Likely Story Quotes & Sayings

Who hurts the most? In the world you have invented, who suffers the most? Chances are that it is among the characters who are in pain that you will find your main character, partly because your readers' sympathy will be drawn toward a suffering character and partly because a character in pain is a character who wants things to change. He's likely to act. Of course, a character who suffers a lot and then dies won't be a productive main character unless your story is about life after death. But your eye should be drawn toward pain. Stories about contented people are miserably dull. — Orson Scott Card

The following year, on June 20, 1947, not suspecting what was about to happen, Bugsy Siegel was sitting on a couch in the living room of Virginia Hill's home at 810 Linden Drive in Beverly Hills. As he was reading a newspaper, an assassin fired a number of shots, from a rifle, through the front window. Siegel was shot twice in the head, with one bullet exiting his skull near the bridge of his nose, causing his left eye to be blown out of its socket. He was also hit twice in the torso. His death was instantaneous and the graphic photos of his bullet-riddled body made headline news. Although there were enough suspects to go around, Eddie Cannizzaro, the "Cat Man," a connected west coast mobster, made a deathbed confession that he was the one who carried out the contract. Although the case isn't closed, it is cold and will most likely remain so, as it rests on the desk of Detective Les Zoeller of the Los Angeles Police Department. — Hank Bracker

I don't tell you this story today in order to encourage all of you in the class of '04 to find careers in the music business, but rather to suggest what the next decade of your lives is likely to be about, and that is, trying to ensure that you don't wake up at 32 or 35 or 40 tenured to a life that happened to you when you weren't paying strict attention, either because the money was good, or it made your parents proud, or because you were unlucky enough to discover an aptitude for the very thing that bores you to tears, or for any of the other semi-valid reasons people marshal to justify allowing the true passion of their lives to leak away. If you're lucky, you may have more than one chance to get things right, but second and third chances, like second and third marriages, can be dicey propositions, and they don't come with guarantees ... The question then is this: How does a person keep from living the wrong life? — Richard Russo

The mark of a writer is to make a story as likely as possible, and I've done my best to deliver authentic atmosphere. — Philip Kerr

I think the idea of a traditional story being told using traditional animation is likely a thing of the past, — Jeffrey Katzenberg

Everyone in America likely has a bullying story, whether as the victim, bully or as a witness. — Michael M. Honda

If you take the time to listen to an upset child's story with empathy, and guide the child toward figuring out the root of the problem, then the result is often that the child not only calms down, but also in the future is less likely to get so upset. — Carolyn Hax

But eggshells were made to be broken, and slamming into a 100-story skyscraper at the speed of light would likely do the deed. — Maureen A. Miller

A likely story indeed!" said the Pigeon, in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never one with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!"
"I have tasted eggs, certainly," said Alice, who was a very truthful child; "but little girls eat eggs quite as much as serpents do, you know."
"I don't believe it," said the Pigeon; "but if they do, then they're a kind of serpent: that's all I can say. — Lewis Carroll

When I am grappling with ideas which are radical enough to upset grown-ups, then I am likely to put these ideas into a story which will be marketed for children, because children understand what their parents have rejected and forgotten. — Madeleine L'Engle

The story of Daniel and his friends is a clarion call to our generation to be courageous; not to lose our nerve and allow the expression of our faith to be diluted and squeezed out of the public space and thus rendered spineless and ineffective. Their story will also tell us that this objective is not likely to be achieved without cost. — John C. Lennox

They rode up the faint marks of the old trace where thousands of sojourners walking and riding both had crossed it and before them the buffalo far back in time. She joined the stream of humanity that had gone down that road, just one more story in a stream of narratives both likely and unlikely that were being told somewhere even now, by someone, in a far place. — Paulette Jiles

If I had a story idea that I felt would work best in three volumes I might write a trilogy eventually. I'd very likely write it all at once, though, so I could work on it as a whole and not broken into individual volumes. — Erin Morgenstern

