Landscape Like Quotes & Sayings

Perhaps they had tried to migrate in the past but had found either their winter habitat destroyed or the path so fragmented and fraught with danger that it made more sense - to these few birds - to ignore the tuggings of the stars and seasons and instead to try to carve out new lives, new ways of being, even in such a stark and severe landscape: or rather, in a stark and severe period - knowing that lushness and bounty were still retained with that landscape, that it was only a phase, that better days would come. That in fact (the snipe knowing these things with their blood, ten million years in the world) the austere times were the very thing, the very imbalance, that would summon the resurrection of that frozen richness within the soil - if indeed that richness, that magic, that hope, did still exist beneath the ice and snow. Spring would come like its own green fire, if only the injured ones could hold on. And — Lex Williford

Oh Moon, sweet, sweet Moon, I want to be naked on you. I want to be like a flower growing on your surface, unique and mysterious, at home in the wonder of you, as if my naked body would be something growing out of your soil, something precious, a lovely gift on your landscape. — James Lusarde

I had just finished reading The Day of the Locust when this piece was brought to my attention, and I was like, "How do you create art in the system, the way it is?" Looking around the studio film landscape, there are all of these great superhero movies, which is fantastic, especially for my kids, but it's hard to find real art house films in the studio system, these days. — Matt Bomer

The landscape of my days appears to be composed, like mountainous regions, of varied materials heaped up pell-mell. There I see my nature, itself composite, made up of equal parts of instinct and training. Here and there protrude the granite peaks of the inevitable, but all about is rubble from the landslips of chance. I strive to retrace my life to find in it some plan, following a vein of lead, or of gold, or the course of some subterranean stream, but such devices are only tricks of perspective in the memory. — Marguerite Yourcenar

Hatred can either strike us dead, like lightning, or illuminate us. It shocks us into seeing what is hidden in the landscape. Hatred can be confined to reason, but kept from the heart. — Patricia Storace

'Woman on the Plaza,' with its distinct horizon, snow-like surfaces, wintry wall, stunning sunlight, sharp shadows, and hurrying figure, would become the most biographical of my photographs - an abstract image of the landscape and life of northern Ohio where I grew up and first practiced photography. — Sam Abell

The Indians long ago knew that music was going on permanently and that hearing it was like looking out a window at a landscape which didn't stop when one turned away. — John Cage

Gardening is really an extended form of reading, of history and philosophy. The garden itself has become like writing a book. I walk around and walk around. Apparently people often see me standing there and they wave to me and I don't see them because I am reading the landscape. — Jamaica Kincaid

The landscape started hard, sharp black mountains over my shoulder and thirsty young saguaros hugging patchy dirt. Gradually it let go, began to green on me a little. I crossed a river, watched succulents get fatter and farmland start to wave, hoarding the blue above and the few clouds it had to spare.

I knew the route somehow, knew the curves, the directions, the exact way to go. I knew it the way you know the stars are still up in the sky even though white sun obscures them. Everything that had happened before Lukeville and Sonoita began to liquify in memory, feeling more like fiction than personal history. Funerals and pain, girlfriends and mothers, roommates and priests all tumble away with the desert behind me. The only thing that's real is the road I see ahead. The only person in my life is the man sitting silently beside me. The place I'm going is the only place I've ever wanted to go. — Laurie Perez

History covers the Texas landscape like a multi-covered quilt, each square particular to different cultures and traditions. — G.H. Lambert

Like Johns, I am one of the little men, not interested in ideologies, tied to a flat Cambridgeshire landscape, a chalk quarry, a line of willows across the featureless fields, a market town
his thoughts scrabbled at the curtain
where he used to dance at the Saturday hops. — Graham Greene

Surrounded by enemies, there were officially no enemies for them. With civilization at large trickling down shitholes like Mogadishu and Kigali and Port-au-Prince, the "new" Army was under strict orders: Thou shalt have no enemy. No casualties. No turf. You occupied high ground only long enough to let the politicos rattle sabers and get reelected, and then you moved on to the next bad place. The landscape changed; the hatreds did not. — Jeff Long

To see what Times Square looked like before a city was there, we turn to a remarkable project called Welikia, which grew out of a smaller project called Mannahatta. The Welikia project has produced a detailed ecological map of the landscape in New York City at the time of the arrival of Europeans, is a fantastic snapshot of a different New York. In 1609, the island of Manhattan was part of a landscape of rolling hills, marshes, woodlands, lakes, and rivers. — Randall Munroe

