Larry Anderson Quotes & Sayings

For the most part I pick movies based on the merit of the script, and the merit of the script only. — Amber Heard

When our feelings and observations contradict, problems arise. — M.H. Rakib

You come to the photograph as an aesthetic object with no context ... Then you step in and read the text and then out again to revisit the image in a completely different way. I'm interested in that space between text and image. The piece becomes the negative space between the two. — Taryn Simon

Sorry, I've had enough of running away, Sophie. Now I've got something I want to protect. It's you. — Diana Wynne Jones

I know that suffering gives us new perspectives and helps us to clarify our real value. I know that suffering has helped me to clarify my relationships ... Perhaps suffering stops us in our tracks and forces us to confront what is real within ourselves and in our environment. — Thea Bowman

It's all about learning your craft and honing it in and really paying attention to people who are doing it and what their advice is. It's like anything: it takes years and years and years. A lot of it comes down to work ethic. — Diego Klattenhoff

Understand, I had absolutely no interest in writing; I wanted to be a Writer. — Kate DiCamillo

It is important that Miers not be confirmed unless, in her 61st year, she suddenly and unexpectedly is found to have hitherto undisclosed interests and talents pertinent to the court's role. Otherwise the sound principle of substantial deference to a president's choice of judicial nominees will dissolve into a rationalization for senatorial abdication of the duty to hold presidents to some standards of seriousness that will prevent them from reducing the Supreme Court to a private plaything useful for fulfilling whims on behalf of friends. — George Will

Thus Gotama [Buddha] walked toward the town to gather alms, and the two samanas recognized him solely by the perfection of his repose, by the calmness of his figure, in which there was no trace of seeking, desiring, imitating, or striving, only light and peace — Hermann Hesse

The evil we see today was not part of God's original design. It was not God's intent for human life. That means that ultimately, even a peaceful death at the age of 90 yrs old is not the way things were meant to be...The rage at the dying of the light is our intuition that we were not meant for mortality, for the loss of love, or for the triumph of darkness. In order to help people face death and grief we often tell people that death is a perfectly natural part of life. But that asks them to repress a very right and profound human intuition - that we were not meant to simply go to dust, and that love was meant to last. — Timothy J. Keller

Paul Otremba's remarkable first book, The Currency, is an intriguing foray into lyric epistemology that tries to come to ter ms with the implacable, paradox-ridden nature of knowledge and experience. These are deeply felt, deeply meditated poems guided by a sensibility highly attenuated to the physical world. In their openness to friendship and love and in their fearless directness, they remind me of the work of Larry Levis and Jon Anderson. Like Levis and Anderson, Otremba promises to be an influential and important voice for his generation. — Michael Collier

Cities have often been compared to language: you can read a city, it's said, as you read a book. But the metaphor can be inverted. The journeys we make during the reading of a book trace out, in some way, the private spaces we inhabit. There are texts that will always be our dead-end streets; fragments that will be bridges; words that will be like the scaffolding that protects fragile constructions. T.S. Eliot: a plant growing in the debris of a ruined building; Salvador Novo: a tree-lined street transformed into an expressway; Tomas Segovia: a boulevard, a breath of air; Roberto Bolano: a rooftop terrace; Isabel Allende: a (magically real) shopping mall; Gilles Deleuze: a summit; and Jacques Derrida: a pothole. Robert Walser: a chink in the wall, for looking through to the other side; Charles Baudelaire: a waiting room; Hannah Arendt: a tower, an Archimedean point; Martin Heidegger: a cul-de-sac; Walter Benjamin: a one-way street walked down against the flow. — Valeria Luiselli

I can't stand small babies. I would rather give birth to a kitten or a colt ... a little pony. — Marie Helvin