When you start crafting a story and characters, there is something so crazy important that you must always keep it in the back of your mind: there is no single force on this planet more powerful than that of empathy ... Hulk knows your likely counter already: "Oh yeah, Hulk? Well what about Galactus! Galactus is totally the most powerful!!!!" Pssssh. How does Galactus get defeated? It's because Alicia Masters appeals to the Silver Surfer's sense of empathy, which causes him to join the Fantastic Four and defeat his former master! Empathy, bitches. Empathy. — Film Crit Hulk!

number of changes she had gone through that day. 'A likely story indeed!' said the Pigeon in a tone of the deepest contempt. 'I've seen a good many little girls in my time, but never one with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!' 'I have tasted eggs, certainly, — Lewis Carroll

I'm working on something that's not yet novel-shaped but is something of a film-noir-flavored 'Alice in Wonderland.' It will also very likely be a single volume story and not the start of a series. — Erin Morgenstern

I believe that if the story is fleshed out and the characters more believable, the reader is more likely to take the journey with them. In addition, the plot can be more complex. My characters are very real to me, and I want each of my characters to be different. — Michael Robotham

I don't think that there's a target audience at all. These stories were in circulation. The stories were told by men, told in the marketplace by men, but also behind doors by women, but there's no real record of this. It's likely they were told by women to children in their interior rooms. The story could be a negative story, they could be presented as a, "Watch out! Women will get round you, do things to you, weave you in their toils." It could be buried in it an old cautionary story about women and their wiles. — Marina Warner

In some cases the intelligence community could subsidize commercial and academic sources to ensure specialized or additional expertise for surge situations. The key challenge in these cases is that, although experts in academia and the media are likely to be eager to assist the government, they may be reluctant to have direct association with intelligence organizations. U.S. intelligence will need mechanisms that keep these experts at arm's length. One alternative could be to work through agencies such at the State Department and National Security Council, or private organizations such as the National Science Foundation. Moreover, these buffer mechanisms will need to be real, and not just a cover story. A few stories about how such-and-such organization is a 'front for U.S. intelligence' will ensure not only that the organization will lose its access to experts, but that the experts themselves will be less likely to offer their services to the government in the future. — Bruce D. Berkowitz

My sexual exploits with my neighborhood playmates continued. I lived a busy homosexual childhood, somehow managing to avoid venereal disease through all my toddler years. By first grade I was sexually active with many friends. In fact, a small group of us regularly met in the grammar school lavatory to perform fellatio on one another. A typical week's schedule would be Aaron and Michael on Monday during lunch; Michael and Johnny on Tuesday after school; Fred and Timmy at noon Wednesday; Aaron and Timmy after school on Thursday. None of us ever got caught, but we never worried about it anyway. We all understood that what we were doing was not to be discussed freely with adults but we viewed it as a fun sort of confidential activity. None of us had any guilty feelings about it; we figured everyone did it. Why shouldn't they? — Aaron Fricke

In general, when a novel manipulates its material to conform to the pieties of the day, or alternatively to attack those pieties for no other reason than the visibility such an attack will generate, when its literary tropes are all too familiar, its clever prose reminiscent of other clever prose, then the compass needle is slipping away from true north ... When, on the other hand, the author renounces some easy twist, some expected payoff, to take us into territory we didn't expect but that nevertheless fits with the drift of the story, then the novel gains force and conviction. And when he or she does it again, telling quite a different story that is nevertheless driven by the same urgent tensions, then we are likely moving into the zone of authenticity. — Tim Parks

There's a huge difference between a student whose objective is to get a good grade and a student whose objective is to solve a problem or understand a story. What's more, the research suggests that when kids are encouraged to focus on getting better marks in school, three things tend to happen: They lose interest in the learning itself, they try to avoid tasks that are challenging, and they're less likely to think deeply and critically. — Alfie Kohn

Christian apologists who argue that a story about an empty tomb is convincing evidence of a resurrected body are likely unfamiliar with Occam's razor, which states that among competing hypotheses, the hypothesis with the fewest assumptions should be selected. They assume that the most likely explanation is miraculous resurrection through some unproven divine connection, but more likely scenarios include a stolen body, a mismarked grave, a planned removal, faulty reports, creative storytelling, edited scriptures, etc. No magic required. — David G. McAfee

