Leave The Past In The Past Picture Quotes & Sayings

There are no true monsters, only some people [ ... ] who with regularity acted like a monster. It's still episodic. [ ... ] It never works when you leave out even a small part of the picture. — Jim Harrison

While sincerity and over-anxiety can spoil a picture, through superfluous elaboration and unnecessary correction, the carelessness that would leave it in an unfinished state is even more reprehensible. — Walter J. Phillips

I have only to glance over my shoulder for all those years to drop away and I see it behind me again, the ravine, rising all green and black through the saplings, a picture that will never leave me. — Donna Tartt

I think only a superb news or reportage picture could move me. Other photographs may leave a strong impression on me, but they don't move me. — Helmut Gernsheim

So we have to internalize a very powerful reality that Allah has given us. We treasure all of our relationships so long as, they are something that is building us towards the akhirah (the afterlife). So I want to leave you with this picture, what Allah has in His possession is better. — Nouman Ali Khan

And then there's the truth beyond that, sitting like an old rock under green creek water: none of these things matter. Right now, in this moment, we have love. We have it in the sound of my daughter's laugher, in Mom's and Georgia's locked fingers, in the warm pressure of J.T.'s hand. It will leave, and it will come again, and when it does I'll give up everything and take it. Just like an addict. Like dry grass in new rain. It's not something I'm proud of necessarily. Then again, maybe I am. — Katie Crouch

Maybe freedom really is nothing left to lose. You had it once in childhood, when it was okay to climb a tree, to paint a crazy picture and wipe out on your bike, to get hurt. The spirit of risk gradually takes its leave. It follows the wild cries of joy and pain down the wind, through the hedgerow, growing ever fainter. What was that sound? A dog barking far off? That was our life calling to us, the one that was vigorous and undefended and curious. — Peter Heller

Chess and you taking a picture of me reading Slaughterhouse-Five, telling me I'd need proof someday because nobody in Creek View would ever believe I had actually read a goddamn book, let alone five. Talking about God and why there's evil in the world and bitching because the Steelers won the Super Bowl. Camp Leatherneck, me not missing home at all and you missing it like crazy, always talking about going to college and how when you had leave you were gonna marry Hannah. And you wanted kids, and I said I didn't because people like me, we just end up disappointing one another and I'd probably be like my dad, and you told me I had to get over it, get over my dad and my mom and how screwed up everything is because you said, Josh, you're gonna have it all. I know it. You're gonna have it all. And for the first time, I'm almost believing that. — Heather Demetrios

A picnic. Picture a forest, a country road, a meadow. Cars drive off the country road into the meadow, a group of young people get out carrying bottles, baskets of food, transistor radios, and cameras. They light fires, pitch tents, turn on the music. In the morning they leave. The animals, birds, and insects that watched in horror through the long night creep out from their hiding places. And what do they see? Old spark plugs and old filters strewn around ... Rags, burnt-out bulbs, and a monkey wrench left behind ... And of course, the usual mess - apple cores, candy wrappers, charred remains of the campfire, cans, bottles, somebody's handkerchief, somebody's penknife, torn newspapers, coins, faded flowers picked in another meadow. — Arkady Strugatsky

I'd be ( ... ) lying there on my back with my clothes on and looking up at the ceiling and watching the cigarette smoke flow up slow and splash against the ceiling like the upside-down slow-motion moving picture of the ghost of a waterfall or like the pale uncertain spirit rising up out of your mouth on the last exhalation, the way the Egyptians figured it, to leave the horizontal tenement of clay in its ill-fitting pants and vest. — Robert Penn Warren

Picture books are for everybody at any age, not books to be left behind as we grow older. The best ones leave a tantalising gap between the pictures and the words, a gap that is filled by the reader's imagination, adding so much to the excitement of reading a book. — Anthony Browne

Kaylee giggled as he tunneled up inside her sleeve.
Out popped his head for a quick look, then he took leave.
He enjoyed scaling up, down and around her shirt.
What a sweet, funny and adorable flirt. — Melinda K. Trotter

