Lintel Quotes & Sayings

7"Then they shall take some of the blood and put it on the j two doorposts and the lintel of the houses in which they eat it. — Anonymous

Still grows the vivacious lilac a generation after the door and lintel and the sill are gone, unfolding its sweet-scented flowers each spring, to be plucked by the musing traveller; planted and tended once by children's hands, in front-yard plots - now standing by wallsides in retired pastures, and giving place to new-rising forests; - the last of that stirp, sole survivor of that family. Little did the dusky children think that the puny slip with its two eyes only, which they stuck in the ground in the shadow of the house and daily watered, would root itself so, and outlive them, and house itself in the rear that shaded it, and grown man's garden and orchard, and tell their story faintly to the lone wanderer a half-century after they had grown up and died - blossoming as fair, and smelling as sweet, as in that first spring. I mark its still tender, civil, cheerful lilac colors. — Henry David Thoreau

The lintel low enough to keep out pomp and pride; The threshold high enough to turn deceit aside; The doorband strong enough from robbers to defend; This door will open at a touch to welcome every friend. — Henry Van Dyke

Indeed, "brute force" solutions are often characteristic of advanced cultures, not primitive ones. The Romans and their predecessors spent a long time figuring out how to build arches ... and virtually all our buildings today use post-and-lintel construction, precisely what the arch was devised to replace. We have better materials and more money, and given that, arches are usually not worth the extra complexity. — Henry Spencer

Moon, that against the lintel of the west
Your forehead lean until the gate be swung,
Longing to leave the world and be at rest,
Being worn with faring and no longer young,
Do you recall at all the Carian hill
Where worn with loving, loving late you lay,
Halting the sun because you lingered still,
While wondering candles lit the Carian day?
Ah, if indeed this memory to your mind
Recall some sweet employment, pity me,
That even now the dawn's dim herald see!
I charge you, goddess, in the name of one
You loved as well: endure, hold off the sun. — Edna St. Vincent Millay

The ritual of the blood on the lintel of the door, which protected the Israelites from the angel of death, is an apotropaic (avoidance) ritual, such that the family in question would be 'passed over' by the aforementioned denizen of death. Later Jewish and Christian ideas that amalgamated this story with ideas about the scapegoat's providing a substitutionary remedy should not be read into the original tale. The scapegoat symbolized the removal of sin from the nation and perhaps the judging of a substitute. The blood of the Passover lamb on the door symbolized not a sacrifice for sin but rather protection from divine judgment. There is a difference. — Ben Witherington III

Nothing had worked out the way he'd hoped. He should've expected it by now, maybe. After all, things never had before. And yet he kept on pissing into the wind. He was like a man whose door's too low, but instead of working out how to duck, keeps on smacking his head into the lintel every day of his miserable life. He wanted to feel sorry for himself, but he knew he deserved no better. A man can't do the things he'd done, and hope for happy endings. — Joe Abercrombie

Do you think what happened here was an exam: if you come through, you get a diploma and safe conduct into the future, or a sign to paint on the door-lintel that will make the plague pass you by? — J.M. Coetzee

God bless the corners of this house, and be the lintel blest, and bless the hearth and bless the board and bless each place of rest, and bless each door that opens wide to stranger as to kin. And bless each crystal window pane that lets the starlight in, and bless the rooftree overhead and every sturdy wall. The peace of man, the peace of God, the peace of love on all. Amen. — Carolyn Brown

Echo and Shadow

A room
and a room. And between them

she leans in the doorway
to say something,

lintel bright above her face,
threshold dark beneath her feet,

her hands behind her head gathering
her hair to tie and tuck at the nape.

A world and a world.

Dying and not dying.
And between them
the curtains blowing
and the shadows they make on her body,

a shadow of birds, a single flock,
a myriad body of wings and cries
turning and diving in complex unison.
Shadow of bells,

or the shadow of the sound
they make in the air, mornings, evenings,
everywhere I wait for her,

as even now her voice
seems a lasting echo
of my heart's calling me home, its story
an ocean beyond my human beginning,

each wave tolling the whole note
of my outcome and belonging. — Li-Young Lee

It was tough doing 'Underneath the Lintel' in New Jersey in the wintertime, but rewarding. Those audiences were lively and interactive. On-stage was great, but off-stage was difficult. — Richard Schiff

Carved above the lintel were the words SCIENTIA POTESTAS EST. Science points east, I wondered? Science is portentous, yes? Science protests too much. Scientific potatoes rule. Had I stumbled on the lair of dangerous plant geneticists? — Ben Aaronovitch

The gate was made out of blocks of stone bigger across than I am tall. Something else supposedly built by the old gods, it was topped by a solid stone lintel with two carved lions that were supposed to roar if an enemy of the king passed beneath them. At least they were said to be lions. The stone had been weathered by the centuries, and only indistinct monster figures remained, facing each other over a short pillar. They remained silent as we passed under. — Megan Whalen Turner

You say to a brick, 'What do you want, brick?' And brick says to you, 'I like an arch.' And you say to brick, 'Look, I want one, too, but arches are expensive and I can use a concrete lintel.' And then you say: 'What do you think of that, brick?' Brick says: 'I like an arch.' — Louis Kahn

You can tell the archaeologists, of course, by their photos. The tourists' photos feature people in front of mountains, terraces, stone structures, sundials. The archaeologists wait until the people move away to take theirs: they want the terrace, the stone wall, the lintel, the human-made thing, all sans humans. — Marilyn Johnson

The motto above the lintel of the main entrance was in the raised script of the prayer language: My life for a thousand.

She remembered swearing an oath with that at its core: My life for yours, for ours, for Nasheen. My life for a thousand. — Kameron Hurley

I know Oz, now," she said, and in the carving of the lintel she found that common ideogram, a Z circled with an O. "Usually letters don't hide inside each other," she told Glinda firmly. "No, that's true. In Oz, I suppose, something is always hiding ... — Gregory Maguire

I stooped under the rude lintel, and there he sat upon a stone outside, his gray eyes dancing with amusement as they fell upon my astonished features. He was thin and worn, but clear and alert, his keen face bronzed by the sun and roughened by the wind. In his tweed suit and cloth cap he looked like any other tourist upon the moor, and he had contrived, with that catlike love of personal cleanliness which was one of his characteristics, that his chin should be as smooth and his linen as perfect as if he were in Baker Street. — Arthur Conan Doyle

Round the cabin stood half a dozen mountain ashes, as the rowans, inimical to witches, are there called. On the worn planks of the door were nailed two horse-shoes, and over the lintel and spreading along the thatch, grew, luxuriant, patches of that ancient cure for many maladies, and prophylactic against the machinations of the evil one, the house-leek. Descending into the doorway, in the chiaroscuro of the interior, when your eye grew sufficiently accustomed to that dim light, you might discover, hanging at the head of the widow's wooden-roofed bed, her beads and a phial of holy water — J. Sheridan Le Fanu

A woman I have never seen before
Steps from the darkness of her town-house door
At just that crux of time when she is made
So beautiful that she or time must fade.
What use to claim that as she tugs her gloves
A phantom heraldry of all the loves
Blares from the lintel? That the staggered sun
Forgets, in his confusion, how to run?
Still, nothing changes as her perfect feet
Click down the walk that issues in the street,
Leaving the stations of her body there
Like whips that map the countries of the air. — Richard Wilbur