Quotes & Sayings About Liesel

He was the crazy one who had painted himself black and defeated the world.
She was the book thief without the words.
Trust me, though, the words were on their way, and when they arrived, Liesel would hold them in her hands like the clouds, and she would wring them out like rain. — Markus Zusak

After another ten minutes, the gates of thievery would open just a crack, and Liesel Meminger would widen them a little further and squeeze through.
***TWO QUESTIONS***
Would the gates shut behind her?
Or would they have the goodwill to let her back out?
As Liesel would discover, a good thief requires many things.
Stealth. Nerve. Speed.
More important than any of those things, however, was one final requirement.
Luck.
Actually.
Forget the ten minutes.
The gates open now. — Markus Zusak

Where Hans Hubermann and Erik Vandenburg were ultimately united by music, Max and Liesel were held together by the quiet gathering of words. — Markus Zusak

Liesel's blood had dried inside of her. It crumbled. She almost broke into pieces on the steps. — Markus Zusak

Well, promise me one thing, Liesel. If I die anytime soon, you make sure they bury me right. — Markus Zusak

Liesel observed the strangeness of her foster father's eyes. They were made of kindness, and silver. — Markus Zusak

Once, words had rendered Liesel useless, but now, when she sat on the floor, with the mayor's wife at her husband's desk, she felt an innate sense of power. It happened every time she deciphered a new word or pieced together a sentence. — Markus Zusak

Of all the arrogant men in this world, you are possibly the worst. — Liesel Schwarz

Liesel and Papa made their way through the book, this man was traveling to Amsterdam on business and the snow was shivering outside. The girl loved that- the shivering snow. "That's exactly what it does when it comes down," she told Hans Hubermann. — Markus Zusak

He lay with yellow hair and closed eyes, and the book thief ran toward him and fell down. She dropped the black book. "Rudy," she sobbed, "wake up ... " She grabbed him by his shirt and gave him just the slightest disbelieving shake. "Wake up, Rudy," and now, as the sky went on heating and showering ash, Liesel was holding Rudy Steiner's shirt by the front. "Rudy, please." THe tears grappled with her face. "Rudy, please, wake up, Goddamn it, wake up, I love you. Come on, Rudy, come on, Jesse Owens, don't you know I love you, wake up, wake up, wake up ... — Markus Zusak

As she watched all of this, Liesel was certain that these were the poorest souls alive. That's what she wrote about them ... Some looked appealingly at those who had come to observe their humiliation, this prelude to their deaths. Others pleaded for someone, anyone to step forward and catch them in their arms.
No one did. — Markus Zusak

Goodbye, Papa, you saved me. You taught me to read. No one can play like you. I'll never drink champagne. No one can play like you.
-Liesel — Markus Zusak

Liesel was tempted to ask her the meaning, but it never eventuated. — Markus Zusak

Sitting on the ground, she looked up at her best friend. "Danke," she said. "Thank you."
Rudy bowed. "My pleasure." He tried for a little more. "No point asking if I get a kiss for that, I guess?"
"For bringing my shoes, which you left behind?"
"Fair enough." He held up his hands and continued speaking as they walked on, and Liesel made a concerted effort to ignore him. She only heard the last part. "Probably wouldn't want to kiss you anyway
not if your breath's anything like your shoes."
"You disgust me," she informed him, and she hoped he couldn't see the escaped beginnings of a smile that had fallen from her mouth. — Markus Zusak

In truth, Liesel was a prisoner too, just held by different kinds of bonds. — Nicki Elson

Peace, hands and mouth smeared with chocolate pudding, blinks and says nothing. Happy frowns. Bliss, firmly ensconced on Liesel's hip, babbles something so cute and precious it would be nice to take a second to appreciate it, but Liesel is caught between her genuine and somewhat frightening fury and her shame at realizing that she's turned into everything she swore she'd never be. — Megan Hart

Hair the color of lemons,'" Rudy read. His fingers touched the words. "You told him about me?"
At first, Liesel could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.
Years ago, when they'd raced on a muddy field, Rudy was a hastily assembled set of bones, with a jagged, rocky smile. In the trees this afternoon, he was a giver of bread and teddy bears. He was a triple Hitler Youth athletics champion. He was her best friend. And he was a month from his death.
Of course I told him about you," Liesel said. — Markus Zusak