I will never be through with you, ever. I don't know what I have to do to get you to realize that you're my
everything. I exist to love you, you're my meaning of life, my reason to be, you were made for me and I was made to make you mine. What we have
is too important to me to just throw away because of a picture and an incorrect quote. But you have got to have some faith in me Layla. I would
never hurt you, you have to know that. I may get angry, lose my temper and storm away but I will always calm down and I will always come back. I
could never leave you behind. I'd be lost without you. — Marie Coulson

I have only to contemplate myself; man comes from nothing, passes through time, and disappears forever in the bosom of God. He is seen but for a moment wandering on the verge of two abysses, and then is lost.
If man were wholly ignorant of himself he would have no poetry in him, for one cannot describe what one does not conceive. If he saw himself clearly, his imagination would remain idle and would have nothing to add to the picture. But the nature of man is sufficiently revealed for him to know something of himself and sufficiently veiled to leave much impenetrable darkness, a darkness in which he ever gropes, forever in vain, trying to understand himself. — Alexis De Tocqueville

When one's life has been shattered into a million pieces, most set out to pick up the pieces & rebuild. Others look at those broken pieces & decide this is their opportunity to start anew, the bigger picture comes into view. They see more, & want better so they leave those pieces scattered as a memorial to who they used to be! — Sanjo Jendayi

I waited a long time, an hour or two, to make that picture perfect. But I wasn't totally satisfied. Then, when I'd finished the shoot, they were about to leave and they suddenly hugged in front of a radiator. I took my camera and that was the picture that ran everywhere - it was spontaneous emotion you could see they were completely in love. — Mario Testino

She has a fine genius for poetry, combined with real business earnestness, and "goes in"
to use an expression of Alfred's
for Woman's mission, Woman's rights, Woman's wrongs, and everything that is woman's with a capital W, or is not and ought to be, or is and ought not to be. "Most praiseworthy, my dear, and Heaven prosper you!" I whispered to her on the first night of my taking leave of her at the Picture-Room door, "but don't overdo it. And in respect of the great necessity there is, my darling, for more employments being within the reach of Woman than our civilisation has as yet assigned to her, don't fly at the unfortunate men, even those men who are at first sight in your way, as if they were the natural oppressors of your sex; for, trust me, Belinda, they do sometimes spend their wages among wives and daughters, sisters, mothers, aunts, and grandmothers; and the play is, really, not ALL Wolf and Red Riding-Hood, but has other parts in it." However, I digress. — Charles Dickens

I think the trick of writing a good picture book manuscript is to leave that space for illustration. An illustrated novel can do the same thing. — Mac Barnett

I'm the girl who is lost in space, the girl who is disappearing always, forever fading away and receding farther and farther into the background. Just like the Cheshire cat, someday I will suddenly leave, but the artificial warmth of my smile, that phony, clownish curve, the kind you see on miserably sad people and villains in Disney movies, will remain behind as an ironic remnant. I am the girl you see in the photograph from some party someplace or some picnic in the park, the one who is in fact soon to be gone. When you look at the picture again, I want to assure you, I will no longer be there. I will be erased from history, like a traitor in the Soviet Union. Because with every day that goes by, I feel myself becoming more and more invisible ... — Elizabeth Wurtzel

I think about photographs as being full, or empty. You picture something in a frame and it's got lots of accounting going on in it-stones and buildings and trees and air - but that's not what fills up a frame. You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there. — Joel Meyerowitz

It is a dreadful thing to see the dead city. Next to the port I found children, women, the old, waiting for a way to leave. I entered the houses, there were houses where the coffee and pita bread were left on the table, and I could not avoid [thinking] that this, indeed, had been the picture in many Jewish towns [i.e., in Europe, during World War II]'. — Golda Meir

You know the saying that nothing can last forever? It's partly true. Feelings can stop, people can leave us, but regardless, a piece of them is always with us, in some way. Maybe it's in a song, or a forgotten note, a picture. Even when you no longer love someone or can't be with them, you still remember them, you still remember good parts of them, and you smile. Why worry about it lasting or not? Even if it doesn't, you'll still have a part of him. And he'll still have a part of you. And isn't that what's really important? Holding the best pieces of someone in our hearts so that the love never really fades, so that we don't forget that we once knew them, and they were special to us. — Lindy Zart

