Language And Pain Quotes & Sayings

I'm talking to a journalist and I really have nothing to say anymore, this is already uncomfortable. I feel the pain coming already. The brutal pain, when one day I should read your edit of whatever I say, because no matter what I say, no matter how I say it, no matter its tone, its frequency range, its decibel level or the way in which I put the words together, no matter my intentions and no matter the truth. What I'll read one day will be a chastised, manipulated abortion of your misunderstandings, your manipulations, your agenda and your amateur use of the English language. — Vincent Gallo

Ahab and aguish lay stretched together in one hammock. — Herman Melville

...Religious observances, once so full of suffering and awe, have become accommodating and benign. Teachers go out of their way to avoid embarrassing, insulting, overworking, or otherwise vexing their students. Each year public language is further purged of impurities that might injure sensitive groups. Prime-time television series seem dedicated to the comforting message that things are really okay.
Indeed, modern society's war on pain has been vastly more successful than its war on pain's causes. — Robert Grudin

And she smiles and she utters unearthly things and she utters not in any known language, in stars and pain, pulque she says I am devouring time and the earth — Carole Maso

You can spot people who don't know Jesus very well because the world they see is always so ugly. Even if they use all sorts of religious language, don't be misled - people who get touched by Jesus don't ignore the hurt and pain in the world, and yet they see so much beauty in it. — Jonathan Martin

We thought we were special, opening our perceptions, honing our empathy, spilling that cauldron of shared pain onto the dance floor of language and then trying to make a minuet out of all that chaotic hurt. It doesn't matter a damn bit. We're no avatars, no sons of god or man. We're only us, scribbling our conceits alone, reading alone, and dying alone. — Dan Simmons

Dale's father edited an English-language newspaper in Bombay and Dale always shouted "Aiee!" when he was in pain. It had amazed me greatly when I first heard him stubbing his toe against the foot of the bed in the dormitory, since I had never imagined that expressions of pain could vary. I had thought "Ouch!" and "Ow!" were the same all over the world. I had suffered a hot and bothered exchange in my first French lesson, for example, when I was told that the French for "Oh!" was "Ah!"
"Then how do they say 'Oh,' sir?"
"They say 'Ah.'"
"Well then, how do they say 'Ah'?"
"Don't be stupid, Fry."
I had sulked for the rest of the lesson. — Stephen Fry

Always the pain, the chaos of composition. He could not find order in the field of little symbols. They were in the hazy distance. He could not clearly see the picture that is called a word. A word is also a picture of a word. He saw spaces, incomplete features, and tried to guess at the rest.
He made wild tries at phonetic spelling. But the language tricked him with its inconsistencies. He watched sentences deteriorate, powerless to make them right. The nature of things was to be elusive. Things slipped through his perceptions. He could not get a grip on the runaway world. — Don DeLillo

Everyone's talking about the death and disappearance of the book as a format and an object. I don't think that will happen. I think whatever happens, we have to figure out a way to protect our imaginations. Stories and poetry do that. You need a language in this world. People want words, they want to hear their situation in language, and find a way to talk about it. It allows you to find a language to talk about your own pain.
If you give kids a language, they can use it. I think that's what these educators fear. If you really educate these kids, they aren't going to punch you in the face, they are going to challenge you with your own language. — Jeanette Winterson

People frequently comment on the emptiness in one night stands, but emptiness here has always been just another word for darkness. Blind encounters writing sonnets no one can ever read. Desire and pain communicated in the vague language of sex.
None of which made sense to me until much later when I realized everything I thought I'd retained of my encounters added up to so very little, hardly enduring, just shadows of love outlining nothing at all. — Mark Z. Danielewski

At grief so deep the tongue must wag in vain; the language of our sense and memory lacks the vocabulary of such pain. — Dante Alighieri

The healing power of art is not a rhetorical fantasy. Fighting to keep language, language became my sanity and my strength. It still is, and I know of no pain that art cannot assuage. For some, music, for some, pictures, for me, primarily, poetry, whether found in poems or in prose, cuts through noise and hurt, opens the wound to clean it, and then gradually teaches it to heal itself. Wounds need to be taught to heal themselves. — Jeanette Winterson