When Liesel left that day, she said something with great uneasiness. In translation, two giant words were struggled with, carried on her shoulder, and dropped as a bungling pair at Ilsa Hermann's feet. They fell off sideways as the girl veered with them and could no longer sustain their weight. Together, they sat on the floor, large and loud and clumsy. Two giant words ... I'm sorry. — Markus Zusak

One day, Liesel.' he said, 'you'll be dying to kiss me. — Markus Zusak

Her face was severe but smiling. "What the hell did you do with my hairbrush, you stupid Saumensch, you little thief? ... The tirade went on for perhaps another minute, with Liesel making a desperate suggestion or two about the possible location of the said brush. It ended abruptly, with Rosa pulling Liesel close, just for a few seconds. Her whisper was almost impossible to hear, even at such close proximity. "You told me to yell at you. You said they'd all believe it." She looked left and right, her voice like needle and thread. "He woke up, Liesel. He's awake." From her pocket, she pulled out the toy soldier with the scratched exterior. "He said to give you this. It was his favorite." ... Before Liesel had a chance to answer, she finished it off. "Well? Answer me! Do you have any other idea where you might have left it? — Markus Zusak

For Liesel Meminger, the early stages of 1942 could be summed up like this:
She became thirteen years of age. Her chest was still flat. She had not yet bled. The young man from her basement was now in her bed.
***Q&A***
How did Max Vandenburg end up in liesel's bed? He fell. — Markus Zusak

There was an itchy lung for a last cigarette and an immense, magnetic pull toward the basement, for the girl who was his daughter and was writing a book down there he hoped to read one day.
Liesel.
His soul whispered it as I carried him. But there was no Liesel in that house. Not for me, anyway. — Markus Zusak

Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see the paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the grey, the every-coloured books. It was one of the most beautiful things Liesel Meminger had ever seen. With — Markus Zusak

Don't you sometimes get a little tired of being so constantly outraged? - Mr Marsh — Liesel Schwarz

I have hated the words and I have loved them, and I hope I have made them right. - Liesel Meminger — Markus Zusak

The music would look Liesel in the face. I know it sounds strange, but that's how it felt to her. — Markus Zusak

At this point, I couldn't help it. I walked around to see her better, and from the moment I witnessed her face again, I could tell that this was who she loved the most. Her expression stroked the man on his face. It followed one of the lines down his cheek. He had sat in the washroom with her and taught her how to roll a cigarette. He gave bread to a dead man on Munich Street and told the girl to keep reading in the bomb shelter. Perhaps if he didn't, she might not have ended up writing in the basement. Papa - the accordionist - and Himmel Street. One could not exist without the other, because for Liesel, both were home. Yes, that's what Hans Hubermann was for Liesel Meminger. — Markus Zusak

She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen.
With wonder, she smiled.
That such a room existed! — Markus Zusak

Cigarette, flipped it on the table, and began on another. "Just like this." That was when Mama finished her soup with a clank, suppressed a cardboard burp, and answered for him. "That Saukerl," she said. "You know what he did? He rolled up all of his filthy cigarettes, went to the market when it was in town, and traded them with some gypsy." "Eight cigarettes per book." Papa shoved one to his mouth, in triumph. He lit up and took in the smoke. "Praise the Lord for cigarettes, huh, Mama?" Mama only handed him one of her trademark looks of disgust, followed by the most common ration of her vocabulary. "Saukerl." Liesel swapped a customary wink with her papa and finished eating her soup. As always, one of her books was next to her. She could not deny that the answer to her — Markus Zusak

Jesus, Mary and Joseph — Markus Zusak

On quite a few occasions Liesel forgot about her mother and any other problem of which she currently held ownership. — Markus Zusak

Before they proceeded to their respective homes, Rudy's voice reached over and handed Liesel the truth. For a while, it sat on her shoulder, but a few thoughts later, it made its way to her ear. — Markus Zusak

