Life Literary Quotes & Sayings

We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it still with us. Above all, we have to look at the total design of a writer's work, the title he gives to it, and the his main theme, which means his point in writing it, to understand that literature is still doing the same job that mythology did earlier, but filling in its huge cloudy shapes with sharper lights and deeper shadows. [p.32] — Northrop Frye

We have a tendency to describe the human condition in lofty terms, such as a quest for freedom or striving for a virtuous life, but the life sciences hold a more mundane view: It's all about security, social companionships, and a full belly. There is obvious tension between both views, which recalls that famous dinner conversation between a Russian literary critic and the writer Ivan Turgenev: 'We haven't yet solved the problem of God,' the critic yelled, 'and you want to eat! — Frans De Waal

Those who lead a literary life seem old when they're young and young when they're old, but they're never actually either. Like a good book, they are bound by neither category nor time. — J.C. Hallman

I often reread passages of "Lolita" for its exquisite language. To me, "Lolita" has no message, no purpose, other than to exist as a marvel of literary creation. It has wit, intelligence and style. It pointedly makes no attempt to serve a higher moral purpose, and previous attempts by critics to find one have proven ludicrous. The annotated edition is accompanied by a brilliant afterword by Nabokov that is a lucid reminder of the pure joy of writing, its interplay with life. — Amy Tan

Tolkien, who created this marvellous vehicle, doesn't go anywhere in it. He just sits where he is. What I mean by that is that he always seems to be looking backwards, to a greater and more golden past; and what's more he doesn't allow girls or women any important part in the story at all. Life is bigger and more interesting than The Lord of the Rings thinks it is. — Philip Pullman

I burnt for the more active life of the world--for the more exciting toils of a literary career--for the destiny of an artist, author, orator; anything rather than that of a priest: yes, the heart of a politician, of a soldier, of a votary of glory, a lover of renown, a luster after power, beat under my curate's surplice. I considered; my life was so wretched, it must be changed, or I must die. After a season of darkness and struggling, light broke and relief fell: my cramped existence all at once spread out to a plain without bounds--my powers heard a call from heaven to rise, gather their full strength, spread their wings, and mount beyond ken. — Charlotte Bronte

Can a literary character be said to live a life from birth to death or otherwise to undergo a development from beginning to end? Or is a literary character-fixed on the pages of a book, trapped forever in the same few words and actions-the very opposite of a living, developing human being? — Jack Miles

I had been reading children's books all my life and saw them not as minor amusements but as part of the whole literary mainstream; not as "juveniles" or "kiddie lit," one of the most demeaning terms in the scholastic jargon.
My belief was, and is, that the child's book is a unique and valid art form; a means of dealing with things which cannot be dealt with quite as well in any other way. There is, I'm convinced, no inner, qualitative difference between writing for adults and writing for children. The raw materials are the same for both: the human condition and our response to it. — Lloyd Alexander

I live within the world of books. — Lailah Gifty Akita

Though I have been busy, perhaps overbusy, all my life, it seems to me now that I have accomplished little that matters, that the books have never come up to what was in my head, and that the rewards - the comfortable income, the public notice, the literary prizes, and the honorary degrees - have been tinsel, not what a grown man should be content with. — Wallace Stegner

In the humanist world following Erasmus, man is at the centre of the universe. Man becomes largely responsible for his own destiny, behaviour and future. This is the new current of thought which finds its manifestation in the writing of the 1590s and the decades which follow. The euphoria of Elizabeth's global affirmation of authority was undermined in these years by intimations of mortality: in 1590 she was 57 years old. No one could tell how much longer her golden age would last; hence, in part, Spenser's attempts to analyse and encapsulate that glory in an epic of the age. This concern about the death of a monarch who - as Gloriana, the Virgin Queen - was both symbol and totem, underscores the deeper realisation that mortality is central to life. After the Reformation, the certainties of heaven and hell were less clear, more debatable, more uncertain. — Ronald Carter

The biggest misconception that people have about the literary life is the romance of it. That a writer has this large world available to him or her of people, of ideas, of experiences, of interchange of ideas. — Walter Mosley

On a spectrum of literary productions, memoir is just another form. If the person doing the reviewing or critiquing was ill-educated about literary forms, they could write something dunderheaded about the author or their life (I've seen these and barfed at them), but anyone who is well-practiced and educated in literature - why would they leave that at the door when entering memoir? — Lidia Yuknavitch

On occasion he would think back to the fiercest passion it had been his pleasure to experience and reflect on what might have been. He would look upon the woman who occupied the opposite half of his bed and feel his life had not quite lived up to the promise of another day. These moments would be mercifully brief, or so he hoped. — Roy L. Pickering Jr.