No," he said calmly, filled with purpose. he took her arms lightly in his hands and shook her. "I am not giving you up."
Emily looked at him, and for just a moment he could read her thoughts. Melanie use to say they were like twins, with their own secret, silent language. in that instant, Chris felt her fear and her resignation, and the knotty pain of coming up against a brick wall again and again. She glanced away, and he could breathe again. "The thing is, Chris" Emily said, "it's not your choice. — Jodi Picoult

I have to cry out here that language is all we have for the delicacy and truth of telling, that words are the sole heroes and heroines of fiction. Their generosity and forgiveness make one weep. They will accept anything and stand by it, and show no sign of suffering. They will accept change, painlessly, the only pain being that experienced by those who use words, scattering them like beans in a field and hoping for morning beanstalks as high as the sky with heavenly commotion there, upstairs where the giants live. — Janet Frame

It's incredible, really, the amount of pain cricketers are prepared to put themselves through. Say you're an opening batsman who gets out for a duck in the first over on day one. What compels you to hang around for the rest of the day, let alone turn up the following Saturday for day two? Yet you do, lest 10 blokes who you don't even like think slightly less of you. You retain a sense of loyalty to the club, to your teammates, even though those same teammates will not hesitate to rate your girlfriend a 'six out of 10' in front of your face. During the time I've spent watching my teammates bat after getting out cheaply, I could have learned a language by now. I could be speaking Mandarin. Instead, all I've got to show for it is a career average of 13.6 and a 10 percent discount at our local pub. — Sam Perry

But for the unquiet heart and brain
A use in measured language lies;
The sad mechanic exercise
Like dull narcotics numbing pain. — Alfred Lord Tennyson

Even though people experiencing dementia become unable to recount what has just happened, they still go through the experience -- even without recall.

The psychological present lasts about three seconds. We experience the present even when we have dementia. The emotional pain caused by callous treatment or statements occurs during that period. The moods and actions of people with dementia are expressions of what they have experienced, whether they can use language and recall, or not. — Judy Cornish

This book reminds me of James Gleick's Chaos. The ideas and stories in Loving and Hating Mathematics are timely, interesting, and sometimes even profound. The authors, writing for nonspecialists, take pains to explain technical ideas in nontechnical language, and the book should interest general readers as well as a large mathematical audience. — Steven G. Krantz

On April 18, 1906, when that earthquake hit San Francisco and took David from her, Vivien began to speak the language of grief. She understood that grief is not neat and orderly; it does not follow any rules. Time does not heal it. Rather, time insists on passing, and as it does, grief changes but does not go away. Sometimes she could actually visualize her grief. It was a wave, a tsunami that came unexpectedly and swept her away. She could see it, a wall of pain that had grabbed hold of her and pulled her under. Some days, she could reach the air and breathe in huge comforting gulps. Some days she barely broke the surface, and still, after all this time, some days it consumed her and she wondered if there was any way free of it. — Ann Hood

Writing is my passion. Words are the way to know ecstasy. Without them life is barren. The poet insists, language is a body of suffering and when you take up language you take up the suffering too. All my life I have been suffering for words. Words have been the source of the pain and the way to heal. Struck as a child for talking, for speaking out of turn, for being out of my place. Struck as a grown woman for not knowing when to shut up, for not being willing to sacrifice words for desire. Struck by writing a book that disrupts. There are many ways to be hit. Pain is the price we pay to speak the truth. — Bell Hooks

It was easier for girls. They could say This hurts, or I don't like how this feels, and have the complaint be socially acceptable. Boys, though, didn't speak that language. They didn't learn it as children and they didn't manage to pick it up as adults, either. — Jodi Picoult

The next time you wish you could find the right words to say to someone who is hurting, just remember that dogs are a man's best friend without ever speaking a word to them. Simply be present and have sympathy. — Ashly Lorenzana

Sorry' is, indeed, one of the most difficult and most powerful words in the English language, provided one can feel and say it at the same time. It's difficult because you sincerely need to feel the pain of the other person and rise above your ego to say it; it's powerful because you overwhelm the other with the opposite reaction of what they were expecting. — Uday Mukerji

Our language has wisely sensed these two sides of man's being alone. It has created the word "loneliness" to express the pain of being alone. And it has created the word "solitude" to express the glory of being alone. — Paul Tillich

