Language Of Art Quotes & Sayings

Long looking at paintings is equivalent to being dropped into a foreign city, where gradually, out of desire and despair, a few key words, then a little syntax make a clearing in the silence. Art ... is a foreign city, and we deceive ourselves when we think it familiar ... We have to recognize that the language of art, all art, is not our mother-tongue. — Jeanette Winterson

Language is the most massive and inclusive art we know, a mountainous and anonymous work of unconscious generations. — Edward Sapir

The question 'Why poetry?' isn't asking what makes poetry unique among art forms; poetry may indeed share its origins with other forms of privileged utterance. A somewhat more interesting question would be: "What is the nature of experience, and especially the experience of using language, that calls poetic utterance into existence? What is there about experience that's unutterable?" You can't generalize very usefully about poetry; you can't reduce its nature down to a kernel that underlies all its various incarnations. I guess my internal conversation suggests that if you can't successfully answer the question of "Why poetry?," can't reduce it in the way I think you can't, then maybe that's the strongest evidence that poetry's doing its job; it's creating an essential need and then satisfying it. — Richard Ford

I feel like really thinking about art and really appreciating it and learning the language of it just makes you more of a connoisseur. I believe that. — David Rees

The phrase comes to him before the emotion; but we must add that he is nevertheless a born writer, a man who detests meals, servants, ease, respectability or anything that gets between him and his art; who has kept his freedom when most of his contemporaries have long ago lost theirs; who is ashamed of nothing but being ashamed; who says whatever he has it in his mind to say, and has taught himself an accent, a cadence, indeed a language, for saying it in which, though they are not English, but Irish, will give him his place among the lesser immortals of our tongue. — Virginia Woolf

The aim of language ... is to communicate ... to impart to others the results one has obtained ... As I talk, I reveal the situation ... I reveal it to myself and to others in order to change it. — Jean-Paul Sartre

No one questions the fact that verbal language has to be learned, but the commonplaceness of visual experience betrays art; people tend to assume that, because they can see, they can see art. — Anne Truitt

He who has learned what is commonly considered the whole art of painting, that is, the art of representing any natural object faithfully, has as yet only learned the language by which his thoughts are to be expressed. — John Ruskin

Poetry is an art practiced with the terribly plastic material of human language. — Carl Sandburg

If what is seen and experienced is portrayed in the language of logic, then it is science. If it is communicated through forms whose connections are not accessible to the conscious mind but are recognized intuitively, then it is art. — Albert Einstein

A programming language that is sort of like Pascal except more like assembly except that it isn't very much like either one, or anything else. It is either the best language available to the art today, or it isn't. — Raymond Simard

Hip-hop started as this niche moment, and the values of it, the cultures that it carried on its back; language, clothes, the way you wear your clothes, the items that you consume, all came with the music as an art form. And those things helped transform how people buy, shop, speak, engage. — Steve Stoute

Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors. — Rudolf Arnheim

Those words ... national and portrait. They were both to do with identity: the identity of a culture (place, language and history), the identity of an individual human being as an object for mimetic representation. — A.S. Byatt

For the last fifty years or so, The Novel's demise has been broadcast on an almost weekly basis. Yet it strikes me that whatever happens, however else the geography of the imagination might modify in the future in, say, the digital ether, The Novel will continue to survive for some long time to come because it is able to investigate and cherish two things that film, music, painting, dance, architecture, drama, podcasts, cellphone exchanges, and even poetry can't in a lush, protracted mode. The first is the intricacy and beauty of language - especially the polyphonic qualities of it to which Bakhtin first drew our attention. And the second is human consciousness. What other art form allows one to feel we are entering and inhabiting another mind for hundreds of pages and several weeks on end? — Lance Olsen

So the aim for the press was a mixture of things: to publish under-represented writing, which is an intersection of original language, style, content, and often its author's gender. To publish it properly, in a way that makes it clear that this is art, not anthropology. To spotlight the importance of translation in making cultures less dully homogenous. — Deborah Smith

The being level speaks the language of art, music, color shape and pattern directly
a language that requires no words
is not limited by words
nor does it have the specificity of words and thus cannot be broken onto parts that can be manipulated or analyzed by the intellect. It must be swallowed, whole not parsed, sorted and justified. — Thomas Campbell

