Leeloo The Fifth Quotes & Sayings

She settled into a crouch, wings pinned tightly to her back. "Come on then, angel boy." She kept her eyes on the muscles in his shoulders, saw the instant one tensed. A split second later, they were moving in a wicked, dangerous dance of steel and bodies. She'd never really had a chance to spar with Raphael like this, and damn if it wasn't the most fun she'd ever had. — Nalini Singh

The Boys and the Frogs SOME BOYS, playing near a pond, saw a number of Frogs in the water and began to pelt them with stones. They killed several of them, when one of the Frogs, lifting his head out of the water, cried out: Pray stop, my boys: what is sport to you, is death to us. — Aesop

[On Jane Austen] She was fully possessed of the idealism which is a necessary ingredient of the great satirist. If she criticized the institutions of earth, it was because she had very definite ideas regarding the institutions of heaven. — Rebecca West

Dad always said there were three types of workers. The ones who stood there saying "Is there anything I can do " and did nothing. Most of our city guests were like that. The ones who said "Tell me what you want done and I'll do it" and did. Most of our workers over the years had been like that. And the ones who didn't say anything but were always a jump or two ahead of you. When you were changing a flat tyre and you took the old one off and turned to pick up the new one they'd already have it in their hands and they'd move in and put it on from your left while you were still turning round to the right.
Dad reckoned one of those was worth two or the second type and five of the first type. — John Marsden

I'm not a Republican ... but I am saving up to be one. — Emo Philips

On the last analysis, then, love is life. Love never faileth and life never faileth so long as there is love. — Henry Drummond

When it is useful to them, men can believe a theory of which they know nothing more than its name. — Vilfredo Pareto

Raymond Hendler exhibited a group of abstract paintings that displayed rare high spirits. Using a great deal of fresh white, Hendler devised extremely simple symbols which he dispersed felicitously on his shining grounds. These bright, often linear hieroglyphs serve both as pictorial animators-they often flow in winding patterns or like fluent handwriting-and as references to the plentitude of the artist's existence. Gardens and sky and human joy are read in these exceedingly compressed forms. — Dore Ashton