Life In Japanese Quotes & Sayings

I think I was a Japanese schoolgirl in another life. That's how much I love Hello Kitty. — Dakota Fanning

From the girl who sat before me now ... surged a fresh and physical life force. She was like a small animal that has popped into the world with the coming of spring. Her eyes moved like an independent organism with joy, laughter, anger, amazement, and despair. I hadn't seen a face so vivid and expressive in ages, and I enjoyed watching it live and move. — Haruki Murakami

In World War II, some Japanese soldiers preferred to take their own lives rather become prisoners of war. In Saipan hundreds of civilians jumped to their deaths over cliffs in order to avoid falling into American hands. Even in life-or-death situations cultural ties and duties often outweigh the instinct for survival. This is why people die in the attempt to rescue a dog from drowning, or decide to become suicide bombers. — Harald Welzer

Quickly, she pulls out a photograph from the same drawer. Two girls; one English, one Japanese. Their hair is in plaits, knees in the same position, peeking out under school skirts. There is no gap between their bodies. They look entirely different. Chinatsu is delicate, so flawless that she seems like a drawing, whereas Fleur is scrawny and ablaze with freckles. And yet, they look like sisters; the same posture, the same sadness in their eyes. She remembers that day. It was the worst and best of her life. — Sarah Dobbs

Japanese things - laquers, netsuke, prints - conjure a picture of a place where sensations are always new, where art pours out of daily life, where everything exists in a dream of endless beautiful flow. — Edmund De Waal

When a Japanese woman disrupts the powerful sequence of natural movement with her jerky little steps, we ought to experience the disquiet that troubles our soul whenever nature is violated in this way, but in fact we are filled with a unfamiliar blissfulness, as if disruption could lead to a sort of ecstasy, and a grain of sand to beauty. What we discover in this affront to the sacred rhythm of life, this defiant movement of little feet, this excellence born of constraint, is a paradigm of Art. — Muriel Barbery

The Japanese see self-assertion as immoral and self- sacrifice as the sensible course to take in life. — Akira Kurosawa

Think of the sushi trend that started in the '80s. It was as much about the Nintendo entertainment system in your living room as it was about the availability of good-quality raw fish. The Japanese food trend rose as the world of Japanese business and culture was becoming a bigger part of American life. — David Sax

I read lots of local newspapers and particularly the shortest articles in them, and most particularly any articles that are full of words in combinations that are arresting. In the case of the orchid story I was interested to see the words 'swamp' and 'orchids' and 'Seminoles' and 'cloning' and 'criminal' together in one short piece. Sometimes this kind of story turns out to be something more, some glimpse of life that expands like those Japanese paper balls you drop in water and then after a moment they bloom into flowers, and the flower is so marvelous that you can't believe there was a time when all you saw in front of you was a paper ball and a glass of water. — Susan Orlean

As I grew up, I was continually to suffer hardships in different realms of life - in my family, in my relationship to Japanese society and in my way of living at large in the latter half of the twentieth century. — Kenzaburo Oe

Old Japanese saying, live scorpion in pants makes life interesting. — Will Hobbs

Many Japanese kids don't express themselves. They would rather express themselves in a fantasy world and through passive-agressive behavior. They go on behavior strike, they go into emotional shutdown. This is one of the ways of expressing a Japanese way of life. But in acting this way, these children are simply mirroring the behavior they see among adult Japanese, especially those from elite or privileged backgrounds. — Michael Zielenziger

Read poetry every day of your life. Poetry is good because it flexes muscles you don't use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing.
What poetry? Any poetry that makes your hair stand up along your arms. Don't force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don't understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day. — Ray Bradbury

[The] Japanese were a people in a profound, inverse, reverse, or if I preferred it, even perverse sense, more in love with death than living. — Sir Laurens Van Der Post

In a time like this, let us trust in God even more. To trust when life is easy is no trust. — Joy Kogawa

One thing I've never said in my whole life is, 'Let's have dinner at a Japanese restaurant.' — Alan King

She is sad. She does not speak Japanese. Her husband went to the desert months and months ago. Every day she goes to the market and brings back chocolate, a peach, and a salmon rice-ball for her dinner. She sits and eats and stares at the wall. Sometimes she watches television. Sometimes she walks three miles to Blue Street to look at necklaces in the window that she wishes someone would buy for her. Sometimes she walks along the pier to see the sunken bicycles, pinged into ruin by invisible arrows of battleship-sonar, crusted over with rust and coral. She likes to pet people's dogs as they walk them. That is her whole life. What should she dream of?"
"Something better. — Catherynne M Valente

