Quotes & Sayings About Lines In Art

Because you get it, you know? You get that the colors and the lines and the curves aren't trying to be like everything else in the world. You understand that the abstract art is standing out against the norm because it's the only way abstract art knows how to stand. And you get so fucking happy because it's so beautiful. And unique. And edgy. And ... abstract. — Brittainy C. Cherry

The line has almost become a work of art in itself. — Theo Van Doesburg

In the first grade, I already knew the pattern of my life. I didn't know the living of it, but I knew the line ... From the first day in school until the day I graduated, everyone gave me one hundred plus in art. Well, where do you go in life? You go to the place where you got one hundred plus. — Louise Berliawsky Nevelson

It was amazing what an hour with her sketchpad could do for her mood. She was sure that the lines she drew with her black marker were going to save her years of worry lines in the future. — Victoria Kahler

Whether it's a pebble in a riverbed or a soaring mountain peak, I see everything in the world as the handiwork of the Lord. When I paint, I try to represent the beauty of God's creation in my art. Many modern painters see the world as a jumble of random lines and shapes with no divine beauty or order, and their works reflect their viewpoint. Because I see God's peacefulness, serenity, and contentment, I work to capture those feelings on the canvas. My vision of God defines my vision of the world. — Thomas Kinkade

Art is like politics. Any theory carried too far ends in sterility, and freshness is only gained by following some other line. — Amy Lowell

Art is the filigrain of a little mind, and is twisted and involved and curled, but would reach farther if laid out in a straight line. — Horace Walpole

[In the case of research director, Willis R. Whitney, whose style was to give talented investigators as much freedom as possible, you may define 'serendipity' as] the art of profiting from unexpected occurrences. When you do things in that way you get unexpected results. Then you do something else and you get unexpected results in another line, and you do that on a third line and then all of a sudden you see that one of these lines has something to do with the other. Then you make a discovery that you never could have made by going on a direct road. — Irving Langmuir

To select, combine and concentrate that which is beautiful in nature and admirable in art is as much the business of the landscape painter in his line as in the other departments of art. — J. M. W. Turner

If we do not wish to fight, we can prevent the enemy from engaging us even though the lines of our encampment be merely traced out on the ground. All we need to do is to throw something odd and unaccountable in his way. — Sun Tzu

Remember when we didn't know that colours can mix and form other colours. When we were not introduced to strokes that brushes can form, when light and dark were not necessary for the picture to be completed, and when it was a matter of lines that were not suppose to be connected. When feelings crashed on a white heart unintentionally and when our soul was not held in captive. Remember? — Mona Adnan

The poet is born with the capacity of arranging words in such a way that something of the quality of the graces and inspirations he has received can make itself felt to other human beings in the white spaces, so to speak, between the lines of his verse. This is a great and precious gift; but if the poet remains content with his gift, if he persists in worshipping the beauty in art and nature without going on to make himself capable, through selflessness, of apprehending Beauty as it is in the divine Ground, then he is only an idolater. — Aldous Huxley

Shall I compare thee to a summer's day?
E'en in Australia art thou still more hot
Rough winds do shake the darling buds of May
(Since that's your winter it don't mean a lot)
Sometimes too bright the eye of heaven shines
And bushfires start through half of New South Wales
Just so, when I do see thy bosom's lines
A fire consumes me and my breathing fails
But thine eternal summer shall not fade
This is in no way due to global warming;
Nay, from thy breasts shall verses fair be made
So damn compulsive they are habit-forming
So long as men can read and eyes can see
So long lives this, thou 34DD
(Based on an idea by William Shakespeare. I'm sure he'd agree that I've improved it) — Manny Rayner

What makes a set of lines and colors into art is the relationship between this line and that one; the way one color or form echoes another in a different part of the canvas. — Daniel Levitin

Emotional versatility is the art of making peace with the entire emotional spectrum by honing your capacity to channel various feelings along creative and constructive lines. It is not about controlling or condemning your feelings. It's about conducting your feelings in a self-edifying way. — T.K. Coleman

From high Meonia's rocky shores I came, Of poor decsent, Acoetes is my name, My sire was measly born: no oxen ploughed, His fruitful fields, nor in his pastures lowed, His whole estate within the waters lay' With lines and hooks he caught the finny prey; His art was all his livelehood, which he Thus with his dying lips bequeathed to me: In streams, my boy, and rivers take thy chance; There swims', said he, Thy whole inheritance. — Ovid

I have learned the art of filling in your lines with your visuals and your movies and your imagination. — Daphne Zuniga