Since the days of Peter the Great, Russia had looked to the West for her civilization, even to the extend of adopting French as a second language - or as a first for people of station and learning. The United States, recently cut loose politically from England, still drew heavily on the Old World for her art, literature, science and philosophy. Intellectuals from both nations flocked to Europe in search of eduction and aesthetic stimulation, and many became so enthralled with European civilization that they failed to return. In Russia as well as in the United States many an indignant patriot would rant about the need for serving European apron strings. — Perry D. Westbrook

The mere existence of 'Buffy' proves the declinists wrong about one thing: Hollywood commercialism can produce great art. Complex and evolving characters. Playful language. Joy and sorrow, pathos and elation. Episodes that dare to be different - to tell stories in silence or in song. Big themes and terrible choices. — Virginia Postrel

What's the impulse behind art? It's saying in whatever language is the language of your work, "If I could move you as much as it moved me ... if I can move anyone a tenth as much as that moved me, if I can spark the same sense of mystery and awe and surprise as that sparked in me, well that's why I do what I do." — Greil Marcus

The healing power of art is not a rhetorical fantasy. Fighting to keep language, language became my sanity and my strength. It still is, and I know of no pain that art cannot assuage. For some, music, for some, pictures, for me, primarily, poetry, whether found in poems or in prose, cuts through noise and hurt, opens the wound to clean it, and then gradually teaches it to heal itself. Wounds need to be taught to heal themselves. — Jeanette Winterson

Art is a means of memorialization of the past, a record of a rapidly vanishing world; a means of exorcising, at least temporarily, the ravages of homesickness. To speak of 'what is past, or passing or to come'-in the most meticulous language thereby to assure its permanence; to honor those we've loved and learned from and must outlive. — Joyce Carol Oates

No heirloom of humankind captures the past as do art and language. — Theodore Bikel

We must remember, however, that art is of value only to the extent that it speaks to us. It might be a universal language if we ourselves were universal in our sympathies. — Okakura Kakuzo

As far as I can tell, there are two kinds of poets: those who want to tell stories and sing songs, and those who want to work out the chemical equation for language and pass on their experiments as poetry. — Simon Armitage

Art transcends war. Art is the language of God and war is the barking of men. Beethoven is bigger than war. — Fannie Hurst

We should free ourselves from the narrowness of being related only to those familiar to us, either by the fact that they are blood relations or, in a larger sense, that we eat the same food, speak the same language, and have the same " common sense." Knowing men in the sense of compassionate and empathetic knowledge requires that we get rid of the narrowing ties of a given society, race or culture and penetrate to the depth of that human reality in which we are all nothing but human. True compassion and knowledge of man has been largely underrated as a revolutionary factor in the development of man, just as art has been. It is a noteworthy phenomenon that in the development of capitalism and its ethics, compassion (or mercy) ceases to be a virtue. — Erich Fromm

Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. — Oscar Wilde

Science is a matter of adjusting language to explain material reality. Art is a matter of adjusting material reality to create a sense of life. — Walter Darby Bannard

In the rare moments I permitted any stillness, I noted a small fluttering at the pit of my belly, a barely perceptible disturbance. The faint whisper of a word would sound in my head: writing. At first I could not say whether it was heartburn or inspiration. The more I listened, the louder the message became: I needed to write, to express myself through written language not only so that others might hear me but so that I could hear myself. The gods, we are taught, created humankind in their own image. Everyone has an urge to create. Its expression may flow through many channels: through writing, art, or music or through the inventiveness of work or in any number of ways unique to all of us, whether it be cooking, gardening, or the art of social discourse. The point is to honor the urge. To do so is healing for ourselves and for others; not to do so deadens our bodies and our spirits. When I did not write, I suffocated in silence. — Gabor Mate

Hip-hop culture is probably one of the most powerful things to come out of America in a long time - everything from the music to the art to the dance to the language. — Will.i.am

The extension of the moral-historical perspective makes the meaning of the thesis of the athletic and somatic renaissance apparent. At the transition from the nineteenth to the twentieth century, the phenomenon labelled the 'rebirth of antiquity' in the language regulations of art history entered a phase that fundamentally modified the motives of our identification with cultural relics from antiquity, even from the early classical period. Here, as we have seen, one finds a regression to a time in which the changing of life had not yet fallen under the command of life-denying asceticisms. This 'supra-epochal' time could just as easily be called the future, and what seems like a regression towards it could also be conceived of as a leap forwards. — Peter Sloterdijk