The allure of unthinking animal bliss is powerful; it always calls to us, in the same way as the edge of a cliff or the waves of the ocean: Jump. It is a necessary part of our natures, full of delight and danger in equal measure. Yet to the mind trained in language, taught to spy subtleties and take joy in them, such crude, baser matters can pale after a while. But there lies grave peril also: The propensity to empathize with pain expressed in words encourages a poet to avoid the real thing, and a too-passionate love of books can mew one in a cloister, putting up walls where there should be free range. I decided long ago - to keep myself sane amongst the illiterate and unthinking - that there would be poetry in my life. But there would also be fucking. I would have them both, but follow the sage advice of modern beer commercials and enjoy responsibly. — Kevin Hearne

Modern Christianity, in dramatic reversal of its biblical form, promises to relieve the pain of living in a fallen world. Then message, whether it's from fundamentalists requiring us to live by a favored set of rules or from charismatics urging a deeper surrender to the Spirit's power, is too often the same: The promise of bliss is for now! Complete satisfaction can be ours this side of heaven. Some speak of the joys of fellowship and obedience, others of a rich awareness of their value and worth. The language may be reassuringly biblical or it may reflect the influence of current psychological thought. Either way, the point of living the Christian life has shifted from knowing and serving Christ till He returns to soothing, or at least learning to ignore, the ache in our soul. — Larry Crabb

I'm not sure it is possible to articulate grief through language. You can say, I was so sad I thought my bones would collapse. I thought I would die. But language always falls short of the body when it comes to the intensity of corporeal experience. The best we can do is bring language in relationship to corporeal experience-bring words close to the body-as close as possible. Close enough to shatter them. Or close enough to knock a body out. To bring language close to the intensity of experiences like love or death or grief or pain is to push on the affect of language. Its sounds and grunts and ecstatic noises. The ritual sense of language. Or the cry. — Lidia Yuknavitch

I am willing without further exercise in pain to open my heart. And this needs no doctrine or theology of suffering. We love apocalypses too much, and crisis ethics and florid extremism with its thrilling language. Excuse me, no. I've had all the monstrosity I want. — Saul Bellow

Although there are those who wish to ban my books because I have used language that is painful, I have chosen to use the language that was spoken during the period, for I refuse to whitewash history. The language was painful and life was painful for many African Americans, including my family.
I remember the pain. — Mildred D. Taylor

Jacob was the only person I'd ever met, besides myself, who believed music was a cosmic language that spoke directly to our souls - to ease our pain, and to remind us we weren't alone. — Tiffanie DeBartolo

The common people do not accurately adapt their thoughts to objects; nor, secondly, do they accurately adapt their words to their thoughts; they do not mean to lie; but, taking no pains to be exact, they give you very false accounts. A great part of their language is proverbial; if anything rocks at all, they say it rocks like a cradle; and in this way they go on. — Samuel Johnson

The statement "I am in pain" may be one piece of evidence for the conclusion that the speaker is in pain, but it is not the only possible evidence, and since people sometimes tell lies, not even the best possible evidence. Even if there were stronger grounds for refusing to attribute pain to those who do not have language, the consequences of this refusal might lead us to reject the conclusion. Human infants and young children are unable to use language. Are we to deny that a year-old child can suffer? — Peter Singer

We speak the love language, they speak from pain and anguish.
Some don't love theyselves, so they perception is tainted. — Talib Kweli

There sighs, lamentations and loud wailings resounded through the starless air, so that at first it made me weep; strange tongues, horrible language, words of pain, tones of anger, voices loud and hoarse, and with these the sound of hands, made a tumult which is whirling through that air forever dark, and sand eddies in a whirlwind. — Dante Alighieri

With every accident, ask yourself what abilities you have for making a proper use of it. If you see an attractive person, you will find that self-restraint is the ability you have against your desire. If you are in pain, you will find fortitude. If you hear unpleasant language, you will find patience. And thus habituated, the appearances of things will not hurry you away along with them. — Epictetus

