Lets Not And Say Quotes & Sayings

Someone can intentionally fake blindness for some secondary gain (malingering)
a prisoner who says he can't see in order to try to avoid going directly to jail. It is not difficult to figure out when patients say they are blind but can actually see. We have a simple test that lets us determine whether the eyes are functioning. Using a rotating striped drum, we test for something called optokinetic nystagmus. as the drum spins, normal eyes will be seen moving back and forth.
If a striped rotating drum is not available, you can always use a picture of J. Lo's rear. Move it back and forth, and any normal eyes will follow. — Mark Leyner

YOU FOUND ME, when i was HEARTLESS and afraid. ABSOLUTE silence and all we never say. LOVE DONT DIE, DONT GIVE IT AWAY. HOLD MY HAND, and lets watch our days fade away. This is not WHERE THE STORY ENDS. TOGETHER we stand with SOME TRUST in the palms of our hands. Dont let me go, stay with me and BE THE ONE. Be my one and only. HEAVEN FORBID i lose you now. I will surly break and isolate. WE BUILD AND WE BREAK, HAPPINESS is at stake. UNCERTAINTY always gets the better of us, But have a little faith. I'll LOOK AFTER YOU, till OUR LAST DAYS. — Rhyan Roads

But perhaps the best words of wisdom come from Anne Gilberto of East Boston, who's been married to Steve for more than 50 years. In that time, they've reached a form of compromise that not only gets things done but also lets them both take satisfaction in having had their own way. The secret to their long marriage, say Anne, is this:
'I always give him the last word. I tell him what to do, and he says, 'Yes, ma'am. — Christine Schultz

I think sometimes in literature we kind of police ourselves. I know a lot of people talked about Twilight, and they would say, oh, but the heroine, she lets this man make her decisions. And I thought, that may not be the particular fantasy or trope that works for me.
But listen man, I read Wuthering Heights. I wanted me a little Heathcliff action. I mean, why can't we indulge that fantasy and also be like, And now I would like the ERA passed, please. Also, this lipstick is fuckin' killer. — Libba Bray

When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it. — Alan Alda

This is your baby sister, Christian. Her name is Mia."
Mommy lets me hold her. She is very small. With black, black hair.
She smiles. She has no teeth. I stick out my tongue. She has a bubbly laugh.
Mommy lets me hold the baby again. Her name is Mia.
I make her laugh. I hold her and hold her. She is safe when I hold her.
Elliot is not interested in Mia. She dribbles and cries.
And he wrinkles his nose when she does a poop.
When Mia is crying Elliot ignores her. I hold her and hold her and she stops.
She falls asleep in my arms.
"Mee a," I whisper.
"What did you say?! Mommy asks, and her face is white like a chalk.
"Mee a."
"Yes. Yes. Darling boy. Mia. Her name is Mia."
And Mommy starts to cry with happy, happy tears. — E.L. James

At a European auto show, I had someone from a German car company come up to me and say the Karma should cost $125,000, not $87,900, but our development process lets us lower the costs. I guarantee it's profitable. — Henrik Fisker

It's the luxury of time that lets me in some ways now spoil myself. I get my workout in every day. I get a good, long sleep every day. I won't say they're guilty pleasures. When I first left Microsoft, I would say I spent the better part of a year saying, "OK, how do I get as busy and crazy and manic as I was at Microsoft?" Since then I said, "No, I'll make a bigger contribution in this phase of my life by being able to pick and choose, not being so manic, having time to step back, a little more time for what I'll call discernment rather than just activity." — Steve Ballmer

Fiction is dangerous because it lets you into other people's heads. It shows you that the world doesn't have to be like the one you live in." At the first nationally recognized science fiction convention in China in 2007, Gaiman took a party official aside and said, "While not actually illegal, science fiction is regarded as dangerous and subversive in China. Why did you say yes to a science-fiction convention?"
The party official answered, "In China, we're really good at making things people bring to us, but we don't invent, we don't innovate." When Chinese party officials visited Google, Apple and Microsoft, they asked what the executives read as children. The official continued: "They all said, 'We read science fiction. The world doesn't have to be the way it is right now. We can change it.' " "That," said Gaiman, "is the big dangerous thing. — Neil Gaiman

Mr. Do-Nothing Obama will say today, 'Lets think of all the poor dead people' - or 'let's honor all the dead' instead of fighting for the living. He has been really useless in terms of both HIV and gay issues. He is simply not a leader. He may be president, but he is not a leader. — Larry Kramer

Only let it be trust in God, not in man, not in circumstances, not in any of your own exertions, but real trust in God, and you will be helped in your various necessities ... Not in circumstances, not in natural prospects, not in former donors, but solely in God. This is just that which brings the blessing. If we say we trust in Him, but in reality do not, then God, taking us at our word, lets us see that we do not really confide in Him; and hence failure arises. On the other hand, if our trust in the Lord is real, help will surely come. — George Muller