Moments, Liesel stood. The corridor was huge. She examined the soldier in her palm. Instinct told her to run home immediately, but common sense did not allow it. Instead, she placed the ragged soldier in her pocket and returned to the classroom. — Markus Zusak

... it was raining on Himmel Street when the world ended for Liesel Meminger.
The sky was dripping.
Like a tap that a child has tried its hardest to turn off but hasn't quite managed. — Markus Zusak

Sitting in the water, she imagined the smell of it, mapped out on her papa's clothes. More than anything, it was the smell of friendship, and she could find it on herself, too. Liesel loved that smell. She would sniff her arm and smile as the water cooled around her. — Markus Zusak

I've wanted to do this since I laid eyes on you." With a gentle movement, he lifted her face to his and kissed her.
Oh, blast. he's right. And I do want him. How annoying. — Liesel Schwarz

Rudy handed it back. "Speaking of which, I think we're both slightly in for it when we get home. You especially."
"Why me?"
"You know- your mama."
"What about her?" Liesel was exercising the blatant right of every person who's ever belonged to a family. It's all very well for such a person to whine and moan and criticize other family members, but they won't let anyone else do it. That's when you get your back up and show loyalty. — Markus Zusak

Each night, Liesel would step outside, wipe the door, and watch the sky. Usually it was like spillage - cold and heavy, slippery and gray - but once in a while some stars had the nerve to rise and float, if only for a few minutes. On those nights, she would stay a little longer and wait.
Hello, stars. — Markus Zusak

There was the gate next, which she(Liesel)clung to. A gang of tears trudged from her eyes as she held on and refused to go inside. People started to gather on the street, until Rosa Hubermann swore at them, after which they reversed back whence they came.

~A TRANSLATION OF ROSA HUBERMANN'S ANNOUNCEMENT~

'What are you arseholes looking at? — Markus Zusak

She raised her hand and studied the light as it fell over her, bathing everything inside the room in shadows and light. Everything except her. — Liesel Schwarz

When Tommy walked forlornly home a short while later, Rudy tried what appeared to be a masterful new tactic.
Pity.
On the step, he perused the mud that had dried as a crusty sheet on his uniform, then looked Liesel hopelessly in
the face. "What about it, Saumensch?"
"What about what?"
"You know ... "
Liesel responded in the usual fashion.
"Saukerl," she laughed, and she walked the short distance home. A disconcerting mixture of mud and pity was
one thing, but kissing Rudy Steiner was something entirely different.
Smiling sadly on the step, he called out, rummaging a hand through his hair. "One day," he warned her. "One
day, Liesel! — Markus Zusak

The sky is blue today, Max, and there is a big long cloud, and it's stretched out, like a rope. At the end of it, the sun is
like a yellow hole ... — Markus Zusak

You should give it to Max, Liesel. See if you can leave it on the bedside table, like all the other things." Liesel watched him as if he'd gone insane. "How, though?" Lightly, he tapped her skull with his knuckles. "Memorize it. Then write it down for him. — Markus Zusak

Just because it hasn't been done before, does not mean that it is not possible. — Liesel Schwarz

Group of Steiners and Liesel walked past some shop windows and the imposing town hall, which in later years would be chopped off at the knees and buried. — Markus Zusak

Liesel continued the examination. She moved around him and shrugged. "Not bad."
Not bad!" I look better than just not bad."
The shoes let you down. And your face."
Rudy placed the lantern on the counter and came toward her in mock-anger, and Liesel had to admit that a nervousness started gripping her. It was with both relief and disappointment that she watched him trip and fall on the disgraced mannequin.
On the floor, Rudy laughed.
Then he closed his eyes, clenching them hard.
Liesel rushed over.
She crouched above him.
Kis him, Liesel, kiss him.
Are you all right, Rudy? Rudy?"
I miss him," said the boy, sideways, across the floor.
Frohe Weihnachten," Liesel replied. She helped him up, straightening the suit. "Merry Christmas. — Markus Zusak