Language can never adequately render the cosmic symbolism of music, because music stands in symbolic relation to the primordial contradiction and primordial pain in the heart of the primal unity, and therefore symbolizes a sphere which is beyond and prior to all phenomena. Rather, all phenomena, compared with it, are merely symbols: hence language, as the organ and symbol of phenomena, can never by any means disclose the innermost heart of music; language, in its attempt to imitate it, can only be in superficial contact with music; while all the eloquence of lyric poetry cannot bring the deepest significance of the latter one step nearer to us. — Friedrich Nietzsche

All conscious nature has experiences of pleasure and pain. Man alone can deliberately will the repetition of an experience. And repetition, experienced as such, is at the heart, for good and evil, of his faculty of reasoning, and thus makes possible his language, his art, his morality, and indeed his humanity. Yet it is the enemy of life, for repetition is itself the principle, not of life but of mechanism. — Owen Barfield

And then it was, that grief and pain made themselves known to me as never before. Note this, because I knew the full absurdity of Fate and Fortune and Nature more truly than a human can bear to know it. And perhaps the description of this, brief as it is, may give consolation to another. The worst takes its time to come, and then to pass. The truth is, you cannot prepare anyone for this, nor convey an understanding of it through language. It must be known. And this I would wish on no one in the world. — Anne Rice

We need language to tell us who we are, how we feel, what we're capable of- to explain the pains and glory of our existence. — Maya Angelou

When the nurse leaves, Doctor Rose mouths, "Act like you're in pain." Then she mimics a painful expression in case Summer doesn't understand. On the contrary, Summer's an expert at interpreting body language and reading lips. It's all thanks to her observant nature while enslaved on the Cosmos. Who else could tell that Peter's discomfort is due to him wearing the same pair of underwear for a week straight? Ah, yes, she always knew when day six and seven approached. She watched the crew member with much amusement as he waddled, pulled wedgies, and scratched his bum relentlessly. Not that anyone else cared to know that little nugget of information. — Laura Kreitzer

We begin to say something that cannot be said. When you see on the front page a woman in Iraq who's just seen her husband blown up, you see her there, her mouth wide open, you know the sound coming out of her, a howl of grief and pain
that's the beginning of language.
Trying to express that, it's inexpressible, and poetry is really to say what can't be said. And that's why people turn to it in these moments. They don't know how to say this, [but] part of them feels that maybe a poem will say it. It won't say it, but it'll come closer to saying it than anything else will.
I think there are always two sides, and one of them is the unsayable. The utterly singular. Who you are; who you can never tell anybody. And on the other hand, there is what you can express. How do we know about this thing we talk about? Because we talk about it. We're using words. And the words never say it, but the words are all we have to say it. — W.S. Merwin

And so I began to read,' Sorkar said. 'And at first the complete works were like a jungle, the language was quicksand. Metaphors turned beneath my feet and became biting snakes, similes fled from my grasp like frightened deer, taking all meaning with them. All was alien, and amidst the hanging, entangling creepers of this foreign grammar, all sound became a cacophany. I feared for myself, for my health and sanity, but then I thought of my purpose, of where I was and who I was, of pain and I pressed on. — Vikram Chandra

Whether one is rich or poor, educated or illiterate, religious or nonbelieving, man or woman, black, white, or brown, we are all the same. Physically, emotionally, and mentally, we are all equal. We all share basic needs for food, shelter, safety, and love. We all aspire to happiness and we all shun suffering. Each of us has hopes, worries, fears, and dreams. Each of us wants the best for our family and loved ones. We all experience pain when we suffer loss and joy when we achieve what we seek. On this fundamental level, religion, ethnicity, culture, and language make no difference. — Dalai Lama XIV

The boy whose arm he had broken was out for vengeance. His name, Ender quickly learned, was Bernard. He spoke his own name with a French accent, since the French, with their arrogant Separatism, insisted that the teaching of Standard not begin until the age of four, when the French language patterns were already set. His accent made him exotic and interesting; his broken arm made him a martyr; his sadism made him a natural focus for all those who loved pain in others. — Orson Scott Card

When I am writing, I am trying to find out who I am, who we are, what we're capable of, how we feel, how we lose and stand up, and go on from darkness into darkness. I'm trying for that. But I'm also trying for the language. I'm trying to see how it can really sound. I really love language. I love it for wate it does for us, how it allows us to explain the pain and the glory, the nuances and delicacies of our existence. And then it allows us to laugh, allows us to show wit. Real wit is shown in language. We need language. — Maya Angelou