Where is she? Living or dead, where is she? If, as he folds the handkerchief and carefully puts it up, it were able with an enchanted power to bring before him the place where she found it and the night-landscape near the cottage where it covered the little child, would he descry her there? On the waste where the brick-kilns are burning with a pale blue flare, where the straw-roofs of the wretched huts in which the bricks are made are being scattered by the wind, where the clay and water are hard frozen and the mill in which the gaunt blind horse goes round all day looks like an instrument of human torture - traversing this deserted, blighted spot there is a lonely figure with the sad world to itself, pelted by the snow and driven by the wind, and cast out, it would seem, from all companionship. It is the figure of a woman, too; but it is miserably dressed, and no such clothes ever came through the hall and out at the great door of the Dedlock mansion. — Charles Dickens

Although my grandmother lived out her long life in the shadow of Rainy Mountian, the immense landscape of the continental interior lay like memory in her blood — N. Scott Momaday

What I so like about Poussin and Cezanne is their sense of organization. Ilike the way in which they develop space and shape in architecturalcontinuity - the rhythm across their paintings. When I paint a landscape, Iget the greatest pleasure out of composing it. As I paint, I try to work outa visual sonata form or a fugue, with realistic images. — Ian Hornak

Reading wasn't an attempt to educate myself. It was my chief escape from a world that, although gorgeous in landscape and rich with mountain culture, didn't provide what I needed - the promise of adventure, a life beyond the perimeter of hills. I often fantasized that I'd been adopted and had mysterious powers such as flying or teleportation. Books offered the promise of a world in which misfits like me could flourish. Within the pages of a novel, I was unafraid: of my father, of dogs, snakes, and the bully across the creek; of older boys who drove hot rods close enough to make me jump in the ditch; of armed men parked near the bootlegger. — Chris Offutt

I should like to be the landscape which I am contemplating, I should like this sky, this quiet water to think themselves within me, that it might be I whom they express in flesh and bone, and I remain at a distance. But it is also by this distance that the sky and the water exist before me. My contemplation is an excruciation only because it is also a joy. I can not appropriate the snow field where i slide. It remains foreign, forbidden, but I take delight in this very effort toward an impossible possession. I experience it as a triumph, not as a defeat. — Simone De Beauvoir

The effect is both domestic and wild, equal parts geometric and chaotic. It's the visual signature of small, diversified farms that creates the picture-postcard landscape here, along with its celebrated gastronomic one. Couldn't Americans learn to love landscapes like these around our cities, treasuring them not just gastronomically but aesthetically, instead of giving everything over to suburban development? Can we only love agriculture on postcards? — Barbara Kingsolver

So he [Sigmund Freud] called this "the uncanny" and he also referred to cities as well, like the idea of walking through the city and the way the urban landscape could lead you to a sense of disorientation and to a kind of, you know, sense of repetition. And the way a city can unfold as you walk. — DJ Spooky

Being a lifetime wife and mother has afforded me the luxury of having multiple and even simultaneous careers: I've been a chauffeur. A chef. An interior decorator. A landscape architect, as well as a gardener. I've been a painter. A furniture restorer. A personal shopper. A veterinarian's assistant and sometimes the veterinarian. I've been an accountant, a banker and on occasion, a broker. I've been a beautician. A map. A psychic. Santa Claus. The Tooth Fairy. The T.V. Guide. A movie reviewer. An angel. God. A nurse and a nursemaid. A psychiatrist and psychologist. Evangelist. For a long time I have felt like I inadvertently got my master's in How To Take Care of Everybody Except Yourself and then a Ph.D. in How to Pretend Like You Don't Mind. But I do mind. — Terry McMillan

Antarctic symphony has a geometric relationship to the landscape. It's saying that this landscape and the minimal kind of, you know I'm talking like seeing ice, is visually kind of eerily minimal. — DJ Spooky

In our own time we have seen domination spread over the social landscape to a point where it is beyond all human control ... Compared to this stupendous mobilization of materials, of wealth, of human intellect, of human labor for the single goal of domination, all other recent human achievements pale to almost trivial significance. Our art, science, medicine, literature, music and "charitable" acts seem like mere droppings from a table on which gory feasts on the spoils of conquest have engaged the attention of a system whose appetite for rule is utterly unrestrained. — Murray Bookchin