And I tell her about his description because I want her to know what I now know, which is that the place where the pepper grows is not a place to be afraid of ...
I tell her: Mama, exile is not always the darkest corner of the earth. Sometimes it is lush and plentiful, sometimes it is full of life ... — Carola Perla

While he sweated out a story she bled put a poem. (Dark City Lights) — S.J. Rozan

Literary life used to be quite different in Britain in the years I lived there, from 1971 to 1989, because money was not a factor - no one made very much except from U.S. sales and the occasional windfall. — Paul Theroux

Psmith is the only thing in my literary career which was handed to me on a plate with watercress round it, thus enabling me to avoid the blood, sweat and tears inseparable from an author's life. — P.G. Wodehouse

I had learned of Gertrude Stein's bon mot that medicine opened all doors. This prompted me, in different moods, to view my future life as literary psychiatrist, globe-trotting tropical disease specialist, or academic internist. — Harold E. Varmus

The worldview implied by literary fiction is complex and ambiguous, trying to be faithful to the complexity and ambiguity of life. — Nancy Kress

Excellent Sheep is likely to makea lasting mark for three reasons. One, Mr. Deresiewicz spent twenty-four years in the Ivy League, graduating from Columbia and teaching for a decade at Yale.He brings the gory details. Two, the author is a striker, to put it in soccer terms. He's a vivid writer, a literary critic whose headers tend to land in the back corner of the net. Three, his indictment arrives on wheels: He takes aim at just about the entirety of upper-middle-class life in America.Mr. Deresiewicz's book is packed full of what he wants more of in American life: passionate weirdness. — Dwight Garner

How to explain the sheer tingling joy one experiences when two interesting, complex, and occasionally aggravating characters have at last settled their misunderstandings and will live happily ever after, no matter what travails life might throw in their path, because Jane Austen said they will, and that's that? How to describe the exhilaration of being caught up in an unknown but glamorous world of balls and gowns and rides in open carriages with handsome young men? How to explain that the best part of Jane Austen's world is that sudden recognition that the characters are just like you? — Margaret C. Sullivan

My daughter has pointed out that there were not enough lovejobs to go around in this new world. In any event, I probably learned tolerance, maybe even literary affection for the person in the wrong historical moment, living such long, never to be mediate wars with other sufferers. — Grace Paley

Never in her life had she seen such literary men. They were incredibly vain, but made no secret of it, as though they were so on principle. Some (though by no means all) turned up drunk, but they seemed to regard it as some new manifestation of grace they had discovered only the day before. They all appeared to be quite extraordinarily proud of something. On all faces was written that they had only just discovered some highly important secret. — Fyodor Dostoyevsky

The makers of literature are those who have seen and felt the miraculous interestingness of the universe. If you have formed ... literary taste ... your life will be one long ecstasy of denying that the world is a dull place. — Arnold Bennett

Your interviews or blog posts or whatever are less supplements to your novel than part of it. I'm not private, but I believe in literary form - I'll use my life as material for art (I don't know how not to do this) and I'll use art as a way of exploring that passage of life into art and vice versa, but that's not the same thing as thinking that any of the details of my life are interesting or relevant on their own. — Ben Lerner

Life without literary studies is death. — Seneca The Younger

The tension between autonomy and expertise had been, at a basic level, fundamental to the Protestant experience itself from the Reformation forward, as the doctrine of the priesthood of all believers, increasing literacy, and vernacular translations of the Bible undermined the clerical caste's monopoly on spiritual authority. In the twentieth-century United States, professional specialization, the Progressive emphasis on technical expertise, and simply the ever more complex nature of modern urban life pulled readers toward greater reliance on literary guidance, while the logic of consumerism, rooted in the all-powerful choice to buy or not to buy, further reinforced the notion of reader autonomy. — Matthew Hedstrom

We are drawn to the Renaissance because of the hope for black uplift and interracial empathy that it embodied and because there is a certain element of romanticism associated with the era's creativity, its seemingly larger than life heroes and heroines, and its most brilliantly lit terrain, Harlem, USA. — Clement Alexander Price