Design is a form of competitive advantage. People tend to think of design as good art, good visual language, which it absolutely has to be. But it's also about the ability to do systems thinking. — James P Hackett

We think only through the medium of words. Languages are true analytical methods. Algebra, which is adapted to its purpose in every species of expression, in the most simple, most exact, and best manner possible, is at the same time a language and an analytical method. The art of reasoning is nothing more than a language well arranged. — Antoine Lavoisier

But it is not time constraints alone that produce such fragmented and discontinuous language. When a television show is in process, it is very nearly impermissible to say, "Let me think about that" or "I don't know" or "What do you mean when you say ... ?" or "From what sources does your information come?" This type of discourse not only slows down the tempo of the show but creates the impression of uncertainty or lack of finish. It tends to reveal people in the act of thinking, which is as disconcerting and boring on television as it is on a Las Vegas stage. Thinking does not play well on television, a fact that television directors discovered long ago. There is not much to see in it. It is, in a phrase, not a performing art. But television demands a performing art. — Neil Postman

An inquiry which I once made into the psychology of the Indian sign language with a view to discovering a possible relation between it and Greek manual gesture as displayed in ancient graphic art, led to the conclusion that Indian rhythms arise rather in the centre of self-preservation than of self-consciousness. Which is only another way of saying that poetry is valued primarily by the aboriginal for the reaction it produces within himself rather than for any effect he is able to produce on others by means of it. — Carl Sandburg

You have a person in a very tiny cell banging himself from one wall to the other and not being able to find any way out of it. What that person can do is talk. Is create a whole balloon of language which would carry him through the ceiling to somewhere else. This is the art. This is what a story is. — Dan Miron

TV is a language all its own, a land of one dimensional stereotypes that destroys culture, not adds to it. TV is anti-art, a reflection of consumerism that serves the power structure. TV is about demographics. — Roseanne Barr

For centuries the writing-desk has contained sheets fit precisely for the communication of friends. Masters of language, poets of long ages, have turned from the sheet that endures to the sheet that perishes, pushing aside the tea-tray, drawing close to the fire (for letters are written when the dark presses around a bright red cave), and addressed themselves the task of reaching, touching, penetrating the individual heart. — Virginia Woolf

What horrors of damp huts, where human beings languish, ma not become picturesque through aerial distance? What hymning of cancerous vices may we not languish over as sublimest art in the safe remoteness of a strange language and artificial phrase! Yet we keep a repugnance to rheumatism and other painful effects when presented in our personal experience. — George Eliot

I once saw a small child go to an electric light switch as say, "Mamma, can I open the light?" She was using the age-old language of exploration, the language of art. It was a sort of metaphor, but she was not using it as ornamentation. — Ezra Pound

To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up. — George Orwell

Maybe that's why Claire had perfected the art of invisibility. It was a form of self-preservation. You couldn't resent what you could not see. She was so quiet, but she noticed everything. Her eyes tracked the world like it was a book written in a language that she could not understand. There was nothing timorous about her, but you got the feeling that she always had one foot out the door. If the situation got too hard, or too intense, she would simply disappear. — Karin Slaughter

Words may be false and full of art; Sighs are the natural language of the heart. — Thomas Shadwell

Of course they won't bloody remember, they'll be dead.' Then she called him a name in a dead language that translated, roughly, to 'poop on a stick,' but sounded more succinct, like this: 'Of course they won't bloody remember, they'll be dead, Poopstick. — Christopher Moore

Art is one of the dirtiest words in our language; it's mucked up with all kinds of meanings. There's the art of plumbing; there's the art of almost anything that you can say. — Wayne Thiebaud

Among the language of the American Indians, there is no word for 'art' ... For Indians, everything is art ... therefore needs no name. — Jamake Highwater

For me, art in our time is strongest when it is aware of science, includes science, is inspired by science, or is about science. On the linguistic level, the new words coined by scientists to describe their new discoveries form a giant growing lexicon that means English is simply bursting with new possibilities, resembling the Elizabethan age in that respect. Then conceptually, science is creating new stories to tell, by deluging us with new information and potentialities. In this deluge we need art to do its usual job of sorting things out, by giving things their human dimension and by exploring how they might feel and what they might mean. So to me the arts and the sciences are completely intertwined. Maybe that's always been true, but now more than ever. — Kim Stanley Robinson

