Language Of Light Quotes & Sayings

In a moment a world will lose its focus and become a different place. They say that blind people have been struck by their affliction without warning, and that Helen Keller found language and light in a word. For me, I suddenly knew, viscerally at least, a number of things about my town that I'd only ever suspected. The dog was a girl. The dog was a native girl. I dug her out of the snow with more care than I'd ever lifted a porcupine or a snapping rat, and feeling that she was still somewhat warm, that her wrappings of rags had protected her from the cold of a Manitoba winter, I placed my jacket around her and covered her head with my hat. Then I set a pace back to the farm that left a taste of blood in my mouth, freezing my lungs by running at minus thirty. — Barry Pomeroy

apophthegmata) on a variety of topics.72 It's easy to tell the difference between a proper joke and a vulgar one. The first is appropriate for the most serious kind of person in a light mood on the right occasion. The other, if it involves a disgraceful subject or obscene language, doesn't suit even an easy-going fellow. There are limits to be observed in play and recreation as well. We don't want to abandon all precaution and, carried away by our sense of enjoyment, end up disgracing ourselves. Examples of appropriate kinds of recreation include exercising on the Campus Martius,73 also hunting. — Marcus Tullius Cicero

The fixation of the theater in one language
written words, music, lights, noises
betokens its imminent ruin. — Antonin Artaud

You realize that by summoning me here, you signed your own death warrant." Demons were nothing to take lightly. I'd seen what they were capable of, but I also knew they were no match against the light that shone inside me. "I do," it said, and I fought to place the language we were speaking. I knew it was ancient. Possibly the first language ever spoken in the universe. "Unless we sign yours first." "Is that what you think will happen here?" "Dutch," Reyes said into my ear, "stop playing with your dinner. — Darynda Jones

The Hopi, an Indian tribe, have a language as sophisticated as ours, but no tenses for past, present and future. The division does not exist. What does this say about time?
Matter, that thing the most solid and the well-known, which you are holding in your hands and which makes up your body, is now known to be mostly empty space. Empty space and points of light. What does this say about the reality of the world? — Jeanette Winterson

When finally the sky grew ink-black, the trees were visible only as their swaying branches blotted out the stars that crossed in blazing showers, as sometimes they do. The language of the stars, seldom read and heeded less, told beautifully and in silence of all the victories that had ever been won and all the defeats ever suffered. In uncountable lines of light across the widest sphere, the stars spoke of everything notable even down to a leaf blowing rhythmically in the wind. — Mark Helprin

Graphic design is a visual language uniting harmony and balance, color and light, scale and tension, form and content. But it is also an idiomatic language, a language of cues and puns and symbols and allusions, of cultural references and perceptual inferences that challenge both the intellect and the eye. — Jessica Helfand

The event that will light the way for immigration in North America is the talking picture. The silent film brings nothing but entertainment - a pie in the face, a fop being dragged by a bear out of a department store - all events governed by fate and timing, not language and argument. The tramp never changes the opinion of the policeman. The truncheon swings, the tramp scuttles through a corner window and disturbs the fat lady's ablutions. These comedies are nightmares. The audience emits horrified laughter as Chaplin, blindfolded, rollerskates near the edge of the unbalconied mezzanine. No one shouts to warn him. He cannot talk or listen. North America is still without language, gestures and work and bloodlines are the only currency. — Michael Ondaatje

The saxophone does not speak that language. The saxophone speaks the language of the underground, the jaded melancholy of the half-light - grimy and sexy and sweaty and hard. It is the language of orphans and bastards and whores. — Eleanor Catton

The sea,
tasted, drunk away, dreamed away. An hour
soul-eclipsed. The next, an autumn light,
offered up to a blind
feeling which came that way. Others, many,
with no place but their own heavy centres: glimpsed and avoided.
Foundlings, stars,
black, full of language: named
after an oath which silence annulled. — Paul Celan

Ascend beyond the sickly atmosphere
to a higher plane, and purify yourself
by drinking as if it were ambrosia
the fire that fills and fuels Emptiness.
Free from the futile strivings and the cares
which dim existence to a realm of mist,
happy is he who wings an upward way
on mighty pinions to the fields of light;
whose thoughts like larks spontaneously rise
into the morning sky; whose flight, unchecked,
outreaches life and readily comprehends
the language of flowers and of all mute things. — Charles Baudelaire

Like all her friends, I miss her greatly ... But ... I am sure there is no case for lamentation ... Virginia Woolf got through an immense amount of work, she gave acute pleasure in new ways, she pushed the light of the English language a little further against darkness. Those are facts. — E. M. Forster

Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something, as in a dream. — Federico Fellini