Oliver liked to keep the windows and shutters wide open in the afternoon, with just the swelling sheer curtains between us and life beyond, because it was a 'crime' to block away so much sunlight and keep such a landscape from view, especially when you didn't have it all life long, he said. Then the rolling fields of the valley leading up to the hills seemed to sit in a rising mist of olive green: sunflowers, grapevines, swatches of lavender, and those squat and humble olive trees stooping like gnarled, aged scarecrows gawking through our window as we lay naked on my bed, the smell of his sweat, which was the smell of my sweat, and next to me my man-woman whose man-woman I was, and all around us Mafalda's chamomile-scented laundry detergent, which was the torrid afternoon world of our house. — Andre Aciman

Routine comes down like twilight on a harsh landscape, softening it until it is tolerable. The complexity is too subtle, too varied; the values are changing utterly with each lesion of vitality; it has begun to appear that we can learn nothing from the past with which to face the future - so we cease to be impulsive, convincible men, interested in what is ethically true by fine margins, we substitute rules of conduct for ideas of integrity, we value safety above romance, we become, quite unconsciously, pragmatic. — F Scott Fitzgerald

Even the beauty of the landscape was an abstraction, like the beauty of a man in an advertisement for a cologne you could not smell. — Garth Risk Hallberg

A garden path,' write the landscape architects Charles W. Moore, William J. Mitchell, and William Turnbull, 'can become the thread of a plot, connecting moments and incidents into a narrative. The narrative structure might be a simple chain of events with a beginning, middle, and end. It might be embellished with diversions, digressions, and picaresque twists, be accompanied by parallel ways (subplots), or deceptively fork into blind alleys like the althernative scenerios explored in a detective novel. — Rebecca Solnit

It was raining when Amarelle Parathis went out just after sunset to find a drink, and there was strange magic in the rain. It came down in pale lavenders and coppers and reds, soft lines like liquid dusk that turned luminescent mist on the warm pavement. The air itself felt like champagne bubbles breaking against the skin. Over the dark shapes of distant rooftops, blue-white lightning blazed, and stuttering thunder chased it. — Scott Lynch

My son was singing to us of our Father! Of Yeshua ... Of himself, the truest part of him, and of me, the me that was now risen and complete, joined in Yeshua's identity, like water in a bowl and the bowl in the water at once. He was the Way. The Truth. Life. No one could know the Father without this joining. And the song said more, all at once, like the opening of eyes to see an entire landscape once darkened by blindness. The mystery Talya sang to me in that single note could fill a hundred scrolls. I stood high in that arena and I trembled with wonder. TALYA — Ted Dekker

What is particularly amusing about cocker spaniels is their swaying gait when they are in a playful mood: it's as if they had tiny little springs screwed to their paws that cause them to bounce upward - but gently, without jolting. This also affects their paws and ears like the rolling of a ship, so cocker spaniels, like jaunty little vessels plying dry land, lend a nautical touch to the urban landscape: utterly enchanting. — Muriel Barbery

Historical consciousness therefore leaves you, as does maturity itself, with a simultaneous sense of your own significance and insignificance. Like Friedrich's wanderer, you dominate a landscape even as you're diminished by it. You're suspended between sensibilities that are at odds with one another, but it's precisely within that suspension that your own identity
whether as a person or a historian
tends to reside. Self-doubt must always precede self-confidence. It should never, however, cease to accompany, challenge, and by these means discipline self-confidence. — John Lewis Gaddis

After all, we are all immigrants to the future; none of us is a native in that land. Margaret Mead famously wrote about the profound changes wrought by the Second World War, "All of us who grew up before the war are immigrants in time, immigrants from an earlier world, living in an age essentially different from anything we knew before." Today we are again in the early stages of defining a new age. The very underpinnings of our society and institutions
from how we work to how we create value, govern, trade, learn, and innovate
are being profoundly reshaped by amplified individuals. We are indeed all migrating to a new land and should be looking at the new landscape emerging before us like immigrants: ready to learn a new language, a new way of doing things, anticipating new beginnings with a sense of excitement, if also with a bit of understandable trepidation. — Marina Gorbis

He slouched back in his seat, looking tired, and leaned his face on his shoulder to look at me while he played with my hair. He started to hum a song, and then, after a few bars, he sang it. Quietly, sort of half-sung, half-spoken, incredibly gentle. I didn't catch all the words, but it was about his summer girl. Me. Maybe his forever girl. His yellow eyes were half-lidded as he sang, and in that golden moment, hanging taut in the middle of an icecovered landscape like a single bubble of summer nectar, I could see how my life could be stretched out in front of me. — Maggie Stiefvater

I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples. — Zaha Hadid

There is nothing like walking to get the feel of a country. A fine landscape is like a piece of music; it must be taken at the right tempo. Even a bicycle goes too fast — Paul Scott Mowrer

