative text with new electronic context, Robert K. Blechman's novel, which originally appeared as Twitter entries, can be read on a cell phone. His tweets which merge to form an entertaining novel can't be beat. Hold the phone; exalt in the mystery-engage with Blechman's story which signals the inception of a new literary art form. — Marleen S. Barr

We live today amid ritualized anithumanisms. Among those intelligent enough to feel despair, some seek salvation in the literary artist. Artists love flattery; and the scam doesn't work without mystifying the process.

The weather is unpredictable, but it is not mysterious.

Wall Street is unpredictable, but it is not mysterious.

Writing is unpredictable, (like street and sky, there are too many variables.) Its mystery vanishes, like a shadow, the moment the light aimed at your characters turns back upon yourself. — Doran Larson

This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job. — Susan Sontag

My grandfather was a most gifted person, and amongst his many qualities, one of them had always particularly impressed me. While the past was a book he had read and re-read may times, the future was just one more literary work of art into which he used to pour himself with deep thought and concentration. Innumerable people since his death have told me how he used to read in the future, and this certainly was one of his very great strengths. — Aga Khan IV

The delight we experience when we allow ourselves to respond to a fairy tale, the enchantment we feel, comes not from the psychological meaning of the tale (although this contributes to it) but from its literary qualities-the tale itself as a work of art, — Bruno Bettelheim

Literary censorship should not be necessary within the parameters of the law because it's simply a reflection of prevailing social prejudices!

Writing should challenge and change prevailing ideas - churning the guts and ruffling feathers of friends, family and society. Antagonizing is a product of open writing. Expecting less is resignation and stagnation that slides the art into the status-quo.

Writing needs the wider view that shows the causality of our prevailing social prejudice - and shakes at its foundation.

Writers spare us no less and please leave your praise and oppugn to Christopher Hitchens. — Jack Tar

The art in photography is literary art before it is anything else: its triumphs and monuments are historical, anecdotal, reportorial, observational before they are purely pictorial ... The photograph has to tell a story if it is to work as art. — Clement Greenberg

A key to my thinking has always been the almost fanatical belief that what I was engaged in was a literary art form. That belief was compounded out of ego and necessity, I guess, a combination of the two. — Will Eisner

Because you live to love and love to live/ And because of what your heardrum will give/ Now we might love to live and live to love. — Janet Goodfriend

Most of the makers of the twentieth-century mind, figures such as Freud, Heisenberg, Picasso, Joyce, and Eliot, have in common an about-face on the subject-object question and the mindmatter question; they all reject the dualism that arbitrarily and irreversibly splits the world into pieces. This rejection of dualism and the corresponding reach for monism are of the essence in understanding the revolutionary nature of twentieth-century science and art. — Jewel Spears Brooker

Literary critics, however, frequently suffer from a curious belief that every author longs to extend the boundaries of literary art, wants to explore new dimensions of the human spirit, and if he doesn't, he should be ashamed of himself. — Robertson Davies

In fact I don't think of literature, or music, or any art form as having a nationality. Where you're born is simply an accident of fate. I don't see why I shouldn't be more interested in say, Dickens, than in an author from Barcelona simply because I wasn't born in the UK. I do not have an ethno-centric view of things, much less of literature. Books hold no passports. There's only one true literary tradition: the human. — Carlos Ruiz Zafon

And yet the point of view from which his ideas on art had sprung was a simple one: for him, literary schools did not exist; the only thing that mattered was the temperament of the artist; the only thing of interest was the way his brain worked, regardless of the subject he was treating. — Joris-Karl Huysmans

In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning. — George Orwell

In literature, questions of fact or truth are subordinated to the primary literary aims of producing a structure of words for its own sake, and the sign-values of symbols are subordinated to their importance as a structure of interconnected motifs. — Northrop Frye

What this also suggests, intriguingly, is that the task of translating (or writing) literary novels cannot be broken into parts and done by a succession of different humans either - not by wikis, nor crowdsourcing, nor ghostwriters. Stability of point of view and consistency of style are too important. What's truly strange, then, is the fact that we do seem to make a lot of art this way. — Brian Christian