My father told me about American democracy. And he said you have to be actively engaged in the political process to make our democracy work. So I've been doing that my entire life. Civil rights movement. The peace movement during the Vietnam conflict. The movement to get an apology and redress for Japanese-Americans. — George Takei

How was Gengo to know, Saigyo reflected, that this unheroic existence imposed even greater torment than the icy lashings of the Nachi Falls in its thousand-foot leap? How was Gengo to realize that Saigyo had not slept a single night undisturbed since he had fled his home for the Eastern Hills, that his sleep was haunted by the cries of his beloved daughter from whom he had torn himself.
Who knew that during the day, when he went about his tasks of drawing water and chopping wood as he composed verses, the sighting of the wind in the treetops of the valleys below and the pines surrounding the temple sounded to him like the mourning of his young wife, and so troubled his nights that sleep no longer visited him? Never again would Saigyo find peace. He had wrenched asunder the living boughs of the tree that was his life. Remorse and compassion for his loved ones would dog him to the end of his days. — Eiji Yoshikawa

Visitors are informed, but what do they feel? I can't find the warmth of Versailles in such blandness, and I don't think tourist come here in search of information at all. The bus-loads of Japanese tourists and honest grandmothers don't visit the Queen's bedroom to learn about the particular type of canopy bed she slept in or the sort of wood it is made from; they come to relive a moment in the queen's life. — Alain Baraton

To sum up what is most crucial in Japanese political culture: the Japanese have never been encouraged to think that the force of an idea could measure up to the physical forces of a government. The key to understanding Japanese power relations is that they are unregulated by transcendental concepts. The public has no intellectual means to a consistent judgement of the political aspects of life. The weaker, ideologically inspired political groups or individuals have no leverage of any kind over the status quo other than the little material pressure they are sometimes able to muster. In short, Japanese political practice is a matter of 'might is right' disguised by assurances and tokens of 'benevolence'. — Karel Van Wolferen

It's not Americans I find annoying; it's Americanism: a social disease of the postindustrial world that must inevitably infect each of the mercantile nations in turn, and is called 'American' only because your nation is the most advanced case of the malady, much as one speaks of Spanish flu, or Japanese Type-B encephalitis. It's symptoms are a loss of work ethic, a shrinking of inner resources, and a constant need for external stimulation, followed by spiritual decay and moral narcosis. You can recognize the victim by his constant efforts to get in touch with himself, to believe his spiritual feebleness is an interesting psychological warp, to construe his fleeing from responsibility as evidence that he and his life are uniquely open to new experiences. In the later stages, the sufferer is reduced to seeking that most trivial of human activities: fun. — Trevanian

When the Japanese invaded, informers said mother was an important member of the resistance. She was taken in, badly tortured and never confessed. Her life was spared because the Japanese interrogators could not believe a woman could have held such a key role.

When her children were grown-up, mother would tell us, 'It's not as bad as it sounds. The first time, you're scared you'll give away your friends. But there comes a point when you pass out. Once that happens, you cannot feel pain anymore. Once you have learnt that, you can beat your torturers. — Ang Swee Chai

There is a Japanese proverb that literally goes 'Raise the sail with your stronger hand', meaning you must go after the opportunities that arise in life that you are best equipped to do. — Soichiro Honda

I have mastered many things in my life. Navigating the streets of London, speaking French without an accent, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms ... "
Tessa stared.
"Alas," he went on, "no one has ever actually referred to me as 'the master,' or 'the magister,' either. More's the pity ... — Cassandra Clare

If you're going to give up so quickly, I don't think you'll last long but you should try telling yourself you won't ever give up. Nobody can say how this will turn out but you should try the hardest you've ever tried in your life so you'll have no regrets — Hitori Nakano

Writing in other voices is almost Japanese in the sense that there's a certain formality there which allows me to sidestep the embarrassment of directly expressing to complete strangers the most intimate details of my life. — Suzanne Vega

The Japanese have a word - aware - which, in my understanding is, again, that full range - both the joy and the sorrow of our life. One does not exist without the other. And I really feel that. — Terry Tempest Williams