Only lifeless mechanisms move along faultlessly straight lines and compass circles. In art the surest way to destroy is to canonize one given form and one philosophy: that which is canonized quickly dies of obesity, of entropy. — Yevgeny Zamyatin

The river, tonally, does not recede, presenting the same lifeless grey near and far, a depthless plane upon which Schmitt's dragging oars inscribe parallel lines and Eakins' oars, rising and falling, leave methodically spaced patches of disturbed water. The canvas is haunting - en evocation of the democracy's idyllic, isolating spaciousness, present even in the midst of a great Eastern city. — John Updike

From the classically executed lifelike bouquets, tempting you to reach for the petals that fell on a three-dimensional tablecloth, to a new and disturbing style in which the colors seemed to blaze with such intensity they destroyed the old lines, the old solidity, to make a vision like those states which I'm nearest my delirium and flowers grow before my eyes and crackle like the flames of lamps. — Anne Rice

Art directors speak in pictures. If you want an art director to understand what you're saying, you need to draw some lines and circles on a piece of paper. — Nevada Scheffler

Everybody has their own America, and then they have pieces of a fantasy America that they think is out there but they can't see ... So the fantasy corners of America ... you've pieced them together from scenes in movies and music and lines from books. And you live in your dream America that you've custom-made from art and schmaltz and emotions just as much as you live in your real one. — Andy Warhol

Those who have not lived in New Orleans have missed an incredible, glorious, vital city
a place with an energy unlike anywhere else in the world, a majority-African American city where resistance to white supremacy has cultivated and supported a generous, subversive, and unique culture of vivid beauty. From jazz, blues, and and hip-hop to secondlines, Mardi Gras Indians, jazz funerals, and the citywide tradition of red beans and rice on Monday nights, New Orleans is a place of art and music and food and traditions and sexuality and liberation. — Jordan Flaherty

It's the sketch Edward did of me before he went away, the one he said was fine but didn't want to keep. It's as if he's drawn me not once but twice. In the main drawing I have my head turned to the right. It's so detailed, you can see the tautness of my neck muscles and the arch of my clavicle. But underneath or over that there's a second drawing, barely more than a few jagged, suggestive lines, done with a surprising energy and violence: my head turned the other way, my mouth open in a kind of snarl. The two heads pointing in opposite directions give the drawing a disturbing sense of movement.

Which one's the pentimento, and which the finished thing? And why did Edward say there was nothing wrong with it? Did he not want me to see this double image for some reason? — J.P. Delaney

Art is universal. It unites mankind in common brotherhood. As a missionary of civilization, its message is both to heart and mind. Distinctions of tongue or boundary lines disappear before the power of truths, which, like the rainbow, charm by the beauty of variegated hues, or, combined with light, illuminate the universe. Moreover, art is the connecting link in the chain of great minds. Through its language, thought appeals to thought, and sympathy echoes feeling. — James Jackson Jarves

A storyteller who provided us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearing us out with repetition, misleading emphases and inconsequential plot lines. It insists on showing us Bardak Electronics, the saftey handle in the car, a stray dog, a Christmas card and a fly that lands first on the rim and then in the centre of the ashtray.
Which explains how the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting wooliness of the present. — Alain De Botton

Every great artist must begin by learning to draw with the single line, and my advice to young animators is to learn how to live with that razor-sharp instrument or art. An artist who comes to me with eight or ten good drawings of the human figure in simple lines has a good chance of being hired. But I will tell the artist who comes with a bunch of drawings of Bugs Bunny to go back and learn how to draw the human body. An artist who knows that can learn how to draw ANYTHING, including Bugs Bunny. — Chuck Jones

On pristine parchment I draw with my skis calligraphic lines of joy, writing poems of movement. — Patricia Robin Woodruff

And nail about it because you think it's meaningless, but the next thing you know you're sitting in a library staring at books filled with pictures of abstract artwork and your heart feels ready to explode." Levi turned to me as I stepped out from behind the corner. Our eyes locked, and he kept speaking. "Because you get it, you know? You get that the colors and the lines and the curves aren't trying to be like everything else in the world. You understand that the abstract art is standing out against the norm because it's the only way abstract art knows how to stand. And you get so fucking happy because it's so beautiful. And unique. And edgy. And ... abstract." The room filled with silence as the three of us stood with no words — Brittainy C. Cherry

I find him in the curves of certain lines, in the loveliness and subtleties of certain colours. — Oscar Wilde