For a short-story writer, a story is the combination of what the writer supposed the story would likely be about - plus what actually turned up in the course of writing. — Carol Bly

In supernatural horror stories, however, magical thinking is a completely different matter. Those characters contending with what seems to be the work of magic will deny till the very last moment that anything magical is going on. They will invoke reason and evidence and eek out corroborations for the cause of their problems. But readers of these stories are rarely, if ever, on the side of these characters. They desperately want to believe that there is indeed something magical going on and they are primed to accept it whenever it occurs. Some readers especially enjoy a story with bad magic, as it assures them that magic is confined to fiction and will not leak into their real lives. This is the most perverse form of magical thinking and the one least likely to be recognized as such. — Thomas Ligotti

I'm just looking for the best story being told by the best people and the best part that I can find. If those things add up, I want to be a part of it whether it's a studio film or, more likely in that instance, an independent film. — John Hawkes

Power largely consists in the ability to make others inhabit your story of their reality, even if you have to kill a lot of them to make that happen. In this raw sense, power has always been very much the same everywhere; what varies is primarily the quality of the reality it seeks to create: is it based more on truth than in falsehood, which is to say, is it more or less abusive to its subjects? The answer is often a function of how broadly or narrowly the power is based: is it centered in one person, or is it spread out among many different centers that excercise checks on one another? And are its subjects merely subjects or are they also citizens? In principle, narrowly based power is easier to abuse, while more broadly based power requires a truer story at its core and is more likely to protect more of its subjects from abuse. This rule was famously articulated by the British historian Lord Acton in his formula Power corrupts and absolute power corrupts absolutely. — Philip Gourevitch

What would behoove me to instantly declare God not to be God unless He followed my script in some tediously exacting manner? I must confess that I am less likely to believe that it's a matter of some narcissistic demand that I freely pen my own script. Rather, I think it's fear that I'm too inadequate to follow God's. — Craig D. Lounsbrough

We all know to feel sympathy for those who've suffered from drug addiction, child abuse, and terminal illness, so the set up elicits an emotional response that the story itself very well may not earn. Energy generated by the fiction itself is likely to produce more light. — Anthony Marra

The song is called "The Itsy Bitsy Spider," and it is one of the saddest songs ever composed. It tells the story of a small spider who is trying to climb up a water spout, but every time its climb is half over, there is a great burst of water, either due to rain or somebody turning the spout on, and at the end of the song, the spider has decided to try one more time, and will likely be washed away once again. — Lemony Snicket

Once upon a time there was a man with no heart. Drifting through black-and-white life, caring naught for those hurt, and never, ever allowing another near enough to hurt him. Until, on the least likely day, the most unlikely place, the man with no heart met the most surprising person. He was fearless. He was strength and power. He wore his heart boldly on his sleeve. The man with no heart began, shockingly, to feel a movement in his breast. A stretching, a slow, steady beat ... — Shannon Noelle Long

So was I,' said Frodo, 'and so I am. We're going on a bit too fast. You and I, Sam, are still stuck in the worst places of the story, and it is all too likely that some will say at this point: "Shut the book now, dad; we don't want to read any more."' 'Maybe,' said Sam, 'but I wouldn't be one to say that. Things done and over and made into part of the great tales are different. Why, even Gollum might be good in a tale, better than he is to have by you, anyway. And he used to like tales himself once, by his own account. I wonder if he thinks he's the hero or the villain? — J.R.R. Tolkien

Here's the simplest, most jargon-free, definition of marketing you're ever likely to come across: If the circus is coming to town and you paint a sign saying "Circus Coming to the Showground Saturday," that's advertising. If you put the sign on the back of an elephant and walk it into town, that's promotion. If the elephant walks through the mayor's flower bed and the local newspaper writes a story about it, that's publicity. And if you get the mayor to laugh about it, that's public relations. If the town's citizens go to the circus, you show them the many entertainment booths, explain how much fun they'll have spending money at the booths, answer their questions and ultimately, they spend a lot at the circus, that's sales. And if you planned the whole thing, that's marketing. — Allan Dib

