Let It Be Film Quotes & Sayings

I think the problem I have is that first impressions are the ones that stick with people. And people's first impressions of me are obviously from the film, from 'Gregory's Girl.' — John Gordon Sinclair

Especially for people who are unknown, it's easier to get a TV show because you don't have to put a certain amount of people in movie theaters for a box office weekend. It's really difficult to get a great lead role in some big film, if nobody knows you. — Eve Hewson

I mean, I made The Phantom, although The Phantom was, believe it or not, an independent film. It was just a very large, expensive independent film. — Gerard Butler

Lola Montes is, in my unhumble opinion, the greatest film of all time, and I am willing to stake my critical reputation, such as it is, on this one proposition above all others. — Andrew Sarris

Film-makers are always going to be interested in making movies that plug into society around them. That's what a vibrant, artistically alert community should be doing. After all, it would be sad if we only made films about alien robots. — Mark Boal

I just want to know if I'm truly not in the NFL, it's because of talent. Let it be because of my talents. But you've got to prove that I can't play this game. If you look at the film, clearly I can. So, I'll leave it at that. — Michael Sam

I got the boot once from Stanley Donen. The film was called The Little Prince. — Julie Harris

I could've had moments when I could've said, "You know what? Let me make another film; this is taking a long time to get distributed." It can be difficult to stay passionate. You have to be that passionate and be prepared for it to get what it deserves. Make sure you have a really good team going in at the beginning and don't have people in your team that aren't there 100%. — Storm Saulter

When David Fincher called me up a few years ago and said, 'Hey, I'd like you to score this film 'The Social Network,' I said, 'I'm flattered, but I really don't have any real experience scoring films, and I'd rather not screw it up on a high-profile project. And I like you and I don't want to compromise our friendship.' — Trent Reznor

It takes a while for audiences on film to see you as something different if they've seen you for so long as a specific character. It's up to the actor to be like, 'Look man, let's try something else,' even if it's an ultra-low-budget independent. People who rep you will keep going with whatever they can send you on. — Omar Dorsey

There's a lot that you can do in television that you can't do with a film, theoretically. At the time, the only possibility was to do a movie. — Mitchell Hurwitz

I'm not so sure I 'like' to watch myself on film, but I do find it necessary in order to continually be a better artist. — Julie Ann Emery

They really do have nothing in common on paper, these people and him. But yet there are so many common reference points; even some unexpected ones ... they all want to be cool. And they're all scared but no good at showing it ... [t]hey all know how to act cool. after all, life's pretty scary most of the time. And the number one skill you need out there is how to show no fear ... Stay calm. Don't let people see that you are shy or nervous. If you watch a horror film, remember to laugh. If someone else seems scared, laugh at them. In the real world, danger is either fantasy, in which case you laugh, or too real, in which case you ignore it. — Scarlett Thomas

Ninety percent of films are pretty mediocre, but they have a built-in audience and open on 3,000 screens. — George Clooney

Any film I do is not going to change the way black women have been portrayed, or black people have been portrayed, in cinema since the days of D.W. Griffith. — Spike Lee

You make a film and you can't really pick the way it's put to the public. You control the content, but the way it's marketed, or the poster, or what they're telling the public about the film, it's beyond you. Some people don't even see them, because they think they already know it. That can be frustrating, when something you've done is marketed in a way you think is antithetical to what it is. — Richard Linklater

In film, you're so much in the hands and at the mercy of the editor, so sometimes it's good to watch it just to see how it turns out - it can be so different than how you imagined it. But sometimes it's better to just let it go for your own sense of self worth. — Finn Wittrock

My father documented on film for the last time what Tibet looked like before the world got there. — Peter Sis

It's not just about acting. I love film, I'm a director now, I love writing, I love producing, I love having a company that makes films and to be prolific and have a place to put all the ideas that are constantly bubbling up inside of me and that don't let me sleep at night. — Drew Barrymore

Let's say there are things about 'G.I. Joe' that you specifically expect and some things that need to be in the film at certain points, whether it be relationships or certain costume aspects. — D.J. Cotrona