In literary art, as in the art of the architect, the painter, the musician, signs that the artist is thinking of his own achievement more than of his subject always offend me. — Herbert Spencer

In order to write about the machine you have to know it, to live with it, to love it (or hate it). I think that true writing could be done on industrial subjects by people who work in industry, who are firmly linked with it. But ... and here is the opposite 'but', the technology of literary craftsmanship is itself a very fine and complex matter. Qualified specialists from industry prove themselves dilettantes in the field of literature. The needed synthesis is not yet in sight. — Yevgeny Zamyatin

I dislike literary jargon and never use it. Criticism has only one function and that is to help readers read and understand literature. It is not a science, it is an aid to art. — Anne Stevenson

Publishers, theatrical managers, and critics ask not for the quality inherent in creative art, but will it meet with a good sale, will it suit the palate of the people? Alas, this palate is like a dumping ground; it relishes anything that needs no mental mastication. As a result, the mediocre, the ordinary, the commonplace represents the chief literary output. — Emma Goldman

An essay is a work of literary art which has a minimum of one anecdote and one universal idea. — Carol Bly

What cannot be borne in reality, becomes a source of pleasure when it is transposed into the visual and somatic fiction of the dramatic spectacle. — Claude Calame

Dickens defends what he has written in terms of its truth. This is not the last time that the 'true' and the 'real' were to be opposed unfruitfully. The same terminological mismatch was to feature throughout the rest of the century in debate about the nature of literary realism and the moral function of realist art. — Charles Dickens

I know I will always be attracted to the unknown as it does often verify what I am or what else I could be. — Hollace M. Metzger

I was born into a world full of 'specialists'. I'm not sure whether it's the result of our education system or just natural entropy, but it's very uncommon to know a poet with even a mediocre knowledge about art, or an artist with a good taste in poetry, and so on and on. What this really is: lack of general education in a structural sense: god knows how many people I've met that are actually PROUD about proclaiming their ignorance about another field: it is as if it signifies their 'devotion to one path' while in reality they really only look like a buffoon if you ask me. New is that I am encountering 'Literary Critics' that proudly proclaim to 'never have read any foreign poetry' as if a 'movie critic' that only has watched Dutch films would be somehow capable of criticizing them in any true sense of the word. — Martijn Benders

The most interesting inconsistency in thought is connected with the Bower of Bliss. This passage
the twelfth canto of the second Book
is probably the best known in the whole poem and the most frequently cited as an example of Spenser's sensuous beauty. Professor de Selincourt writes: 'Those who blame Spenser for lavishing the resources of his art upon this canto, and filling it with magic beauty, have never been at the heart of the experience it shadows. It is from the ravishing loveliness of all that surrounds and leads to the Bower of Acrasia that she herself draws her almost irresistible power. When Guyon has bound Acrasia and destroyed the Bower of Bliss he has achieved his last and hardest victory. — Janet Spens

The artist has some internal experience that produces a poem, a painting, a piece of music. Spectators submit themselves to the work, which generates an inner experience for them. But historically it's a very new, not to mention vulgar, idea that the spectators experience should be identical to, or have anything to do with, the artist's. That idea comes from an over-industrialized society which has learned to distrust magic. — Samuel R. Delany

If critics say your work stinks it's because they want it to stink and they can make it stink by scaring you into conformity with their comfortable little standards. Standards so low that they can no longer be considered "dangerous" but set in place in their compartmental understandings. — Jack Kerouac

Writers who teach tend to prefer literary theory to literature and tenure to all else. Writers who do not teach prefer the contemplation of Careers to art of any kind. — Gore Vidal