Events are the ephemera of history; they pass across its stage like fireflies, hardly glimpsed before they settle back into darkness and as often as not into oblivion. Every event, however brief, has to be sure a contribution to make, lights up some dark corner or even some wide vista of history. Nor is it only political history which benefits most, for every historical landscape - political, economic, social, even geographical - is illumined by the intermittent flare of the event. — Fernand Braudel

If you give a child something very complex to paint, such as a bouquet of flowers or a natural landscape, if he is very good, eventually he will get back - like Cezanne - to the essential forms of what he sees. — Robert Motherwell

People who take risks like Amy Winehouse and Norah Jones take a second to catch on, but eventually they do because they're different and honest in a musical landscape that's not always like that. — Emmy Rossum

I can only wonder what astronauts must feel like or something like that when you're really in the space of silence and you are feeling and breathing in a way that you're really aware of your muscle and bone and the breath and the body and the movement and all of those things that just you take for granted in the urban landscape. — DJ Spooky

In a way Australia is like Catholicism. The company is sometimes questionable and the landscape is grotesque. But you always come back. — Thomas Keneally

I remember my childhood names for grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer
and what trees and seasons smelled like
how people looked and walked and smelled even. The memory of odors is very rich. — John Steinbeck

I slowed my pace. Years of hauling water, wringing out clothes, scrubbing floors, emptying chamber pots, with no chance of beauty or color or light in my life, stretched before me like a landscape of flat land where, a long way off, the sea is visible but can never be reached. — Tracy Chevalier

At night I sometimes see the figure of a man, on an empty road in a deserted landscape, walking behind a hearse. I am that man. It's you the hearse is taking away. I don't want to be there for your cremation; I don't want to be given an urn with your ashes in it. I hear the voice of Kathleen Ferrier singing, 'Die Welt ist leer, Ich will nicht leben mehr'* and I wake up. I check your breathing, my hand brushed over you. Neither of us wants to outlive the other. We've often said to ourselves that if, by some miracle, we were to have a second life, we'd like to spend it together.
*The world is empty. I don't want to go on living. — Andre Gorz

The arts which we now call garden design and landscape design have three separate origins: sacred space, horticultural space and domestic space. Like Homo sapiens, the arts of garden and landscape design probably spread to Europe from West Asia. — Tom Turner

I wonder sometimes what the memory of God looks like. Is it a palace of infinite rooms, a chest of many jeweled objects, a long, lonely landscape where each tree recalls an eon, each pebble the life of a man? Where do I live, in the memory of God? — Catherynne M Valente

A mother has nine months to get used to sharing the space where her heart is; for a father it comes on sudden, like a storm that changes the landscape forever. — Jodi Picoult

Thin ribbons of fear snake bluely through you like a system of rivers. We need a cloudburst or soothing landscape fast, to still this panic. Maybe a field of dracaena, or a vast stand of sugar pines - generous, gum-yielding trees - to fill our minds with vegetable wonder and keep dread at bay. — Amy Gerstler

It was there that I wanted, out there somewhere, when I sat elbow-to-elbow with my giggling friends and let my thoughts swirl up and away from the three-mile radius of our small town lives. In my head, I careened out of town and across state lines, until the landscape became strange and unfamiliar. I wanted to see all of it. Everything. The vast expanses of the flat Midwest, miles of horizontal earth with the curving horizon at its end. Strange, stunted trees and driftwood skeletons on the lonely windswept beaches of the farthest coasts. Towering oaks hung thick with the gray lace of Spanish moss, looming like hovering parents over shaded southern dirt. The California sun, dipping and disappearing into the ocean, tipping the waves with orange light. — Kat Rosenfield

There was no sign of life round the domed emplacement of the Moonraker, and the concrete, already beginning to shimmer in the early morning sun, stretched emptily away towards Deal. It looked like a newly laid aerodome or rather, he thought, with its three disparate concrete 'things', the beehive dome,the flat-iron blast-wall, and the distant cube of the firing point, each casting black pools of shadow towards him in the early sun, like a Dali desert landscape in which three objets trouves reposed at carefully calculated random. — Ian Fleming

I would describe myself like a landscape I've studied at length, in detail; like a word I'm coming to understand; like a pitcher I pour from at mealtime; like my mother's face; like a ship that carried me when the waters raged. — Rainer Maria Rilke

Softly the evening came. The sun from the western horizon Like a magician extended his golden want o'er the landscape; Trinkling vapors arose; and sky and water and forest Seemed all on fire at the touch, and melted and mingled together. — Henry Wadsworth Longfellow