Almost any tale of our doings is comic. We are bottomlessly comic to each other. Even the most adored and beloved person is comic to his lover. The novel is a comic form. Language is a comic form, and makes jokes in its sleep. God, if He existed, would laugh at His creation. Yet it is also the case that life is horrible, without metaphysical sense, wrecked by chance, pain and the close prospect of death. Out of this is born irony, our dangerous and necessary tool. — Iris Murdoch

Theologians sometimes have spoken of the "impassibility of God;" namely that God could not be capable of emotions, of either joy and pleasure or pain and grief.237 But this goes beyond the language and teaching of the Scripture. — Timothy J. Keller

I sometimes hold it half a sin To put in words the grief I feel For words, like nature, half reveal And half conceal the soul within. But, for the unquiet heart and brain A use measured language lie's The sad mechanic exercise Like dull narcotic's, numbing pain In words, like weeds, I'll wrap me o'er Like coarsest clothes against the cold But large grief which these enfold Is given in outline and no more. — Alfred Lord Tennyson

Roni stabbed her claws through one long, muscled arm, past bone, and all the way into the rear seat, pinning the arm in place. He howled in pain, hurling obscenities at her. Well, she had warned him; he'd chosen to ignore her, so there was really no need for that kind of language. — Suzanne Wright

Aesthetic value emanates from the struggle between texts: in the reader, in language, in the classroom, in arguments within a society. Aesthetic value rises out of memory, and so (as Nietzsche saw) out of pain, the pain of surrendering easier pleasures in favour of much more difficult ones ... successful literary works are achieved anxieties, not releases from anxieties. — Harold Bloom

I thought English is a strange language. Now I think French is even more strange. In France, their fish is poisson, their bread is pain, and their pancake is crepe. Pain and poison and crap. That's what they have every day. — Xiaolu Guo

You killed someone you were supposed to love and I killed someone I was supposed to love, and we both understand the pain and the fear and the sadness and the guilt and the hundred other feelings that don't even have a name in all of the English language. — Annabel Pitcher

He was fluent in nineteen modern languages, five ancient languages and the one true universal language - pain. — Tiffany Reisz

Ossa, Bronwen would learn his name later, had tried to communicate with her, first in Tretorian, then Common--the language shared by most Cordisians--and he even attempted a few phrases from the Northern language, Eirrannian. She had not been scared, nor did she appear much bothered by her injuries. Calm and clear-eyed, Bronwen had stood, leading the men to believe her to be half-witted or dazed from her pain. After his attempts to get the child to — Cat Bruno

It is precisely in that relationship to the Reader that you will find most of the classic faults of style: pretension, condescension, servility, obscurantism, grandiosity, vulgarity, and the like
even academicism. That's why most faults of style can be described in language relevant to human relations. Is your style frank and open ... does it have some understated agenda ... is it out to prove something it does not or cannot admit ... is it trying to impress ... show off ... is it kissing up ... groveling ... maybe just a tad passive-aggressive, with a mumbling half-audible voice that is unwilling to explain ... is it trying to convince ... overwhelm ... help ... seduce ... give pleasure ... inflict pain ... There is no area of the writer's work that is more responsive to the psychology of human connection than style. — Stephen Koch

Charlotte was in pain, Charlotte was in torment, but he himself had given her reason enough for that; and, in respect to the rest of the whole matter of her obligation to follow her husband, that personage and she, Maggie, had so shuffled away every link between consequence and cause that the intention remained, like some famous poetic line in a dead language subject to varieties of interpretation. What — Henry James

You had to form for yourself a lucid language for the world, to overcome the battering of experience, to replace everyday life's pain and harshness and wretched dreariness with - no not with certainty but with an ignorance you could live with. Deep ignorance, but still a kind that knew its limits. The limits were crucial. — Gregory Benford

The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone.
Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but angels of God. — Jerome K. Jerome