I really don't crave literary immortality - I will achieve life through my bloodline as a vampire. All I want is to see my work in print. Is that so much to ask? — Szecsi Noemi

I have to say in premise 'Winter Journal' is really not a memoir. And I don't even think of it as an autobiography. I think of it as a literary composition - similar to music - composed of autobiographical fragments. I'm really not telling the story of my life in a coherent narrative form. — Paul Auster

She said, "Your approach is wrong. You're writing an essay rather than creating a literary figure. What a literary character does in ten minutes might be a reflection of ten years' experience. You can't be limited to the plot of a novel - you've got to imagine her entire life, and what actually gets put into words is just the tip of the iceberg." So — Liu Cixin

Poetry and art nourish the soul of the world with the flavor-filled substances of beauty, wisdom and truth. — Aberjhani

Music and literature, the two temporal arts, contrive their pattern of sounds in time; or, in other words, of sounds and pauses. Communication may be made in broken words, the business of life be carried on with substantives alone; but that is not what we call literature; and the true business of the literary artist is to plait or weave his meaning, involving it around itself; so that each sentence, by successive phrases, shall first come into a kind of knot, and then, after a moment of suspended meaning, solve and clear itself.
-ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE — Robert Louis Stevenson

All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium. — John Banville

Thus, on the one hand, Spenser's thought is steeped in sensuous detail, so that for him there is no really abstract thinking; men, he thinks, 'should be satisfied with the use of these days, seeing all things accounted by their showes, and nothing esteemed of, that is not delightfull and pleasing to commune sense' ( Prefatory Letter). But on the other hand the details of the physical universe become translucent from the pulsing light of varied human experience which is seen behind it. His 'haunt and the main region of (his) song' is the inner life of man and it is described in the symbolism of human figures clothed in raiment iridescent with innumerable associations. His art is a development of the mediaeval. — Janet Spens

A scientific autobiography belongs to a most awkward literary genre. If the difficulties facing a man trying to record his life are great - and few have overcome them successfully - they are compounded in the case of scientists, of whom many lead monotonous and uneventful lives and who, besides, often do not know how to write ... — Erwin Chargaff

Hardy classified A Pair of Blue Eyes among 'Romances and Fantasies'. A favourite of Tennyson, its melancholy treatment of youth, love and death is expressive of late nineteenth-century susceptibilities. Not unnaturally in an early novel, Hardy draws freely on his own life. — Geoffrey Harvey

He has been preparing his life and his poetry for just such a woman, just such intermingling of beauty and sorrow and mystery. But a woman like her will not settle into the role of helpmeet or muse; she is too adventurous, too vital, too fond of sensation. She will want to be, an ally. An equal. What can he, a poor student of poetry, offer her? Only his words. — Orna Ross

The 1980s witnessed radical advances in the theorisation of the study of literature in the universities. It had begun in France in the 1960s and it made a large impact on the higher education establishments of Britain and America. New life was breathed into psychoanalytic and Marxist theory, while structuralism gave way to post-structuralism. The stability of the text as a focus of study was challenged by deconstruction, a theory developed by the French philosopher, Jacques Derrida, which represented a complete fracture with the old liberal-formalist mode of reading. Coherence and unity were seen as illusory and readers were liberated to aim at their own meanings. Hardy's texts were at the centre of these theoretical movements, including one that came to prominence in the 1980s, feminism. — Geoffrey Harvey

All I am in private life is a literary critic and historian, that's my job ... And I'm prepared to say on that basis if anyone thinks the Gospels are either legends or novels, then that person is simply showing his incompetence as a literary critic. I've read a great many novels and I know a fair amount about the legends that grew up among early people, and I know perfectly well the Gospels are not that kind of stuff. — C.S. Lewis

All Renaissance drama, especially the works of Marlowe and Shakespeare, is profoundly concerned with shifting power relations within society. The individual was a new force in relation to the state. The threat of rebellion, of the overturning of established order, was forcefully brought home to the Elizabethan public by the revolt of the Earl of Essex, once the Queen's favourite. The contemporary debate questioned the relationship between individual life, the power and authority of the state, and the establishing of moral absolutes. Where mediaeval drama was largely used as a means of showing God's designs, drama in Renaissance England focuses on man, and becomes a way of exploring his weaknesses, depravities, flaws - and qualities. — Ronald Carter

