Lips And Speaking Quotes & Sayings

Doubtless some ancient Greek has observed that behind the big mask and the speaking-trumpet, there must always be our poor little eyes peeping as usual and our timorous lips more or less under anxious control. — George Eliot

In a lightning-fast move, he placed both of his hands on the brick wall, caging me with his body. He leaned toward me and my heart shifted into a gear I didn't know existed. His warm breath caressed my neck, melting my frozen skin. I tilted my head, waiting for the solid warmth of his body on mine. I could see his eyes again and those dark orbs screamed hunger .
"I heard a rumor."
"What's that?" I struggled to get out.
"It's your birthday."
Terrified speaking would break the spell, I licked my suddenly dry lips and nodded.
"Happy birthday." Noah drew his lips closer to mine; that sweet musky smell overwhelmed my senses. I could almost taste his lips when he unexpectedly took a step back, inhaling deeply. The cold air slapped me into the land of sober. — Katie McGarry

Dancer," she chided, "I promise you, no mother would rather lose her child."
Lifting his head, he traced the line of her jaw with his thumb while a sad smile played at the edges of his lips. "That's you speaking. You don't know my mother. I promise you, she would rather see me dead than be dishonored."
"Then tell them I raped you."
He arched an amused brow at that.
"I could have drugged you first. I did kiss you without your consent."
"And my lips thank you for that. — Sherrilyn Kenyon

Miss Mitchell had a lovely voice, it was true, but Miss Mitchell speaking Italian was something celestial. Her ruby mouth opening and closing, the delicate way she almost sang the words, her tongue peeking out to wet her lips from time to time ... Professor Emerson had to remind himself to close his mouth after it had dropped open. — Sylvain Reynard

Have we not, indeed, loved mankind, in so humbly recognizing their impotence, in so lovingly alleviating their burden and allowing their feeble nature even to sin, with our permission? Why have you come to interfere with us now? And why are you looking at me so silently and understandingly with your meek eyes? Be angry! I do not want your love, for I do not love you. And what can I hide from you? Do I not know with whom I am speaking? What I have to tell you is all known to you already, I can read it in your eyes. And is it for me to hide our secret from you? Perhaps you precisely want to hear it from my lips. Listen, then: we are not with you, but with him, that is our secret! For a long time now - eight centuries already - we have not been with you, but with him — Fyodor Dostoyevsky

You asked him to go to bed with you?"
"I did, and you'd think I'd smashed him in the balls with my wrench. So that's the end of that."
Jude folded her hands, leaned forward. "I'm going to pry."
Brenna's lips twitched. "Oh, you haven't started that yet?"
"Not nearly. What exactly did you say to him?"
"I said, plain enough, that I thought we should have sex. And what's wrong with that?" she demanded, gesturing with her spoon. "You'd think a man would appreciate clear, honest speaking. — Nora Roberts

I stop crying for a moment when light from the street steals into my bedroom as Silas gently pushes the curtain aside. He leans against the wall, arms folded across his bare chest and hair falling in front of his eyes. Almost silently, he moves to the tiny space between my bed and the wall and lowers himself to the floor. Raising his knees to his chest, he drops his head and reaches for my hand, running his thumb across my knuckles silently.
I slide off the bed, sheets wrapped around my legs, and ease into his lap, tucking my face against his neck. He cradles me against him like he's afraid to let me go. I know I should shy away, that I should climb back into my bed out of loyalty to my sister. But there's something that locks me in place, something that won't let me stray from the gentle rise and fall of his chest or from his arms, supporting me like I'm something precious as his lips brush across my forehead.
Without speaking, we finally fall asleep. — Jackson Pearce

To demonstrate, Pepperberg carried Alex on her arm to a tall wooden perch in the middle of the room. She then retrieved a green key and a small green cup from a basket on a shelf. She held up the two items to Alex's eye. "What's same?" she asked. She looked at Alex nose-to-beak. Without hesitation, Alex's beak opened: "Co-lor." "What's different?" Pepperberg asked. "Shape," Alex said. Since he lacked lips and only slightly opened his beak to reply, the words seemed to come from the air around him, as if a ventriloquist were speaking. But the words - and what can only be called the thoughts - were entirely his. — Virginia Morell