I am haunted by human — Markus Zusak

Max, Hans, and Rosa I cannot account for, but I know that Liesel Meminger was thinking that if the bombs ever landed on Himmel Street, not only did Max have less chance of survival than everyone else, but he would die completely alone. — Markus Zusak

Once in while a man or a woman
no, they were not men and women; they were Jews
would find Liesel's face among the crowd. They would meet her with their defeat, and the book thief could do nothing but watch them back in a long, incurable moment before they were gone again. She could only hope they could read the depth of sorrow in her face, to recognize that it was true, and not fleeting.
She understood she was utterly worthless to these people. They could not be saved.
Then, one human.
Hans Hubermann. — Markus Zusak

What do you want to kiss me for? I'm filthy.'- Liesel
So am I.'- Rudy — Markus Zusak

Liesel shrugged away entirely from the crowd and entered the tide of Jews, weaving through them till she grabbed hold of his arm with her left hand. His face fell on her. It reached down as she tripped, and the Jew,the nasty Jew, helped her up. It took all of his strength. — Markus Zusak

And please," Ilsa Hermann advised her, "don't punish yourself, like you said you would. Don't be like me, Liesel. — Markus Zusak

There can be no more noble a quest than a man seeking to rescue his beloved. — Liesel Schwarz

Papa- the accordionist- and Himmel Street.

One could not exist without the other, because for Liesel, both were home. — Markus Zusak

Marsh touched the rim of his hat and smiled at them. The ladies tittered at each other and cast long glances at him from behind their lace gloves as they made their way to the row of ornate passenger dirigibles that sat urging against their moorings in the fading light.

"Do try not to attract too much attention to yourself, Mr. Marsh," Elle said.
"Easier said than done," he responded without taking his eyes off the ladies.
Elle took a deep breath to dispel her annoyance. — Liesel Schwarz

They sat a few meters apart, speaking very rarely, and there was really only the noise of turning pages ( ... ) Where Hans Hubermann and Erik Vandenburg were ultimately united by music, Max and Liesel were held together by the quiet gathering of words.
"Hi, Max."
"Hi, Liesel."
They would sit and read. — Markus Zusak

Trust me, though, the words were on their way, and when they arrived, Liesel would hold them in her hands like the clouds, and she would wring them out, like the rain. (p. 85) — Markus Zusak

Liesel was sure her mother carried the memory of him, slung over her shoulder. She dropped him. She saw his feet and legs and body slap the platform. — Markus Zusak

In mid-February, when she turned ten, Liesel was given a used doll that had a missing leg and yellow hair. "It was the best we could do," Papa apologized. "What are you talking about? She's lucky to have that much," Mama corrected him. — Markus Zusak

For at least twenty minutes she handed out the story. The youngest kids were soothed by her voice, and everyone else saw visions of the whistler running from the scene. Liesel did not. The book thief saw only the mechanics of the words
their bodies stranded on the paper, beaten down for her to walk on. Somewhere, too, in the gaps between a period and the next capital letter, there was also Max. She remembered reading to him when he was sick. It he in the basement? she wondered. Or is he stealing a glimpse of the sky again? — Markus Zusak

Their mouths met. The touch of his lips sparked an energy that plunged to the very depths of her. In that moment, she knew that this was the one kiss of her life. It was the touch of him she would remember forever. The kiss she would dream of when she was lonely. It was the kiss she would relive when she was alone. It would transcend the physical, the realms of Shadow and Light. All other kisses that followed, if there ever were any, would not compare. — Liesel Schwarz

And I can promise you something, because it was a thing I saw many years later - a vision in the book thief herself - that as she knelt next to Hans Hubermann, she watched him stand and play the accordion. He stood and strapped it on in the alps of broken houses and played the accordion with kindness silver eyes and even a cigarette slouched on his lips. The bellows breathed and the tall man played for Liesel Meminger one last time as the sky was slowly taken away from her. — Markus Zusak

Often I wish this would all be over, Liesel, but then somehow you do something like walk down the basement steps with a snowman in your hands. — Markus Zusak