Do you ever read a book and it just changes your life? A book you didn't really think too much about when you picked it up- when you opened it and considered the averageness of its first few pages? But when you're done, your head hurts and your head is spinning and you question the authenticity of your own life, and you vow to be better and do better, to love deeper and laugh harder. I know that something such as a collection of meagre pages doesn't mean much to some people, but I literally could not think of a world without literary fiction (or non-fiction for that matter). I feel so blessed that I get to experience other peoples thoughts and imaginations through a book. — Unknown

Marriage, after all, is only a little detail in life. — Orna Ross

Bloomsbury lost Fry, in 1934, and Lytton Strachey before him, in January 1932, to early deaths. The loss of Strachey
was compounded by Carrington's suicide just two months after, in March. Another old friend, Ka Cox, died of a heart attack in 1938. But the death, in 1937, of Woolf 's nephew Julian, in the Spanish Civil War, was perhaps the
bitterest blow. Vanessa found her sister her only comfort: 'I couldn't get on at all if it weren't for you' (VWB2 203). Julian, a radical thinker and aspiring writer, campaigned all his life against war, but he had to be dissuaded by his
family from joining the International Brigade to fight Franco. Instead he worked as an ambulance driver, a role that did not prevent his death from shrapnel wounds. Woolf 's Three Guineas, she wrote to his mother, was
written 'as an argument with him — Jane Goldman

All I want is to sleep
to dream. Life is better in dreams. — Christina Westover

I suggest in my own discussion of this episode, Mann invites us to set the attempt to philosophize about his predicament in the context of Aschenbach's life. The literary presentation thus adds to the naked philosophical skeleton. — Philip Kitcher

I am made to think, not for the first time, that in my writing I have plunged ahead-head-on, heedlessly one might say-or 'fearlessly'- into my own future: this time of utter raw anguished loss. Though I may have had, since adolescence, a kind of intellectual/literary precocity, I had not experienced much;nor would I experience much until I was well into middle age-the illnesses and deaths of my parents, this unexpected death of my husband. We play at paste till qualified for pearl says Emily Dickinson. Playing at paste is much of our early lives. And then, with the violence of a door slammed shut by wind rushing through a house, life catches up with us. — Joyce Carol Oates

Melancholy, amorous and barbaric, these tales exalted adulterous love as the only true kind, while in the real life of the same society adultery was a crime, not to mention a sin. If found out, it dishonored the lady and shamed the husband, a fellow knight. It was understood that he had the right to kill both unfaithful wife and lover. Nothing fits in this canon. The gay, the elevating, the ennobling pursuit is founded upon sin and invites the dishonor it is supposed to avert. Courtly love was a greater tangle of irreconcilables even than usury. It remained artificial, a literary convention, a fantasy (like modern pornography) more for purposes of — Barbara W. Tuchman

Over the years, I had something in principle against autobiographical writing altogether because memory plays tricks on us, and we also tend to reinvent ourselves. But there comes an age when one begins to observe life, and there are things that need time to mature, also in terms of literary form. — Gunter Grass

Anything that doesn't fit this mode has been shoved into an area of lesser solemnity called 'genre fiction,' and it is here that the spy thriller and the crime story and the adventure story and the supernatural tale and the science fiction, however excellently written, must reside, sent to their rooms, as it were, for the misdemeanor of being enjoyable in what is considered a meretricious way. They invent, and we all know they invent, at least up to a point, and they are, therefore, not about 'real life,' which ought to lack coincidences and weirdness and action-adventure, unless the adventure story is about war, of course, where anything goes, and they are, therefore, not solid. — Margaret Atwood

Life is a very orderly thing, but in fiction there is a huge liberation and freedom. I can do what I like. There's nothing that says I can't write a page of full stops. There is no 'should' involved, although you wouldn't know that from literary reviews and critics. — Kate Atkinson

Literary men now routinely tell their readers about their divorces. One literary man who reviews books wrote, in reviewing a study of Ruskin, that he had never read a book by Ruskin but that the study confirmed him in his belief that he didn't want to read a book by Ruskin. This man very often writes about his family life. — George W. S. Trow

Fawn M. Brodie, whose classic life of Smith earned her excommunication from the Mormon Church, saw the Book of Mormon as 'one of the earliest examples of frontier fiction, the first long Yankee narrative that owes nothing to English literary fashions'.105 There was quite a genre of 'lost race' novels at the time. A century on, J. R. R. Tolkien's Lord of the Rings saga formed an English Catholic parallel, conscious or unconscious, to Smith's work. — Diarmaid MacCulloch

