Language Of Emotions Quotes & Sayings

I was always shy. Writing was my only outlet. Because I always hid in a room, I spent a lot of time watching people. When I was a small child I could detect hidden body language in others only I could see. People's emotions rub off on me. When I told this to my therapist she said, "Well, you're an empath." I thought, "No way. Like Star Trek?" And she clarified: because I am so socially uncomfortable, I have compassion for others who I recognize are also struggling. People with anxiety are acutely aware. — Jenny Lawson

Even in the deepest love relationship - when lovers say 'I love you' to each other - we don't really know what we're saying, because language isn't equal to the complexity of human emotions. — Duane Michals

Who, for example, would have ever predicted that the high school student who uses too many verbs in her college admissions essay is likely to make lower grades in college? Or that the poet who overuses the word I in his poetry is at higher risk of suicide? Or that a certain world leader's use of pronouns could reliably presage whether he'd lead his country into war? By looking more carefully at the ways people convey their thoughts in language we can begin to get a sense of their personalities, emotions, and connections with others. — James W. Pennebaker

Isn't it strange that the emotions of love and the afflictions of lust are look-alike, bewildering women from discerning the lover from a seducer, and unfortunately for them the language of love and the dialect of lust have a common alphabet causing this confusion. — BS Murthy

Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. — Jeffrey Eugenides

Music is truly love itself, the purest, most ethereal language of the emotions, embodying all their changing colors in every variety of shading and nuance. — Carl Maria Von Weber

Ignoring our emotions is turning our back on reality. Listening to our emotions ushers us into reality. And reality is where we meet God. . . . Emotions are the language of the soul. They are the cry that gives the heart a voice. . . — Peter Scazzero

Poetry, for example, goes so deeply into the space between corporeal affect and deep emotion (even primal in some cases) that, as Emily Dickinson said, it can blow the top of your head off. Poetic language is sometimes misunderstood as "abstract" when in reality, it's precise - precisely the language of emotions and the body. — Lidia Yuknavitch

He who sees a play that is regular, and answerable to the rules of poetry, is pleased with the comic part, informed by the serious, surprised at the variety of accidents, improved by the language, warned by the frauds, instructed by examples, incensed against vice, and enamoured with virtue; for a good play must cause all these emotions in the soul of him that sees it, though he were never so insensible and unpolished. — Miguel De Cervantes Saavedra

Poetry is ordinary language raised to the nth power. Poetry is boned with ideas, nerved and blooded with emotions, all held together by the delicate, tough skin of words. — Paul Engle

Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason
if the worlds are in any way blurred
the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'. — Raymond Carver

The physical powers of the body cannot be separated from the rationale of the mind and the emotions of the heart. They are one and the same, a compilation of a singular being. It is in the harmony of these three-body, mind, and heart- that we find spirit.
...
Spirit. In every language in all the Realms, surface and Underdark, in every time and every place, the word has a ring of strength and determination. It is the hero's strength, the mother's resilience, and the poor man's armor. It cannot be broken, and it cannot be taken away. — R.A. Salvatore

All human actions are motivated at their deepest level by two emotions
fear or love. In truth there are only two emotions
only two words in the language of the soul ... Fear wraps our bodies in clothing, love allows us to stand naked. Fear clings to and clutches all that we have, love gives all that we have away. Fear holds close, love holds dear. Fear grasps, love lets go. Fear rankles, love soothes. Fear attacks, love amends. — Neale Donald Walsch

Finally, I had held up examples of Goldhagen's inflammatory language and suggested that he had missed the essence of what Primo Levi once called the 'grey zone' of human affairs, described by the historian Christopher Browning as that foggy universe of mixed motives, conflicting emotions, personal priorities, reluctant choices, opportunism and accomodation, all wedded, when convenient, to self-deception and denial. I thought that by marshalling his research into an overly narrow narrative, painted without nuance in black and white, the author had missed the human complexity and the ordinariness of racism. — Erna Paris

I stress the expansion and elaboration of language. In simplifying it, reducing it, we reduce the power of our expression and our power to communicate. Standardization, the use of worn-out formulas, impedes communication because it does not match the subtlety of our minds or emotions, the multimedia of our unconscious life. — Anais Nin

Systems of morals are only a sign-language of the emotions. — Friedrich Nietzsche

