Ligji I Dyte Quotes & Sayings

Gold, for the instant, lost its luster in his eyes, for there were countless treasures of the heart which it could never purchase — Charles Dickens

If stakes and garlic were the top two things that could kill a vampire, ninth grade gym was a close third. — Heather Brewer

What was he thinking falling in love with her again, opening himself to another world of hurt when she left - knowing she would leave? She was a lawyer, working in the big city, used to fancy things, a fancy life. She didn't fit in his world anymore. — Leah Braemel

I was keeping Bubba from committing a felony. No offense, but 'he's a zombie, Your Honor, don't electrocute me' isn't a viable excuse. Believe me, I know. My dad's doing three life sentences 'cause he killed, and I quote, 'a crap load of demons who were trying to kill me and if I hadn't killed them, Your Honor, they'd have taken over the city and enslaved all you petty, pathetic humans.' They wouldn't even let my dad plead insanity because of it. So trust me, 'zombies needed killing' isn't a legit defense. (Nick) — Sherrilyn Kenyon

What's the Matter with the Mill? — Memphis Minnie

From the beginning of my sojourn in this world there was a persistent vacancy in me where the industry ought to be. (Ought to was is better, perhaps, though the most of the authorities differ as to this. — Mark Twain

Talkin bout money we could have a conversation Top five tax bracket in the population — Nicki Minaj

Never pick a fight with someone you're not sure you can defeat. — Robert Greene

Madness need not be all breakdown. It may also be break-through. It is potential liberation and renewal as well as enslavement and existential death. — R.D. Laing

Every fundamentalism focuses on end times, and Armageddon is, in a sense, a rhetorical trope, an emphatic and overwhelming conclusion, meant to wrap up and make tidy the mistaken wanderings of history. For a fundamentalist the end is one of the forms desire takes, a passion no different from lust or avarice, intense with longing and the need for fulfillment and relief. It's like they're horny for apocalypse. They get off on denouements, which partly explains why Hell House never amounted to much more than a series of murderous conclusions. It focused only on that part of a story where life finds itself fated. Inside every act a judgement was coiled. Real people with their ragged and uncertain lives, their stumbling desires, their bleak or blessed futures, would only break into the narrative, complicating the story, dragging it on endlessly. — Charles D'Ambrosio