An art whose medium is language will always show a high degree of critical creativeness, for speech is itself a critique of life: it names, it characterizes, it passes judgment, in that it creates. — Thomas Mann

I'm not anti conceptual art. I don't think painting must be revived, exactly. Art reflects life, and our lives are full of algorithms, so a lot of people are going to want to make art that's like an algorithm. But my language is painting, and painting is the opposite of that. There's something primal about it. It's innate, the need to make marks. That's why, when you're a child, you scribble. — Jenny Saville

Text of pleasure: the text that contents, fills, grants euphoria; the text that comes from culture and does not break with it, is linked to a comfortable practice of reading.
Text of bliss: the text that imposes a state of loss, the text that discomforts (perhaps to the point of a certain
boredom), unsettles the reader's historical, cultural, psychological assumptions, the consistency of his tastes, values, memories, brings to a crisis his relation with language.
Now the subject who keeps the two texts in his field and in his hands the reins of pleasure and bliss is an anachronic subject, for he simultaneously and contradictorily participates in the profound hedonism of all culture (which permeates him quietly under the cover of an "art de vivre" shared by the old books) and in the destruction of that culture: he enjoys the consistency of his selfhood (that is his pleasure) and seeks its loss (that is his bliss). He is a subject split twice over, doubly perverse. — Roland Barthes

Therefore, the two processes, that of science and that of art, are not very different. Both science and art form in the course of the centuries a human language by which we can speak about the more remote parts of reality, and the coherent sets of concepts as well as the different styles of art are different words or groups of words in this language. — Werner Heisenberg

I believe that a work of art, like metaphors in language, can ask the most serious, difficult questions in a way which really makes the readers answer for themselves; that the work of art far more than an essay or a tract involves the reader, challenges him directly and brings him into the argument. — George Steiner

The Greeks were so committed to ideas as supernatural forces that they created an entire group of goddesses (not one but nine) to represent creative power; the opening lines of both The Iliad and The Odyssey begin with calls to them. These nine goddesses, or muses, were the recipients of prayers from writers, engineers, and musicians. Even the great minds of the time, like Socrates and Plato, built shrines and visited temples dedicated to their particular muse (or muses, for those who hedged their bets). Right now, under our very secular noses, we honor these beliefs in our language, as the etymology of words like museum ("place of the muses") and music ("art of the muses") come from the Greek heritage of ideas as superhuman forces. — Scott Berkun

Art is a language, an instrument of knowledge, an instrument of communication. — Jean Dubuffet

What we call music in our everyday language is only a miniature, which our intelligence has grasped from that music or harmony of the whole universe which is working behind everything, and which is the source and origin of nature. It is because of this that the wise of all ages have considered music to be a sacred art. For in music the seer can see the picture of the whole universe; and the wise can interpret the secret and nature of the working of the whole universe in the realm of music. — Hazrat Inayat Khan

But if your language is intended to be the medium of an art if you, its user, are an artist and not a reporter, a persuader, a raconteur; if you aren't writing principally to get praise or pay, but wish to avoid the busy avenues of entertainment, to traffic in the tragic maybe, dig down to the deeply serious; then (although there are a few exceptional and contrary cases) you will understand right away how blessed you are by the language you were born with, the language you began to amster in the moment you also started to learn about life, to read the lines on faces, the light in the window which meant milk, the door which deprived you of mother, the half-songs sung by that someone who lonaed you the breast you suckled - the breast you claimed as more than kin. — William H Gass

The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images. — Camille Paglia

In the days of Prismatic Color
not in the days of Adam and Eve, but when Adam
was alone; when there was no smoke and color was
fine, not with the refinement
of early civilization art, but because
of its originality; with nothing to modify it but the
mist that went up, obliqueness was a variation
of the perpendicular, plain to see and
to account for: it is no
longer that; nor did the blue-red-yellow band
of incandescence that was color keep its stripe — Marianne Moore

Art breaks open a dimension inaccessible to other experience, a dimension in which human beings, nature, and things no longer stand under the law of the established reality principle ... The encounter with the truth of art happens in the estranging language and images which make perceptible, visible, and audible that which is no longer, or not yet, perceived, said, and heard in everyday life. — Herbert Marcuse