I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn't like the 'naturalism,' the sad or the 'down-to-earth' characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor - and beautiful women. — Christian Louboutin

They want to hold a seance and go dressed as bunnies."
"What kind of bunnies?" he asked suspiciously.
"Playboy, I think. Whatever that means."
"That sounds about right." Xavier laughed. "But don't let them talk you into anything you don't feel comfortable with."
"They're my friends."
"So what?" He shrugged. "If your friends walked off a cliff, would you do it too?"
"Why would they walk off a cliff?" I asked in alarm. "Is someone having problems at home?"
Xavier laughed. "It's just an expression."
"It's silly," I told him. "Do you think I should go as an angel? Like in the film version of Romeo and Juliet?"
"There would be a certain irony in that," Xavier said, smirking. "An angel posing as a human posing as an angel.
I like it. — Alexandra Adornetto

I could start this review by stating that Dumb and Dumberer lives up to its name, or by calling it stupid, moronic, and idiotic, but I believe that approach is a trap, since a movie like this might relish being the object of such bland invectives. Instead, let me try a few that can't possibly be misconstrued as twisted praise: unfunny, boring, torturous, and unwatchable ... [N]o movie could be more aptly compared to raw sewage than this film - Directed By Troy Miller. — James Berardinelli

Tender Mercies is a very low-budget film, but it was a huge budget compared to anything I had done in Australia. My fee for Tender Mercies was something like five times all of my Australian films combined. — Bruce Beresford

Children are like the zombies I once saw in a film at Dad's. We have to do as we're told and obey like our brains have got eaten. — Kate Hamer

I was about 6 or 7, I would have said I wanted to be an actor and an artist. And that just kind of kept honing itself around film and getting closer to film. — Todd Haynes

The film 'Boyhood' won the Golden Globe for best drama. It follows one guy's journey over the course of 12 years - or as Mitt Romney calls that, 'running for president.' — Jimmy Fallon

My grandfather ran off the V-2 rocket film a dozen times and then hoped that someday our cities would open up more and let the green and the land and the wilderness in more, to remind people that we're allotted a little space on earth and that we survive in that wilderness that can take back what it has given, as easily as blowing its breath on us or sending the sea to tell us we are not so big. When we forget how close the wilderness is in the night, my grandpa said, someday it will come in and get us for we will have forgotten how terrible and real it can be. You see? — Ray Bradbury

You do the work and you want people to see it; but, um while I'm doing the work, the result doesn't matter at all to me. Ultimately, I don't, I don't care whether the film is - you know - some big giant box-office bonanza and I don't care if its a complete flop. To me, when a film gets made and it's actually finished it's a success. They're all a success in their own way. — Johnny Depp

When I talk to film students, I always say, 'Buy the DVDs and listen to the commentaries, look at the making of, look at the behind-the-scenes,' because that's such a great learning tool. — Catherine Hardwicke

One difference between film noir and more straightforward crime pictures is that noir is more open to human flaws and likes to embed them in twisty plot lines. — Roger Ebert

There is a strange pecking order among actors. Theatre actors look down on film actors, who look down on TV actors. Thank God for reality shows, or we wouldn't have anybody to look down on. — George Clooney

If I can give a young author any advice, whatsoever, never let anyone announce the film sale of your first novel. Film rights are sold to almost every novel, but it shouldn't be the lead story in your first engagement with the press. Then you end up getting reviews like "a novel made for the screen" and things like that. — William Monahan

His chief failing was a habit of cracking heavy pedantic jokes; he was unable to let a good idea drop, and remarked several times during the course of the film that the heroine looked like she ought to be playing the horse. The comment had some truth in it, in that the heroine did have an equine cast of feature, but he made it too often, and with too little variation; however, she was willing to forgive him, in view of his evident tolerance of her social errors, such as an inability to say whether or not she wanted an ice cream. — Margaret Drabble

The reality is that every movie is a new business. Nobody says, 'Hey, let's go down to the Pantages Theater, I hear a Warner Brothers picture is playing there.' Or, 'Let's go to this theater, I hear the film came in on budget.' It'd be ridiculous. — Peter Guber