Sex only gets better, and we agree we'd like to practice. He tells me, speaking of practice, he can set up a training schedule. And now he rambles.
He inform me every morning will begin with some calisthenics followed by sex. Then we'll eat a breakfast rich in carbohydrates to maintain energy, followed by sex. In the evening, there'll be some warm-up stretches followed by sex. Then a cooldown followed by more sex. The ice cream, preferably chocolate. Then sleep to rest up for the morning practice.
I brush my lips across his warm shoulder. "I'm glad to see you're a normal healthy male. — Katie Kacvinsky

Vocal prayer ... must be accompanied by reflection. A prayer in which a person is not aware of Whom he is speaking to, what he is asking, who it is who is asking and of Whom, I don't call prayer-however much the lips may move. — Teresa Of Avila

The language in which we are speaking is his before it is mine. How different are the words HOME, CHRIST, ALE, MASTER, on his lips and on mine! I cannot speak or write these words without unrest of spirit. His language, so familiar and so foreign, will always be for me an acquired speech. I have not made or accepted its words. My voice holds them at bay. My soul frets in the shadow of his language. — James Joyce

How very lovable her face was to him. Yet there was nothing ethereal about it; all was real vitality, real warmth, real incarnation. And it was in her mouth that this culminated. Eyes almost as deep and speaking he had seen before, and cheeks perhaps as fair; brows as arched, a chin and throat almost as shapely; her mouth he had seen nothing to equal on the face of the earth. To a young man with the least fire in him that little upward lift in the middle of her red top lip was distracting, infatuating, maddening. He had never before seen a woman's lips and teeth which forced upon his mind with such persistent iteration the old Elizabethan simile of roses filled with snow.
Perfect, he, as a lover, might have called them off-hand. But no - they were not perfect. And it was the touch of the imperfect upon the would-be perfect that gave the sweetness, because it was that which gave the humanity. — Thomas Hardy

There are faces which charge with a meaning and pathos not belonging to the single human soul that flutters beneath them, but speaking the joys and sorrows of foregone generations -- eyes that tell of deep love which doubtless has been and is somewhere, but not paired with these eyes -- perhaps paired with pale eyes that can say nothing; just as a national language may be instinct with poetry unfelt by the lips that use it. — George Eliot

Clench clench these strong teeth in this strong mouth. My mouth. Of my body. In my house. My mouth? Chapped lips swollen and bloody? Dream dreaming wide and thunder? My mouth! My God! This is me speaking. Not mouthing. Not typing and twitching. Not writing a suicide note the length of a novel that will never be finished. I hear voices now but I know they are not the voices of fathers or lovers, or mothers or angels or demons, but the sounds of my own private wars echoing the battles of women before me and near me. No wonder I do not make people comfortable. I am a mirror. I have far too many things to say. (p. 237-238) — Camilla Gibb

An enemy soldier never seemed to be alone
one human being like any other
but followed, crushed from all directions by innumerable ghosts, the missing and the dead. Speaking to him wasn't like speaking to a solitary man but to an invisible multitude; nothing that was said was either spoken or heard with simplicity: there was always that strange sensation of being no more than lips that spoke for so many others, others who had been silenced. — Irene Nemirovsky

In evangelical circles we typically think of preaching as teaching and exhorting. Of course, Scripture informs, instructs, explains, asserts, and commands. Yet for the Reformers, the preaching of the Word is more than a preacher's thoughts, encouragements, advice, and impassioned pleas. Through the lips of a sinful preacher, the triune God is actually judging, justifying, reconciling, renewing, and conforming sinners to Christ's image. God created the world by the words of his mouth and by his speech also brings a new creation into being. In other words, through the proclamation of his Word, God is not just speaking about what might happen if we bring it about but is actually speaking it into being. Hence, Calvin calls preaching the sacramental word: the word as a means of grace. Faith comes by hearing the Word - specifically, the gospel (Rom. 10:17). Thus, the church is the creation of the Word (creatura verbi). — Michael S. Horton

A thousand words blossomed to her lips and died there, because no amount of speaking could communicate the depths of how he'd affected her. Of how he'd changed her. — Katherine McIntyre