Chase was gone then, and Donnie was back, alone in his room, wondering about those pictures from an art book he'd so admired. Because it felt like he'd just lived one, and it had been beautiful, so beautiful, and he'd been able to reach out and touch the lines of it, but it still hurt. — Amy Lane

Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or tree. It is lines and colors put together so that they may say something. — Georgia O'Keeffe

It's a reality of art that the fewer lines you get, the harder it is. Cartooning is actually harder than realism. You have less to work with. It's like trying to build a house-if you have unlimited resources, you're in much better shape than if you get two bricks, a hammer, and a bent nail. — Ursula Vernon

In addition to all of the ratios and goals and parameters and bottom lines, it is fundamental that leaders endorse a concept of persons. This begins with an understanding of the diversity of people's gifts and talents and skills. Recognizing diversity gives us the chance to provide meaning, fulfillment and purpose, which are not to be relegated solely to private life any more than such things as love, beauty and joy. The art of leadership lies in polishing and liberating and enabling those gifts. — Max De Pree

Art never expresses anything but itself. It has an independent life, just as thought has, and develops purely on its own lines (...) So far from being the creation of its time, it is usually in direct opposition to it, and the only history that it preserves for us is the history of its own progress. (...) In no case it represents its age. To pass from the art of a time to the time itself is the great mistake that all historians commit. — Oscar Wilde

But in some curious way - I wonder will you understand me?- his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently, I think of them differently. I can now recreate life in a way that was hidden from me before. 'A dream of form in days of thought:' ... Unconsciously he defines for me the lines of a fresh school, a school that is to have in it all the passion of the romantic spirit, all the perfection of the spirit that is Greek. — Oscar Wilde

The hardest things to do in any art is to risk failure and put yourself out on the line. — Oscar Isaac

I make videos which are works of art in themselves which have nothing to do with Hollywood movies or anything along those lines and I like videos because they deal with light and dark and time and change and they're just another kind of medium that I can get into and work with when I choose to other than, say, doing something on the wall or a window. — Robert Barry

Because Trickster is looking to stir things up, to scramble the conventions, to undo history and received notions of what is art and what is not, to sing for his supper, to find and lose himself in the act of entertaining. Trickster haunts the boundary lines, the margins, the secret shelves between the sections in the bookstore. And that is where, if it wants to renew itself in the way that the novel has done so often in its long history, the short story must, inevitably, go. — Michael Chabon

If my opinion runs more than twenty pages," she said, "I am disturbed that I couldn't do it shorter." The mantra in her chambers is "Get it right and keep it tight." She disdains legal Latin, and demands extra clarity in an opinion's opening lines, which she hopes the public will understand. "If you can say it in plain English, you should," RBG says. Going through "innumerable drafts," the goal is to write an opinion where no sentence should need to be read twice. "I think that law should be a literary profession," RBG says, "and the best legal practitioners regard law as an art as well as a craft. — Irin Carmon

It is said that my art has some typically Nordic features: the curving lines, the convolutions, the magical masks and staring eyes that appear in myths and folk art. This may be. My interest in the dynamics of Jugend style probably also comes into it. — Asger Jorn

Ingres was one of those artists to whom the outline was something sacred and magical, and the reason is that it was the means of reconciling the major conflict in his art, the conflict between abstraction and sensibility. — Kenneth Clark

A Book of Glass
On the table, a book of glass. In the book only a few pages with no words But scratched in a diamond-point pencil to pieces in diagonal Spirals, light triangles; and a French curve fractures lines to
elisions.

The last pages are simplest. They can be read backwards and
thoroughly. Each page bends a bit like ludicrous plastic. He who wrote it was very ambitious, fed up, and finished. He had been teaching the insides and outsides of things

To children, teaching the art of Rembrandt to them. His two wives were beautiful and Death begins As a beggar beside them. What is an abstract persona? A painter visits but he prefers to look at perfume in vials.

And I see a book in glass - the words go off In wild loops without words. I should Wake and render them! In bed, Mother says each child Will receive the book of etchings, but the book will be
incomplete, after all.
But I will make the book of glass. — David Shapiro

Being open is art. Making a connection when it's not part of your job is a gift. You can say your lines and get away with it, or you can touch someone and make a difference in their lives forever. — Seth Godin

We've made it private, contained it in family, when its audacity is in its potential to cross tribal lines. We've fetishized it as romance, when its true measure is a quality of sustained, practical care. We've lived it as a feeling, when it is a way of being. It is the elemental experience we all desire and seek, most of our days, to give and receive. The sliver of love's potential that the Greeks separated out as eros is where we load so much of our desire, center so much of our imagination about delight and despair, define so much of our sense of completion. There is the love the Greeks called filia - the love of friendship. There is the love they called agape - love as embodied compassion, expressions of kindness that might be given to a neighbor or a stranger. The Metta of the root Buddhist Pali tongue, "lovingkindness," carries the nuance of benevolent, active interest in others known and unknown, and its cultivation begins with compassion towards oneself. — Krista Tippett