It is well known how the book spread like an infectious disease, from city to city, from continent to continent, barred out here, confiscated there, denounced by press and pulpit, censured even by the most advanced of literary anarchists. No definite principles had been violated in those wicked pages, no doctrine promulgated, no convictions outraged. It could not be judged by any known standard, yet, although it was acknowledged that the supreme note of art had been struck in "The King in Yellow," all felt that human nature could not bear the strain nor thrive on words in which the essence of purest poison lurked. The very banality and innocence of the first act only allowed the blow to fall afterwards with more awful effect. — Robert W. Chambers

Our job, then, is two-fold: to focus on our own failings as writers. But also to speak more forcefully as advocates for literature. Books are a powerful antidote for loneliness, for the moral purposelessness of the leisure class. It's our job to convince the 95 percent of people who don't read books, who instead medicate themselves in front of screens, that literary art isn't some esoteric tradition, but a direct path to meaning, to an understanding of the terror that lives beneath our consumptive ennui. — Steve Almond

The laurels of an orator who is not a master of literary art wither quickly. — Thomas Bailey Aldrich

I didn't start publishing literary texts until I had left Iraq. At the Academy [of Cinematic Arts] I was busy with short films. — Hassan Blasim

In his 1923 review of James Joyce Ulysses, T. S. Eliot focused on one of his generation's recurrent anxieties
the idea that art might be impossible in the twentieth century. The reasons that art seemed impossible are many and complex, but they were all related to the collapse of ways of knowing that had served the Western mind at least since the Renaissance and that had received canonical formulation in the seventeenth century in the science of Newton and the philosophy of Descartes. In both science and philosophy, the crisis was essentially epistemological; that is, it was related to radical uncertainty about how we know what we know about the real world. This crisis, disorienting even to specialists, was at once a cause of despair and an incentive for innovation in the arts. — Jewel Spears Brooker

The worst feature of the Common Core is its anti-humanistic, utilitarian approach to education. It mistakes what a child is and what a human being is for. That is why it has no use for poetry, and why it boils the study of literature down to the scrambling up of some marketable "skill" [ ... ] you don't read good books to learn about what literary artists do ... you learn about literary art so that you can read more good books and learn more from them. It is as if Thomas Gradgrind had gotten hold of the humanities and turned them into factory robotics. — Anthony Esolen

There are in me, in literary terms, two distinct characters: one who is taken with roaring, with lyricism, with soaring aloft, with all the sonorities of phrase and summits of thought; and the other who digs and scratches for truth all he can, who is as interested in the little facts as the big ones, who would like to make you feel materially the things he reproduces. — Gustave Flaubert

Art, although produced by man's hands, is something not created by hands alone, but something which wells up from a deeper source out of our soul ... My sympathies in the literary as well as in the artistic field are drawn most strongly to those artists in whom I see most the working of the soul. — Vincent Van Gogh

Literary gentlemen, editors, and critics think that they know how to write, because they have studied grammar and rhetoric; but they are egregiously mistaken. The art of composition is as simple as the discharge of a bullet from a rifle, and its masterpieces imply an infinitely greater force behind them. — Henry David Thoreau

There is something about the literary life that repels me, all this desperate building of castles on cobwebs, the long-drawn acrimonious struggle to make something important which we all know will be gone forever in a few years, the miasma of failure which is to me almost as offensive as the cheap gaudiness of popular success. — Raymond Chandler

For the grand and inescapable tradition of western literary classics confronts us with fundamental choices over our understanding of words, reading and art, as well as citizenship, civilization, faith, and the whole notion of the true, the good, and the faithful. — Os Guinness

But if I am not a criminal, I beg to be permitted to go abroad with my wife temporarily, for at least one year, with the right to return as soon as it becomes possible in our country to serve great ideas in literature without cringing before little men, as soon as there is at least a partial change in the prevailing view concerning the role of the literary artist. ("Letter To Stalin") — Yevgeny Zamyatin

In truth, the legitimate contention is, not of one age or school of literary art against another, but of all successive schools alike, against the stupidity which is dead to the substance, and the vulgarity which is dead to form. — Walter Pater

Digital forms are best illuminated by cultural criticism, which uses the tools of art and literary theory to make sense of the Internet's glorious illusion: that the Internet is life. Because — Virginia Heffernan