Break the ice, or draw that which lives in the dimness out into the full light of speech - what happens is the same: that which is now seen and now grasped is not, in its clearness, the shadowy thing that was. — Jens Peter Jacobsen

Never before had I known the sudden quiver of understanding that travels from word to brain to heart, the way a new language can move, coil, swim into life under the eyes, the almost savage leap of comprehension, the instantaneous, joyful release of meaning, the way the words shed their printed bodies in a flash of heat and light. — Elizabeth Kostova

Is there any finer phrase in the English language than Midsummer Day? There are no words to touch it for conjuring. It is the beginning of blooming roses and ripening corn, of days that stretch on, reaching for midnight until the spangled blue velvet of night descends and beginning again before cockcrow, when the dew jewels the grass like diamonds scattered while the earth slumbers. I, of course, expected rain. Not just rain, but torrential, heaving, biblical rain - the sort to set arks afloat. Everything else had gone awry, why not that? But when I awoke on Midsummer Day, the sun greeted me cordially, coaxing the dew from the grass and the early roses as a light breeze wafted the scent of charred chimney over the gardens. I stood at the window and breathed in deeply all the scents of summer, fresh grass and carp ponds and blossoming herb knots until the whole of it mingled in my head and made me dizzy. A bee floated lazily in the window and out again as if beckoning me to follow. — Deanna Raybourn

I endured all our hardships as if they had been luxuries: I made light of scurvy, banqueted off train-oil, and met that cold for which there is no language framed, and which might be a new element; or which, rather, had seemed in that long night like the vast void of ether beyond the uttermost star, where was neither air nor light nor heat, but only bitter negation and emptiness. I was hardly conscious of my body; I was only a concentrated search in myself. — Harriet Prescott Spofford

Now I think it is true to say of the road, and also of God, that it does not move. At the same time, it is everywhere. It has a language, but not one I know. It has a story, but I am in it. So are you. And to realize this is a moment of some sadness. When we are denied a story, a light goes off. I am asking you to study the dark. — Anne Carson

Language is the light of the mind. — John Stuart Mill

More than anything, more than anything she had with him, she missed the language they had invented, the likes of which she had never had nor would again. The thoughts and ideas he had birthed in her, his golden touch, and the words that erupted from her and became sparks of light to him. — David Grossman

At school, I was never given a sense that poetry was something flowery or light. It's a complex and controlled way of using language. Rhythms and the music of it are very important. But the difficulty is that poetry makes some kind of claim of honesty. — Tobias Hill

It pleases him how Spell is how the word is made but also, in the hands of the magician, how the world is changed. One letter separates Word from World, and that letter is like the number one, or an 'I', or a shaft of light between almost closed curtains. There is an old letter called a thorn, which jags and tears at the throat as it's uttered. Later he learns that Grammar and Glamour share the same deeper root, which is further magic, and there can be neither magic without that root, nor plant. He's lost in it like Chid in Child, or God reversed into Dog. Somewhere inside him is a colon. A sentence can last for life. — Charles Lambert

Those slight words and looks and touches are part of the soul's language; and the finest language, I believe, is chiefly made up of unimposing words, such as "light," "sound," "stars," "music" - words really not worth looking at, or hearing, in themselves, any more than "chips" or "sawdust." It is only that they happen to be the signs of something unspeakably great and beautiful. I am of opinion that love is a great and beautiful thing too, and if you agree with me, the smallest signs of it will not be chips and sawdust to you: they will rather be like those little words, "light" and "music," stirring the long-winding fibres of your memory and enriching your present with your most precious past. — George Eliot

How many Lojbanists does it take to change a broken
light-bulb?" goes the old Lojban joke. "Two: one to decide
what to change it into and one to decide what kind of bulb
emits broken light. — Arika Okrent

How to teach again what has been taught correctly it incorrectly 1000 thousand times, throughout the millenniums of mankind's prudent folly? That is the hero's ultimate difficult task. How to render back into light-world language the speech-defying pronouncements of the dark? Many failures attest to the difficulties of this life-affirmative threshold. — Joseph Campbell

Reachable, near and not lost, there remained in the midst of the losses this one thing: language. It, the language, remained, not lost, yes, in spite of everything. But it had to pass through its own answerlessness, pass through frightful muting, pass through the thousand darknesses of deathbringing speech. It passed through and gave back no words for that which happened; yet it passed through this happening. Passed through and could come to light again, "enriched" by all this. — Paul Celan

Mystics have spoken to us through the ages in terms of paradox. Is it possible that we are beginning to see a meeting ground between science and religion? When we are able to say that "a human is both mortal and eternal at the same time" and "light is both a wave and a particle at the same time," we have begun to speak the same language. Is it possible that the path of spiritual growth that — M. Scott Peck