The blue of the sky is one of the most special colors in the world, because the color is deep but see-through both at the same time. — Cynthia Kadohata

Allowing ourselves to become pure point of view, we hang in midair over the city. What we see now is a gigantic metropolis waking up. Commuter trains of many colors move in all directions, transporting people from place to place. Each of those under transport is a human being with a different face and mind, and at the same time each is a nameless part of the collective identity. Each is simultaneously a self-contained whole and a mere part. Handling this dualism of theirs skillfully and advantageously, they perform their morning rituals with deftness and precision: brushing teeth, shaving, tying neckties, applying lipstick. They check the morning news on TV, exchange words with their families, eat, defecate. — Haruki Murakami

We all think we understand each other,' Kin heard Silver say. 'We eat together, we trade, many of us pride ourselves on having alien friends - but all this is only possible, only possible, Kin, because we do not fully comprehend the other. You've studied Earth history. Do you think you could understand the workings of of the mind of a Japanese warrior a thousand years ago? But he is as a twin to you compared with Marco, or with myself. When we use the word "cosmopolitan" we use it too lightly - it's flippant, it means we're galactic tourists who communicate in superficialities. We don't comprehend. Different worlds, Kin. Different anvils of gravity and radiation and evolution. — Terry Pratchett

God has brought a very wise Japanese lady into my life who lives in Calif. We've never met, but she has shared a tremendous amount of wisdom with me concerning unconditional love within relationships. Here is one of the things she said to me this evening when we were discussing "Soul Mates."

"Soul mates aren't perfect people. They can come into your life and provide polar emotional experiences from intense love to intense pain. Growth comes from both. And a soul mate helps you grow. It isn't just "...and they lived happily ever after" but "...and they lived!" ~ From my mentor ~ Lori Chidori Phillips — Dr. Dianne Rosena Jones, Mpsy.D.

Look closely at the Japanese; they draw admirably and yet in them you will see life outdoors and in the sun without shadows ... — Paul Gauguin

The colonel nodded. "Our childhood seems so far away now. All this" - he gestured out of the vehicle - "so much suffering. One of our Japanese poets, a court lady many years ago, wrote how sad this was. She wrote of how our childhood becomes like a foreign land once we have grown."
"Well, Colonel, it's hardly a foreign land to me. In many ways, it's where I've continued to live all my life. It's only now I've started to make my journey from it. — Kazuo Ishiguro

With a cold"
she spoke evenly, lowering her eyes a little
"now is the hardest time. Maybe even harder than dying. But this is probably as bad as it can get. You might come to fear the next time you get a cold; it will be as bad as this, but if you just hold steady, it won't be. For the rest of your life. That's how it works. You could take the negative view and live in fear: Will it happen again? But it won't hurt so much if you just accept it as a part of life." With that she looked up at me, smiling. — Banana Yoshimoto

I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide. — Hirokazu Koreeda

Life in Japan, nowadays, is nothing like a Kurosawa movie, and only the contemptible Weeaboo thinks that it is. In order to be a whole, well-rounded Otaku, you need to be up on Japanese popular culture, as much as you may be up on anime, samurai philosophy or the canon of Square Enix games. — Alexei Maxim Russell

I have two passions in my life. One is to raise the awareness of the internment of Japanese-American citizens. My other passion is the theater. And I've been able to wed the two passions. — George Takei

I was fortunate to live for 3 years in another country, and although we lived in an American compound, still as a young adolescent I did venture into the world of the Japanese with great interest and enjoyment. But many Americans never left that safe and familiar life among their own people. — Lois Lowry

See, see how the sun has moved onward while we talked. Nothing can stop it in its course. Prayers cannot halt the revolving of nature. It is the same with human life. Victory and defeat are one in the vast stream of life. Victory is the beginning of defeat, and who can rest safely in victory? Impermanence is the nature of all things of this world. Even you will find your ill fortunes too will change. It is easy to understand the impatience of the old, whose days are numbered, but why should you young ones fret when the future is yours? — Eiji Yoshikawa

Everything in my life revolves around people playing at being something. — Banana Yoshimoto

I remember a time in a class on a cold winter morning a Japanese girl came with a surgical mask & I thought "wow people would go to extremes NOT to get sick in Japan" afterwards on a break I approached her & asked in a cynical manner: why the mask? Are you afraid of catching a cold? & then she said "in Japan you use it when YOU are under the weather & you don't want other people to get sick, it is the polite thing to do" wow! that's a lesson I will never forget — Pablo