To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then by means of movements, lines, colors, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling - this is the activity of art. — Leo Tolstoy

The art of British Columbia's native Indians played a big role in inspiring my creativity ... the simplicity of the images, the graciousness of the lines and curves, and the emotional impact of the bright simple primary colours. — Joe Average

But if your language is intended to be the medium of an art if you, its user, are an artist and not a reporter, a persuader, a raconteur; if you aren't writing principally to get praise or pay, but wish to avoid the busy avenues of entertainment, to traffic in the tragic maybe, dig down to the deeply serious; then (although there are a few exceptional and contrary cases) you will understand right away how blessed you are by the language you were born with, the language you began to amster in the moment you also started to learn about life, to read the lines on faces, the light in the window which meant milk, the door which deprived you of mother, the half-songs sung by that someone who lonaed you the breast you suckled - the breast you claimed as more than kin. — William H Gass

The Greeks were so committed to ideas as supernatural forces that they created an entire group of goddesses (not one but nine) to represent creative power; the opening lines of both The Iliad and The Odyssey begin with calls to them. These nine goddesses, or muses, were the recipients of prayers from writers, engineers, and musicians. Even the great minds of the time, like Socrates and Plato, built shrines and visited temples dedicated to their particular muse (or muses, for those who hedged their bets). Right now, under our very secular noses, we honor these beliefs in our language, as the etymology of words like museum ("place of the muses") and music ("art of the muses") come from the Greek heritage of ideas as superhuman forces. — Scott Berkun

One of the biggest problems of mathematics is to explain to everyone else what it is all about. The technical trappings of the subject, its symbolism and formality, its baffling terminology, its apparent delight in lengthy calculations: these tend to obscure its real nature. A musician would be horrified if his art were to be summed up as "a lot of tadpoles drawn on a row of lines"; but that"s all that the untrained eye can see in a page of sheet music ... In the same way, the symbolism of mathematics is merely its coded form, not its substance. — Ian Stewart

I tended to find lines of poetry beautiful only when I encountered them quoted in prose, in the essays my professors had assigned in college, where the line breaks were replaced with slashes, so that what was communicated was less a particular poem than the echo of poetic possibility. Insofar as I was interested in the arts, I was interested in the disconnect between my experience of actual artworks and the claims made on their behalf; the closest I'd come to having a profound experience of art was probably the experience of this distance, a profound experience of the absence of profundity. — Ben Lerner

I've been collecting since college, .. When we're children, we're taught to draw in the lines, use certain colors. In this art, the talent and the creativity we had as children hasn't been squashed. The early stuff is still there. — Beverly L. Kaye

THE ART OF DRAWING YOU
In a bed by the Gulf of Corinth, a woman contemplates by firelight the profile of her sleeping lover.
On the wall, his shadow flickers.
The lover, who lies by her side, will leave. At dawn he will leave to war, to death. And his shadow, his traveling companion, will leave with him and with him will die.
It is still dark. The woman takes coal out of the embers and draws on the wall the outline of his shadow.
Those lines will not leave.
They will not embrace her, and she knows it. But they will not leave. — Eduardo Galeano

Lines are results, do not draw them for themselves ... Lines give birth to lines. Drawing is not following a line on the model, it is drawing your sense of the thing ... Make a drawing flow, stopping sometimes, and going on ... Search for the simple constructive forces, line the lines of a suspension bridge. Get the few main lines and see what lines they call out ... Have purpose in the places where lines stop. — Robert Henri

Love is an art, Berk. Just like painting or music. Some painters draw mere lines, scratches on the canvas and call them art; some paint stars studded skies like van Gogh; or Chopin's music conquers the hearts of millions while the execrable disco music blaring out of the open windows of a car have also their audience. Some describe love in high-flown flowery language and you identify yourself with the hero and the heroine and feel yourself in the seventh heaven while some give such a lamentable picture of it that you almost curse it! — T. Afsin Ilgar

In my theater pieces, I would do "Tits on the Head" - Polaroid photos for $10 on the stage. There would be a line of folks paying me $10 for their turn. It was public prostitution. I turned my whole audience into johns. But because it was in a theater context, an art context, it was socially acceptable. — Annie Sprinkle