By Anglicising ourselves we have thrown away with a light heart the best claim we have upon the world's recognition of us as a seperate nationality ... the notes of nationality, our language and customs. — Douglas Hyde

What was exchanged in the language of their eyes, more perfect than their lips, the language afforded the soul so that no sound disturbs an ecstasy of feeling? In those moments, when the thought of the two happy beings meld through their pupils, words move slowly, coarsely, like the raspy, awkward noise of thunder from dazzling light that appears after the quickness of the flash. It expresses feelings previously known, ideas yet understood, and in the end, if one must use words, it is because the heart's ambitions - which dominates one's whole being and overflows with happiness - wishes with the whole human organism, with all its physical and psychical faculties, to embody the poem of joy that the spirit has intoned. Language has no answer to the questions of love that either shimmer or hide within a glance. The smile must respond; the kiss, the sigh. — Jose Rizal

The extent of his influence across jazz, across American music, and around the world has such continuing stature that he is one of the few who can easily be mentioned with Stravinsky, Picasso and Joyce. His life was the embodiment of one who moves from rags to riches, from anonymity to internationally imitated innovator. Louis Daniel Armstrong supplied revolutionary language that took on such pervasiveness that it became commonplace, like the light bulb, the airplane, the telephone. — Stanley Crouch

Nietzsche said we will never rid ourselves of God because we have too much faith in grammar/language.

Lacan said because of the religious tenets of language, religion will triumph.

Chomsky, master linguist, says 'there are no skeptics. You can discuss it in a philosophy seminar but no human being can - in fact - be a skeptic.'

These musings shed light on Soren K's leap to faith idea. This is more nuanced than the circular leap of faith argument he's been wrongly accused of...

Soren is saying that, as we use the logic of language to express existence and purpose, we will always leap TO faith in a superior, all encompassing, loving force that guides our lives.

This faith does not negate our reason. It simply implies that the reasoning of this superior force is superior to our own. Edwin Abbott crystalizes this in Flatland. — Chester Elijah Branch

Now we have come full circle to the subtitle of this book: children learn by unlearning other languages. Viewed in the Darwinian light, all humanly possible grammars compete to match the language spoken in the child's environment. And fitness, because we have competition, can be measured by the compatibility of a grammar with what a child hears in a particular linguistic environment. This theory of language takes both nature and nurture into account: nature proposes, and nurture disposes. — Charles Yang

And Gray ... Gray was finished. Done for. Completely and hopelessly lost in the softest, most tender embrace he'd ever known. He held her face in his hands, brushing light kisses over her lips. Kissing her slowly, carefully, as though he were only just learning about kissing-because he was. Not learning how to kiss, but learning why to kiss. Not in persuasion, not as a prelude to further liberties. Simply to discover the taste of her, delicate and fresh and exquisitely sweet. To tell her things he didn't dare express in words. To tell her things he had no words to express. He kissed her for no greater pleasure than to kiss, because at that moment, kissing her felt like the greatest pleasure imaginable.
He pressed his lips to her cheeks, her brow, her eyelids, her hair, interspersing his kisses with little endearments in every language he knew. Then, eyes closed, he rested his forehead against hers and waited. Leaving the choice to her. — Tessa Dare

There are infinite shadings of light and shadows and colors ... it's an extraordinarily subtle language. Figuring out how to speak that language is a lifetime job. — Conrad Hall

Poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives. — Audre Lorde

Be wary of any man who is quick to put down another man's faith. His love for Truth is not deep enough for him to want to explore additional truths outside his borders. The language of light can only be decoded by the heart. Thus, a man with a closed heart is already blind to understand the words of his own faith. — Suzy Kassem

Raithe enjoyed a good campfire. Something comforting about the dancing light, the smell of smoke, and the way his face and chest were hot but his backside cold. He sensed a profound meaning in this duality as well as in the enigma of flickering flames. The fire spirit spoke in spitting sparks and shifts of choking smoke, but the meaning of each remained a mystery. Everything in nature was that way. All of it spoke to him
to everyone
in a language few could understand. What secrets, what wisdom, and what horrors might he learn if only he knew what it all meant. — Michael J. Sullivan

Photography is light-writing, the language of images. Less abstract than written or spoken language, it selects images from the existing world of appearances and arranges them in patterns. The camera-eye doesn't think, it recognizes. It shows us what we already know, but don't know that we know. — David Levi Strauss

She had imagined her mind would be bare before his, naked under a scorching desert sun, with neither shelter nor refuge. Instead, it was like playing hide-and-seek in the light and shadow of a forest, discovering and inventing a new language of double meaning, subtlety, poetry, and image. As a linguist, she was captivated; as a lover, she was enraptured. Nothing could be said the same way twice. — Karen Lord