The transition from Religion to Scientific contemplation is a violent, dangerous leap, which is not to be recommended. In order to make this transition, art is far rather to be employed to relieve the mind overburdened with emotions. Out of the illogical comes much good. It is so firmly rooted in the passions, in language, in art, in religion, and generally in everything which gives value to life. It is only the naive people who can believe that the nature of man can be changed into a purely logical one. We have yet to learn that others can suffer, and this can never be completely learned. — Friedrich Nietzsche

Tears are pouring down my cheeks like tiny rivers, soaking my shirt with dark patches of my salty happiness. — A.R. Von

For me, language is a freedom. As soon as you have found the words with which to express something, you are no longer incoherent, you are no longer trapped by your own emotions, by your own experiences; you can describe them, you can tell them, you can bring them out of yourself and give them to somebody else. That is an enormously liberating experience ... — Jeanette Winterson

I've had a fair amount of experience with snakes, and I find them to be pretty honest in terms of how you read their body language and emotions. They'll tell you when they're grumpy. They'll tell you when they're okay. — Dominic Monaghan

It is clear from a common sense viewing of the program that coarse language is a part of the culture of the individuals being portrayed. To accurately reflect their viewpoint and emotions about blues music requires airing of certain material that, if prohibited, would undercut the ability of the filmmaker to convey the reality of the subject of the documentary. — Jonathan Adelstein

Jazz music is a language of the emotions. — Charles Mingus

Language is surely too small a vessel to contain these emotions of mind and body that have somehow awakened a response in the spirit. — Radclyffe Hall

Like language, a code of manners can be used with more or less skill, for laudable or for evil purposes, to express a great variety of ideas and emotions. In itself, it carries no moral value, but ignorance in use of this tool is not a sign of virtue. — Judith Martin

An author accepting language's invitation to dance steps onto the floor of his her sensibility-charged consciousness and begins to move instinctively
even if with much dread
in ways that synchronize images, ideas, emotions, sounds, smells, ignorance, and knowledge. — Aberjhani

The things most people need to learn in therapy are related to attachment, abandonment, love, and fear. We are trying to access basic emotional processes that are organized in primitive and early-developing parts of the brain. The language of these emotions is also very basic; it is the language of childhood. The more complex the language and ideas you bring into therapy, the more likely you are to stimulate your clients' intellectualizing defenses. — Louis Cozolino

Although music appeals simply to the emotions, and represents no definite images in itself, we are justified in using any language which may serve to convey to others our musical expressions. Words will often pave the way for the more subtle operations of music, and unlock the treasures which sound alone can rifle, and hence the eternal popularity of song. — Hugh Reginald Haweis

On the one hand, our minds try to probe the ephemeral reality of the quantum world; on the other, we talk, think, and act in a language adapted for discussing trees, rocks, and automobiles
as well as poetry and emotions. — F. David Peat

Language as a real thing is not imitation either of sounds or colors or emotions it is an intellectual recreation and there is nopossible doubt about it and it is going to go on being that as long as humanity is anything. — Gertrude Stein

After studying the Hungarian language for years, I can confidently conclude that had Hungarian been my mother tongue, it would have been more precious. Simply because through this extraordinary, ancient and powerful language it is possible to precisely describe the tiniest differences and the most secretive tremors of emotions. — George Bernard Shaw

When you write your memoir you will understand, perhaps for the first time, the significance of your life through the language, images and emotions you craft from the memory. — Maureen Murdock

The progressive intellectualization of language, its progressive conversion by the work of grammar and logic into a scientific symbolism, ... represents not a progressive drying-up of emotion, but its progressive articulation and specialization. ... We are acquiring new emotions and new means of expressing them. — R.G. Collingwood

With the million or more words contained in the English language, one notorious word has been able to stand out and hold its title as the most physically demanding. Violence; a word commonly bestowed upon embellished acts of crude conflict, and physical contact. The word has never brought good feelings, or good thoughts, but rather emotions of unpleasant behavior due to the severity of its nature. Over the years, violence has evolved from a basic skirmish, to an array of things. Violence in modern day time is now being used to install fear, and to persuade innocent individuals into doing whatever the perpetrator desires, such as: personal gain, rape, and advancement of power. Every day another innocent person is being robbed, and demeaned by violent characters lurking the dark streets. Not only has violence been an ongoing epidemic, but it's only getting worse as the years go on. We see horrendously violent acts being committed every day. — Slavoj Zizek