In Japan, a number of time-honored everyday activities (such as making tea, arranging flowers, and writing) have traditionally been deeply examined by their proponents. Students study how to make tea, perform martial arts, or write with a brush in the most skillful way possible to express themselves with maximum efficiency and minimum strain. Through this efficient, adroit, and creative performance, they arrive at art. But if they continue to delve even more deeply into their art, they discover principles that are truly universal, principles relating to life itself. Then, the art of brush writing becomes shodo - the "Way of the brush" - while the art of arranging flowers is elevated to the status of kado - the "Way of flowers." Through these Ways or Do forms, the Japanese have sought to realize the Way of living itself. They have approached the universal through the particular. — H.E. Davey

That point in time just as the last leaf is about to drop, as the remaining petal is about to fall; that moment captures everything beautiful and sorrowful about life. Mono no aware, the Japanese call it. — Tan Twan Eng

If you study Japanese art you see a man who is undoubtedly wise, philosophic and intelligent, who spends his time how? In studying the distance between the earth and the moon? No. In studying the policy of Bismarck? No. He studies a single blade of grass. But this blade of grass leads him to draw every plant and then the seasons, the wide aspects of the countryside, then animals, then the human figure. So he passes his life, and life is too short to do the whole. — Vincent Van Gogh

The United States was born through war, reunited by war, and saved from destruction by war. No future generation, however comfortable and affluent, can escape that terrible knowledge. Our freedom is not entirely our own; in some sense it is mortgaged from those who paid the ultimate price for its continuance. My own life of security, freedom, opportunity, and relative affluence certainly has been made possible because a grandfather fought and was gassed in the Argonne; an uncle in the Marines died trying to stop Japanese imperialism on Okinawa; a cousin in the Army lost his life at twenty-two trying to stop Hitler in France; and my father in the Army Air Force flew forty times over Japan hoping to end the idea of the expansive Greater East Asia Co-prosperity Sphere. I have spent some time these past decades trying to learn where, how, and why they and their generations fought as they did - and what our own obligations are to acknowledge their sacrifices. — Victor Davis Hanson

There is a Japanese word for things made more beautiful by use, that bear the evidence of their own making, or the individuating marks of time's passage: a kind of beauty not immune to time but embedded in it. — Mark Doty

We hope that general readers with an interest in Japan will find in these accounts of fieldwork a wide spectrum of illustrations of the grassroots realities of everyday life in contemporary Japanese communities, companies, institutions, and social movements. — Theodore C. Bestor

Bushido is realized in the presence of death. This means choosing death whenever there is a choice between life and death. There is no other reasoning. — Tsunetomo Yamamoto

We Japanese, on the other hand, know our egos are nothing. We bend our egos, all of the time, and that is where we differ. That is the fundamental difference, Hatsue. We bend our heads, we bow and are silent, because we understand that by ourselves alone, we are nothing at all, dust in a strong wind, while the 'hakujin' believes his aloneness is everything, his separateness is the foundation of his existence. He seeks and grasps, seeks and grasps for his separateness, while we seek union with the Greater Life
you must see that these are distinct paths we are travelling, Hatsue, the 'hakujin' and we Japanese (p. 176). — David Guterson

If I were trapped in one city and had to eat one nation's cuisine for the rest of my life, I would not mind eating Japanese. I adore Japanese food. I love it. — Anthony Bourdain

From the moment of my birth, I lived with pain at the center of my life. My only purpose in life was to find a way to coexist with intense pain. — Haruki Murakami

I seem to hear thousands of voices
the voices of the common folk in the marketplace
urging me to go forward and do what must be done. More is at stake now than my life. On me turns the future of the warriors. Let's not quibble longer, lest this rare opportunity slip through my fingers. — Eiji Yoshikawa

Perhaps for many Japanese, autobiographical fiction writing is life. We are a people expected to complement, to harmonize, to anticipate one another's needs. All without a single spoken clue.

And the reason is that he's in training to be a writer. Observing detail, understanding irony, interpreting motivation. Hiro knows that acts are symbolic. The hard sour fruit offered too soon in its season carries a message. He has made an error in the timing of his visit. He has inconvenienced that family.