I can't explain why I love him so much. Maybe because he's the only person who understands what it's like to be manipulated by Jonathan for his gain. Or maybe because I know deep down there's a soul that needs love more than anyone else, and I can't help but reciprocate to the fullest degree. I put my arm around his shoulder again and say, "Maybe one day you'll be able to outrun me." He lets out a dry, bitter laugh. "Maybe if I break both your legs." I grin. "Would you even be fucking fast enough to do that?" "Give me a lacrosse stick and we'll see." "Not fucking happening, little brother. — Krista Ritchie

As an artist you look into yourself to understand the human potential to be all kinds of things that are not necessarily pleasant but are real - a criminal, a murderer, a sadist, a rapist; to be all of these things that many people are. You can't allow yourself to say, 'I'm a different species from those people.' Because you aren't.
The criminal as monster is kind of common. That's very convenient because you can then say, 'Of course I'm not a monster, therefore I'm not a criminal therefore I have no potential in tern of criminality.' And that lets you off the hook. That gives you a nice wall between yourself and them. — David Cronenberg

You want to hear something really sad?' I whisper. 'You're my best friend.'
'You're right. That is really sad.' Oliver grins.
'That's not what I meant.'
'Are we still playing True Confessions?' he asks.
'Is that what we're doing?'
He reaches toward me and rubs a strand of my hair between his fingers. 'I think you're beautiful,' Oliver says. 'Inside and out.'
He leans forward from the tiniest bit and breathes in, closing his eyes, before he lets the hair fall back against my cheek. I feel it inside me, as if I've been shocked.
I don't pull away.
I don't want to pull away.
'I ... I don't know what to say,' I stammer.
Oliver's eyes light up. 'Of all the gin joints in all the towns in all the world, she walk into mine,' he quotes. He moves slowly, so that I know what's coming, and kisses me. — Jodi Picoult

I grasp her cheeks, framing her face with my hands, and stare her straight in the eyes, dead serious, as I say, "If you're going to start crying, I need you to not do it while you're sitting on my lap."
She lets out a light laugh, grabbing my wrists, pulling my hands away from her face, forcing my arms around her.
"I'm not going to cry," she says, fumbling between us, undoing my pants. "I'm going to show you my appreciation instead."
"You don't have to give pussy to show gratitude," I tell her. "A simple 'thanks' will suffice."
"I know," she whispers. "Thank you. But I want to give you pussy to show you I'm grateful, because the way I feel when you're inside of me? There's nothing else like it. You make me feel alive. — J.M. Darhower

At the root of every large struggle in life is the need to be honest about something that we do not feel we can be honest about. We lie to ourselves or other people because the truth might require action on our part, and action requires courage. We say we "don't know" what is wrong, when we do know what is wrong; we just wish we didn't.
Art lets us tell the truth, but even art can be something to hide behind. — Deb Caletti

When a miner looks at the rope that is to lower him into the deep mine, he may coolly say, "I have faith in that rope as well made and strong." But when he lays hold of it, and swings down by it into the tremendous chasm, then he is believing on the rope. Then he is trusting himself to the rope. It is not a mere opinion
it is an act. The miner lets go of every thing else, and bears his whole weight on those well braided strands of hemp. Now that is faith. — Theodore L. Cuyler

Uselessness
Let mine not be the saddest fate of all,
To live beyond my greater self; to see
My faculties decaying, as the tree
Stands stark and helpless while its green leaves fall
Let me hear rather the imperious call,
Which all men dread, in my glad morning time,
And follow death ere I have reached my prime,
Or drunk the strengthening cordial of life's gall.
The lightning's stroke or the fierce tempest blast
Which fells the green tree to the earth to-day
Is kinder than the calm that lets it last,
Unhappy witness of its own decay.
May no man ever look on me and say,
'She lives, but all her usefulness is past. — Ella Wheeler Wilcox

Oh, good grief," said Vimes. "Look, it's quite simple, man. I was expected to go "At last, alcohol!", and chugalug the lot without thinking. Then some respectable pillars of the community" - he removed the cigar from his mouth and spat - "were going to find me, in your presence, too - which was a nice touch - with the evidence of my crime neatly hidden but not so well hidden that they couldn't find it." He shook his head sadly. "The trouble is, you know, that once the taste's got you it never lets go."
"But you've been very good, sir," said Carrot. "I've not seen you touch a drop for -"
"Oh, that," said Vimes. "I was talking about policing, not alcohol. There's lots of people will help you with the alcohol business, but there's no one out there arranging little meetings where you can stand up and say, "My name is Sam and I'm a really suspicious bastard. — Terry Pratchett