I don't make a lot of distinctions between things like landscape or figure painting, because to me the problems are inherently the same - lighting, color, structure, and so on - certainly traditional and ordinary problems. — Wayne Thiebaud

Maybe that was what happened when people grew up in a place where mountains shut them in, kept everything turned inward, buffered them from everything else. How long did it take before that landscape become internalized, was passed down from generation to generation like blood type or eye color? — Ron Rash

From the ground. They waded waist-deep in the grass, in a compact body, bearing an improvised stretcher in their midst. Instantly, in the emptiness of the landscape, a cry arose whose shrillness pierced the still air like a sharp arrow — Joseph Conrad

We'll act as if all this were a bad dream.
A bad dream.
To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream.
A bad dream.
I remembered everything.
I remembered the cadavers and Doreen and the story of the fig tree and Marco's diamond and the sailor on the Common and Doctor Gordon's wall-eyed nurse and the broken thermometers and the Negro with his two kinds of beans and the twenty pounds I gained on insulin and the rock that bulged between sky and sea like a gray skull.
Maybe forgetfulness, like a kind snow, would numb and cover them.
But they were part of me. They were my landscape. — Sylvia Plath

One evening he was in his room, his brow pressing hard against the pane, looking, without seeing them, at the chestnut trees in the park, which had lost much of their russet-coloured foliage. A heavy mist obscured the distance, and the night was falling grey rather than black, stepping cautiously with its velvet feet upon the tops of the trees. A great swan plunged and replunged amorously its neck and shoulders into the smoking water of the river, and its whiteness made it show in the darkness like a great star of snow. It was the single living being that somewhat enlivened the lonely landscape. — Theophile Gautier

The Story Girl was written in 1910 and published in 1911. It was the last book I wrote in my old home by the gable window where I had spent so many happy hours of creation. It is my own favourite among my books, the one that gave me the greatest pleasure to write, the one whose characters and landscape seem to me most real. All the children in the book are purely imaginary. The old "King Orchard" was a compound of our old orchard in Cavendish and the orchard at Park Corner. "Peg Bowen" was suggested by a half-witted, gypsy-like personage who roamed at large for many years over the Island and was the terror of my childhood. — L.M. Montgomery

Long after their associates have gone southward, they linger like the last leaves on the tree. It is indeed "good-bye to summer" when the bluebirds withdraw their touch of brightness from the dreary November landscape at the north to whirl through the southern woods and feed on the waxy berries of the mistletoe. — Neltje Blanchan

The Bible is like a wide and beautiful landscape seen afar off, dim and confused; but a good telescope will bring it near, and spread out all its rocks and trees and flowers and vulant fields and winding rivers at one's very feet. That telescope is the Spirit's teaching. — Thomas Chalmers

You know, a landscape painter's day is delightful. You get up early, at three o'clock in the morning, before sunrise; you go and sit under a tree; you watch and wait. At first there is nothing much to be seen. Nature looks like a whitish canvas with a few broad outlines faintly sketched in; all is misty, everything quivers in the cool dawn breeze. The sky lights up. The sun has not yet burst through the gauze veil that hides the meadow, the little valley, the hill on the horizon ... Ah, a first ray of sunshine! — Jean-Baptiste-Camille Corot

For over twenty-five centuries we've been bearing the weight of superb and heterogeneous civilizations, all from outside, none made by ourselves, none that we could call our own.

This violence of landscape, this cruelty of climate, this continual tension in everything, and even these monuments of the past, magnificent yet incomprehensible because not built by us and yet standing round us like lovely mute ghosts; all those rulers who landed by main force from every direction who were at once obeyed, soon detested, and always misunderstood, their only expressions works of art we couldn't understand and taxes which we understood only too well and which they spent elsewhere: all these things have formed our character, which is thus conditioned by events outside our control as well as by a terrifying insularity of mind. — Giuseppe Tomasi Di Lampedusa

A landscape glittered behind her voice. There were icicles in it and savage fields of ice, great storms boiling over a flat countryside striped with white rails - a chessboard beneath a storm. Horses were stretched forever at the gallop. Tiny men in silk were brave beyond bearing and sat on the horses like embryos with their knees in their mouths. The gorgeous names of horses were cried from mouth to mouth and circulated in a steam of fame. Lottery, The Hermit, the great mare Sceptre; the glorious ancestress Pocahontas, whose blood ran down like time into her flying children; Easter Hero, the Lamb, that pony stallion. — Enid Bagnold