This is the Japanese way. Cogitating on inner meaning. Revealing ourselves and perceiving others through carefully crafted scenes.

Writing our endless I-stories. — Lydia Minatoya

One famous Japanese haiku illustrates the state that Sid managed to discover in himself. It is one that Joseph Goldstein has long used to describe the unique attentional posture of bare attention: The old pond. A frog jumps in. Plop!2 Like so much else in Japanese art, the poem expresses the Buddhist emphasis on naked attention to the often overlooked details of everyday life. Yet, there is another level at which the poem may be read. Just as in the parable of the raft, the waters of the pond can represent the mind and the emotions. The frog jumping in becomes a thought or feeling arising in the mind or body, while "Plop!" represents the reverberations of that thought or feeling, unelaborated by the forces of reactivity. The entire poem comes to evoke the state of bare attention in its utter simplicity. — Mark Epstein

There was a Japanese TV set in front of us. There were Japanese TV sets all over the prison. They were like portholes on an ocean liner. The passengers were in a state of suspended animation until the big ship got where it was going. But anytime they wanted, the passengers could look through a porthole and see the real world out there.
Life was like an ocean liner to a lot of people who weren't in prison, too, of course. And their TV sets were portholes through which they could look while doing nothing, to see all the World was doing with no help from them.
Look at it go! — Kurt Vonnegut

To live in the midst of danger is to know how good life is," his father replied.
"But if we are lost in the danger?" Kino asked anxiously.
"To live in the presence of death makes us brave and strong," Kino's father replied. "That is why our people never fear death. We see it too often and we do not fear it. To die a little later or a little sooner does not matter. But to live bravely, to lobe life, to see how beautiful the trees are and the mountains, yes, even the sea, to enjoy work because it produces food for life - in these things we Japanese are a fortunate people. We love life because we live in danger. We do not fear death because we understand that life and death are necessary to each other."
"What is death?" Kino asked.
"Death is the great gateway," Kino's father said. — Pearl S. Buck

I've always fixated on the things I want in my life--paint palettes and sumptuous fabrics and star-flecked skies and dancing on my tiptoes and the smell of jasmine. But I usually imagine myself alone or falling in love with all kinds of different people. These days, I've started to daydream of the permanent relationships I want to have. Friends who stay in my life forever. People who I trust to love me even if I'm wobbling--the way I trust Jonah. And if that's what I want, then I have scorched Earth to till and replant. I have a Japanese maple seedling, and I have seen how beautiful a rooted life can be. But I have miles to go before I decide where to plant us. — Emery Lord

You can't run, you can't hide, and the idea that you have no control at all just gets into your head and it sticks there. In my time in the Navy, I was never so scared in my life. Bombs and smoke everywhere, fires on the deck. Meanwhile, the guns are booming and the noise is like nothing you've ever heard. Thunder times ten, maybe, but that doesn't describe it. In the big battles, Japanese Zeros strafed the deck continually, the shots ricocheting all over the place. — Nicholas Sparks

It is extremely interesting to live in a private house and to see the externalities, at least, of domestic life in a Japanese middle-class home. — Isabella Bird

Japan. So successful was the Japanese 'welfare superpower' that by the 1970s life expectancy in Japan had become the longest in the world. But that, combined with a falling birth rate, has produced the world's oldest society, with more than 21 per cent of the population already over the age of 65. — Niall Ferguson

The Japanese have two words: "uchi" meaning inside and "soto" meaning outside. Uchi refers to their close friends, the people in their inner circle. Soto refers to anyone who is outside that circle. And how they relate and communicate to the two are drastically different. To the soto, they are still polite and they might be outgoing, on the surface, but they will keep them far away, until they are considered considerate and trustworthy enough to slip their way into the uchi category. Once you are uchi, the Japanese version of friendship is entire universes beyond the average American friendship! Uchi friends are for life. Uchi friends represent a sacred duty. A Japanese friend, who has become an uchi friend, is the one who will come to your aid, in your time of need, when all your western "friends" have turned their back and walked away. — Alexei Maxim Russell

Within Young Leaves Wrapped within young leaves: the sound of water. - SOSEKI This delicate observation by this Japanese poet is filled with the quiet hope that embedded in our nature, even as we begin, is our gift already unfolded. Embedded in the seed is the blossom. Embedded in the womb is the child fully grown. Embedded in the impulse to care is the peace of love realized. Embedded in the edge of risk and fear is the authenticity that makes life worth living. — Mark Nepo