Your audience is your adversary. If you don't have one get one - imagine it. Imagine it now. To whom is your story addressed and why? Audience is always a creative act of the imagination. You can't tell your story effectively and leave it out. It must be alive in you, vividly alive. It is in conflict with everything that is false in what you have written. If it is an audience worthy of your talent and potential, it won't let you slide by the lies, the laziness, the shortcuts. If you don't take audience seriously, you can be sure it will return the favor. — Billy Marshall Stoneking

When I was twelve, my sixth-grade English class went on a field trip to see Franco Zeffirelli's film adaptation of Shakespeare's Romeo and Juliet. From that moment forward I dreamed that someday I'd meet my own Juliet. I'd marry her and I would love her with the same passion and intensity as Romeo. The fact
that their marriage lasted fewer than three days before they both were dead
didn't seem to affect my fantasy. Even if they had lived, I don't think their
relationship could have survived. Let's face it, being that emotionally aflame, sexually charged, and transcendentally eloquent every single second can really start to grate on a person's nerves. However, if I could find someone to love just a fraction of the way that Montague loved his Capulet, then marrying her would be worth it. — Annabelle Gurwitch

You never know how a film will play, whether it will be successful or not, or whether it will touch the audience. I always said to myself that whatever happens, big audience or small, that I would not let the results have an impact on my way of working. But it would be a bit silly for me to change my methods when I have a big success. That means my methods work well. — Hayao Miyazaki

I felt that film (Let It Be) was set up by Paul for Paul. That is one of the main reasons the Beatles ended. I can't speak for George, but I pretty damn well know we got fed up of being sidemen for Paul. After Brian died, that's what happened, that's what began to happen to us. The camera work was set up to show Paul and not anybody else. And that's how I felt about it. — John Lennon

There were absolutely amazing photographs everywhere, on everyone's Facebook page and everyone's iPhone and Instagram, just floating around in cyberspace for eternity. People took hundreds and thousands of digital pictures; one or two, even twenty or a hundred, were bound to be great. All anyone had to do was click through them all and post the ones they liked, deleting the rest. But using film meant you never knew what was going to be a good picture, let alone a great one, until you were standing there looking at a contact sheet with a magnifying glass and deciding which to print.
Maybe nobody cared anymore, but then again, writers probably felt the same way when word processors were invented. Anyone with a story and a keyboard could write their memoir now, write the great American novel, or tweet a 140-character trope that gets retweeted and it read by hundreds of people every hour of every day. — Nora Raleigh Baskin

If you're going to make a film, and you're going to have dialogue, and you want to take the characters seriously, let's understand what they're saying. If there is going to be technical dialogue, let's render it in a way that the audience can understand it and expect that it's not going to be so far over their heads. — Graham Moore

Doing Tim's film is always going to be the most pleasure. Let me just put it that way. So, without drawing favorites one way or the other, getting back with him and doing Mars Attacks! was certainly a special treat. — Danny Elfman

You know, in the sentence of humanity this place needs to be a parentheses. And when I say parentheses I mean I'm talking like you go around it. Leave it alone. Let it exist. And what I want people to see with this film is not only a respect for this place from the bottom of my heart. — DJ Spooky

With music, you can portray a certain thing, but in film, sometimes you have to let yourself go to a point where that can be attractive to a person, that you're willing to let yourself go that much. It works both ways. — Andre Benjamin

Making a film is like raising a child. You have to be there every step of the way, guide it, provide for it, and finally let it go into the real world and hope you have done a good job. If you don't absolutely love your film then you will loss interest in it and the movie will suffer. — Nicholas Ozeki

For a time, the press lord William Randolph Hearst did everything in his vast powers to keep the film "Citizen Kane" from finding an audience. He intimidated theater owners, refused to let ads run in his newspapers, and even pressured studio sycophants to destroy the negative. At first, the titan of San Simeon had his way: the film faded from view after a splashy initial release. But over the years, "Citizen Kane" came to be recognized for the masterpiece it is, and now regularly tops lists as the greatest film ever made. — Anonymous