Howard Altmann has found a way to make language transform itself. If the elusive moment between I and Thou could speak, it might be one of his quietly amazing lines-'you ask the silence to invert itself / like a gymnast in the dark ... ' Without a trace of rhetoric, In This House reminds us of the power of poetry: to show us how to live in a world in which we are strangers. It's a thrill to come close to such an original and deeply realized art. — Dennis Nurkse

Much of the colony's musical experimenting was, quite consciously, concerned with what might be called "time span." What was the briefest note that the mind could grasp - or the longest that it could tolerate without boredom? Could the result be varied by conditioning or by the use of appropriate orchestration? Such problems were discussed endlessly, and the arguments were not purely academic. They had resulted in some extremely interesting compositions. But it was in the art of the cartoon film, with its limitless possibilities, that New Athens had made its most successful experiments. The hundred years since the time of Disney had still left much undone in this most flexible of all mediums. On the purely realistic side, results could be produced indistinguishable from actual photography - much to the contempt of those who were developing the cartoon along abstract lines. — Arthur C. Clarke

Urban artist have to face the stigma not only from white Australia but black Australia too; that's horrific when people say that their art isn't "Aboriginal" if it doesn't have dots or lines or moieties in it. — Warwick Thornton

They had heroes for companions, beautiful youths to
dream of, rose-marble-fingered
Women shed light down the great lines;
But you have invoked the slime in the skull,
The lymph in the vessels. They have shown men Gods
like racial dreams, the woman's desire,
The man's fear, the hawk-faced prophet's; but nothing
Human seems happy at the feet of yours.
Therefore though not forgotten, not loved, in the gray old
years in the evening leaning
Over the gray stones of the tower-top,
You shall be called heartless and blind. — Robinson Jeffers

Slow me down, Lord. Ease the pounding of my heart by the quieting of my mind. Steady my hurried pace with a vision of the eternal reach of time. Give me, amid the confusion of the day, the calmness of the everlasting hills. Break the tensions of my nerves and muscles with the soothing music of the singing streams that live in my memory. Teach me the art of taking minute vacations - of slowing down to look at a flower, to chat with a friend, to pat a dog, to smile at a child, to read a few lines from a good book. Slow me down, Lord, and inspire me to send my roots deep into the soil of life's enduring values, that I may grow toward my greater destiny. Remind me each day that the race is not always to the swift; that there is more to life than increasing its speed. Let me look upward to the towering oak and know that it grew great and strong because it grew slowly and well. — Chip Ingram

The ... arguments against photography ever being considered a fine art are: the element of chance which enters in, finding things ready-made for a machine to record, and of course the mechanics of the medium ... I say that chance enters into all branches of art: a chance word or phrase starts a new trend of thought in a writer, a chance sound may bring a new melody to a musician, a chance combination of lines, new composition to a painter ... Chance - which in reality is not chance - but being ready, attuned to one's surroundings - and grasp my opportunity ... — Edward Weston

There is more in art, with an apology to that much abused word, as applied to photography, than startling display lines, on mounts and signs announcing artist Photographer, Artistic Photography Studio, etc., and the lower the standard the more frantic the claim ... — Gertrude Kasebier

USURY: Everybody's looking for the job in which you never have to pay anyone their pound of flesh. Self-employed nirvana. A lot of artists like to think of themselves as uncompromising; a lot of management consultants won't tell you what they do until they've sunk five pints. I don't think anybody should give themselves air just because they don't have to hand over a pound of flesh every day at 5pm, and I don't think anyone should beat themselves with broken glass because they do. If you're an artist, well, good for you. Thank your lucky stars every evening and dance in the garden with the fairies. But don't fool yourself that you occupy some kind of higher moral ground. You have to work for that. Writing a few lines, painting a pretty picture - that just won't do it. — Zadie Smith

Clear your throat and open your eyes. You are on stage. The lights are on. It's only natural if you're sweating, because this isn't make-believe. This is theater for keeps. Yes, it is a massive stage, and there are millions of others on stage with you. Yes, you can try to shake the fright by blending in. But it won't work. You have the Creator God's full attention, as much attention as He ever gave Napoleon. Or Churchill. Or even Moses. Or billions of others who lived and died unknown. Or a grain of sand. Or one spike on one snowflake. You are spoken. You are seen. It is your turn to participate in creation. Like a kindergartener shoved out from behind the curtain during his first play, you might not know which scene you are in or what comes next, but God is far less patronizing than we are. You are His art, and He has no trouble stooping. You can even ask Him for your lines. — N.D. Wilson