Intrinsic to the concept of a translator's fidelity to the effect and impact of the original is making the second version of the work as close to the first writer's intention as possible. A good translator's devotion to that goal is unwavering. But what never should be forgotten or overlooked is the obvious fact that what we read in a translation is the translator's writing. The inspiration is the original work, certainly, and thoughtful literary translators approach that work with great deference and respect, but the execution of the book in another language is the task of the translator, and that work should be judged and evaluated on its own terms. Still, most reviewers do not acknowledge the fact of translation except in the most perfunctory way, and a significant majority seem incapable of shedding light on the value of the translation or on how it reflects or illuminates the original. — Edith Grossman

I have always wanted to go to Trieste because it sounds like tristesse, which is a light-hearted word, even though in French it means sadness. In Spanish it is tristeza, which is heavier than French sadness, more of a groan than a whisper. — Deborah Levy

Kiss me, she pleaded, and he did, hot languorous slow kisses that sped up as his heartbeat did, as the movement of their bodies quickened against each other. Each kiss was different, each rising higher and higher like a spark as a fire grew: quick soft kisses that told her he loved her, long slow worshipful kisses that said that he trusted her, playful light kisses that said that he still had hope, adoring kisses that said he had faith in her as he did in no one else. Clary abandoned herself to the kisses, the language of them, the wordless speech that passed between the two of them. — Cassandra Clare

What they say is, life goes on, and that is mostly true. The mail is delivered and the Christmas lights go up and the ladders get put away and you open yet another box of cereal. In time, the volume of my feelings would be turned down in gentle increments to a near quiet, and yet the record would still spin, always spin. There was a place for Rose so deeply within myself that it was another country, another world, with its own light and time and its own language. A lost world. Yet its foundations and edges were permanent-the ruins of Pompeii, the glorious remnants or the Forum. A world that endured, even as it retreated into the past. A world visited, imagined, ever waiting, yet asleep — Deb Caletti

Most of my friends like words too well. They set them under the blinding light of the poem and try to extract every possible connotation from each of them, every temporary pun, every direct or indirect connection - as if a word could become an object by mere addition of consequences. Others pick up words from the streets, from their bars, from their offices and display them proudly in their poems as if they were shouting, "See what I have collected from the American language. Look at my butterflies, my stamps, my old shoes!" What does one do with all this crap? — Jack Spicer

I am not of the opinion that one can ever lack the power to express perfectly what one wants to write or say. Observations on the weakness of language, and comparisons between the limitations of words and the infinity of feelings, are quite fallacious. The infinite feeling continues to be as infinite in words as it was in the heart. What is clear within is bound to become so in words as well. This is why one need never worry about language, but at sight of words may often worry about oneself. After all, who knows within himself how things really are with him? This tempestuous or floundering or morasslike inner self is what we really are, but by the secret process by which words are forced out of us, our self-knowledge is brought to light, and though it may still be veiled, yet it is there before us, wonderful or terrible to behold. — Franz Kafka

The pages and pages of complex, impenetrable calculations might have contained the secrets of the universe, copied out of God's notebook.
In my imagination, I saw the creator of the universe sitting in some distant corner of the sky, weaving a pattern of delicate lace so fine that that even the faintest light would shine through it. The lace stretches out infinitely in every direction, billowing gently in the cosmic breeze. You want desperately to touch it, hold it up to the light, rub it against your cheek. And all we ask is to be able to re-create the pattern, weave it again with numbers, somehow, in our own language; to make the tiniest fragment our own, to bring it back to eart. — Yoko Ogawa

As I looked at her from the side, I became newly aware of the softness of the curves of her face. Nagato said she was the "potential for evolution." According to Asahina, she was a "time warp." Koizumi treated her as "God." Then what about me? What did "Haruhi Suzumiya" mean to me?
Haruhi was Haruhi and nobody else. I wasn't going to use such overblown language to dodge the question. But I didn't happen to have a decisive answer. Isn't that natural? If someone points to the classmate sitting behind you and asks, "What is she to you?" How are you supposed to respond? ... No, sorry. Guess that's still dodging the question. Haruhi wasn't just a classmate to me. Of course, she also wasn't the "potential for evolution" or a "time warp," much less "God." She couldn't possibly be. — Nagaru Tanigawa

The world is MADE up of language. We can SAY that the world is composed of little demons doing calisthenics, each one the size of a pissant's eyebrow ... Or we can SAY the world is made of tiny wave mechanical packets of matter hurling through space at near the speed of light ... But notice that what we get each time are WORDS ... — Terence McKenna