Spirit in its human manifestation is man's response to his You. Man speaks in many tongues - tongues of language, of art, of action - but the spirit is one; it is response to the You that appears from the mystery and addresses us from the mystery. Spirit is word. And even as verbal speech may first become word in the brain of man and then become sound in his throat, although both are merely refractions of the true event because in truth language does not reside in man but man stands in language and speaks out of it - so it is with all words, all spirit. Spirit is not in the I but between I and You. It is not like the blood that circulates in you but like the air in which you breathe. Man lives in the spirit when he is able to respond to his You. He is able to do that when he enters into this relation with his whole being. It is solely by virtue of his power to relate that man is able to live in the spirit. — Martin Buber

I don't want to make a big deal about this or anything, but I think it's kind of cool how you do everything you do."
I squinted at him.
"I mean, you use sign language, and it's hard to communicate. But you're into art and you can seriously cook and, for goodness' sakes, you can even jitterbug. By the way, I told my mom, and she wants a video. Totally doesn't believe me. But, yeah, I think it's nice that you don't let a little hitch in life slow you down. I admire that."
I smiled. For a minute, I admired myself, too. He didn't know how deep my problems ran, but he was right all the same. It was no small thing to try, to find out what you cared about in life. Even this moment, with this wonderful, temporary boy beside me, was a tiny miracle. I ought to give myself some credit. — Kiera Cass

Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art ... He declared that he wanted to kill art ("for myself") but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object". — Jasper Johns

Nas' Illmatic blew my mind when I first heard it. The poetry was done on such a high level that in a way, it validated our existence, our culture. He used the language of the street at the time and made it art. Art tends to be validating. — Erik Parker

Our ability to perceive quality in nature begins, as in art, with the pretty. It expands through successive stages of the beautiful to values as yet uncaptured by language. — Aldo Leopold

I realized with grief that purposeless activities in language arts are probably the burial grounds of language development and that coffins can be found in most classrooms, including mine. — Mem Fox

Chemistry has the same quickening and suggestive influence upon the algebraist as a visit to the Royal Academy, or the old masters may be supposed to have on a Browning or a Tennyson. Indeed it seems to me that an exact homology exists between painting and poetry on the one hand and modem chemistry and modem algebra on the other. In poetry and algebra we have the pure idea elaborated and expressed through the vehicle of language, in painting and chemistry the idea enveloped in matter, depending in part on manual processes and the resources of art for its due manifestation. — James Joseph Sylvester

DYER. No, I am not of your Mind, for the Dialogue was fitted up with too much Facility. Words must be pluckt from Obscurity and nourished with Care, improved with Art and corrected with Application. Labour and Time are the Instruments in the perfection of all Work. — Peter Ackroyd

Whether you love Bach or would rather listen to a composition produced by Kulitta Software, Bach has and will continue to demand the we approach and answer the question, 'what is the art, science and language of music? — Anastasia Lily

Literature is the aesthetic exploitation of language — Anthony Burgess

Language, thought, analysis, art, dance, poetry, mythmaking: these are the things that point the way toward the realm of the eschaton. — Terence McKenna

Invisible prose only!" rules out the sparkling style of [writers] ... For [whom] vivid prose, and the visionary mind it evinces, rich with speculation, insight, and subjectivity, is the craft and offers a unique caliber of truth. Is there any other art form one would praise by saying it's "invisible"? By definition, art transcends the ordinary, calls attention to itself, and offers virtuosity as its calling card. One that makes it possible to do what metaphor does so well: illuminate what can't be wholly understood. — Diane Ackerman

Indeed art is fundamental : to science, mathematics and to language. Unfortunately theorists, educators, parents and administrators have not fully understood its importance, relegating it to a secondary role, or that of an add on. — John A. Hiigli

Literature might be called the art of story, and story might in turn be called a universal language, for every culture we know of has a tradition of storytelling. No doubt stories have touched your life, too, from bedtime stories you may have heard as a child to news stories you see on TV or read in a newspaper. We might even say that a major goal of living is to created the story of our own lives, a story we hope to take pleasure and pride in telling. — Andrea A. Lunsford

Art - in all of its forms - is not exclusive. It does not belong to any class, cast or country. Its matchless ability to express the most basic human impulses is only strengthened by its universality. It transcends language and culture, bridges social and political chasms and nurtures a collective understanding. It engenders hope, rebuilds self-respect and restores humanity. Art is a motivator, a force of empowerment and a source of support for people of all races, nationalities, ages, economic situations and genders. It is ageless, timeless and breaks through many barriers. Art brings strength to those who lack confidence, wish for a mental escape from harsh environments or who seek to restore happiness and hope in times of great need." Artfully AWARE 5 — Artfully Aware