Lady #1, Maki, had never once given any thought to what was really right for her in her life, simply believing that if she surrounded herself with super-exclusive things, she'd become a super-exclusive person. — Ryu Murakami

A Japanese woman friend whose infant son died seven days into his life - no detectable reason - just the small breathing becoming nothing until it disappeared, told me that in Japan, there is a two-term word - "mizugo" - which translates loosely to "water children." Children who did not live long enough to enter the world as we live in it. In Japan, there are rituals for mothers and families, practices and prayers for the water children. There are shrines where a person can visit and deliver words and love and offerings to the water children. — Lidia Yuknavitch

Aboriginal Okinawan Karate was traditionally taught in modest home Dojos, in small informal groups (sole purpose of teachings revolved around life preservation), in A closely tied supportive environment; unlike main island modern Japanese version with rivalry and competition, instructed in large groups belonging to even larger organizations with pseudo-militaristic hierarchy — Soke Behzad Ahmadi

I do wish men, when they're taking their leave from a lady at dawn, wouldn't insist on adjusting their clothes to a nicety, or fussily tying their lacquered cap securely into place. After all, who would laugh at a man or criticize him if they happened to catch sight of him on his way home from an assignation in fearful disarray, with his cloak or hunting costume all awry? — Sei Shonagon

No art takes places without inspiration. Every artist also needs effective knowledge of his or her tools (e.g., does a certain brush function well with a particular kind of paint?). What's more, artists need effective techniques for using those tools.
Likewise, to express ourselves skillfully with maximum efficiency and minimum effort, we need to investigate the most effective ways of using the mind and body since, in the end, they are the only "tools" we truly possess in life. — H. E. Davey, Japanese Yoga: The Way Of Dynamic Meditation

However, whatever frightening mask it might assume, the national spirit in its original state was of pristine whiteness. Traveling through a country like Thailand, Honda realized more clearly than ever the simplicity and purity of things Japanese, like transparent stream water
through which one could glimpse pebbles below, or the probity of Shinto rites. Honda's life was not imbued with such spirit. Like the majority of Japanese he ignored it, behaving as though it did not exist and surviving by
escaping from it. All his life he had dodged things fundamental and artless: white silk, clear cold water, the zigzag white paper of the exorciser's staff fluttering in the breeze, the sacred precinct marked by a torii, the gods'
dwelling in the sea, the mountains, the vast ocean, the Japanese sword with its glistening blade so pure and sharp. Not only Honda, but the vast majority of Westernized Japanese, could no longer stand such intensely native elements. — Yukio Mishima

Some people, I am told, have memories like computers, nothing to do but punch the button and wait for the print-out. Mine is more like a Japanese library of the old style, without a card file or an indexing system or any systematic shelf plan. Nobody knows where anything is except the old geezer in felt slippers who has been shuffling up and down those stacks for sixty-nine years. When you hand him a problem he doesn't come back with a cartful and dump it before you, a jackpot of instant retrieval. He finds one thing, which reminds him of another, which leads him off to the annex, which directs him to the east wing, which sends him back two tiers from where he started. Bit by bit he finds you what you want, but like his boss who seems to be under pressure to examine his life, he takes his time. — Wallace Stegner

The blurring of fantasy and reality is something that the Japanese herald in their life, in their day-to-day commercialism. — Lady Gaga

Your life as an effective person must always have productivity surrounding all your efforts, there must be a sustained forward and upward trajectory in every area of your life. This is where the Shona Shereketa meets the Japanese Kaizen - you are moving and shaking past mediocrity on the basis of small but continuous improvements that will ultimately result in positive quality changes to your life. — Archibald Marwizi

After the Japanese attacked Pearl Harbor, the United States entered into World War II to protect our way of life and to help liberate those who had fallen under the Axis occupation. The country rallied to produce one of the largest war efforts in history. Young men volunteered to join the Armed Forces, while others were drafted. Women went to work in factories and took military jobs. Everyone collected their used cooking grease and metals to be used for munitions. They rationed gas and groceries. Factories now were producing airplanes, weapons, and military vehicles. They all wanted to do their part. And they did, turning America into a war machine. The nation was in full support to help our boys win the war and come home quickly.
Grandpa wanted to do his part too. — Kara Martinelli

