Lennon Mccartney Quotes & Sayings

To begin with, working class people reacted against our openness about sex. They are frightened of nudity, they're repressed in that way as well as others. Perhaps they thought 'Paul [McCartney] is a good lad, he doesn't make trouble'. — John Lennon

Love is all you need" - The Beatles -
"And in the end, the love you take, is equal to the love, you make"
- The Beatles - — The Beatles

'I Want To Hold Your Hand' is a great classic by Paul McCartney and John Lennon, I sure love that song. I did like the classic version, a rock-oriented song, then someone heard me do it with the Grant Green approach - Grant Green and Larry Young did it, with a bossa nova beat on the funky side. — George Benson

The thing you must remember is that I'm the Number One John Lennon fan. I love him to this day and I always did love him — Paul McCartney

This was one of the best things about Lennon and McCartney, the competitive element within the team. It was great. But hard to live with. — Paul McCartney

People say the Beatles were John Lennon. What is Paul McCartney? Chopped liver? But everyone has their own favourite members whose creativity they gravitate to. That's normal. — Mike Love

'The Beatles' did whatever they wanted. They were a collection of influences adapted to songs they wanted to write. George Harrison was instrumental in bringing in Indian music. Paul McCartney was a huge Little Richard fan. John Lennon was into minimalist aggressive rock. — Chris Cornell

Depending on how you looked at it, Darren was our Mick Jagger (designated swaggering extrovert) to Simon's Keith Richards (quietly virtuosic, blatantly self-destructive). Or else Darren had been Paul McCartney (chirpily commercial) and Simon had been John Lennon (moody, introspective, possessed of quasi-mystical insights). — Austin Grossman

I have such an admiration for John [Lennon], like most people.
But to be the guy who wrote with him, well that's enough. Right
there you could retire and go, 'Jesus I had a fantastic life. Take me, Lord.' — Paul McCartney

I would have loved to record with Paul McCartney on some of his early solo recordings, wonderful music. Playing some lovely organ, perhaps. I would have loved to record with John Lennon. He was a dear friend. I had lunch with him just two days before he died. — Rick Wakeman

bought a pristine copy of Man on the Run, a biography of Paul McCartney that began not with the Beatles, but with what McCartney did after they broke up. Parker had always preferred McCartney's work to John Lennon's, whatever effect it might have had on his standing with the cool kids. Lennon could only ever really write about himself, and Parker felt that he lacked empathy. McCartney, by contrast, was capable of thinking, or feeling, himself into the lives of others. It was the difference between "Strawberry Fields Forever" and "Penny Lane": although Parker loved both songs, "Penny Lane" was filled with characters, while "Strawberry Fields Forever" really had only one, and his name was John Lennon. Parker might even have taken the view that Lennon needed to get out of his apartment more, but when he did, an idiot shot him. He'd probably been right to spend the best part of a decade locked inside. Ross appeared just as McCartney — John Connolly

There weren't a lot of girl singers around. Paul McCartney and John Lennon were the guys I looked up to. — Rick Springfield

George Harrison and John Lennon were the ones most against touring ... I'd been trying to say ..Ah, tourings good and it keeps us sharp .. but finally I agreed with them — Paul McCartney

When I write, there are times
not always
when I hear John (Lennon) in my head, ... I'll think, OK, what would we have done here?, and I can hear him gripe or approve. — Paul McCartney

I was still 15 when I met John Lennon at a village fete in Woolton, in Liverpool. — Paul McCartney

One of my initial memories of being taken over by music was watching Paul McCartney on TV play a tribute to John Lennon. He was playing piano by himself and singing 'Imagine,' and I remember feeling an anxiety and shortness of breath. — Nathaniel Rateliff

Lennon and McCartney have the best catalogue of songs ever produced. It will never be surpassed. — Bjorn Ulvaeus

Yoko Ono never deserved any of the hate she got. Paul McCartney and John Lennon weren't getting along. — Patrick Stump

Choochiness is yet another British term that has no precise meaning, but, like pornography, you know it when you see it. The way I have things stacked up, choochiness is a particularly British amalgam of cuddlywuddliness, cutesypiedness, and butter-wouldn't-melt-in-my-mouthedness that embraces everything from shops named The Ketch to Hugh Grant's stammer. It is a grating and often maddening behavioral pattern that makes others want to reach out and pinch the choochster's cheeks while secretly longing to stuff a hand grenade right down his throat. "Paul McCartney is choochy; John Lennon is not," says my brother-in-law, Max, who fled England for France in 1976, largely to escape from rampant choochiness. "Paul McCartney: choochy. John Lennon: not choochy. That's the difference." THERE — Joe Queenan

