Life From George Bailey Quotes & Sayings

If we are ever going to achieve a rational approach to organizing our affairs, we have to dignify the process of admitting to being wrong. It doesn't help matters at all if the media, or your friends, accuse you of "flip-flopping" when you change your mind. Changing our minds is our hope for the future. — Brian Eno

She has a look," I said, "of not altogether belonging to today. — Robert Nathan

There is no such thing in anyone's life as an unimportant day. — Alexander Woollcott

We call our selves followers but we refuse to follow him to the Unreached. We call ourselves Christians but refuse to lay down our life as he did that they might have life. We sing songs for him with our lips but deny him with our lives — John Willis Zumwalt

April is the cruelest month.' So begins T.S. Eliot's 1922 masterpiece, a 434-line poem titled 'The Waste Land.' Until my employment as a trail maintenance worker, this had simply been a line on a page, albeit a line fraught with metaphorical import and potential. Now I saw it for what it was - a big fat lie - because Eliot grew up in St. Louis and no one forgets what a Missouri summer is like. If the Nobel laureate had been truthful with himself, the opening verse would start out, 'June's a bitch. — Michael Gurnow

But what about all those dead people we saw? Maybe they rescued us for real, got killed, and now we're screwed. Maybe we were supposed to do something, but now it's all been messed up and we've been left here to die. — James Dashner

All you can take with you is that which you've given away. — George Bailey

When I was young, I learned to expect loss. Every time you slept, something disappeared. Whenever you woke up, someone else was gone. But . . . I also learned that every day, you created everything anew. And whatever you had, you enjoyed as long as it lasted. Spend money when it's in your pocket." He took my hand and put the orange in it. "Eat fruit while it's ripe." His other hand found my cheek, his thumb brushing the corner of my mouth. "Paradise is a promise no god bothers to keep. There's only now, and tomorrow nothing will be the same, whether we like it or not. — Heidi Heilig

In life one of Midnight's favourite movies had been It's a Wonderful Life, a touching story where a man called George Bailey is shown how poor the world would have been if he'd never existed, but now the young ghost of Midnight Merlot was sat imagining himself not as the kind hero of his own narrative, but, - but as the anti-George. — Tom Conrad

What is it you want, Mary? What do you want? You want the moon? Just say the word and I'll throw a lasso around it and pull it down. Hey. That's a pretty good idea. I'll give you the moon, Mary. — George Bailey

If you love until it hurts, there can be no more hurt. Once we cross the deepest part of hurt, it doesn't hurt anymore. . You become part of the eternal journey of love commences again — Sandhya Jane

But no matter how many movies we watched, we never learned their deepest lesson: they end. George Bailey finally sees his life as wonderful. Rosebud, we find out, is a sled. Travis shoots Old Yeller. One of the things that distinguishes life from movies is the pause button. We can keep Travis' finger on the trigger, the barrel staring down his Yeller, but there is no pause button for the things that matter. — Greg Letellier

He was a quick fellow, and when hot from play, would toss himself in a corner, and in five minutes be deep in any sort of book that he could lay his hands on: if it were Rasselas or Gulliver, so much the better, but Bailey's Dictionary would do, or the Bible with the Apocrypha in it. Something he must read, when he was not riding the pony, or running and hunting, or listening to the talk of men. All this was true of him at ten years of age; he had then read through Chrysal, or the Adventures of a Guinea, which was neither milk for babes, nor any chalky mixture meant to pass for milk, and it had already occurred to him that books were stuff, and that life was stupid. — George Eliot

I'm a personality - like a George Plimpton who effectively plays himself in a bunch of different roles, or a Paul Lynde-type character. — John Hodgman