Nationality is a good thing to a certain extent, but universality is better. All that is best in the great poets of all countries is not what is national in them, but what is universal. Their roots are in their native soil; but their branches wave in the unpatriotic air, that speaks the same language unto all men, and their leaves shine with the illimitable light that pervades all lands. Let us throw all the windows open; let us admit the light and air on all sides; that we may look towards the four corners of the heavens, and not always in the same direction. — Henry Wadsworth Longfellow

So here I am, my father's daughter, as the light breaks through the forest, writing down the names of my children and my husband, my friends and even the world at large - like our brothers and sisters in Iraq or Haiti or Burundi - and beside these scrawled names, I am writing out the words of Scripture. Not like promises or talismans, not like magic spells, no. But to give language to what I yearn for, what I believe, and even what I hope. It's my way of walking in the counsel of the Holy Spirit, may our hearts be fixed and established on Jesus. I — Sarah Bessey

Art is universal. It unites mankind in common brotherhood. As a missionary of civilization, its message is both to heart and mind. Distinctions of tongue or boundary lines disappear before the power of truths, which, like the rainbow, charm by the beauty of variegated hues, or, combined with light, illuminate the universe. Moreover, art is the connecting link in the chain of great minds. Through its language, thought appeals to thought, and sympathy echoes feeling. — James Jackson Jarves

You are not like other girls. You are not like other girls ("You are not like other girls," the boys you run with will tell you, and you will try not to let them see you preen under the glancing light of their approval). You learn their books and their language. You laugh at their jokes. You listen to their stories, sit blank-eyed on their couched while they play video games, pass them your English notes. You keep their secrets. You use the words they use about other girls in order to assure yourself that they will never use those words about you. You make yourself into nothingness, a ghost conjured into being only through the desires of boys, the rules of boys, the ideas of boys. You're not like other girls. — Sarah McCarry

Our purpose is simply to ask how theological principles can be shown to have usable secular analogues that throw light upon the nature of language. — Kenneth Burke

What I recall is this: this native people he lived with, deep in the jungle - their language had dozens of words for rain. Because it was so common to them, you see. Where they lived, it rained almost constantly. Several times a day. So they had words for light rain, and heavy rain, and pounding rain. Something like eighteen different terms for storms, and a whole classification system for mist."
"Why are you telling me this?"
His touch skimmed lightly down her arm. "Because I'm standing here, wanting to give you fitting compliment, but my paltry vocabulary fails me. I think what I need is a scientific excursion. I need to venture deep into some jungle where beauty takes the place of rain. Where loveliness itself falls from the sky at regular intervals. Dots every surface, saturates the ground, hangs like vapor in the air. Because the way you look right now ... " His gaze cought hers in the reflection. "They'd have a word for it there. — Tessa Dare

Public holoCans yapping and barking the dog language of distraction. All stirred and boiled together to make a thick soup of noise and shadowy light. Rollo — Pierce Brown

I go downstairs and the books blink at me from the shelves. Or stare. In a trick of the light, a row of them seems to shift very slightly, like a curtain blown by the breeze through an open window. Red is next to blue is next to cream is adjacent to beige. But when I look again, cream is next to green is next to black. A tall book shelters a small book, a huge Folio bullies a cowering line of Quartos. A child's nursery rhyme book does not have the language in which to speak to a Latin dictionary. Chaucer does not know the words in which Henry James communicates but here they are forced to live together, forever speechless. — Susan Hill

The Cardinal was bent over his writing desk, the room unchanged save for the light of what appeared a small antique oil lamp. And there were illuminated letters in the book before him, tiny figures fitted into the capitals, the whole gleaming as he let his hand, quivering, turn the page.
"Ah, think of it," he said, smiling as he saw Tonio, "written language the possession of those who took such pains to preserve it. I am forever entranced with the forms in which knowledge is given us, not by nature, but by our fellow man. — Anne Rice

Neither can embellishments of language be found without arrangement and expression of thoughts, nor can thoughts be made to shine without the light of language. — Marcus Tullius Cicero

This is how it is to come near you
A wave of light builds in the black pupil
of the eye. The old become young.
The opening lines of the Qur'an open still more.
Inside every human chest there is a hand,
but it has nothing to write with.
Love moves further in, where language
turns to fresh cream on the tongue.
Every accident, and the essence of every being,
is a bud, a blanket tucked into a cradle,
a closed mouth.
All these buds will blossom,
and in that moment you will know
what your grief was,
and how the seed you planted has been miraculously,
and naturally, growing.
Now silence.
Let soul speak inside spoken things. — Rumi

Speech sounds cannot be understood, delimited, classified and explained except in the light of the tasks which they perform in language. — Roman Jakobson