However, narrating what you remember, telling it to someone, does something else. The more a person recalls a memory, the more they change it. Each time they put it into language, it shifts. The more you describe a memory, the more likely it is that you are making a story that fits your life, resolves the past, creates a fiction you can live with. It's what writers do. Once you open your mouth, you are moving away from the truth of things. According to neuroscience. The safest memories are locked in the brains of people who can't remember. Their memories remain the closest replica of actual events. Underwater. Forever. — Lidia Yuknavitch

To keep a story on a shelf or to remember then retell it means that it will be more likely to exist to those who come after we have gone. — Ander Monson

I thought about the core tools we EHMs used in my day: false economics that included distorted financial analyses, inflated projections, and rigged accounting books; secrecy, deception, threats, bribes, and extortion; false promises that we never intended to honor; and enslavement through debt and fear. These same tools are used today. Now, as then, many elements are present in each "hit," although that likely is evident only to someone willing to delve deeply into the story behind the story. Now, as then, the glue that holds all of this together is the belief that any means are justified to achieve the desired ends. A — John Perkins

What she wouldn't have given for her father to see her - to see his baby girl who used to count the stars now sending men to travel among them. Joshua Coleman knew as if from second sight that Katherine, his brilliant, charismatic, inquisitive youngest child - a black girl from rural West Virginia, born at a time when the odds were more likely that she would die before age thirty-five than even finish high school - would somehow, someday, unite her story with the great epic of America. And — Margot Lee Shetterly

The essence of marketing today is to tell a story to people who want to hear it, in a way that resonates with them so they are likely to either respond or connect to you, or tell their friends. — Seth Godin

Linc's head came up at the knock on the door. "Somebody ordered a stripper, right? I knew you
guy's wouldn't let me down."
"It's the pizza." Theo leaped up.
"More pizza? Theo, you can't possibly want more pizza."
"Sure I can," he shouted over his shoulder to his father. "Ty said I could."
"I said he could order it for me. He inhaled the last order."
Linc sent Tyler a sorrowful look. "You couldn't arrange for a stripper to deliver the pizza?"
"They were all out of strippers. Shriners' convention."
"Likely story. Well, I hope he got pepperoni at least. — Nora Roberts

We saw this cross-level coherence in the analysis of personality: If your lower-level traits match up with your coping mechanisms, which in turn are consistent with your life story, your personality is well integrated and you can get on with the business of living. When these levels do not cohere, you are likely to be torn by internal contradictions and neurotic conflicts.34 You might need adversity to knock yourself into alignment. And if you do achieve coherence, the moment when things come together may be one of the most profound of your life. Like the moviegoer who later finds out what she missed in the first half hour, your life will suddenly make more sense. Finding coherence across levels feels like enlightenment,35 and it is crucial for answering the question of purpose within life. — Jonathan Haidt

If they were real, then maybe the world was big enough to have magic in it. And if there was magic - even bad magic, and Zach knew it was more likely that there was bad magic than any good kind - then maybe not everyone had to have a story like his father's, a story like the kind all the adults he knew told, one about giving up and growing bitter. — Holly Black

What the young writer needs to develop, to achieve his goal of becoming a great artist, is not a set of aesthetic laws but artistic mastery. He cannot hope to develop mastery all at once; it involves too much. But if he pursues his goal in the proper way, he can approach it much more rapidly than he would if he went at it hit-or-miss, and the more successful he is at each stage along the way, the swifter his progress is likely to be. Invariably when the beginning writer hands in a short story to his writing teacher, the story has many things about it that mark it as amateur. But almost as invariably, when the beginning writer deals with some particular, small problem, such as description of a setting, description of a character, or brief dialogue that has some definite purpose, the quality of the work approaches the professional. Having written some small thing very well, he begins to learn confidence. — John Gardner

Once you become the story off-screen, you are less likely to be the onscreen one. — Max Irons

You see it is likely that, when my brother told the story, that night when we got home and my mother and sister sat listening, I did not think he got the point. He was too young and so was I. A thing so complete has its own beauty. — Sherwood Anderson

The bigger the lie, apparently, the more likely the uninformed were to accept it, simply because they couldn't believe any government would tell such an absurd story unless it were true. — David Weber