The function, the very serious function of racism is distraction. It keeps you from doing your work. It keeps you explaining, over and over again, your reason for being. Somebody says you have no language and you spend twenty years proving that you do. Somebody says your head isn't shaped properly so you have scientists working on the fact that it is. Somebody says you have no art, so you dredge that up. Somebody says you have no kingdoms, so you dredge that up. None of this is necessary. There will always be one more thing. — Toni Morrison

The explanation of this perennial quality of Arabic is to be found simply in the conserving role of nomadism. It is in towns that languages decay, by becoming worn out, the things and institutions they designate. Nomads, who live to some extent outside time, conserve their language better; it is, moreover, the only treasure they can carry around with them in their pastoral existence; the nomad is a jealous guardian of his linguistic heritage, his poetry and his rhetorical art. On the other hand, his inheritance in the way of visual art cannot be rich; architecture presupposes stability, and the same is broadly true of sculpture and painting. — Titus Burckhardt

Those in whom the faculty of reason is predominant, and who most skillfully dispose their thoughts with a view to render them clear and intelligible, are always the best able to persuade others of the truth of what they lay down, though they should speak only in the language of Lower Brittany, and be wholly ignorant of the rules of rhetoric; and those whose minds are stored with the most agreeable fancies, and who can give expression to them with the greatest embellishment and harmony, are still the best poets, though unacquainted with the art of poetry. — Rene Descartes

Visual journals are created in a secret language of symbols. Intentional or not, they are private maps only their makers can follow. — Jennifer New

It is not that complexity is overrated, but is is overcomplicated; it is not that obscurity is too obscure, it's that the underside grows grungy if it isn't exposed to the change of air;
it is not that the language is exhausted, it is that we run down; it's not that the edge won't cut anymore, it is that the cuts are getting thinner;
it's not that art is artificial, it is that the artists get outright seditty; it's not that literary reputations are not inevitable, it's that they are invented;
not that theories are not beautiful, but that they are feeble — C.D. Wright

In religion, as in art and science, there are - in addition to times of great excitement - times of sober work and practice. Interaction with God must be practiced; otherwise we will not find the right tone, the right word, the right language, when he surprises us. We must learn God's language, laboriously learn it. And we must work at it, so that we will be able to talk with him. — Dietrich Bonhoeffer

The art of music, rather more daughter than imitator of nature, in her impressive and mysterious language minding and educating us, rouses directly our temper and rules us to the depths of our souls. — Carl Maria Von Weber

Art works because it appeals to certain faculties of the mind. Music depends on details of the auditory system, painting and sculpture on the visual system. Poetry and literature depend on language. — Steven Pinker

If we trace out what we behold and experience through the language of logic, we are doing science; if we show it in forms whose interrelashionships are not accessible to our conscious thought but we are intuitively recognized as meaningful, we are doing art.. — Albert Einstein

You don't have to be Michelangelo to teach basic art, just as you don't have to be Shakespeare to be able to teach the correct use of language. — Charles De Lint

Art is a meta-language, with the help of which people try to communicate with one another; to impart information about themselves and assimilate the experience of others. Again, this has not to do with practical advantage but with realising the idea of love, the meaning of which is in sacrifice: the very antithesis of pragmatism. I simply cannot believe that an artist can ever work only for the sake of 'self-expression.' Self-expression if meaningless unless it meets with a response. For the sake of creating a spiritual bond with others it can only be an agonising process, one that involves no practical gain: ultimately it is an act of sacrifice. But surely it cannot be worth the effort merely for the sake of hearing one's own echo? — Andrei Tarkovsky

An author's extraliterary utterance (blunt information), prenovel or postnovel, may infiltrate journalism; it cannot touch the novel itself. Fiction does not invent out of a vacuum, but it invents; and what it invents is, first, the fabric and cadence of language, and then a slant of idea that sails out of these as a fin lifts from the sea. The art of the novel (worn yet opulent phrase) is in the mix of idiosyncratic language - language imprinted in the writer, like the whorl of a fingertip - and an unduplicable design inscribed on the mind by character and image. Invention has little capacity for the true-to-life snapshot. It is true to its own stirrings. — Cynthia Ozick

A language not based on universal symbols or sensations is gibberish, a pitfall of modern art, no longer modern. — Nelson Shanks

