Limited Edition Funny Quotes & Sayings

You can't rest on your laurels. You have to continue to innovate; you have to continue to be different. — Keith Belling

My whole family is spiritual. My grandmother, grand aunt, cousins, they're all preachers and pastors. Spirituality is a part of my family, from generations ago. — Ziggy Marley

What sort of diary should I like mine to be? Something loose-knit and yet not slovenly, so elastic that it will embrace anything, solemn, slight or beautiful, that comes into my mind. I should like it to resemble some deep old desk or capacious hold-all, in which one flings a mass of odds and ends without looking them through. I should like to come back, after a year or two, and find that the collection had sorted itself and refined itself and coalesced, as such deposits so mysteriously do, into a mould, transparent enough to reflect the light of our life, and yet steady, tranquil compounds with the aloofness of a work of art. The main requisite, I think, on reading my old volumes, is not to play the part of a censor, but to write as the mood comes or of anything whatever; since I was curious to find how I went for things put in haphazard, and found the significance to lie where I never saw it at the time. — Virginia Woolf

We may, perhaps, imagine that the creation was finished long ago. But that would be quite wrong. It continues still more magnificently, and at the highest levels of the world. — Pierre Teilhard De Chardin

Tough break-up? Trash stinks, which is why you toss it. — Donna Lynn Hope

A sense of worthiness is a child's most important need. — Polly Berrien Berends

My hand is clutching Sebastian's, although I'm not sure he's even aware of it after all we've been through. — Theresa Braun

The Joke...Audience as reflexive cast; 35 mm. X2 cameras;variable length; black and white, silent. Parody of Hollis Frampton's 'audience-specific events,' two Ikegami EC-35 video cameras in theater record the film's audience and project the resultant raster onto screen - the theater audience watching itself watch itself get the obvious 'joke' and become increasingly self-conscious and uncomfortable and hostile supposedly comprises the film's involuted 'antinarrative' flow. Incandenza's first truly controversial project, Film & Kartridge Kulcher's Sperber credited it with 'unwittingly sounding the death-knell of post-postsctructural film in terms of sheer annoyance. — David Foster Wallace