This is the difference between an ordinary scribe and a literary writer. The highest level of literary creation is when the characters in a novel possess life in the mind of the writer. The writer is unable to control them, and might not even be able to predict the next action they will take. We can only follow them in wonder to observe and record the minute details of their lives like a voyeur. — Liu Cixin

People like to pigeonhole. People like to label - not just books and movies, but everything in their life. If people want to call me 'literary horror,' I guess that's fine. What I'm trying to do is be both thrilling and thought-provoking. — Benjamin Percy

Unlike literary characters, our future is mostly shaped by small, trivial choices - seemingly insignificant, but deceptively fateful. — Guillermo Erades

They had the magic pill, the solution to the inertia and frustration that has plagued the great literary protagonists I'd related to all my life - be it Leopold Bloom, Alex Portnoy, or Piglet from Winnie the Pooh. As — Neil Strauss

All literary men are Red Sox fans - to be a Yankee fan in a literate society is to endanger your life — John Cheever

The problem may be a literary one: we are given a single story line about what makes a good life, even though not a few who follow that story line have bad lives. We speak as though there is one good plot with one happy outcome, while the myriad forms a life can take flower - and wither - all around us.
Even those who live out the best version of the familiar story line might not find happiness as their reward. This is not necessarily a bad thing. I know a woman who was lovingly married for seventy years. She has had a long, meaningful life that she has lived according to her principles. But I wouldn't call her happy; her compassion for the vulnerable and concern for the future have given her a despondent worldview. What she has had instead of happiness requires better language to describe. There are entirely different criteria for a good life that might matter more to a person - honor, meaning, depth, engagement, hope. — Rebecca Solnit

[Documentary photography] is unwittingly literary, because it is nothing other than an observation of contemporary life apprehended at the right moment by an artist capable of seizing it. (1928) — Pierre Mac Orlan

Since it is impossible to know what's really happening, we Peruvians lie, invent, dream and take refuge in illusion. Because of these strange circumstances, Peruvian life, a life in which so few actually do read, has become literary. — Mario Vargas-Llosa

I had the lonely child's habit of making up stories and holding conversations with imaginary persons, and I think from the very start my literary ambitions were mixed up with the feeling of being isolated and undervalued. I knew that I had a facility with words and a power of facing unpleasant facts, and I felt that this created a sort of private world in which I could get my own back for my failure in everyday life. — George Orwell

I have always thought that art is not a category, not a realm covering innumerable concepts and derivative phenomena, but that, on the contrary, it is something concentrated, strictly limited. It is a principle that is present in every work of art, a force applied to it and a truth worked out in it. And I have never seen art as form but rather as a hidden, secret part of content ... A literary creation can appeal to us in all sorts of ways - by its theme, subject, situations, characters. But above all it appeals to us by the presence in it of art ... You can call it an idea, a statement about life, so all-embracing that it can't be split up into separate words; and if there is so much as a particle of it in any work that includes other things as well, it outweighs all the other ingredients in significance and turns out to be the essence, the heart and soul of the work. — Boris Pasternak

There was the usual dreaminess, I suppose. Also a shyness that caused me - and others - to notice that I could express myself better by writing than by speaking. This is typical of many writers, I think. What is a drawback in childhood is an asset to a literary life. Not being fluent on one's feet sends one to the page and a habit is born. — Lorrie Moore

I know very well you can't help me," he said. "But I tell you, because unsuccessful and superfluous people like me find their salvation in talking. I have to generalise about everything I do. I'm bound to look for an explanation and justification of my absurd existence in somebody else's theories, in literary types - in the idea that we, upper-class Russians, are degenerating, for instance, and so on. Last night, for example, I comforted myself by thinking all the time: 'Ah, how true Tolstoy is, how mercilessly true!' And that did me good. Yes, really, brother, he is a great writer, say what you like!" Samoylenko, who had never read Tolstoy and was intending to do so every day of his life, was a little embarrassed, and said: "Yes, all other authors write from imagination, but he writes straight from nature. — Anton Chekhov

Fairy tales in childhood are stepping stones throughout life, leading the way through trouble and trial. The value of fairy tales lies not in a brief literary escape from reality, but in the gift of hope that goodness truly is more powerful than evil and that even the darkest reality can lead to a Happily Ever After. Do not take that gift of hope lightly. It has the power to conquer despair in the midst of sorrow, to light the darkness in the valleys of life, to whisper "One more time" in the face of failure. Hope is what gives life to dreams, making the fairy tale the reality. — L.R. Knost