To pastors and teachers
Compose catechisms particularly to teach prayer, not by reasoning nor by method, for the simple are incapable thereof; but to teach the prayer of the heart, not of the understanding; the prayer of God's Spirit, not of man's invention.
Alas! By wanting them to pray in elaborate forms ... you create their chief obstacles. The children have been led astray from the best of fathers, by your endeavouring to teach them too refined, too polished a language ...
A father is much better pleased with an address which love and respect in the child throws into disorder, because he knows it proceeds from the heart, than by a formal and barren harangue, though ever so elaborate in the composition. The simple and undisguised emotions of filial love are infinitely more expressive than all language and all reasoning. — Jeanne Marie Bouvier De La Motte Guyon

Platitudes are poor substitutes for emotions, this negative space hollowed out and without words. I know the shape of you and it has no name. I know the sound of you and the smell of you and the touch and sight and taste of you. But language departed the same day you did, leaving my mouth empty. — Tania De Rozario

Theologians sometimes have spoken of the "impassibility of God;" namely that God could not be capable of emotions, of either joy and pleasure or pain and grief.237 But this goes beyond the language and teaching of the Scripture. — Timothy J. Keller

[On Chopin's Preludes:]
His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds. His composition of that night was surely filled with raindrops, resounding clearly on the tiles of the Charterhouse, but it had been transformed in his imagination and in his song into tears falling upon his heart from the sky ... The gift of Chopin is [the expression of] the deepest and fullest feelings and emotions that have ever existed. He made a single instrument speak a language of infinity. He could often sum up, in ten lines that a child could play, poems of a boundless exaltation, dramas of unequalled power. — George Sand

Now listen more carefully to depression. Like all feelings, it is a kind of language. Guilt says, "I am wrong." Anger says, "You are wrong." Fear says, "I am in danger." Depression, too, has a message, but the message is usually not that simple. "Whereas some emotions are clear and unambiguous, depression's language is more heavily encrypted. It might take some decoding before it is understandable, but it is worth the effort. RECONSTRUCTING — Edward T. Welch

Spirituality is a natural part of ourselves, as natural as emotions, but we've got all the language wrong and made this divide between secularism and spirituality, whereas instead it's about being human. — Alan Green

Feelings or Emotions are the universal language and are to be honored. They are the authentic expression of who you are in your deepest place. — Judith Wright

Some poets travel to distant lands and bring back exotic sights and smells. But others go to witness turmoil or violence, to be at the center of political or social change and to bring back the news - not as journalists do, but shaped through language and image in ways that awaken our sensibilities and our emotions ["Yahya Frederickson in Yemen: The Gold of the Wayfarer," The Millions, December 5, 2014]. — Athena Kildegaard

A day of dappled seaborne clouds.
The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose? — James Joyce

Poetry is an art of expressing the unknown music of our inner feelings and emotions in our known language. — Debasish Mridha

Jamie's viewpoint is expressed almost entirely in metaphor: If she was broken, she would slash him with her jagged edges, reckless as a drunkard with a shattered bottle. He's using physical language, but he isn't talking about the physical details of the situation. Claire alludes to her emotion and shows it by her actions, but Jamie is thinking directly in pure emotions. — Diana Gabaldon

The standards for defining the existence of emotions in animals begin with those in common use for humans. One should demand no more proof that an animal feels an emotion than would be demanded of a human - and, like humans, the animal should be permitted to speak its own emotional language, which it is up to the beholder to understand. — Jeffrey Moussaieff Masson

I must pour out my heart in the language which his Spirit gives me; and more than that, I must trust in the Spirit to speak the unutterable groanings of my spirit, when my lips cannot actually express all the emotions of my heart. — Charles Spurgeon

What is the real function, the essential function, the supreme function, of language? Isn't it merely to convey ideas and emotions? Certainly. Then if we can do it with words of fonetic brevity and compactness, why keep the present cumbersome forms? — Mark Twain

Even when other powers have been lost and people may not even be able to understand language, they will nearly always recognize and respond to familiar tunes. And not only that. The tunes may carry them back and may give them memory of scenes and emotions otherwise unavailable for them. — Oliver Sacks