Ever since his first ecstasy or vision of Christminster and its possibilities, Jude had meditated much and curiously on the probable sort of process that was involved in turning the expressions of one language into those of another. He concluded that a grammar of the required tongue would contain, primarily, a rule, prescription, or clue of the nature of a secret cipher, which, once known, would enable him, by merely applying it, to change at will all words of his own speech into those of the foreign one. His childish idea was, in fact, a pushing to the extremity of mathematical precision what is everywhere known as Grimm's Law - an aggrandizement of rough rules to ideal completeness. Thus he assumed that the words of the required language were always to be found somewhere latent in the words of the given language by those who had the art to uncover them, such art being furnished by the books aforesaid. — Thomas Hardy

Language, after all, is only the use of symbols, and Art also can only affect us through symbols. — George Henry Lewes

After living with his art in my own chamber, I saw there was more than mere mimicry, and that art was a world unto itself, with its own symbols and language. A leaf seen in a certain light might be gray or violet as well as purple, and a latticework of twigs might easily turn red as the sky paled above the city. — Alice Hoffman

Nick commenced a monologue explaining the impossibility of such a phenomenon: the subordination of content to the aesthetics of language in Arabic literature, the dominance of panegyrics and eulogies as an art form, etc. — Rabih Alameddine

I heard someone say he [Carl Sandburg] was the kind of writer who had everything to gain and nothing to lose by being translated into another language. — Robert Frost

We need to understand that every time an elementary teacher captures the imagination of a child through the arts or music of language this nation gets a little stronger. — Richard Riley

What Artistic and Scientific Experience Have in Common - Where the world ceases to be the scene of our personal hopes and wishes, where we face it as free beings admiring, asking, and observing, there we enter the realm of Art and Science. If what is seen and experienced is portrayed in the language of logic, we are engaged in science. If it is communicated through forms whose connections are not accessible to the conscious mind but are recognized intuitively as meaninful, then we are engaged in art. Common to both is the loving devotion to that which transcends personal concerns and volition. — Albert Einstein

In a sense, one could speak of the secret life of colour. Despite its outward beckoning, like true beauty, colour is immensely hesitant in giving away its secrets. Painters learn to respect the hesitancy of colour and endeavour to refine their skill to become worthy of its revelations. A painter learns the language of colour slowly. As with any language, you struggle for a long time outside the language. There is a willed deliberateness to how you sequence the strange words to make a sentence.Then one day the language lets you in to where the words dance to your thoughts with ease and fluency. Perhaps for the painter there is a day when colour lets him in, when his palette sings with synergy and delight. — John O'Donohue

Poetry is an art of expressing the unknown music of our inner feelings and emotions in our known language. — Debasish Mridha

Lies, fictions and untrue suppositions can create new human truths which build technology, art, language, everything that is distinctly of Man. The word "stone" for instance is not a stone, it is an oral pattern of vocal, dental and labial sounds or a scriptive arrangement of ink on a white surface, but man pretends that it is actually the thing it refers to. Every time he wishes to tell another man about a stone he can use the word instead of the thing itself. The word bodies forth the object in the mind of the listener and both speaker and listener are able to imagine a stone without seeing one. All the qualities of stone can be metaphorically and metonymically expressed. "I was stoned, stony broke, stone blind, stone cold sober, stonily silent," oh, whatever occurs. More than that, a man can look at a stone and call it a weapon, a paperweight, a doorstep, a jewel, an idol. He can give it function, he can possess it. — Stephen Fry

In all the Kalahari Desert, only six true hunters remained. The renegades agreed to let Louis hang around, an offer he took to the extreme; once installed, Louis acted like an unemployed in-law, basically squatting with the Bushmen for the next four years ... He learned to keep his campfire burning and tent zipped even on the most sweltering nights, since packs of hyenas were known to drag people from open shelters and tear out their throats. He leaned that if you stumble upon an angry lioness and her cubs, you stand tall and make her back down, but in the same situation with a rhino, you run like hell. (p. 234) Know why people run marathons? he said ... Because running is rooted in our collective imagination, and our imagination is rooted in running. Language, art, science; space shuttles ... intravascular surgery, they all had their roots in our ability to run. Running was the superpower that made us human- which means it's a superpower all humans possess. (p. 239) — Christopher McDougall

Greek is doubtless the most perfect [language] that has been contrived by the art of man. — Edward Gibbon