No, we don't accomplish our love in a single year as the flowers do; an immemorial sap flows up through our arms when we love. Dear girl, this: that we loved, inside us, not One who would someday appear, but seething multitudes; not just a single child, but also the fathers lying in our depths like fallen mountains; also the dried-up riverbeds of ancient mothers-;also the whole soundless landscape under the clouded or clear sky of its destiny -; all this, my dear, preceded you. — Rainer Maria Rilke

She was like a fox, or an olive tree; like the waves of the sea when you look down upon them from a height; like an emerald; like the sun on a green hill which is yet clouded
like nothing he had seen or known in England. Ransack the language as he might, words failed him. He wanted another landscape, and another tongue. English was too frank, too candid, too honeyed a speech for Sasha. For in all she said, however open she seemed and voluptuous, there was something hidden; in all she did, however daring, there was something concealed. — Virginia Woolf

All is without form and void. Someone said of his landscapes that they were pictures of nothing and very like. — William Hazlitt

Georgian England, to see those wonderful houses being built. And the clothes were interesting too, although I wouldn't want to wear a wig. It's also the most beautiful period of English landscape gardening. They had famous gardeners like Capability Brown. — Alan Titchmarsh

We should note that almost every technological transformation of consequence has taken place under Western auspices - if not Western in the strict geographical sense, then Western in the notion of a cultural landscape shaped by free thought and the chance for profit. Even non-Western innovations, like stirrups and gunpowder, have been quickly modified and improved by Western militaries. Jet fighters, GPS-guided bombs, and laser-guided munitions are all products of Western expertise. Even the jihadists' most innovative and lethal weapons - improvised explosive devices and suicide belts - are cobbled together from Western-designed explosives and electronics. — Victor Davis Hanson

The most rapturous delights you have ever had - in the beauty of a landscape, or in the pleasure of food, or in the fulfillment of a loving embrace - are like dewdrops compared to the bottomless ocean of joy that it will be to see God face-to-face (1 John 3:1-3). That is what we are in for, nothing less. And according to the Bible, that glorious beauty, and our enjoyment of it, has been immeasurably enhanced by Christ's redemption of us from evil and death. — Timothy Keller

She couldn't quite see herself in it. When they were done, I read the Shakespeare sonnet that begins "Fear no more the heat o' the Sun," partly because it was appropriate to the occasion and one of the most beautiful poems in the language, but also because I hoped it might hide from my loved ones the fact that I myself had nothing to say, that while part of me was here with them on this beloved shore, another part was wandering, as it had been for months, in a barren, uninhabited landscape not unlike the one in my dream. I realized I'd felt like this for a while. Though life had gone on since my mother's death - Kate had gotten married, I'd finally published another book and gone on tour with it - some sort of internal-pause button had been pushed, allowing another part of me, one I'd specifically kept sequestered to deal with my mother, to fall silent. Since her death, Barbara and I had gone through all her things and settled her affairs, but we'd barely spoken of her. — Richard Russo

Once they got there, it wasn't a pretty landing. With the oars damaged and the foresail torn, Leo could barely manage a controlled descent. The others strapped themselves in below - except for Coach Hedge, who insisted on clinging to the forward rail, yelling, "YEAH! Bring it on, lake!" Leo stood astern, alone at the helm, and aimed as best he could. Festus creaked and whirred warning signals, which were relayed through the intercom to the quarterdeck. "I know, I know," Leo said, gritting his teeth. He didn't have much time to take in the scenery. To the southeast, a city was nestled in the foothills of a mountain range, blue and purple in the afternoon shadows. A flat desert landscape spread to the south. Directly beneath them the Great Salt Lake glittered like aluminum foil, the shoreline etched with white salt marshes that reminded Leo of aerial photos of Mars. "Hang on, Coach!" he shouted. "This is going to hurt." "I was born for hurt! — Rick Riordan

It was one of Emily's earliest pleasures to ramble among the scenes of nature; nor was it in the soft and glowing landscape that she most delighted; she loved more the wild wood-walks, that skirted the mountain; and still more the mountain's stupendous recesses, where the silence and grandeur of solitude impressed a sacred awe upon her heart, and lifted her thoughts to the GOD OF HEAVEN AND EARTH. In scenes like these she would often linger along, wrapped in a melancholy charm, till the last gleam of day faded from the west; till the lonely sound of a sheep-bell, or the distant bark of a watch-dog, were all that broke on the stillness of the evening. Then, the gloom of the woods; the trembling of their leaves, at intervals, in the breeze; the bat, flitting on the twilight; the cottage-lights, now seen, and now lost - were circumstances that awakened her mind into effort, and led to enthusiasm and poetry. Her — Eliza Parsons