People are very reluctant to invest unless they know it's going to be a sure thing, and let's face it: film is never a sure thing. — Julianne Moore

I was on the set of 'Braveheart' and my mate says to me, 'Do you think this film will be any good?' And I really meant this, too, I told him 'Let me put it this way - It won't win any awards.' Cut to: five Oscars. — Peter Mullan

The good thing about the studio is that, when the movie comes out, they will put their marketing and their money behind it, which isn't necessarily true with indie movies, just by the nature of it being an independent film. — Jamie Linden

I think when portraying someone that does exist in real life, there's an amount of respect and you want to do them justice. I don't really care what anybody says out there about what I did in the film; I care what these guys thought about what I did. If I'm making them happy, then I know I'm on the right track. — Joe Manganiello

I submit that the real reason we criticized and disliked Lynch's Laura's muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in ourselves and our intimates that makes the real world of moral selves so tense and uncomfortable, a bothness we go to the movies to get a couple hours' fucking relief from. — David Foster Wallace

Making films is too big an undertaking to be doing it on a whim, so you're waiting all the time, until you finally meet the person who gets it. — Crispian Mills

When you start on a new film, no matter how many you've done before that, I think I've done close to 80 films, but it's always kind of a fun adventure. — Howard Shore

I'm willing to give up a little control but not a lot. So I say I want the money, but when push comes to shove, I'm not sure I'll be able to compromise in order to make the big studio movie. Maybe something in between would be okay, like a low-budget studio film. — Nicole Holofcener

I think being on a film set for such a long time made me a technical actor without realizing it. — Daniel Radcliffe

You're constantly changing man. But the film's not changing. The film stays the same. That's the beautiful aspect of it. — Stanley Kubrick

I need to give you one last bit of advice in the off chance this rather extraordinary and enviable situation in which you find yourself is actually true- that somehow you've fallen deep down into a Cordova story. I stared back at him. Be the good guy, he said. How do I know I'm the good guy? He pointed at me, nodding. A very wise question. You don't. Most bad guys think they're good. But there are a few signifiers. You'll be miserable. You'll be hated. You'll fumble around in the dark, alone and confused. You'll have little insight as to the true nature of things, not until the very last minute, and only if you have the stamina and the madness to go to the very, very end. But most importantly- and critically- you will act without regard for yourself. You'll be motivated by something that has nothing to do with the ego. You'll do it for justice. For grace. For love. Those large rather heroic qualities only the good have the strength to carry on their shoulders. And you'll listen. — Marisha Pessl

You never compete with the people in your crew; you have your own team. Competition is only with those people whose film is releasing alongside on Friday and never with one's own team. — Emraan Hashmi

Actors are the flowers of the film, of the set, and of the director. The term 'Flowers of the Screen' holds a deep meaning. — Kim Jee-woon

When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music. — James Iha

There's a whole gamut of things to do with film music that don't apply when you're making a record or if you're writing a concert piece or something. — Henry Jackman

I bled a lot. I got hit across the face. We couldn't film for seven days. I got hit, whacked, underwater, across the face. I finished the shot, got into the boat and blood started coming out. — Steve Irwin

In a business that has exploited and ignored our people I have only found dead-ends. We need romantic comedies, gross-out and mockery comedies, horror and thrillers, teen movies and love-stories. All these and more will be a positive step towards the future of Native Americans in the world and film industry; an industry that that offers us not only the chance to play the parts of heroes, love interests and warriors, but also of villains, dorks and dangerous, brokenhearted products of circumstance. — Misty Upham

I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually. — Pirjo Honkasalo

Although it is a fantasy film, it's as real as it can be. You have to imagine that an audience will buy their ticket to a cinema and get on a first-class flight and journey to Middle Earth. — Orlando Bloom

Is this film more interesting than a documentary of the same actors having lunch? — Gene Siskel

I wanted to make a film about anorexia. I thought about it for a long time, but then gave up on this idea as I felt that this theme would be so hermetic and closed that it would not reach an audience. However, the plot about the character of Olga and the idea that a body has a lot of different meanings were still present in my mind. — Malgorzata Szumowska