When a human doctor, after much bleeding and cupping, finds that a patient has died out of sheer desperation, he can always say, "Dear me, will of the gods, that will be thirty dollars please," and walk away a free man. This is because human beings are not, technically, worth anything. A good racehorse, on the other hand, may be worth twenty thousand dollars. A doctor who lets one hurry off too soon to that great paddock in the sky may well expect to hear, out of some dark alley, a voice saying something on the lines of "Mr. Chrysoprase is very upset," and find the brief remainder of his life full of incident. — Terry Pratchett

You do realize that means you're officially off the market." I say, poking him in the hard stomach. The warm, wide palms of his hands cup my face and my breath hitches.
"Baby, I've been off the market since the moments these cheeks turned the sexiest shade of pink."
Heat flares under my skin and I avert my gaze. "And when was that?"
"When I caught you eye-fucking me."
I shove him and he lets go of my face. "I did not."
He laughs loudly and squeezes me against him. "You did. Admit it. — Skyla Madi

I take a breath. Words seem suddenly trite and useless, so I step forward and grab Elias's hands, remembering Pop. Touch heals, Laia. I hold fast to him, trying to put everything I feel into that touch. I hope your Tribe is all right. I hope they survive the Martials. I'm truly, truly sorry. It's not enough. But it's all I have. After a moment, Elias lets out a breath and leans his forehead against mine. "Tell me what you told me that night in my room at Blackcliff," he murmurs. "What your Nan used to say to you." "As long as there is life" - I can hear Nan's warm voice as I say it - "there is hope." Elias lifts his head and looks down at me, the coolness in his eyes replaced by that raw, unquenchable fire. I forget to breathe. "Don't you forget it," he says. "Ever." I nod. The minutes pass, and neither of us pull away, instead finding solace in the coolness of the night and the quiet company of the stars. — Sabaa Tahir

You call me the unhuman," it might say to him, "and so I really am - for you; but I am so only because you bring me into opposition to the human, and I could despise myself only so long as I let myself be hypnotized into this opposition. I was contemptible because I sought my 'better self' outside me; I was the unhuman because I dreamed of the 'human'; I resembled the pious who hunger for their 'true self' and always remain 'poor sinners'; I thought of myself only in comparison to another; enough, I was not all in all, was not - unique.[102] But now I cease to appear to myself as the unhuman, cease to measure myself and let myself be measured by man, cease to recognize anything above me: consequently - adieu, humane critic! I only have been the unhuman, am it now no longer, but am the unique, yes, to your loathing, the egoistic; yet not the egoistic as it lets itself be measured by the human, humane, and unselfish, but the egoistic as the - unique. — Max Stirner

Any other questions?"
"Just one," I say. "What color are your eyes?" I want to know what he thinks, how he sees himself - the real Ky - when he dares to look.
"Blue," he says sounding surprised, "they've always been blue."
"Not to me."
"What do they look like to you?" he says puzzled, amused. Not looking at my mouth anymore, looking into my eyes.
"Lots of colors," I say. "At first I thought they were brown. Once I thought they were green ... "
"What are they now?" he asks. He widens his eyes a little, leans closer, lets me look as long and deep as I want.
"Well?"
"Everything," I tell him, "They're everything. — Ally Condie

I told you to make yourself at home," he says. "I don't want you to feel like you have to tiptoe around, afraid of doing something wrong or hearing something you shouldn't, like phone conversations." My blood runs cold at those words. I can feel his eyes on me and not the screen. "I, uh ... " I don't know what to say. "It's okay," he says, those words silencing me. He kisses the top of my head again, subject closed as he goes back to watching the movie. A few minutes pass before Naz lets out a light laugh. "So, tell me something ... did you at least google me? — J.M. Darhower

You like me?" I repeat, because, well, I want to be really, really sure that I heard him right. This is not the sort of thing you want to get wrong.
He nods and says, "Very much."
"You like me very much?"
He lets go of my hands and touches my check. "Too much."
"Too much?" Trying to keep my voice calm, I say, "No such thing. — Carrie Jones

Your NOT FALLING APART, i tell my self. IF ONLY YOU KNEW, its HARDER TO BREATH with out you. THE AIR I BREATH is not the same with out you. I dont want to LOVE SOMEBODY else. MAKES ME WONDER if i could ever tell you, but I'm OUT OF GOODBYES. I don't want to lose you. This is MISERY, I CANT LIE, i am LOSING MY MIND over you. NOTHING LAST FOREVER, but THIS LOVE dose. Its a TANGLED mystery. ONE MORE NIGHT goes bye with no reply. The FORTUNE TELLER said you would never be mine. I end up BACK AT YOUR DOOR, when THE SUN comes back to life. This is are LAST CHANCE, RUNAWAY with me tonight. And lets never say goodbye. — Rhyan Roads