In I Praise My Destroyer, Diane Ackerman demonstrates once again her love for the specific language that rises from the juncture of self and the natural world, and her skillful use of that language. Whether she turns her attention to the act of eating an apricot 'the color of shame and dawn,' or to 'the omnipotence of light,' or to grief when 'All the greens of summer have blown apart,' her linking of unique images, her energetic wit and whimsy, her compassionate investment in life, always bring new pleasures and perceptions to the reader. — Pattiann Rogers

The real trouble is this: giving expression to thought by the observable medium of words is like the work of the silkworm. In being made into silk, the material achieves its value. But in the light of day it stiffens; it becomes something alien, no longer malleable. True, we can then more easily and freely recall the same thought, but perhaps we can never experience it again in its original freshness. — Erwin Schrodinger

There it is; the light across the water. Your story. Mine. His. It has to be seen to be believed. And it has to be heard. In the endless babble of narrative, in spite of the daily noise, the story waits to be heard.
Some people say that the best stories have no words. They weren't brought up to Lighthousekeeping. It is true that words drop away, and that the important things are often left unsaid. The important things are learned in faces, in gestures, not in our locked tongues. The true things are too big or too small, or in any case is always the wrong size to fit in the template called language. — Jeanette Winterson

In this way they went on, and on, and on-in the language of the story-books-until at last the village lights appeared before them, and the church spire cast a long reflection on the graveyard grass; as if it were a dial (alas, the truest in the world!) marking, whatever light shone out of Heaven, the flight of days and weeks and years, by some new shadow on that solemn ground. — Charles Dickens

It was the discovery of the quantum universe that changed everything, and that universe was so small and so dynamic that it could not be observed directly. Trying to explain their insights, scientists looked at the language of mysticism. At the subatomic level, the parallels between quantum reality and mysticism were striking. For example, the behavior of light: in some contexts it acted like a wave, in others like a particle. Could it be both? Physicists had no concept for grasping this, so they dispensed with Western logic and embraced paradox. (This is important, too, for the notion of vampires being both living and dead.) — Katherine Ramsland

In my experience when critics raise these objections, they invariably violate one of seventeen principles for interpreting the Scriptures ... For example, assuming the unexplained is unexplainable ... failing to understand the context of the passage ... assuming a partial report is a false report ... neglecting to interpret difficult passages in light of clear ones; basing a teaching on an obscure passage; forgetting that the Bible uses nontechnical, everyday language; failing to remember the Bible uses different literary devices ... — Norman Geisler

black eyes need no translating; the mind itself throws a shadow upon them. In them thought opens or shuts, shines forth or goes out in darkness, hangs steadfast like the setting moon or like the swift and restless lightning illumines all quarters of the sky. They who from birth have had no other speech than the trembling of their lips learn a language of the eyes, endless in expression, deep as the sea, clear as the heavens, wherein play dawn and sunset, light and shadow. The — Rabindranath Tagore

Our physical senses and our embodied brains allow us to perceive only a small fraction of reality. We cannot see microbes or untraviolet light, for example. We can hear only a small range of sounds. When we try to describe the otherworld of energies and spirits, we are limited not only by our bodily constraints but by the expectations, assumptions, and language patterns ingrained in us by the culture we were raised in. — Starhawk

Only those who have learnt the tongue of angels can tell how one's name will sound in the language of light. — Sjon

My communication with aliens is not verbal - we speak the language of light. — Valeria Lukyanova

I once saw a small child go to an electric light switch as say, "Mamma, can I open the light?" She was using the age-old language of exploration, the language of art. It was a sort of metaphor, but she was not using it as ornamentation. — Ezra Pound

It seemed to him that he had stepped through a high window that looked on a vanished world. A light was upon it for which his language had no name. All that he saw was shapely, but the shapes seemed at once clear cut, as if they had been first conceived and drawn at the uncovering of his eyes, and ancient as if they had endured for ever. He saw no colour but those he knew, gold and white and blue and green, but they were fresh and poignant, as if he had at that moment first perceived them and made names for them new and wonderful. In winter here no heart could mourn for summer or for spring. No blemish or sickness or deformity could be seen in anything that grew upon the earth. On the land of Lorien there was no stain. — J.R.R. Tolkien

husk or shell that has grown up around a spark of holiness, masking its light" (203): Michael Wex, Born to Kvetch: Yiddish Language and Culture in All of Its Moods (New York: St. Martin's Press, 2005), p. 93. Yiddish's — Diane Ackerman

But if your language is intended to be the medium of an art if you, its user, are an artist and not a reporter, a persuader, a raconteur; if you aren't writing principally to get praise or pay, but wish to avoid the busy avenues of entertainment, to traffic in the tragic maybe, dig down to the deeply serious; then (although there are a few exceptional and contrary cases) you will understand right away how blessed you are by the language you were born with, the language you began to amster in the moment you also started to learn about life, to read the lines on faces, the light in the window which meant milk, the door which deprived you of mother, the half-songs sung by that someone who lonaed you the breast you suckled - the breast you claimed as more than kin. — William H Gass