In this course I have tried to reveal the mechanism of those wonderful toys - literary masterpieces. I have tried to make of you good readers who read books not for the infantile purpose of identifying oneself with the characters, and not for the adolescent purpose of learning to live, and not for the academic purpose of indulging in generalizations. I have tried to teach you to read books for the sake of their form, their visions, their art. I have tried to teach you to feel a shiver of artistic satisfaction, to share not the emotions of the people in the book but the emotions of its author - the joys and difficulties of creation. We did not talk around books, about books; we went to the center of this or that masterpiece, to the live heart of the matter. — Vladimir Nabokov

It must be remembered that no art lives by nature, only by acts of voluntary attention on the part of human individuals. When these are not made it ceases to exist. — C.S. Lewis

The heart of [J.G.] Ballard's vision [is] the object at odds with its function and abandoned by its time. — Tacita Dean

It is a shallow criticism that would define poetry as confined to literary productions in rhyme and meter rhythm. The written poem is only poetry talking, and the statue, the picture, and the musical composition are poetry acting. Milton and Goethe, at their desks, were not more truly poets than Phidias with his chisel, Raphael at his easel, or deaf Beethoven bending over his piano, inventing and producing strains, which he himself could never hope to hear. — John Ruskin

Poetry lies at the centre of the literary experience because it is the form that most clearly asserts the specificity of literature. — Jonathan Culler

Reviewers, critics, guest editors... Such people may have an eye for literary conventions and contrivances, allusions and innovations on the art. But what are their tastes based on? Do they tend to choose work that most resembles theirs? — Amy Tan

In general I do not draw well with literary men
not that I dislike them but I never know what to say to them after I have praised their last publication. — Lord Byron

The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same. — Clive James

Nature to all things fixed the limits fit
And wisely curbed proud man's pretending wit.
As on the land while here the ocean gains.
In other parts it leaves wide sandy plains
Thus in the soul while memory prevails,
The solid power of understanding fails
Where beams of warm imagination play,
The memory's soft figures melt away
One science only will one genius fit,
So vast is art, so narrow human wit
Not only bounded to peculiar arts,
But oft in those confined to single parts
Like kings, we lose the conquests gained before,
By vain ambition still to make them more
Each might his several province well command,
Would all but stoop to what they understand. — Alexander Pope

Among the Igbo the art of conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten. — Chinua Achebe

Reduction is precisely what a work of art opposes. Easy answers ... annotations, arrows ... an oudine of its design ... very seriously mislead. — William H Gass

Johnson's later life, from 1763, is among the best documented of all literary lives. James Boswell gave himself the enormous task, after Johnson's death in 1784, of producing what is now held to be a model of biography; rich in detail and anecdote, a complete picture of the man and his times, traced over a period of more than twenty years. Boswell's Life of Johnson, published in 1791, carries on Johnson's own contribution to the growing art of biography, and consolidates Johnson's position as a major literary figure, who, although a poet and a novelist, is remembered more for his academic and critical achievement than for his creative writings. — Ronald Carter

[W]hen the modern mythmaker, the writer of literary fairy tales, dares to touch the old magic and try to make it work in new ways, it must be done with the surest of touches. It is, perhaps, a kind of artistic thievery, this stealing of old characters, settings, the accoutrements of magic. But then, in a sense, there is an element of theft in all art; even the most imaginative artist borrows and reconstructs the archetypes when delving into the human heart. That is not to say that using a familiar character from folklore in the hopes of shoring up a weak narrative will work. That makes little sense. Unless the image, character, or situation borrowed speaks to the author's condition, as cryptically and oracularly as a dream, folklore is best left untapped. — Jane Yolen