You have to have a thick enough skin to cope with the criticism. I'm very self-critical and I have a lot of friends that I trust who are film directors and writers and people in my profession. — George Lucas

I realised what a powerful position you are in if you own the rights to your film because then you control the distribution and I ended up getting 25 million viewers for McLibel and that's what it's all about for me. — Franny Armstrong

Jesse [James]was known as a kind of Robin Hood character and also it was known that his exploits were somewhat dubious - however, he perpetuated this myth. Our film [The Assassination of Jesse James ] really takes place at the end of all that, the last year of his life, at the end of all that celebrity. — Brad Pitt

There's something magical still about it when I get in a darkroom, and you've shot a roll of film and you develop it and you look at your negatives, and there's, like, imagery there. That always stuns me. — Jessica Lange

But we had a fantastic coach, Simon Clifford, who runs a British football youth game which teaches Brazilian techniques - which is what we wanted to incorporate into the film. And some of those things we eventually got in. — Parminder Nagra

You can manipulate the viewer in film. With theater, what you see is what you get. — Marcia Gay Harden

47 Ronin is a very special movie for me. Not only a Samurai thing. Not only a Hollywood fantasy. It has a very special mixture between Japanese traditional culture and Western culture for the costume, set, story. Everything. I believe it will be a very special film that no one has ever seen. — Hiroyuki Sanada

I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film. — Ishiro Honda

To go into more specifics regarding actors, whether they're from Korea or the U.S., all actors know if they are loved by the director. When they feel that love from the director, they respond by giving a great performance on camera. Also, everyone on set - the crew, the actors - they were aware of the film's message and its broad theme, so these big issues were never discussed on set. — Kim Jee-woon

I was just disciplined. I knew I had to get back into shape after six weeks for the film Goal II, but I cheated in the end - I wore a corset. I loved my pregnancy, I blossomed. I felt goddess-like and very secure. I found it comforting to have a little thing growing inside me, and very calming. — Anna Friel

Films in the start you can't really say who will be the killer, who won't be, most times what you say is wrong (Of course if you have watched the film before that and now saying that you haven't it's a great lie, but I don't lie I just have the gift to predict!), the middle is messy because comes stuff which you won't ever thought, sometimes the quite people are the killers. The people which are suspected or investigated aren't the true killers they are the victims or in more cases just a wrong choice!
The end is something which says a lot of for one film, if the killer wins it's show a new place in the films, if there is happy end it's something which is often. — Deyth Banger

I won't be able to do a film just for bad reasons, for money or for - I just can't. If I have one more where I feel I can bring you something, I will do it. — Luc Besson

Guys have been having a lot of questions about whether or not I can play man-to-man, so I've been watching a lot of film lately. I'm trying to study tendencies of receivers that are already in the NFL, so I can have a jump on them once I get to that next level l so I can know what to look for and what to be prepared for. — Calvin Pryor

That would be getting up at 5 am ... I don't understand why film's shoot such brutal hours. I think it'd be worth it to not be so strictly cost-effective and have an 8 hour day. The film's would benefit in the end. — Terry Zwigoff

'Biutiful' is a tough film. It doesn't make concessions to the vulgarity of light entertainment. It's not the kind of film that you see every day in the Cineplex. But as an artist, it's the thing that I needed to do. — Alejandro Gonzalez Inarritu

What then is the difference between film and theatre? Or should one not rather ask: what are the differences? Let us be content wi th the reply that the screen has two dimensions and the stage three, that the screen presents photographs and the stage living actors. All the subtler differences stem from these. The camera can show us all sorts of things
from close-ups of insects to panoramas of prairies
which the stage cannot even suggest, and it can move from one to another with much more dexterity than any conceivable stage. The stage, on the other hand, can be revealed in the unsurpassable beauty of three-dimensional shapes, and the stage actor establishes between himself and his audience a contact real as electricity. — Eric Bentley

With a film, you try to keep your vision in it. I think with 'The American' and 'Control' I managed to do that. — Anton Corbijn