Edgar Allan Poe was an American poet, short story writer, playwright, editor, critic, essayist and one of the leaders of the American Romantic Movement. Best known for his tales of the macabre and mystery, Poe was one of the early American practitioners of the short story and a progenitor of detective fiction and crime fiction. He is also credited with contributing to the emergent science fiction genre.Poe died at the age of 40. The cause of his death is undetermined and has been attributed to alcohol, drugs, cholera, rabies, suicide (although likely to be mistaken with his suicide attempt in the previous year), tuberculosis, heart disease, brain congestion and other agents. Source: Wikipedia — Edgar Allan Poe

A likely impossibility is always preferable to an unconvincing possibility. The story should never be made up of improbable incidents; there should be nothing of the sort in it. — Aristotle.

TEN THINGS THAT PEOPLE WHO DIDN'T READ THE FIRST BOOK REALLY OUGHT TO KNOW.

I. One day, your father and mother were hugging, and they began to have special feelings. Warm feelings that tingled in their private places. It is likely they weren't wearing any clothes. At any rate, they began to rub against each other like two sticks trying to start a fire, and nine months later, you were born. If this is news to you, please put this book down now. There may well be big bad wolves and evil witches and fairies in the pages that follow, but I promise you, this isn't a children's story. — Elliott James

The more power they have over your emotions, the less likely you'll trust your own reality and the truth about the abuse you're enduring. Knowing the manipulative tactics and how they work to erode your sense of self can arm you with the knowledge of what you're facing and at the very least, develop a plan to retain control over your own life and away from toxic people. . . . Taking back our control and power . . . means seeking validating professional help for the abuse we've suffered, detaching from these people in our lives, learning more about the techniques of abusers, finding support networks, sharing our story to raise awareness, and finding appropriate healing modalities that can enable us to transcend and thrive after their abuse. — Shahida Arabi

I am 39. I am single. I am a black woman. I have too many advanced degrees. Many a news story tells me finding true love is likely a hopeless proposition. Now is the time when I need to believe in fairy tales. — Roxane Gay

If you are able to talk about your life and the joys and sorrows you have experienced, if you know your story, you are much more likely to be a skillful parent. — Desmond Tutu

The raconteur knows too well that, if he investigates the truth of the matter, he is only too likely to lose his good story. — Herbert Butterfield

It is amazing that 2001: A Space Odyssey has not aged at all, except for a few minor technical gadgets. The main reason is, of course, the philosophical or spiritual element in this story. We know as little today about the secrets of Creation and evolution as we knew before, and it is not likely that we'll ever know much more. We'll have to be satisfied, as Kubrick was, respectfully admiring the potential for evolution within the mystery of the universe's creation. — Jan Harlan

Betsy Trotwood don't look a likely subject for the tender passion, but the time was, Trot, when she believed in that man most entirely. When she loved him, Trot, right well. When there was no proof of attachment and affection that she would not have given him. He was a fine-looking man when I married him", said my aunt, with an echo of her old pride and admiration in her tone. "I was a fool; and I am so far an incurable fool on that subject, that, for the sake of what I once believed him to be, I wouldn't have even this shadow of my idle fancy hardly dealt with. For I was in earnest, Trot, if ever a woman was. There, my dear. Now, you know the beginning, middle, and end, and all about it. We won't mention the subject to one another any more; neither, of course, will you mention it to anybody else. This is my grumpy, frumpy story, and we'll keep it to ourselves, Trot! — Charles Dickens

The three-story derelict is home to Smitty, Gale, and Gale's baby - a nuclear family nested on the corner - and Ella is accustomed to seeing them on the front steps, waiting for redemption or a cool breeze from the harbor, neither of which seems particularly likely. — David Simon

Why should not old men be mad?
Some have known a likely lad
That had a sound fly-fisher's wrist
Turn to a drunken journalist;
A girl that knew all Dante once
Live to bear children to a dunce;
A Helen of social welfare dream,
Climb on a wagonette to scream.
Some think it a matter of course that chance
Should starve good men and bad advance,
That if their neighbours figured plain,
As though upon a lighted screen,
No single story would they find
Of an unbroken happy mind,
A finish worthy of the start.
Young men know nothing of this sort,
Observant old men know it well;
And when they know what old books tell
And that no better can be had,
Know why an old man should be mad. — W.B.Yeats

