Length Of A Novel Quotes & Sayings

Two-thousand-word scenes/chapters are potato chip length. That is, if you are about to go to bed and you're reading a terrific novel and the scenes/chapters come in around two-thousand-word bites, you'll tell yourself that you'll read just one more chapter. But if the narrative is really moving after you finish one of these bites, you won't be able to help yourself reading another. If the Story is extremely well told, you'll just keep eating the potato chip scenes all through the night. — Shawn Coyne

Wraeththu have been with me for the greater part of my life. My first rather ham-fisted (and half-finished) stories about them began in my mid-teens. It wasn't until I was twenty-six that I began work properly on the full-length novel that became The Enchantments of Flesh and Spirit, first volume of the Wraeththu trilogy, which was published in 1987. This was followed by The Bewitchments of Love and Hate and the Fulfilments of Fate and Desire. — Storm Constantine

It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know. — Don DeLillo

Anything I run across can light up the circuitry of my brain, and set me on an adventure. To research strains of yeast; hiccup fetishists; the proper use of inverse, obverse, converse and reverse; the ratio of main narrative to tangent, of forward action to aside. What else do we do but quest, pursue meaning in the information wash? Where does that storm sewer opening from the river into the city's underneath go to, anyhow? I grab a headlamp and head in. It's long and low and dark and stinks and extends for miles. Underneath the city is another city. The one above begins to disappear. That's what we're after, isn't it? To disappear? To venture into darkness, to let what we know or think we know recede for an hour, a day, a novel's length, and see what meaning can be made of what remains? — Ander Monson

I never even considered writing a career option. I just liked the play of words. I was certainly interested in story, but the stories I was telling then were in narrative verse and prose poems, short and succinct, except for one novel-length poem written in narrative couplets. — Charles De Lint

A single bead of water rolled along the length of his spine and glided down the powerful lines of his body. Mariel moistened her lips and watched its seductive descent, overwhelmed with the temptation to trace its path with the tip of her tongue. — Madeline Martin

A skillful literary artist has constructed a tale. If wise, he has not fashioned his thoughts to accommodate his incidents; but having conceived, with deliberate care, a certain unique or single effect to be wrought out, he then invents as may best aid him in establishing this preconceived effect. If his very initial sentence tend not to the outbringing of this effect, then he has failed in his first step. In the whole composition there should be no words written, of which the tendency, direct or indirect, is not to the one pre-established design. And by such means, with such care and skill, a picture is at length painted which leaves in the mind of him who contemplates it with a kindred art, a sense of the fullest satisfaction. The idea of the tale has been presented unblemished because undisturbed: and this is an end unattainable by the novel. Undue brevity is just as exceptionable here as in the poem; but undue length is yet more to be avoided. — Edgar Allan Poe

Life has its pains and evils-its bitter disappointments; but like a good novel and in healthful length of days, there is infinite joy in seeing the World, the most interesting of continued stories, unfold ... — W.E.B. Du Bois

The central character is an incomplete package of yearning that takes the length of the novel to complete. Completion, though, is not to be confused with perfection. — Patricia Hickman

Our rate of progress is such that an individual human being, of ordinary length of life, will be called on to face novel situations which find no parallel in his past. The fixed person, for the fixed duties, who, in older societies was such a godsend, in the future will be a public danger. — Alfred North Whitehead

'One Hundred Years of Solitude' is a masterpiece because it is an episodic novel that has a rigorous form - an unprecedented combination. From the very beginning we know the town of Macondo will endure only a century, so there is a limit to the length of the narrative. — Edmund White

I wrote my first story in second grade, and was trying novel-length by sixth. — Brian Hodge

Writing a full length novel is very much like driving a car with snakes in your pants - you just never know what's going to happen. -- James Scott Bell — Sue Ward Drake

It is, as I say, easy enough to describe Holden's style of narration; but more difficult to explain how it holds our attention and gives us pleasure for the length of a whole novel. For, make no mistake, it's the style that makes the book interesting. The story it tells is episodic, inconclusive and largely made up of trivial events. Yet the language is, by normal literary criteria, very impoverished. Salinger, the invisible ventriloquist who speaks to us through Holden, must say everything he has to say about life and death and ultimate values within the limitations of a seventeen-year-old New Yorker's argot, eschewing poetic metaphors, periodic cadences, fine writing of any kind. — David Lodge

Writing a novel is a bit like making a sword. First, you take all the raw material and melt it down in a crucible, then you take it to the anvil and hammer out as many of the impurities as possible before folding and turning the whole thing over on itself and hammering it out again. The more often you can fold it over and incorporate another layer the stronger it will be. Finally, put an edge on it, give it a handle to show to the world, and the job's done. The result should be something flexible and elegant; perfectly balanced, of suitable length and, above all with a point to it. — Robert Stephen Parry

Ian Watson did an almost full novel length treatment which I've never seen and when he finished it Stanley said to him. I need somebody to smear this with vaginal jelly, and I have to say when I first heard this that I was rather shocked, because he was quite gentlemanly. — Sara Maitland

The most common human act that writing a novel resembles is lying. The working novelist lies daily, very complexly and at great length. If not for our excessive vanity and our over-active imaginations, novelists might be unusually difficult to deceive. — William Gibson