Paul (McCartney) and I made a deal when we were 15. There was never a legal deal between us, just a deal we made when we decided to write together that we put both our names on it, no matter what. — John Lennon

I only ever asked two people to work with me as a partner. One was Paul McCartney and the other Yoko Ono. Paul and me were the Beatles. — John Lennon

It was very interesting time to be in England. Even at that point [John] Lennon and [Paul] McCartney influenced my writing. I thought, "maybe there is a huck or two in here I haven't thought of". — Gordon Lightfoot

It's like John Lennon writing with ... Taylor Swift instead of Paul McCartney. — Rainbow Rowell

Paul McCartney and John Lennon would often write a song a day, so I have the same workmanlike philosophy. — Jason Mraz

Please rehearse new material," Brian's telegram said. They chose to interpret this as "please write new material" and, in this instant, the Lennon-McCartney songwriting partnership was effectively reborn. — Mark Lewisohn

I don't care if it's a Cole Porter song, or George Gershwin, or Lennon/McCartney, or Elton John, or you know, whoever, Bob Dylan. Great songs are great songs, and they stand the test of time, and they can be interpreted and recorded with many points of view, but yet still retain the essence of what makes them good songs. — John Oates

The history of popular music is littered with great partnerships. Rodgers had his Hammerstein, Lennon had his McCartney, and Lloyd Webber had ... his photocopier ... — Humphrey Lyttelton

It is the sound of the crowd that can be heard in the second, crescendoing rush of the orchestra that follows the final verse, rising from a hum to a gasp to a shout... fusing at last to a shriek (its similarity to the sound of the crowds at Beatle concerts is surely no accident). The onrushing sound of the orchestra at the end of "A Day in the Life" has transcended more than the conventions of Sgt. Pepper's Band. It is the nightmare resolution of the Beatles' show within a show. It is the sound in the eras of the high-wire artist as the ground rushes up from below. There is a blinding flash of silence, then the stunning impact of a tremendous E major piano chord that hangs in the air for a small eternity, slowly fading away, a forty-second meditation on finality that leaves each member if the audience listening with a new kind of attention and awareness to the sound of nothing at all. — Jonathan Gould

An interview:
Interviewer: How do you sleep with long hair?
Paul McCartney: How do you sleep with short hair?
George Harrison: How do you sleep with your arms and legs still attached?
Paul: It's just as much bother. Less, even.
John Lennon: Short hair has to be trimmed.
Ringo Starr: Yeah.
John: That's why we have parties!
Paul: Yeah, that must be it! We can't sleep with all this long hair! — The Beatles

As a songwriter, I was influenced by David Bowie - a great writer. A class above everybody in so many ways. Lennon and McCartney, of course. Class stuff. David Cousins was my favorite lyricist. — Rick Wakeman

Writing a screen play with a group of collaborators is like the Lennon McCartney collaboration ... sometimes one or two people do more than others on certain parts of the process and vice versa. — Peter Jackson

One of my great memories of John is from when we were having some argument. I was disagreeing and we were calling each other names. We let it settle for a second and then he lowered his glasses and he said: "It's only me." And then he put his glasses back on again. To me, that was John. Those were the moments when I actually saw him without the facade, the armor, which I loved as well, like anyone else. It was a beautiful suit of armor. But it was wonderful when he let the visor down and you'd just see the John Lennon that he was frightened to reveal to the world. — Paul McCartney

Everybody seems to think I'm lazy
I don't mind, I think they're crazy.
Running everywhere at such a speed
Till they find there's no need. — John Lennon

In East of Eden, John Steinbeck wrote that there's never been a great creative collaboration. When the Beatles first burst on the scene, I thought they were proving him wrong. Later, we learned that Lennon and McCartney had each composed their pop masterpieces separately, individually. So it goes. — Tom Robbins

Sometimes Lennon needed McCartney and sometimes Simon needed Garfunkel. You'd go mad doing everything on your own. — Jake Bugg

I got this Christmas gift with the entire Beatles catalog. I had fun trying to duplicate what I was hearing on these records, only using the instruments I had at hand - an acoustic guitar, and that's all. It was endlessly amusing to me to try to imitate John Lennon and Paul McCartney's harmonies using the guitar. — M. Ward

When I was 15, a cabdriver asked me if I was Paul McCartney's daughter, — Sean Lennon