The sobs and tears of joy he had not foreseen rose with such force within him that his whole body shook and for a long time prevented him from speaking. Falling on his knees by her bed. He held his wife's hand to his lips and kissed it, and her hand responded to his kisses with weak movement of finger. Meanwhile, at the foot of the bed, in the midwife's expert hands, like the flame of a lamp, flickered the life of a human being who had never existed before ... — Leo Tolstoy

Her caramel skin and curly beach sand hair spreads in wavy chops like the choppy storm waves on the ocean. Her fluffy rose colored lips glisten with eyes emerald green and almond shaped set deep into her face and yet when she looks at you with those same deep set eyes, it feels like they jump out, speaking to you. — Ami Blackwelder

Is this about Archer? Please don't tell me you're upset about us, because ... I mean, you're dead."
She floated closer to me, until she was right in my face. At first I thought she was going to spit ectoplasm on me or something, but then I saw her lips moving again. I wasn't an expert lip-reader, but she was close enough and speaking slowly enough that I was able to make out what she said. "I told you," her pale lips mouthed, "that I'd haunt your ass."
I stared at her mouth, horrified, as she smirked. And then,just like that, she was gone. The air near my face wafted sligtly, like someone had just opened a window.
"I don't need this!" I said to the empty room. "Seriously, plate? FULL."
But there was no reply. — Rachel Hawkins

I was Juliet and Quinn was Romeo, and the lines weren't dead black-and-white words on a page but somehow alive, as natural and real as the argument we'd had about the spider and the fly. The rows of empty seats were gone, and we were in a candlelit ballrooom, wrapped in our own cocoon of words. But the playful banter of our words couldn't mask what we both knew
that after this, nothing would be the same .
And then we got to the kissing part, which we'd only read through together and had never really rehearsed. But it didn't matter, because I was still Juliet and Quinn was still Romeo, his gray-green eyes fixed on mine. And when he bent to kiss me, it was Romeo's lips on Juliet's.
Even so, Juliet was just as stunned as I would've been. When I said the last line, I was speaking for both of us. You kiss by the book. — Jennifer Sturman

It starts out the same, but then, after a moment," he said, speaking softly, "suddenly it's as though I've a living flame in my arms." His touch grew firmer, outlining my lips and caressing the line of my jaw. "And I want only to throw myself into it and be consumed. — Diana Gabaldon

Some mornings you wake up fully in your body, and you know this is all there is
the air, the shape your body makes in the air, your hand, the skin that covers your hand, the air that covers your skin, the light that fills the air, a few colors in the light, this one thought, this dream dissolving
it is a dream that, in your half-awake state, embarrasses you. You don't tell it to the woman waking up beside you, the woman you love, because it is about another woman, whom you might also love. This is the dream you need to hold onto, this is your shadow speaking, attempting to bewilder you again. Sometimes, if you lay still, you can feel the air entering each cell, sometimes you can feel the blood in your lips. Sometimes, if you lay very still, you can feel the whole web tremble. — Nick Flynn

He unpacks his bag of tales
with fingers quick
as a weaver's
picking the weft threads
threading the warp.
Watch his fingers.
Watch his lips
speaking the old familiar words:

"Once there was
and there was not,
oh, best beloved,
when the world was filled with wishes
the way the sea is filled with fishes..."

All those threads
pulling us back
to another world, another time,
when goosegirls married well
and frogs could rhyme,
when maids spoke syllables of pearl
and stepmothers came to grief.

.... (from The Storyteller poem) — Jane Yolen

He backed me into a wall, caging me in, got in my face and explained he is most definitely into me."
When I was done speaking, her lips were parted and her eyes were glazed.
"KC?" I called when she didn't say anything.
"Shh," she shushed me. "I'm having an orgasm. — Kristen Ashley

In the context of the English language, there were many more important words than "in." There were fancy words, historic words, words that meant life or death. There were multi-syllabic tongue-twisters that required a sort out before speaking, and mission-critical pivotals that started wars or ended wars ... and even poetic nonsensicals that were like a symphony as they left the lips. Generally speaking, "in" did not play with the big boys. In fact, it barely had much of a definition at all, and, in the course of its working life, was usually nothing but a bridge, a conduit for the heavy lifters in any given sentence. There was, however, one context in which that humble little two-letter, one-syllable jobbie was a BFD. Love. The difference between someone "loving" somebody versus being "in love" was a curb to the Grand Canyon. The head of a pin to the entire Midwest. An exhale to a hurricane. — J.R. Ward