In my case, if I start out by thinking about the plot, things don't go well. Small points, such as my impression of what is likely to occur, do come to mind, but I let the rest of the story take its own course. I don't want to spend as long as two years writing a story whose plot I already know. — Haruki Murakami

What I'm getting at is like the distinction between tourist and a traveler. The tourist experience is superficial and glancing. The traveler develops a deeper connection with her surroundings. She is more invested in them
the traveler stays longer, makes her own plans, chooses her own destination, and usually travels alone: solo travel and solo participation, although the most difficult emotionally, seem the most likely to produce a good story. — Ted Conover

I learned to separate the story from the writing, probably the most important thing that any storyteller has to learn - that there are a thousand right ways to tell a story, and ten million wrong ones, and you're a lot more likely to find one of the latter than the former your first time through the tale. (Introduction to Ender's Game) — Orson Scott Card

Carol and I have found that unless God baptizes us with fresh outpourings of love, we would leave New York City yesterday! We don't live in this crowded, ill-mannered, violent city because we like it. Whenever I meet or read about a guy who has sexually abused a little girl, I'm tempted in my flesh to throw him out a fifth-story window. This isn't an easy place for love to flourish. But Christ died for that man. What could ever change him? What could ever replace the lust and violence in his heart? He isn't likely to read the theological commentaries on my bookshelves. He desperately needs to be surprised by the power of a loving, almighty God. If the Spirit is not keeping my heart in line with my doctrine, something crucial is missing. I can affirm the existence of Jesus Christ all I want, but in order to be effective, he must come alive in my life in a way that even the pedophile, the prostitute, and the pusher can see. — Jim Cymbala

If someone knows me and likes me or my work, they're more likely to allow me to tell their story. But it also cuts the other way. — Anderson Cooper

The most basic definition of a story is 'Somebody wants something and something's in his way,' and I'm more likely to be engaged if I at least think I know what those two 'somethings' are. They can be simple, they can be complex, but - particularly if you're a beginning writer - I'd rather you err on the side of revealing too much than too little. — Mark Waid

The Samaritans and the Jews were enemies, two tribes caught in an ancient argument about birthright and ethnicity who lived in segregated neighborhoods. By Jesus's time they were forbidden to have contact with each other, and violent squabbles sometimes erupted. The lawyer, who was a Jew, surely knew of both the informal customs and formal laws separating the two groups. Samaritans and Jews were not good neighbors. Yet Jesus turns the ancient Jewish command to love your neighbor into a story about these hostile groups. The man in the ditch, who is Jewish, is bypassed by those close to him by tribal ties (most likely the priest and the Levite were afraid the thieves were still about in the area and that they might be the next victim) and is eventually rescued by a Samaritan. Thus Jesus enlarges the sphere of neighborhood to include those we deem objectionable. — Diana Butler Bass

A relationship is more likely to succeed if positive attributes are confidently set in place and adhered to. — Delano Johnson

I think every writer struggles in some way with writers block. The trick is to plan out what you are going to say beforehand. I found out that if you make an outline you're much less likely to get blocked when you get into the middle of the story. — Rick Riordan

Sometimes I am a collector of data, and only a collector, and am likely to be gross and miserly, piling up notes, pleased with merely numerically adding to my stores. Other times I have joys, when unexpectedly coming upon an outrageous story that may not be altogether a lie, or upon a macabre little thing that may make some reviewer of my more or less good works mad. But always there is present a feeling of unexplained relations of events that I note, and it is this far-away, haunting, or often taunting, awareness, or suspicion, that keeps me piling on. — Charles Fort