I have always thought that art is not a category, not a realm covering innumerable concepts and derivative phenomena, but that, on the contrary, it is something concentrated, strictly limited. It is a principle that is present in every work of art, a force applied to it and a truth worked out in it. And I have never seen art as form but rather as a hidden, secret part of content ... A literary creation can appeal to us in all sorts of ways - by its theme, subject, situations, characters. But above all it appeals to us by the presence in it of art ... You can call it an idea, a statement about life, so all-embracing that it can't be split up into separate words; and if there is so much as a particle of it in any work that includes other things as well, it outweighs all the other ingredients in significance and turns out to be the essence, the heart and soul of the work. — Boris Pasternak

What care I if it be "wild and improbable" and "lacking in literary art"? I refuse to be any longer hampered by such canons of criticism. The one essential thing I demand of a book is that it should interest me. If it does, I forgive it every other fault. — L.M. Montgomery

Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great hypnotic blah, blah." You can sit around and have these pity parties for yourself. Of course this is bullshit. If an art form is marginalized it's because it's not speaking to people. One possible reason is that the people it's speaking to have become too stupid to appreciate it. That seems a little easy to me. — David Foster Wallace

The critic will certainly be an interpreter, but he will not treat Art as a riddling Sphinx, whose shallow secret may be guessed and revealed by one whose feet are wounded and who knows not his name. Rather, he will look upon Art as a goddess whose mystery it is his province to intensify, and whose majesty his privilege to make more marvellous in the eyes of men. — Oscar Wilde

If my opinion runs more than twenty pages," she said, "I am disturbed that I couldn't do it shorter." The mantra in her chambers is "Get it right and keep it tight." She disdains legal Latin, and demands extra clarity in an opinion's opening lines, which she hopes the public will understand. "If you can say it in plain English, you should," RBG says. Going through "innumerable drafts," the goal is to write an opinion where no sentence should need to be read twice. "I think that law should be a literary profession," RBG says, "and the best legal practitioners regard law as an art as well as a craft. — Irin Carmon

Art is solace; art is vision, and when I pick up a literary work, I am a consumer of literature for its own sake. — Wole Soyinka

For writers from working-class families, the making of art is cultural disenfranchisement, for we do not belong in literary circles and our writing rarely makes it back home. — Valerie Miner

You can't live with literary characters no matter how much you might like to. You can have them as imaginary friends that you can call up when you need to. One of the tasks of art is to provide people with companions. — Henning Mankell

Everybody should read fiction ... I don't think serious fiction is written for a few people. I think we live in a stupid culture that won't educate its people to read these things. It would be a much more interesting place if it would. And it's not just that mechanics and plumbers don't read literary fiction, it's that doctors and lawyers don't read literary fiction. It has nothing to do with class, it has to do with an anti-intellectual culture that doesn't trust art. — Percival Everett

Thus, on the one hand, Spenser's thought is steeped in sensuous detail, so that for him there is no really abstract thinking; men, he thinks, 'should be satisfied with the use of these days, seeing all things accounted by their showes, and nothing esteemed of, that is not delightfull and pleasing to commune sense' ( Prefatory Letter). But on the other hand the details of the physical universe become translucent from the pulsing light of varied human experience which is seen behind it. His 'haunt and the main region of (his) song' is the inner life of man and it is described in the symbolism of human figures clothed in raiment iridescent with innumerable associations. His art is a development of the mediaeval. — Janet Spens

The aim of great books is ethical: to teach what it means to be a man. Every major form of literary art has taken for its deeper themes what T.S. Eliot called "the permanent things"-the norms of human action. — Russell Kirk

The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images. — Camille Paglia

If you write literary fiction that's set partly in the future, you're apparently a sci-fi writer ... I think of it as being more of a story about what remains after we lose everything and the importance of art in our lives. — Emily St. John Mandel

My art tends toward the literary. My pictures tend toward the outskirts of painting: But why generalize? It is possible to realize one thing or another, according to the impressions gained from one point of view or another. But it is too difficult to make a general rule. — James Ensor

A literary creation can appeal to us in all sorts of ways-by its theme, subject, situations, characters. But above all it appeals to us by the presence in it of art. It is the presence of art in Crime and Punishment that moves us deeply rather than the story of Raskolnikov's crime. — Boris Pasternak

Censorship is to art as lynching is to justice. — Henry Louis Gates Jr.