It's odd to imagine, of course: you pass a car on a lonely rural highway; you sit beside a man in a diner and share views with him; you wait behind a customer checking into a motel, a friendly man with a winning smile and twinkling hazel eyes, who's happy to fill you in on his life's story and wants you to like him - odd to think this man is cruising around with a loaded pistol, making up his mind about which bank he'll soon rob.' - Richard Ford, Canada — Richard Ford

What the critic as a teacher of language tries to teach is not an elegant accomplishment, but the means of conscious life. Literary education should lead not merely to the admiration of great literature, but to some possession of its power of utterance. The ultimate aim is an ethical and participating aim, not an aesthetic or contemplative one, even though the latter may be the means of achieving the former. — Northrop Frye

Eyeglasses had been in use since the turn of the century, allowing old people to read more in their later years and greatly extending the scholar's life of study. The manufacture of paper as a cheaper and more plentiful material than parchment was beginning to make possible multiple copies and wider distribution of literary works. — Barbara W. Tuchman

A phrase begins life as a literary expression; its felicity leads to its lazy repetition; and repetition soon establishes it as a legal formula, undiscriminatingly used to express different and sometimes contradictory ideas. — Felix Frankfurter

Gunn would be an important figure-rewarding, delightful, accomplished, enduring-in the history of English-language poetry even were his life not as fascinating as it now seems; he would be an important figure in the history of gay writing and in the history of transatlantic literary relations even were his poetry not so good as it is. With his life as it was and his works as they are, he's an obvious candidate for a volume of retrospective and critical essays, and this one is first-rate. — Stephen Burt

The greatest calling of all is to have a literary life. — Lisa See

In 1922 Woolf met the writer Vita Sackville-West, who was to join Vanessa Bell and Leonard Woolf as the most significant people in her life. — Jane Goldman

Books took, in her young life, the place of companions and childish games. She read a great deal without guidance or discrimination, and gained all her ideas on life, all her faith, all her ideals and aims and aspirations from books. Books stood between her and reality, and hid from her those deep truths that can never be learnt from even the greatest literary production, but can only be understood after long years of untiring observation and experience. It was in books also that Irene found her ideal of the man she could love. Her hero was an exceedingly complicated character. — Aimee Dostoyevsky

My own luck has been curious all my literary life; I never could tell a lie that anyone would doubt, nor a truth that anybody would believe. — Mark Twain

The Gospels were not thought of as works of literature. People were not concerned with the literary reputation of Matthew or Mark, but with the substance of their records of our Lord's life. They did not have to respect their actual words, as they would if they were transcribing the works of Thucydides or Plato. — Frederic G. Kenyon

The story we write today will support the next generation. — Lailah Gifty Akita

Our generation grew up with the Review as a fact of life. It was America's literary magazine. To our minds, it still is. It has launched our favorite writers. It has made a special claim for the quarterly as such, being both timely and lasting, free of the news of the day or the pressure to please a crowd. Most of all, the Review has shown, repeatedly, that works of imagination can be as stylish and urgent as the flashiest feature reporting, and can do more to refocus our picture of the world. — Lorin Stein

And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen. — Chuck Klosterman

It is the glory of London that it is always ending and beginning anew, and that a visitor, with a good eye and indefatigable feet, will find in her travels all the Londons she has ever met in the pages of books, one atop the other, like the strata of the Earth. — Anna Quindlen

Where there's life, there's learning, and the truth is always calling us out of our pride. If we don't harken, it will call louder, and throw a situation at us. A pebble at first. If we still don't listen, we'll get a stone. Then a rock. Then a great crashing boulder. We must learn, or die. — Orna Ross

When life disappoints, one must apply one's will, not crumple. — Orna Ross

literary fiction is fiction that examines the character of the people involved in the story, and that popular fiction is driven by plot. Whereas popular fiction, I tell them, is meant primarily as a means of escape, one way or another, from this present life, a kind of book equivalent of comfort food, literary fiction confronts us with who we are and makes us look deeply at the human condition. — Bret Lott

My dancing is not an attempt to interpret life in the literary sense. It is an affirmation of life through movement. — Martha Graham