No story is more beautiful than the Gospel, even though it is a story full of pain and nails and hate and blood and sin and murder and betrayal and forsakenness and unimaginable agony and death. It is the story of what happens to the most beautiful thing, Perfect Love, when it enters our world: it comes to a Cross, to the crossroad between good and evil. All our most beautiful stories are like the Gospel: they are tragedies first, and then comedies; they are crosses and then crowns. They are crosses because they are conflicts between good and evil. That is the fundamental plot of every great story. To say "that story is beautiful" means "that story resembles the Gospel." If you are bored by the Gospel, that puts no black eye on the Gospel, but on you. Most likely, it means you have never listened to it. You must have heard it, but hearing is far from the same thing as listening ... — Peter Kreeft

Walk with me, hand in hand through the neon and styrofoam. Walk the razor blades and the broken hearts. Walk the fortune and the fortune hunted. Walk the chop suey bars and the tract of stars.
I know I am a fool, hoping dirt and glory are both a kind of luminous paint; the humiliations and exaltations that light us up. I see like a bug, everything too large, the pressure of infinity hammering at my head. But how else to live, vertical that I am, pressed down and pressing up simultaneously? I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other.
The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love. — Jeanette Winterson

Some parents have taught their small children, "Go to the manager," but this poses the same problem of identification as with the policeman: That small name tag is several feet above the child's eye-line. I don't believe in teaching inflexible rules because it's not possible to know they'll apply in all situations. There is one, however, that reliably enhances safety: Teach children that if they are ever lost, Go to a Woman. Why? First, if your child selects a woman, it's highly unlikely that the woman will be a sexual predator. Next, as Jan's story illustrates, a woman approached by a lost child asking for help is likely to stop whatever she is doing, commit to that child, and not rest until the child is safe. A man approached by a small child might say, "Head over there to the manager's desk," whereas a woman will get involved and stay involved. — Gavin De Becker

Paul's story is good news for those of us who are tempted to put our trust in ourselves, in our own ability to work hard enough to merit God's favor. Grace is so surprising! It's surprising because while it may seem likely that a prostitute would recognize her need for rescue, the homeschooling, bread-baking, devotion-reading mom who attends her local church faithfully (while trusting in her own goodness) will choke on the humiliating message of gospel rescue. Rescue? Why would she need rescuing? — Elyse M. Fitzpatrick

In 'A Likely Story,' I wanted to recreate the events, the mood, and the imagery of my life as a teenager. I was thirty-seven when I wrote it. — Rosemary Mahoney

People love stories and the more you can give information and knowledge and even wisdom through a story, the more likely you are to be heard. — Deepak Chopra

Had she believed all that? Old Pilar's folklore? No, not really; or not exactly. Most likely Pilar hadn't quite believed it either, but it was a reassuring story: that the dead were not entirely dead but were alive in a different way; a paler way admittedly, and somewhat darker. But still able to send messages, if only such messages could be recognized and deciphered. People need such stories, Pilar said once, because however dark, a darkness with voices in it is better than a silent void. — Margaret Atwood

The professionalism of wire service reporters is constantly being tested because reporters know that if they're late or sloppy on a story, it will show up because the competition is likely to be not late and not sloppy. — Bob Greene

This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are all saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that. — Miranda July

The deepest failures any fiction writer is likely to have are failures of not quite comprehending the truth of the story that he or she is telling. — Richard Russo

We all have an ongoing narrative inside our heads, the narrative that is spoken aloud if a friend asks a question. That narrative feels deeply natural to me. We also hang on to scraps of dialogue. Our memories don't usually serve us up whole scenes complete with dialogue. So I suppose I'm saying that I like to work from what a character is likely to remember, from a more interior place. — Lydia Davis

If someone you know gets sick from taking a flu shot, you will be less likely to get one even if it is statistically safe. In fact, if you see a story on the news about someone dying from the flu shot, that one isolated case could me enough to keep you away from the vaccine forever. On the other hand, if you hear a news story about how eating sausage leads to anal cancer, you will be skeptical, because it has never happened to anyone you know, and sausage, after all, is delicious. The tendency to react more rapidly and to a greater degree when considering information you are familiar with is called the availability heuristic. — David McRaney

We're going on a bit too fast. You and I, Sam, are still stuck in the worst places of the story, and it is all too likely that some will say at this point: Shut the book now, dad; we don't want to read any more. — J.R.R. Tolkien