The sage does not become trapped in semantics, does not mistake map for territory, but rather "opens things up to the light of Heaven" by flowing with the words, by playing with the words. Once attuned to this flow, the sage need make no special effort to "illumine," for language does it by itself, spontaneously. Language spills over. — Hakim Bey

I lean over you, your equal, offering you a mirror for your perfect nothingness, for your shadows which are neither light nor absence of light, for this void which contemplates. To all that which you are, and, for our language, are not, I add a consciousness. I make you experience your supreme identity as a relationship, I name you and define you. You become a delicious passivity. — Maurice Blanchot

The mystery of language was revealed to me. I knew then that 'W-A-T-E-R' meant the wonderful cool something that was flowing over my hand. That living word awakened my soul, gave it light, joy, set it free. — Helen Keller

Language may have limits. But it isn't just a dim likeness in a mirror. Yes, gestures, glances, touches, taps on walls mean something. So do silences. But sometimes the word is the thing. The bridge. Sometimes we only know what we feel once it's been said. Words may be daughters of the earth instead of heaven. But they're not dim. And even in the faintest shimmer, there is light. — Alena Graedon

The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone.
Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but angels of God. — Jerome K. Jerome

After living with his art in my own chamber, I saw there was more than mere mimicry, and that art was a world unto itself, with its own symbols and language. A leaf seen in a certain light might be gray or violet as well as purple, and a latticework of twigs might easily turn red as the sky paled above the city. — Alice Hoffman

Based on our natural heritage as the Divine Light of God, every one of us possesses intuition ... defined as the language of the soul. — James Van Praagh

Empty your knapsack of all adjectives, adverbs and clauses that slo your stride and weaken your pace. Travel light. Remember the most memorable sentences in the English language are also the shortest: "The King is dead" and "Jesus wept." — Bill Moyers

So much of life is invisible, inscrutable: layers of thoughts, feelings, outward events entwined with secrecies, ambiguities, ambivalences, obscurities, darknesses strongly present even to the one who's lived it- maybe especially to the one who's lived it. I didn't seek to find her, wandered instead within and among her fragments of language-notebooks, drafts, journals, fictions, letters, essays, and found there whole worlds like spinning planets, lived in their cold light and burning light, wondering where I was, where they might take me. Curious, I heard a monster's voice and followed- — Laurie Sheck

Kate Boo's reporting is a form of kinship. Abdul and Manju and Kalu of Annawadi will not be forgotten. She leads us through their unknown world, her gift of language rising up like a delicate string of necessary lights. There are books that change the way you feel and see; this is one of them. If we receive the fiery spirit from which it was written, it ought to change much more than that. — Adrian Nicole LeBlanc

Despite the feeling that we're directly experiencing the world out there, our reality is ultimately built in the dark, in a foreign language of electrochemical signals. The activity churning across vast neural networks gets turned into your story of this, your private experience of the world: the feeling of this book in your hands, the light in the room, the smell of roses, the sound of others speaking. — David Eagleman

Intercourse with resuscitated wife for particular number of days, superstitious act designed to insure safe operation of household machinery. Electricity mourns the absence of the energy from (wife) within the household's walls by stalling its flow to the outlets. As such, an improvised friction need to take the place of electricity, to goad the natural currents back to their proper levels. This is achieved with the dead wife. She must be found, revived, and then penetrated until heat fills the room, until the toaster is shooting bread onto the floor, until she is smiling beneath you with black teeth and grabbing your bottom. Then the vacuum rides by and no one is pushing it, it is on full steam. Days flip past in chunks of fake light, and the intercourse is placed in the back of the mind. But it is always there, that moving into a static-ridden corpse that once spoke familiar messages in the morning when the sun was new. — Ben Marcus

Jan-Peter offered to teach me the language of Amsterdam's red light district ... But after his first phrase
'Using the back door will cost you double'
I withdrew my request. — Cristina Garcia

He walked to the exit, skirting the pools of vapor light purely out of habit, but he saw that the last lamp was unavoidable, because it was set directly above the exit gate. So he saved himself a further perimeter diversion by walking through the next-to-last pool of light, too. At which point a woman stepped out of the shadows. She came toward him with a distinctive burst of energy, two fast paces, eager, like she was pleased to see him. Her body language was all about relief. Then it wasn't. Then it was all about disappointment. She stopped dead, and she said, "Oh." She was Asian. But not petite. Five-nine, maybe, or even five-ten. And built to match. Not a bone in sight. No kind of a willowy waif. She was about forty, Reacher guessed, with black hair worn long, jeans and a T-shirt under a short cotton coat. She had lace-up shoes on her feet. He said, "Good evening, ma'am." She was looking past his shoulder. He said, "I'm the only passenger. — Lee Child