Language is artificial, but our feelings are natural, inner, and universal. There are many languages, but feelings are the same for everyone. We can only describe it in different ways. A poet tries to sing the song of these feelings in different tunes with different music mixing with the inner emotions of the reader. — Debasish Mridha

In this respect I suppose I'm the total opposite of Garry. With his very emotive body language at the board he shows and displays all his emotions. I don't. — Vladimir Kramnik

Sarcasm is the language of people whose emotions are dying. — Barry Webster

As for most writers, language is vital for me: a writer's ability to render a fictional world - characters, landscape, emotions - into something original that alters or deepens my understanding of both literature and life. — Dinaw Mengestu

Poetry is language that speaks to our hearts. And I'm using the biblical word heart. I think the closest equivalent to that in 21st-century language is our imaginations. The heart, in biblical physiology, is the center of our emotions, but also of our intellect. Those two things cannot be separated. And poetic language is precise. It is detailed, it's realistic, but it is not the discursive language of mere fact. — Krista Tippett

We cannot see the best things in life, we can only feel them. A poet tries to describe those indescribable feelings in a language of emotions and inner perceptions. — Debasish Mridha

She was a keen observer, a precise user of language, sharp-tongued and funny. She could stir your emotions. Yes, really, that's what she was so good at - stirring people's emotions, moving you. And she knew she had this power ... I only realized later. At the time, I had no idea what she was doing to me. — Haruki Murakami

When words fail to express the exalted sentiments and finer emotions of the human heart, music becomes the sublimated language of the soul, the divine instrumentality for its higher utterance. — Hans Hinrich Wendt

Lacking a shared language, emotions are perhaps our most effective means of cross-species communication. We can share our emotions, we can understand the language of feelings, and that's why we form deep and enduring social bonds with many other beings. Emotions are the glue that binds. — Marc Bekoff

Studies have shown touch to be the primary language of compassion, love and gratitude - emotions at the heart of trust and cooperation - even more than facial expressions and voice. Touch is the central medium in which the goodness of one individual can spread to another. Touch is the original contact high. — Dacher Keltner

No, I'm no patriot, nor was I ever allowed to be. And yet, the
country of my childhood lives within me with a primacy that is
a form of love. It lives within me despite my knowledge of our
marginality, and its primitive, unpretty emotions. Is it blind
and self-deceptive of me to hold on to its memory? I think it
would be blind and self-deceptive not to. All it has given me is
the world, but that is enough. It has fed me language, percep-
tions, sounds, the human kind ... no geometry of landscape,
no haze in the air, will live in us as intensely as the landscapes
that we saw as the fi rst, and to which we gave ourselves wholly,
without reservation. — Eva Hoffman

She would not say of any one in the world that they were this or were that. She felt very young; at the same time unspeakably aged. She sliced like a knife through everything; at the same time was outside, looking on. She had a perpetual sense, as she watched the taxi cabs, of being out, far out to the sea and alone; she always had the feeling that it was very, very dangerous to live even one day. Not that she thought herself clever, or much out of the ordinary. How she had got through life on the few twigs of knowledge Fraulein Daniels gave them she could not think. She knew nothing; no language, no history; she scarcely read a book now, except memoirs in bed; and yet to her it was absolutely absorbing; all this; the cabs passing; and she would not say of Peter, she would not say of herself, I am this, I am that. — Virginia Woolf

Emotion, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster."
... most of my emotions are hybrids. But not all. Some are pure and unadulterated. Jealousy, for instance. — Jeffrey Eugenides

The tear is the language of the soul and the voice of the feeling. — Filippo Pananti

I feel often that we don't have the right language to talk about emotions in disasters. Everyone is on edge, of course, but it also pulls people away from a lot of trivial anxieties and past and future concerns and gratuitous preoccupations that we have, and refocuses us in a very intense way. — Rebecca Solnit

Jazz is the language of the emotions. — Charles Mingus

Among both the learned and the not so learned it is accepted that poetry can be the language of the emotions; what does not gain such ready acceptance is that poetry is a living language whose syllables fall naturally into verse. And yet both these effects may be illustrated simultaneously by the easy experiment of dropping a weight on your toe. Any really prolonged and heartfelt profanity may lack originality but its imagery is elaborately fantastic; and it invariably scans. — R.D. Fitzgerald

You hear sounds and orchestration, it's ... the fastest way, I think, to your emotions, even if you don't understand the language of the song. — Sandra Bullock