Lea was on the floor of a stall hugging a toilet. When she heard the door close, she lifted her head and gave me a half smile of embarrassment.
'Gracie, I've been chemically inconvenienced and I don't think I can ever leave this toilet. Take a picture of this so I'll never do it again. — Christine Zoldenz

You see, the bodily resurrection of Jesus isn't a take-it-or-leave-it thing, as though some Christians are welcome to believe it and others are welcome not to believe it. Take it away, and the whole picture is totally different. Take it away, and Karl Marx was probably right to accuse Christianity of ignoring the problems of the material world. Take it away, and Sigmund Freud was probably right to say that Christianity is a wish-fulfillment religion. Take it away, and Friedrich Nietzsche was probably right to say that Christianity was a religion for wimps. Put it back, and you have a faith that can take on the postmodern world that looks to Marx, Freud and Nietzsche as its prophets, and you can beat them at their own game with the Easter news that the foolishness of God is wiser than men, and the weakness of God is stronger than men. — N. T. Wright

Picture to yourself the most beautiful girl imaginable! She was so beautiful that there would be no point, in view of my meagre talent for storytelling, in even trying to put her beauty into words. That would far exceed my capabilities, so I'll refrain from mentioning whether she was a blonde or a brunette or a redhead, or whether her hair was long or short or curly or smooth as silk. I shall also refrain from the usual comparisons where her complexion was concerned, for instance milk, velvet, satin, peaches and cream, honey or ivory, Instead, I shall leave it entirely up to your imagination to fill in this blank with your own ideal of feminine beauty. — Walter Moers

Those 10000 days in prison, but this never made Nelson Mandela to leave what he was doing. He loved what he did and he would repeat to again if he had been arrested again and imprisoned again! He has his bigger picture in view! — Israelmore Ayivor

Look under the passenger seat in a black plastic bin. There should be a book."
Raphael hopped out, dug under the seat, and pulled out a dog-eared copy of The Almanac of Mystical Creatures.
"Got it," I said into the phone.
"Page seventy-six."
Raphael flipped the book open and held it up. On the left page a lithograph showed a three-headed dog with a serpent for a tail. The caption under the picture said CERBERUS.
"Is that your dog?" Kate asked.
"Could be. How the heck did you know the exact page?"
"I have perfect memory!"
I snorted.
She sighed into the phone.
"I spilled coffee on that page and had to leave the book open to dry it out. It always opens to that entry now. — Ilona Andrews

Such innocent confusions are like cognitive magic-eye posters. Most of the time it's impossible to go back to the jumbled mess once you've registered the picture. Sex is the exception. So natural and universal is a child's curiosity about sex and so long are we conscious of it before we do it, that our origical impressions of it leave an indelible mark. — Sloane Crosley

The world outside of me has no meaning independent of my thinking it. (pauses to look) I look out of the window. A garden. Trees. Grass. A young woman in a chair reading a book. I think: chair. So she is sitting. I think: book. So she is reading. Now the young woman touches her hair where it's come undone. But how can we be sure there is a world of phenomena, a woman reading in a garden? Perhaps the only thing that's real is my sensory experience, which has the form of a woman reading- in a universe which is in fact empty! But Immanuel Kant says- no! Because what I perceive as reality includes concepts which I cannot experience through the senses. Time and space. Cause and effect. Relations between things. Without me there is something wrong with this picture. The trees, the grass, the woman are merely- oh, she's coming! (nervously)- she's coming in here-! I say, don't leave!-where are you going? — Tom Stoppard

We are about to part," said Neville. "Here are the boxes; here are the cabs. There is Percival in his billycock hat. He will forget me. He will leave my letters lying about among guns and dogs unaswered. I shall send him poems and he will perhaps reply with a picture post card. But it is for that that I love him. I shall propose a meeting - under a clock, by some Cross; and shall wait and he will not come. It is for that that I love him. — Virginia Woolf