The stars are out,' Zoe said.
She was right. There were millions of them, with no city lights to ruin turn the sky orange.
'Amazing,' Bianca said. 'I've never actually seen the Milky Way.'
'This is nothing,' Zoe said. 'In the old days, there were more. Whole constellations have disappeared because of human light pollution.'
'You talk like you're not human,' I said.
Zoe raised an eyebrow. I am a Hunter. I care what happens to the wild places of the world. Can the same be said for thee?'
'For you,' Thalia corrected. 'Not thee.'
'But you use you for the beginning of a sentence.'
'And for the end,' Thalia said. 'No thou. No thee. Just you.'
Zoe threw up her hands in exasperation. 'I hate this language. It changes too often! — Rick Riordan

The area of the Church stands in the world, as outwardly the Church stands in the village or in a city, beside the school, the cinema and the railway station. The Church's language cannot aim at being an end in itself. It must be made clear that the Church exists for the sake of the world, that the light is shining in the darkness. — Karl Barth

The metaphorical or pantheistic God of the physicists is light years away from the interventionist, miracle-wreaking, thought-reading, sin-punishing, prayer-answering God of the Bible, of priests, mullahs and rabbis, and of ordinary language. Deliberately to confuse the two is, in my opinion, an act of intellectual high treason. — Richard Dawkins

The fantastic thing about the theatre is that it can make something be seen that's invisible, and that's where my interest in theatre is- that you can be watching this thing happening with actors and costumes and light and set and language, and even plot, and something emerges from beyond that, and that's the image part that I'm looking for, that sort of added dimension. — Sam Shepard

Colors do not exist separately and independently within nature; they are constantly shifting in response to subtle gradations of light. It is language that, magnificently, gives them clear shape. — Kenya Hara

At its best, SF cinema is an allegorical site that invites the audience to safely examine and reflect on long-standing social issues in an unfamiliar setting, providing the possibility of viewing them in a new light. At its worst, the process of allegorical displacement invites audiences to affirm racist ideas, confirm racial fears, and reinforce dubious generalizations about race and the place of African Americans in U.S. society without employing overt racial language or explicit imagery. — Adilifu Nama

They might be talking in perfect latin tongue and without warning begin to talk in perfect anglo tongue and keep it up like that, alternating between a thing that believes itself to be perfect and a thing that believes itself to be perfect, morphing back and forth between two beasts until out of carelessness or clear intent they suddenly stop switching tongues and start speaking that other one. In it brims nostalgia for the land they left or never knew when they use the words with which they name objects; while actions are alluded to with an anglo verb conjugated latin-style, pinning on a sonorous tail from back there. Using in one tongue the word for a thing in the other makes the attributes of both resound: if you say Give me fire when they say Give me a light, what is not to be learned about fire, light and the act of giving? It's not another way of saying things: these are new things — Yuri Herrera

To cover politics in Washington allows you to live in the very, very wide gap between what the actual truth is, and how people are trying to manipulate the truth. They speak in the language of spin, obsequiousness, obfuscation. The meta of politics is just this endless source of material that can shed light on the psychology of the process. — Mark Leibovich

Tommy looked blank. "What's a flashlight?"
"You don't have flashlights?" Jessup said. "Jeeze! A cylinder, like, with batteries inside it, and a light bulb behind glass at one end
"
Tommy's blue eyes glinted dangerously. "We have a thing in Scotland that's a cylinder too. Very thin, made of wood, with graphite in the center. We call it a pencil."
Jessup hooted. "You think we don't have pencils?"
"You think we don't have flashlights?" Tommy snapped. "That's just American dialect. In the English language they're called torches."
Emily said mildly, "Actually we're Canadians. — Susan Cooper

Some feelings are quite untranslatable; no language has yet been found for them. They gleam upon us beautifully through the dim twilight of fancy, and yet when we bring them close to us, and hold them up to the light of reason, lose their beauty all at once, as glow worms which gleam with such a spiritual light in the shadows of evening, when brought in where the candles are lighted, are found to be only worms like so many others. — Henry Wadsworth Longfellow

Life can last just so long, you understand. Everything else is in the room, with darkness, with God's language, with screams. Here I am of the air, a beautiful thing for the light to shine on. — Paul Auster

English is the language of a people ho have probably earned their reputation for perfidy and hypocrisy because their language itself is so flexible, so often light-headed with with statements which appear to mean one thing one year and quite a different thing the next. — Paul Scott