Algernon. The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature a complete impossibility! Jack. That wouldn't be at all a bad thing. Algernon. Literary criticism is not your forte, my dear fellow. Don't try it. You should leave that to people who haven't been at a University. They do it so well in the daily papers. — Oscar Wilde

Now I've given up any hope of lasting fame or literary perfection. I don't care if I write a great book anymore, but just one which, whatever its flaws, will leave a record of my impossible life. — Jeffrey Eugenides

I would prefer to believe that things possess the power of recall, of recollection. That things are memoirs of the existences that once were theirs, if only we knew how to read them. — Norman Lock

I am a romantic, in a literary way, by which I mean the Romantic poets, who thought just because a sensation is fleeting doesn't mean it isn't valuable. If the only criterion of value is whether something lasts, then the whole of human life is a waste of time. — Sebastian Faulks

What The Mysteries of Udolpho suggests is how a novel, by presenting phenomena before it present resolutions, can create an on-going, perhaps spurious, but nevertheless compelling dynamic between details which can undermine the ability of form to impose its particular tyranny on the reader's experience: there is a life in the novel which comes from within. — Ian Gregor

Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed? Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts? Can the writer renew our hope for literary forms? Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so that we may feel again their majesty and power? What do we ever know that is higher than that power which, from time to time, seizes our lives, and reveals us startlingly to ourselves as creatures set down here bewildered? Why does death so catch us by surprise, and why love? We still and always want waking. — Annie Dillard

You long for life and try to settle the problems of life by a logical tangle. And how tiresome, how insolent your outbursts are, and at the same time, how scared you are! You talk nonsense and are pleased with it; you say imprudent things and are constantly afraid of them and apologizing for them. You declare that you are afraid of nothing and at the same time try to ingratiate yourself with us. You declare that you are gnashing your teeth and at the same time you try to be witty so as to amuse us. You know that your witticisms are not witty, but you are evidently well satisfied with their literary value. You may perhaps really have suffered, but you have no respect whatsoever for your own suffering. You may be truthful in what you have said but you have no modesty; out of the pettiest vanity you bring your truth to public exposure, to the market place, to ignominity. — Fyodor Dostoyevsky

When one is busy, as she was in Donegal, life whistles by. One struggles to keep up with oneself. It is vital, when one slows down, to be conscious of small things, small moments. To take pains. — Orna Ross

That's what scares me the most, Paul. That I'll just pass through life and all the people I know will just disappear, without a trace, without me ever telling them how much they mean to me, no matter how small the time spent was or how great the friendship was. That they'll be gone and they'll forget me and I'll end up with nothing."
I saw in my head Charley laughing, Charley sticking his head out the window and screaming, Charley playing a video game so intensely he was a foot from the screen. Moments flashed before my eyes in a quick, unrelenting sequence.
I shook my head. "I know. Believe me, I know. — J.C. Joranco

For the last half of my life I have had the doubtful benefit of a brother whose literary reputation is much greater than my own. — Laurence Housman

Nom de Plume uses the device of the pseudonym to unite the likes of Charlotte Bronte, Mark Twain, Fernando Pessoa, and Patricia Highsmith into a cohesive yet highly idiosyncratic literary history. Each page affords sparkling facts and valuable insights onto the manufacturing of books and reputations, the keeping and revealing of secrets, the vagaries of private life and public opinion, and the eternally mysterious, often tormented interface between life and literature. — Elif Batuman

The view of life adopted by these people, my literary associates, was that generally speaking life is a process of development in the course of which the most important role is played by us, the thinkers; and that among the thinkers it is we, the artists and poets, who have the most influence. Our vocation is to educate people. In order to avoid being confronted by the obvious question - 'What do I know and what have I got to teach? — Leo Tolstoy

The literary depiction of life and its moral dilemmas compel us to use our conscience, to make those infallible distinctions between right and wrong. — F. Sionil Jose

Johnson's later life, from 1763, is among the best documented of all literary lives. James Boswell gave himself the enormous task, after Johnson's death in 1784, of producing what is now held to be a model of biography; rich in detail and anecdote, a complete picture of the man and his times, traced over a period of more than twenty years. Boswell's Life of Johnson, published in 1791, carries on Johnson's own contribution to the growing art of biography, and consolidates Johnson's position as a major literary figure, who, although a poet and a novelist, is remembered more for his academic and critical achievement than for his creative writings. — Ronald Carter

A literary influence is never just a literary influence. It's also an influence in the way you see everything - in the way you feel your life. — Thom Gunn