The left half of your brain deals with logic, language, calculation, and reason. This is the half people perceive as their personal identity. This is the conscious, rational, everyday basis of reality. The right side of your brain, is the center of your intuition, emotion, insight, and pattern recognition skills. Your subconscious. Your left brain is a scientist,. Your right brain is an artist.
People live their lives out of the left half of their brains. It's only when someone is in extreme pain, or upset or sick, that their subconscious can slip into the conscious. When someone's injured or sick or mourning or depressed, the right brain can take over a flash, just an instant, and gives them access to divine inspiration. A flash inspiration. A moment of insight.
According to German philosopher Carl Jung, this lets us connect to a universal body of knowledge. The wisdom all people over all time. — Chuck Palahniuk

Finally, to hinder the description of illness in literature, there is the poverty of the language. English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. It has all grown one way. The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry. There is nothing ready made for him. He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out. Probably it will be something laughable. — Virginia Woolf

Unfortunately, it's true: time does heal. It will do so whether you like it or not, and there's nothing anyone can do about it. If you're not careful, time will take away everything that ever hurt you, everything you have ever lost, and replace it with knowledge. Time is a machine: it will convert your pain into experience. Raw data will be compiled, will be translated into a more comprehensible language. The individual events of your life will be transmuted into another substance called memory and in the mechanism something will be lost and you will never be able to reverse it, you will never again have the original moment back in its uncategorized, preprocessed state. It will force you to move on and you will not have a choice in the matter. — Charles Yu

There are words like 'orphan', 'widow' and 'widower' in all languages. But there is no word in any language to describe a parent who loses a child. How does one describe the pain of 'ultimate bereavement'! (Page 50) — Neena Verma

I think there is a big difference between expressing the pain and anger that many African Americans and other people of color may feel versus language that I think now crosses the line and goes into hate. — Michael Nutter

California nurse Jared Axen was holding a dying hospice patient's hand when he began to sing an old hymn. The woman, who didn't speak English, hadn't been responsive in days. But when Axen sang to her, she squeezed his hand, a response that soothed the woman's family. Six years later, Axen, a classically trained musician, sings to some of his patients every day. "It gives them their humanity back," he said. "Music is a common language that helps me connect with my patients." Many patients also claim to feel better and to need fewer pain medications, Axen said. "It's become a vital tool for my patients and their families. — Alexandra Robbins

If you can get the other party to reveal their problems, pain, and unmet objectives - if you can get at what people are really buying - then you can sell them a vision of their problem that leaves your proposal as the perfect solution. Look at this from the most basic level. What does a good babysitter sell, really? It's not child care exactly, but a relaxed evening. A furnace salesperson? Cozy rooms for family time. A locksmith? A feeling of security. Know the emotional drivers and you can frame the benefits of any deal in language that will resonate. — Chris Voss

I feel ugly I said and you looked at me as if I spoke a different language. There are things you will never understand and if there were words to describe the rapture that takes place in my head from time to time I would put my hand in front of your eyes to protect you from all the ugliness in the world.
I kept my eyes on the streetlights outside the window and you kissed every inch of my body as if you could kiss the pain away. — Charlotte Eriksson

What was ridiculous about Christianity, from the perspective of a cultivated pagan, was not only its language - the crude style of the Gospels' Greek resting on the barbarous otherness of Hebrew and Aramaic - but also its exaltation of divine humiliation and pain conjoined with an arrogant triumphalism. — Stephen Greenblatt

RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of. The context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms - the dash gives the reader the clear signal they are coming. — Ben Marcus

In all his imaginings, he had never envisioned her crying. He knew that her son had died, but he'd never expected that her pain might be anything he could recognize, almost as though he believed that Negroes had their own special kind of grieving ritual, another language, something other than tears they used to express their sadness. — Bebe Moore Campbell

What can you say about pain?
Words can trace only the shadow of the thing itself. The reality of hard, sharp physical pain is like nothing else, and it is beyond language. The world is too much with us, day and night, but when we hurt, when we really hurt, the world melts and fades and becomes a ghost, a dim memory, a silly unimportant thing. Whatever ideals, dreams, loves, fears, and thoughts we might have had become ultimately unimportant. We are alone with our pain, it is the only force in the cosmos, the only thing of substance, the only thing that matters, and if the pain is bad enough and lasts long enough, if it is the sort of agony that goes on and on, then all the things that are our humanity melt before it and the proud sophisticated computer that is the human brain becomes capable of but a single thought:
Make it stop, make it STOP! (from The Glass Flower) — George R R Martin