I always felt like that myself, that I didn't marry into the landscape of the human world like others did, — Tiffanie DeBartolo

We're moving into an era when things are dematerialised and much more holographic. Floating above the physical world and the geographic map, there's another landscape that's constantly changing - something like a cloud - of communication, information, exchange and commerce. — Doug Aitken

Gardening is like landscape painting to me. The garden is the canvas. Plants, containers and other garden features are the colors. I paint on the garden of canvas hoping to create a master piece with my colors. — Ama H. Vanniarachchy

The United States is the wealthiest nation in the history of the world, yet its inhabitants are strikingly unhappy. Accordingly, we present to the rest of mankind, on a planet rife with suffering and tragedy, the spectacle of a clown civilization. Sustained on a clown diet rich in sugar and fat, we have developed a clown physiognomy. We dress like clowns. We move about a landscape filled with cartoon buildings in clownmobiles, absorbed in clownish activities. We fill our idle hours enjoying the canned antics of professional clowns ... Death, when we acknowledge it, is just another pratfall on the boob tube. Bang! You're dead! — James Howard Kunstler

THE SUN HAD just crested on the horizon like a misplaced planet, swollen and molten and red, lighting a landscape that seemed sculpted out of clay and soft stone and marked by the fossilized tracks of animals with no names, when a tall barefoot man wearing little more than rags dropped his horse's reins and eased himself off the horse's back and worked his way down an embankment into a riverbed chained with pools of water that glimmered as brightly as blood in the sunrise. — James Lee Burke

The horror movie will not go away. Look at the change in the Hollywood landscape as a signifier of its durability. At one point it was just one of many styles of films called 'product' that between, say, 1930 and 1970, the movie city ground out like sausages or hula hoops at a rate of four or five a week. — Stephen Hunter

Every year the aspiring photographer brought a stack of his best prints to an old, honored photographer, seeking his judgment. Every year the old man studied the prints and painstakingly ordered them into two piles, bad and good. Every year the old man moved a certain landscape print into the bad stack. At length he turned to the young man: "You submit this same landscape every year, and every year I put it on the bad stack. Why do you like it so much?" The young photographer said, "Because I had to climb a mountain to get it." A — Annie Dillard

When you're writing a book, it's rather like going on a very long walk, across valleys and mountains and things, and you get the first view of what you see and you write it down. Then you walk a bit further, maybe up onto the top of a hill, and you see something else. Then you write that and you go on like that, day after day, getting different views of the same landscape really. The highest mountain on the walk is obviously the end of the book, because it's got to be the best view of all, when everything comes together and you can look back and see that everything you've done all ties up. But it's a very, very long, slow process. — Roald Dahl

She was like a landscape you see from the train, and you want to stop just there. — Graham Greene

I think it was a sense of being completely swallowed up by nature that gave the prairie its powerful attraction.There is nothing like it in all of Europe. Even high up on a Swiss glacier one is still conscious of the toy villages below, the carefully groomed landscape of multicolored fields,the faraway ringing of a church bell. It is all very beautiful, but it does not convey the utmost escape. I believe, with the Indians, that a landscape influences and forms the people living on it and that one cannot understand them and make friends with them without also understanding, and making friends with, the earth from which they came. — Richard Erdoes

And she could be depressed if she wanted to be, she could sit and watch Dogs with Jobs on the National Geographic Channel and eat her way through a packet of chocolate bourbon biscuits if she felt like it because nobody cared about her. In fact, she could sit there all day, from Barney and Friends to Porn Babes Laid Bare, with hours of the Landscape Channel in between, and eat the contents of an entire biscuit factory until she was an obese, earthbound balloon whose dead and bloated body would have to be hydraulically lifted from the house by a fire crew because nobody cared. — Kate Atkinson

The beautifully composed imagery of '12 Years a Slave' underscores the savagery of its subject, which is an American South not of knights and ladies but obscene values and a grotesque pageantry, every gorgeous shot of the languid landscape radiating toxicity like a hyperlush blossom that's poison to the touch. — Steve Erickson

Even on a personal note, my dressing table downstairs is crowded with things, like a mini landscape. It's a city with buildings and towers and roads. There's a pool and a little park. When I move something around it becomes a different tableau. — Tony Curtis

America having changed to benefit them, their accounts suddenly cleared, they reverted to the only actions that still seemed mercenary in this topsy-turvy landscape: They rode the countryside like desperadoes, helping people. — Alden Bell