You hungry?' Rudy asked.
Liesel replied, 'Starving.' For a book. — Markus Zusak

It would be nice to say that after this small breakthrough, neither Liesel nor Max dreamed their bad visions again. It would be nice but untrue. The nightmares arrived like they always did, much like the best player in the opposition when you've heard rumors that he might be injured or sick - but there he is, warming up with the rest of them, ready to take the field. Or like a timetabled train, arriving at a nightly platform, pulling the memories behind it on a rope. A lot of dragging. A lot of awkward bounces. — Markus Zusak

*** A SMALL ANNOUNCEMENT ***
ABOUT RUDY STEINER
He didn't deserve to die the way he did. — Markus Zusak

He switched off the light, came back and sat in the chair. In the darkness, Liesel kept her eyes open. She was watching the words. — Markus Zusak

The book thief lay in bed that night, and the boy only came before she closed her eyes. He was one member of a cast, for Liesel was always visited in that room. Her papa stood and called her half a woman. Max was writing The Word Shaker in the corner. Rudy was naked by the door. Occasionally her mother stood on a bedside train platform. And far away, in the room that stretched like a bridge to a nameless town, her brother, Werner, played in the cemetery snow. — Markus Zusak

Patrice raised his cup and smiled. "To a successful flight, then."
To wealthy eccentric clients with more money than brains, Elle thought to herself as she took a sip of fragrant tea. — Liesel Schwarz

Just because I can't read, doesn't mean I'm stupid - Liesel — Markus Zusak

She was battered and beaten up, and not smiling this time. Liesel could see it on her face. Blood leaked from her nose and licked at her lips. Her eyes had blackened. Cuts had opened up and a series of wounds were rising to the surface of her skin. All from the words. From Liesel's words. — Markus Zusak

It's such a beautiful day," he said, and his voice was in many pieces. A great day to die. A great day to die, like this.

Liesel walked at him. She was courageous enought to reach out and hold his bearded face. "Is it really you, Max?"

Such a brilliant German day and its attentive crowd.

He let his mouth kiss her palm. "Yes, Liesel, it's me," and he held the girl's hand in his face and cried onto her fingers. He cried as the soldiers came and a small collection of insolent Jews stood and watched.

Standing, he was whipped. — Markus Zusak

The juggling comes to an end now, but the struggling does not. I have Liesel Meminger in one hand, Max Vandenburg in the other. Soon I will clap them together. Just give me a few pages. — Markus Zusak

How does it feel, anyway?"
How does what feel?"
When you take one of those books?"
At that moment, she chose to keep still. If he wants an answer, he'd have to come back, and he did. "Well?" he asked, but again, it was the boy who replied, before Liesel could even open her mouth.
It feels good, doesn't it? To steal something back. — Markus Zusak

Their heartbeats fought each other, a mess of rhythm. Liesel tried to eat hers down. The taste of heart was not too cheerful. — Markus Zusak

The only sign of war was a cloud of dust migrating from east to west. It looked through the windows, trying to find a way inside, and as it simultaneously thickened and spread, it turned the trail of humans into apparitions. There were no people on the street anymore. They were rumors carrying bags. — Markus Zusak

The tears grappled with her face.
Rudy, please, wake up, Goddamn it, wale up, I love you. Come on, Rudy, come on, Jesse Owens, don't you know I love you, wake up, wake up, wake up..
But nothing cared ...
She leaned down and looked at his lifeless face and Liesel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled hersel away, she touched his mouth with her fingers. Her hands were tremblin, her lips were fleshy, and she leaned in once more, this time losing control and misjudging it. Their teeth collided on the demolised world of Himmel Street. — Markus Zusak

Are you a girl or a boy?' Liesl was wearing the same thin nightshirt she had been wearing since Tuesday, when her father died, and it occurred to her that if the ghost was a boy, she should cover up.
'Neither,' the ghost replied.
Liesel was startled. 'You have to be one or the other.'
'I don't have to be anything,' the ghost replied, sounding irritated. 'I am what I am and that's all. Things are different on the Other Side, you know. Things are ... blurrier. — Lauren Oliver

Liesel crossed the bridge over the Amper River. The water was glorious and emerald and rich. She could see the stones at the bottom and hear the familiar song of water. The world did not deserve such a river. — Markus Zusak