Lisbon Book Quotes & Sayings

Once, in Lisbon, I tried my best to work the phone book in a way that would assuage a longing [Alice and I] had for certain Chinese dishes ... — Calvin Trillin

In The Moon, Come to Earth Philip Graham takes us on the best kind of journey, as he simultaneously reveals the fascinating city of Lisbon
its neighborhoods, its writers, its customs, its cuisine
and offers an intimate portrait of his beloved family. With his far-reaching intellect Graham is the ideal travelling companion, and The Moon, Come to Earth is a beautiful and surprising book. — Margot Livesey

The market is the only critic that matters. — Walter Kirn

Its subtlest, most appealing accomplishment may be in how other characters respond to Gregorius' precipitous swerve onto the spiritual path. ( ... ) That said, Night Train to Lisbon is a very long, ambitious book that's feverishly overwritten. ( ... ) Think of W.G. Sebald recast for the mass market: stripped of nuance, cooked at high temperature and pounded home, clause after clause. Some of the clumsiness derives from Barbara Harshav's inelegant translation
we're often aware of her struggle
but she can't be blamed for the pervasive bloat. — Michelle Huneven

Over the years, the British had strategically pitted the Muslims against the Hindus, supporting the All India Muslim League and encouraging the notion that the Muslims were a distinct political community. Throughout British India, separate electorates had been offered to Muslims, underscoring their separateness from Hindus and sowing the seeds of communalism. Teh Morley-Minto reforms in 1908 had allowed direct election for seats and separate or communal representation for Muslims. This was the harbinger for the formation of the Muslim League in 1906. In 1940, the Muslim League, representing one-fifth of the total population of India, became a unifying force. They were resentful that they were not sufficiently represented in Congress and feared for the safety of Islam. — Prem Kishore

You know, the process of making a documentary is one of discovery, and like writing a story, you follow a lead and that leads you to something else and then by the time you finish, the story is nothing like you expected. — William Shatner

Americans practice different faiths in churches, synagogues, mosques and temples. And many good people practice no faith at all. — George W. Bush

This story, which takes place one a Sunday in July in a hot, deserted Lisbon, is the Requiem that the character I refer to as "I" was called on to perform in this book. Were someone to ask me why I wrote this story in Portuguese, I would answer simply that a story like this could only be written in Portuguese; it's as simple as that. But there is something else that needs explaining. Strictly speaking, a Requiem should be written in Latin, at least that's what tradition prescribes. Unfortunately, I don't think I'd be up to it in Latin. I realised though that I couldn't write a Requiem in my own language and I that I required a different language, one that was for me A PLACE OF AFFECTION AND REFLECTION. — Antonio Tabucchi

Spiritually, we have marginalized the Bible. We've trivialized marriage, and we've neutralized the church. America today is in great turmoil. It feels like the soul of our nation has been taken from us. — David Jeremiah

We all received invitations, made by hand from construction paper, with balloons containing our names in Magic Marker. Our amazement at being formally invited to a house we had only visited in our bathroom fantasies was so great that we had to compare one another's invitations before we believed it. It was thrilling to know that the Lisbon girls knew our names, that their delicate vocal cords had pronounced their syllables, and that they meant something in their lives. They had had to labor over proper spellings and to check our addresses in the phone book or by the metal numbers nailed to the trees. — Jeffrey Eugenides

I am a wild woman.
it would take a warrior to tame my spirit. — Nikki Rowe