In literary and art criticism there are two criteria, the political and the artistic. — Mao Zedong

It is not that complexity is overrated, but is is overcomplicated; it is not that obscurity is too obscure, it's that the underside grows grungy if it isn't exposed to the change of air;
it is not that the language is exhausted, it is that we run down; it's not that the edge won't cut anymore, it is that the cuts are getting thinner;
it's not that art is artificial, it is that the artists get outright seditty; it's not that literary reputations are not inevitable, it's that they are invented;
not that theories are not beautiful, but that they are feeble — C.D. Wright

If an artist is good, nobody else can do what he or she does and therefore all comparisons are incoherent. Only the mediocre, pushing forward a commonplace view of life in a commonplace language, can really be compared, but my wife thinks that "least mediocre of the mediocre" is a discouraging title for a prize[.] — Edward St. Aubyn

For the Tintin books were my emotional universe. To read them felt quite simply like being loved: in advance and by an entire world of pure possibility, my future. But to write to the author was to reach out for the lover. Even today, the power of reading one remains visceral: each book acts as a form of transportation, not just to the emotional landscape of this first literary love affair but to very specific memories. — Luke Davies

In the modern world, all literary art is necessarily political
especially that which pretends not to be. — Edward Abbey

There is no luck in literary reputation. They who make up the final verdict upon every book are not the partial and noisy readers of the hour when it appears; but a court as of angels, a public not to be bribed, not to be entreated, and not to be overawed, decides upon every man's title to fame. — Ralph Waldo Emerson

One of the most beautiful passages of Rousseau is that in the sixth book of Confessions, where he describes the awakening in him of the literary sense. Of such wisdom, the poetic passion, the desire of beauty, the love of art for its own sake, has most. — Walter Pater

If there's any literary ability in a feller, getting fired out of a good government job will bring it out. — Kin Hubbard

I've been in the art world for many years. But the sad fact is that most writers are visually prepubescent. Generally speaking, the literary world is provincial when it comes to matters of art. And it always has been. — Richard Grossman

If Art relates itself to an Object, it becomes descriptive, divisionist, literary. — Robert Delaunay

Gossip is not adopted by the bored. It is an art of discourse adopted by those who have experienced absolutely nothing thrilling in their lives; they have never really fallen in love or casually spoken to a complete stranger, and they never dreamt of doing anything extraordinary. They are a group of people with dull lives and souls. — Kanza Javed

Poetry and art nourish the soul of the world with the flavor-filled substances of beauty, wisdom and truth. — Aberjhani

Would it be anything like a literary disaster if Gore Vidal were to fall silent? Easy. No. In fact, there is something to be said for the idea. — Lance Morrow

Your interviews or blog posts or whatever are less supplements to your novel than part of it. I'm not private, but I believe in literary form - I'll use my life as material for art (I don't know how not to do this) and I'll use art as a way of exploring that passage of life into art and vice versa, but that's not the same thing as thinking that any of the details of my life are interesting or relevant on their own. — Ben Lerner

Stop being part of the social norms of writing and teaching, which then leads to the point, stop being a capitalist person, one who works for a salary to teach writing in a form that's acceptable to capitalism, which then leads further to the point, exit social norms imposed upon you, do not have a lifestyle that requires living by capitalist rules even outside the teaching and practice of writing - which ultimately is the only way to a real literary community, which is based on real art, and you see how impossible a track I'm on? — Anis Shivani

Recent fads in history and biography have increasingly exalted the aridity of chronology and fact, and have, with some valid reason, rejected romanticizing and the presumption of guessing at the inner thoughts of historical figures. Unfortunately, the result has largely been not to demythologize the past, but merely to dehumanize and depersonalize it. As Roger Mudd has pointed out, 'Too many of today's historians [and biographers] ... seem to have forgotten that the writing of history is a literary art. — Markham Shaw Pyle