Because wanton or venal lips has murmured the same words to him, he only half believed in the sincerity of those he was hearing now; to a large extent they should be disregarded, he believed, because such exaggerated language must surely mask commonplace feelings: as if the soul in its fullness did not sometimes overflow into the most barren metaphors, since no one can ever tell the precise measures of his own needs, of his own ideas, of his own pain, and human language is like a cracked kettle on which we beat out tunes for bears to dance to, when what we long to do is make music that will move the stars to pity. — Gustave Flaubert

This is what you remember about him: not much, but then you have been assiduous in your forgetting. His red sweater, v-neck, cashmere; the clink of ice-cubes in a glass. He is shadow and voice, but you cannot recall his face. He is behind a closed door, in a forbidden room. He is asleep in his armchair, he is asleep in the driveway, asleep in your sandpit, face down, snoring but not harmless, even then. He is shouting, he is whispering, he is close but also remote as if at the end of a long hallway and you cannot hear him. His words never make any sense, he speaks some other language. His hands sometimes spin away from him like windmills, like pinwheels and Catherine wheels, snapping like firecrackers. There must be pain, but you cannot feel it.
Your skin bruises like apples. — Melanie Finn

Fear is unnatural. Lightning and thunder are unnatural. Pain, death, reality, these are all unnatural. We can't bear these things as they are. We know too much. So we resort to repression, compromise and disguise. This is how we survive the universe. This is the natural language of the species. — Don DeLillo

You send me all these roses.
Every time I think the last bouquet has arrived, finally, another turns up.
I'm running out of vases.
I didn't know roses came in so many colors.
You say they're the perfect symbols of love because they have thorns and love is pain.
I say life is pain, highness. Anyone who says differently is selling something.
And you don't get it.
You say you love me, but you don't speak my language.
You don't even realize I'm an orchid girl. — Erin Morgenstern

Ah, I feel a sadness on me, Dane. That's how the Irish people say it. In their language, you can't say, "I am sad," or "I am happy". They understood what we English have long forgot. We're not our sadness. We're not our happiness or our pain but our language hypnotizes us and traps us in little labelled boxes. — Grant Morrison

Scars are the paler pain of survival received unwillingly and displayed in the language of injury. — Mark Z. Danielewski

There was a whole language that I could never make function for myself in relationship to painting and that was attitudes like tortured, struggle, pain. — Robert Rauschenberg

No; I did not hate him. The word is too weak. There is no word in the language strong enough to describe my feelings. I can say only that I knew the gnawing of a desire for vengeance on him that was a pain in itself and that exceeded all the bounds of language. — Jack London

Places are fragmentary and inward-turning histories, pasts that others are not allowed to read, accumulated times that can be unfolded but like stories held in reserve, remaining in an enigmatic state, symbolizations encysted in the pain or pleasure of he body. 'I feel good here': the well-being under-expressed in the language it appears in like a fleeting glimmer is a spatial practice. — Michel De Certeau

When you love people, you are curious about who they are, what they think, and how they feel. You watch them closely, wondering about their experience and what you can do to make it more enjoyable. You feel compassion for their pain and seek to make it more bearable. You are eager to learn the unique language of their existence. You want to under-stand them, inspire them, heal them. What if you could look at yourself this way? — Vironika Tugaleva

Whatever pain achieves, it achieves in part through its unsharability, and it ensures this unsharability through its resistance to language. "English," writes Virginia Woolf, "which can express the thoughts of Hamlet and the tragedy of Lear has no words for the shiver or the headache." ... Physical pain does not simply resist language but actively destroys it. — Elaine Scarry

He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out. — Virginia Woolf

In the end, it doesn't matter a damn bit. We thought we were special, opening our perceptions, honing our empathy, spilling that cauldron of shared pain onto the dance floor of language and then trying to make a minuet out of all that chaotic hurt. It doesn't matter a damn bit. We're no avatars, no sons of god or man. We're only us, scribbling our conceits alone, reading alone, and dying alone. Goddamn it hurts. — Dan Simmons