There's a good kind of crazy, Kaylee," he insisted softly, reaching out to wrap his warm hand around mine. "It's the kind that makes you think about things that make your head hurt, because not thinking about them is the coward's way out. The kind that makes you touch people who bruise your soul, just because they need to be touched. This is the kind of crazy that lets you stare out into the darkness and rage at eternity, while it stares back at you, ready to swallow you whole."
Tod leaned closer, staring into my eyes so intently I was sure he could see everything I was thinking, but too afraid to say. "I've seen you fight, Kaylee. I've seen you step into that darkness for someone else, then claw your way out, bruised, but still standing. You're that kind of crazy, and I live in that darkness. Together, we'd take crazy to a whole new level. — Rachel Vincent

You promise you're not going to hurt me?"

I untie the cord from around her wrists and pull her into my arms.

Then I throw her down on the desk and plant a kiss on her so intense I feel her nipples harden underneath me.

She hesitates at first, but when I tease her bottom lip with my tongue she opens her mouth and lets out a low moan.

I pull away and give her a cocky smirk. "Did that hurt?"
She opens her mouth to say something, but pauses.

The resonating slap across my face with the palm of her hand throws me for a loop.

"Don't you fucking touch me again until I get some answers asshole," she says as she pushes me off of her and pries herself from the desk.

I rub my cheek and stare at her in awe.

God, I love this woman. — Ashley Jade

Scarlett doesn't want to go to the hospital. Not surprising, really, since we have to come up with an elaborate story about how we all got so severely wounded.
"Dogfight. We broke one up," my sister answers for us as a horrified emergency room receptionist looks at Scarlett's raw, bleeding shoulders.
"Dogs dislike us." Silas shrugs, clutching the wound on his chest. He glances down at the burn wounds on my legs. I think they might scar, but it's hard to say. The receptionist speaks into a walkie-talkie, then lets her eyes travel from the fresh wounds to the ancient scars on Scarlett's body.
"Dogs pretty much hate me," Scarlett says testily. The poor receptionist looks relieved when the ER doctors appear and usher us down the hall. — Jackson Pearce

If you can try to nap where someone's sitting,
Although there is another empty chair,
Then rub against his ankle without quitting
Until he rises from your favorite lair;
If you can whine and whimper by a portal
Until the bolted door is opened wide,
Then howl as if you've got a wound that's mortal
Until he comes and lets you back inside;
If you can give a guest a nasty spiking,
But purr when you are petted by a thief;
If you can find the food not to your liking
Because they put some cheese in with the beef;
If you can leave no proffered hand unbitten,
And pay no heed to any rule or ban,
then all will say you are a Cat, my kitten.
And
which is more
you'll make a fool of Man! — Henry N. Beard

Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess of stored-up energy; it is not the expression of man's emotions by external signs; it is not the production of pleasing objects; and, above all, it is not pleasure; but it is a means of union among men, joining them together in the same feelings, and indispensable for the life and progress toward well-being of individuals and of humanity. — Leo Tolstoy

If we say we trust in Him, but in reality do not, then God, taking us at our word, lets us see that we do not really confide in Him; and hence failure arises. — George Muller

Zev nodded. He smiled up at Tatijana as she came to his side. "It's good to see you," he greeted her. "Thanks for saving us out there."
She smiled back at him and sank down into the grass, taking his arm to inspect the damage. "It's getting to be a habit. We can't have anyone killing you, Zev. My sister wouldn't be too pleased. She's hoping to get another dance with you sometime."
"She probably doesn't remember my name," Zev said. "But it's kind of you to say so."
Tatijana laughed. "Silly man. Your name is probably the only one she does remember. She's not very social."
Fen gave a small derisive snort. "The lengths you go to, getting yourself hurt just for a little female sympathy. You know, Tatijana, he really is far faster than he lets on and he could have prevented the knife from slicing him open. He was just hoping your sister would show up and kiss it all better."
Zev sent him a warning glare. "I'm still armed to the teeth, you bastard. — Christine Feehan

My wife always knows exactly," he said. There was a bit of tobacco on his wet lip. "But that's probably because she only lets me do it twice a year, Valentine's and my birthday, so it's not hard to figure." He stepped out the door and then turned to say, "I got two kids born in — Alice McDermott

I must say, though, that a man who has staked his whole life on the card of a woman's love and who, when that card is trumped, falls to pieces and lets himself go to the dogs
a fellow like that is not a man, not a male. You say he's unhappy
you know best. But all the nonsense hasn't been taken out of him yet. I'm sure he really believes he's a smart fellow just because he reads that rag Galignani and saves a muzhik from a flogging once a month. — Ivan Turgenev