The novel is a prose narrative of some length that has something wrong with it. — Randall Jarrell

In order to make the novel into a polyhistorical illumination of existence, you need to master the technique of ellipsis, the art of condensation. Otherwise, you fall into the trap of endless length. — Milan Kundera

What is the distance between here and there, between now and then, between right and wrong? In Greg Baxter's pellucid first novel, 'The Apartment,' it may be simply the length of a day - but a day in which one travels surprisingly far, literally and figuratively. — Stacey D'Erasmo

I lack the skill to hold a story line for the length required for a novel or even a short story. I have never had an idea that could withstand a hundred thousand words, or even ten thousand words of rubber meeting the road. — Henry Rollins

Clench clench these strong teeth in this strong mouth. My mouth. Of my body. In my house. My mouth? Chapped lips swollen and bloody? Dream dreaming wide and thunder? My mouth! My God! This is me speaking. Not mouthing. Not typing and twitching. Not writing a suicide note the length of a novel that will never be finished. I hear voices now but I know they are not the voices of fathers or lovers, or mothers or angels or demons, but the sounds of my own private wars echoing the battles of women before me and near me. No wonder I do not make people comfortable. I am a mirror. I have far too many things to say. (p. 237-238) — Camilla Gibb

I started hitting best-seller lists as soon as I stopped using outlines. With Strangers, I started with nothing more than a couple of characters I thought I'd like and with a premise. Nearly every new writer I know uses detailed outlines, and so did I for a long time. But when I stopped relying on them, my work became less stiff, more organic, less predictable. BUT, nearly every beginning writer I've known and some excellent veterans as well, such as Jeffery Deaver, create chapter-by-chapter outlines of considerable length before starting to write the novel. The point of this tip is simply that if you feel constrained by an outline, it isn't the only way to work. — Dean Koontz

Writers pay a lot of attention to wordage, because some publishers seem to care more about length than about quality and will automatically reject novels that don't fit their narrow standards of length - or will chop out extra wordage to make a novel fit. — Piers Anthony

I wrote my first novel-length story when I was 14 but had no idea what to do with it. Brisbane was a long way from the publishing industry then. Nowhere's a long way from the publishing industry now. — Nick Earls

In these days [1908], when all things and memories of the past are at length become not only subservient to, but submerged by, the matters and needs of the immediate present, those paths of knowledge that lead into regions seemingly remote from such needs are somewhat discredited; and the aims of those that follow them whither they lead are regarded as quite out of touch with the real interests of life. Very greatly is this so with archaeology, and the study of ancient and curious tongues, and searchings into old thoughts on high and ever-insistent questions; a public which has hardly time to read more than its daily newspaper and its weekly novel has denounced - almost dismissed - them, with many other noble and wonderful things, as 'unpractical,' whatever that vague and hollow word may mean. — Battiscombe G. Gunn

How often one reads a contemporary full-length novel and thinks quietly, mutinously, that it would have worked out better at half or a third the length. — Ian McEwan

'Castaways' was a play on what if a reality show like 'Survivor' was unknowingly set on an island inhabited by a sub-human race of creatures? Readers have often asked me to consider turning the short story into a full-length novel. So I did. — Brian Keene

Short fiction is the medium I love the most, because it requires that I bring everything I've learned about poetry - the concision, the ability to say something as vividly as possible - but also the ability to create a narrative that, though lacking a novel's length, satisfies the reader. — Ron Rash

In general, [ ... ] novel-theorists have nothing very urgent or interesting to say about literature. Why then do they write when they have nothing to say? Because the ambitious teacher can only rise in the academic bureaucracy by writing at complicated length about writing that has already been much written about. The result of all this book-chat cannot interest anyone who knows literature while those who would like to learn something about books can only be mystified and discouraged by these commentaries. — Gore Vidal

I think I was also afraid of the novel. I write line by line, proceeding at snail's pace, rewriting as I go and paring the excess away. This is against all the best advice for writing long form prose, and I have tried over the years to break myself of the habit, but I can't bear to leave anything ungainly on the page and half the fun for me is that tinkering. So the length of a novel was a daunting prospect. — Debra Dean

I write on a computer, but I've run the complete gambit. When I was very young, I wrote with a ballpoint pen in school notebooks. Then I got pretentious and started writing with a dip pen on parchment (I wrote at least a novel-length poem that way). Moved on to a fountain pen. Then a typewriter, then an electric self-correct. Then someone gave me a word processor and I was amazed at being able to fit ten pages on one of those floppy discs. — Charles De Lint

Then I realized that I was falling victim to one of the fallacies of the bad reviewer (whose habits we already discussed at length in yesterday's commentary). I was wishing that Hamid had written a different book than he had. How I might have written this story is completely irrelevant. It would be like dismissing The Godfather because I wished it were a musical. The novel needs to be considered on its own terms. — Kevin Guilfoile

For me, it would be pointless to write a novel that I knew I could complete within a specific length of time. I could do that only by repeating something I had done before, and I've never wanted to do that. — Charles Palliser

Some stories, some people, deserve their length and span. They merit a novel-length treatment, have things to tell and other lives to illuminate. — Michael Marshall Smith