We stare into each other's eyes and softly kiss speaking and saying more with the movement of our lips and the tips of our fingers than words will allow us to say. Words can't say this. The one word love means too little for what it is. It means everything and that is still not enough. It doesn't communicate even a fraction of the feelings involved. Love. The word is not enough for what it is. Love. Love. — James Frey

You must know that weather or not you are practicing mental prayer has nothing to do with keeping your lips closed. If, while I am speaking with God, I am fully conscious of doing so, and if this is more real to me than the words I am uttering, then I am combining mental and vocal prayer. I am amazed when people tell me that you are speaking with God by reciting the Paternoster even while you are thinking of worldly things. When you speak with a Lord so great, you should think of Who it is you are addressing and what you yourself are, if only that you may speak to Him with proper respect. How can you address a king with the reverence he deserves unless you are clearly conscious of his position and yours? — Teresa Of Avila

I wanted his hands at my back and his lips speaking poems on mine and our journey to each other to be completed, the miles between us consumed and all distance closed. — Ally Condie

Lottie strode to the center of the study and stared at Gentry expectantly. She made her manner brisk. "When shall we leave?"
Gentry emerged from the corner. She saw from the flicker in his eyes that he had half-expected her to change her mind after speaking with Westcliff. Now that her choice had been reaffirmed, there was no turning back.
"Now," he said softly.
Her lips parted in the beginnings of an objection. Gentry intended to sweep her away without allowing any opportunity to say good-bye to anyone in the household, not even Lady Westcliff. On the other hand, it would be easier for her to simply disappear without having to explain anything to anyone. "Isn't it rather dangerous to travel at night?" she asked, then quickly answered her own question. "Never mind. If we met with a highwayman, I would probably be safer with him than you."
Gentry grinned suddenly. "You may be right."
-Lottie & Nick — Lisa Kleypas

Get your sticky fingers away from my cookies," Ben ordered, without turning his head, to see Jaxton trying to steal one from the cooking tray.
"You weren't saying that last night," Jaxton retaliated, coming up to Ben's side, to give him a nudge. They were both smiling, while looking down at the counter, where Ben was making his delicious rosemary cookies. "In fact, I seem to remember you grabbing my sticky fingers and putting them in your mouth," he teased, speaking quietly, so that Lyon wouldn't hear them at the other side of the room.
Ben turned to Jaxton and abandoned his baking, to catch his face in flour covered hands and plant a deep kiss on his lips.
Jaxton opened his mouth, in acceptance of his kiss.

~ From the Heart — Elaine White

Twenty-seven."
His brow puckered, and he blinked over at her. "Twenty-seven hundred years, right?"
If he were speaking to Taliyah, yes. "No. Just twenty-seven plain, ordinary years."
"You don't mean human years, do you?"
"No. I mean dog years," she said dryly, then pressed her lips together. Where was the filter that was usually poised over her mouth? Strider didn't seem to mind, though. Rather, he seemed stupefied. Would Sabin have had the same reaction were he awake? "What's so hard to believe about my age?" As the question echoed between them, a thought occurred to her and she blanched. "Do I look ancient?"
"No, no. Of course not. But you're immortal. Powerful. — Gena Showalter

There is no lock strong enough nor wall thick enough to keep Death out," he murmured, his lips close to my ear so that I could feel the puff of his breath against my skin. The ends of a couple of his braids had found their way under the collar of my flannel night-shirt and tickled the base of my neck.
"Are you speaking literally or metaphorically? — Jenna Black

[My mother] died a few months ago, and when she was dead I kissed her lips. For me it was a beautiful moment. From then on I started living with her, asking her from time to time if she was alright, if she was pleased with me. But these things are far greater than photography, and I probably shouldn't be speaking about them. — Mario Giacomelli

My name on his lips is a symphony. How can two simple beats of basic human language engulf me so completely? We stare at each other for a mini infinity. I'm terrified of speaking and breaking the spell that's fallen over us. — Sarah Nicolas

I never interrupt people when they're speaking because I know only too well how annoying it is. But with my every brattish interjection, the dimples deepened at the corner of his lips. And I was half-drunk on his smiling and the power of saying things that made him smile. — Alexis Hall