Much has been said of the aesthetic values of chanoyu- the love of the subdued and austere- most commonly characterized by the term, wabi. Wabi originally suggested an atmosphere of desolation, both in the sense of solitariness and in the sense of the poverty of things. In the long history of various Japanese arts, the sense of wabi gradually came to take on a positive meaning to be recognized for its profound religious sense ... the related term, sabi, ... It was mid-winter, and the water's surface was covered with the withered leaves of the of the lotuses. Suddenly I realized that the flowers had not simply dried up, but that they embodied, in their decomposition, the fullness of life that would emerge again in their natural beauty. — Okakura Kakuzo

I've mastered many thing's in my life. Navigating the streets of London, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms ... "
Tessa stared.
"Alas," he went on, "no one has ever actually referred to me as 'the master' or 'the magister', either. More's the pity ... "
"Are you highly intoxicated at the moment? — Cassandra Clare

The recipe to an unhappy life in Japan is to want to be Japanese if you are not. Anyone who wants to penetrate the country is setting themselves up for tears and disappointment. — Pico Iyer

The significance of the cherry blossom tree in Japanese culture goes back hundreds of years. In their country, the cherry blossom represents the fragility and the beauty of life. It's a reminder that life is almost overwhelmingly beautiful but that it is also tragically short. — Homaro Cantu

My point is: in this whole wide world the only person you can depend on is you. — Haruki Murakami

The audience had run to beards and magenta shirts and original ways of arranging its neckwear; and not content with the ravages produced in its over-excitable nervous system by the remorseless workings of its critical intelligence, it had sat through a film of Japanese life called 'Yes,' made by a Norwegian film company in 1915 with Japanese actors, which lasted an hour and three-quarters and contained twelve close-ups of water-lilies lying perfectly still on a scummy pond and four suicides, all done extremely slowly. — Stella Gibbons

Within two or three years of World War II's end, starvation had been basically eliminated in Japan, and yet the Japanese had continued slaving away as if their lives depend on it. Why? To create a more abundant life? If so, where was the abundance? Where were the luxurious living spaces? Eyesores dominated the scenery wherever you went, and people still crammed themselves into packed commuter trains each morning, submitting to conditions that would be fatal for any other mammal. Apparently what the Japanese wanted wasn't a better life, but more things. — Ryu Murakami

Those wolves were crueler even than the Japanese devils. They knew that all they had to do was rip open the bellies and let the horses die under their own hooves. I've never seen anything more sinister, more savage in my life. Those wolves embody the spirit of the Japanese samurai. Suicidal attacks don't faze them, and that makes Mongol wolves more fearful than any others. I won't rest till I kill every last one of them! — Jiang Rong

In the way such things happen in real life, I suspect I'll never see him again. We talked about that once. There was a term in Japanese, he said. Eng. It was both a concept and a word of advice. It meant that anyone you meet may be the most important person in your life. Therefore, that every stranger should be treated as a friend. Loved before it is too late. You never know (he said) in which night your ship is passing. — Tobias Hill

Since the early 1920s a unique spiritual path has existed in Japan. This distinctly Japanese version of yoga is called Shin-shin-toitsu-do, and it combines seated meditation, moving meditation, breathing exercises, and other disciplines to help practitioners realize unification of mind and body. Besides yoga, it is a synthesis of methods, influenced by Japanese meditation, healing arts, and martial arts; along with Western psychology, medicine, and science. Shin-shin-toitsu-do is widely practiced throughout Japan, although it is almost unknown in other countries. Through its principles of mind and body coordination people have an opportunity to realize their full potential in everyday life.A remarkable man created this path, and he led an equally remarkable life. He was known in Japan as Nakamura Tempu Sensei, and this is his story. — H.E. Davey

The whites, you see, are tempted by their egos and have no means to resist. We Japanese, on the other hand, know our egos are nothing. We bend our egos, all of the time, and that is where we differ. That is the fundamental difference, Hatsue. We bend our heads, we bow and are silent, because we understand that by ourselves, alone, we are nothing at all, dust in a strong wind, while the hakujin believes his aloneness is everything, his separateness is the foundation of his existence. He seeks and grasps, seeks and grasps for his separateness, while we seek union with the Greater Life - you must see that these are distinct paths we are traveling, Hatsue, the hakujin and we Japanese. — David Guterson