Over the green squares of the fields and the low curves of a wood there rose in the distance a grey, melancholy hill, with a strange jagged summit, dim and vague in the distance like some fantastic landscape in a dream. Baskerville sat for a long time, his gaze fixed upon it, and I read upon his eager face how much it meant to him, this first sight of that strange spot where the men of his blood had held sway so long and left their mark so deep. — Arthur Conan Doyle

like the big bed it was enclosed in a permanent canopy of heavy netting. Mosquitoes were the least of the creatures this net was intended to exclude; its absence, at any time, night or day, would have been an invitation for snakes and scorpions to make their way between the sheets. In a hut by the pond a woman was even said to have found a large dead fish in her bed. This was a koimachh, or tree perch, a species known to be able to manipulate its spiny fins in such a way as to drag itself overland for short distances. It had found its way into the bed only to suffocate on the mattress. — Amitav Ghosh

Of course I am bland, she thought. You too would be bland if you grew up with one gas pump in front of the house and nothing else except a view that stretched over half the world. Landscape made me bland, bears poking in the garbage can stunted my individuality, as did plagues of horseflies, permafrost, wild-fire, and the sun setting like a bomb. So much sky makes one bewildered - which is the proper way to be. — Anne Enright

One job of the unconscious is to act as a workshop for rough-shaping ideas; crafting notions as new parts or tools become available; storing observations until something relevant appears in the landscape
generally soaking, simmering, and incubating ideas. Gradually, while combing through its inventory, it finds bits and pieces that create a pattern. When it slips knowledge of that pattern to the conscious mind, it's a surprise, like a telegram slid under the door. — Diane Ackerman

Without imagination, things were only as they appeared - and that was blindness. Things were more than they appeared, so much more. When he considered an oak tree, it was not just a tree. To someone small, like an ant, it was a whole landscape of rugged barky cliffs and big green leaf-plains that quaked when the sky was restless, a place of many strange creatures where fearsome winged beasts could pluck and devour someone in a blink. — Jonathan Renshaw

Sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you're limiting yourself at first, but after a while you realize that having a quarter of an inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky. — Nicole Krauss

If writing novels is like planting a forest, then writing short stories is more like planting a garden. The two processes complement each other, creating a complete landscape that I treasure. The green foliage of the trees casts a pleasant shade over the earth, and the wind rustles the leaves, which are sometimes dyed a brilliant gold. Meanwhile, in the garden, buds appear on the flowers, and colorful petals attract bees and butterflies, reminding us of the subtle transition from one season to the next. — Haruki Murakami

Most people who fall obsessively in love claim that it happens precipitously, unexpectedly [ ... ]
But I believe there's almost always a prerequisite. Falling in love in this way will usually occur at a time of transition. We may not be conscious of it, but something has ended and something new must begin. Romantic obsession is like a cataclysm breaking up the empty landscape. Like a strange exotic plant, it grows in arid soil. (pp. 27-28) — Rosemary Sullivan

N. Martinez: Wildfires. That' why it smells so smoky. We had a dry winter, so the brush is like kindling
Eve: Are they different from regular fires?
N. Martinez: They're more unpredictable. They leap from one object to another, so it's hard to guess at their path or limit their destruction. Outside the city, they can roll over the landscape like a wave and hit you before you know it.
Eve: How do you stop them?
N. Martinez: You can't. Once they start, they choose their own path. All you can do is try to contain them until they burn themselves out. They're beautiful to watch, but they can be dangerous. — Michele Jaffe

The campus spreads around him like the verdant pleasure garden of an ancient king. He is enraptured by the enormous trees that lift branches like cathedral roofs overhead, shoot roots like polished ballroom floors underfoot. In the hot afternoons he leaves the crowded rooms to study under the protection of these spreading giants. — Nayomi Munaweera

What I take from writers I like is their economy - the ability to use language to very effective ends. The ability to have somebody read something and see it, or for somebody to paint an entire landscape of visual imagery with just sheets of words - that's magical. — Mos Def

... And that has remained an important mental landscape for me, a reference point. It teaches me something - or tries to. People need things like that to go on living - mental landscapes that have meaning for then, even if they can't explain them in words. Part of why we live is to come up with explanations for these things. That what I think. — Haruki Murakami

My dad was a different person when he lectured: his eyes sparkled, his lips turned upward ... 'Think what it must have been like for Darwin, two hundred years ago. He took that voyage on the Beagle [1831] expecting to document the natural world and he stumbled across something impossible. A creature who could defy the laws of physics
straight out of the pages of mythology ... In that one moment, the entire landscape of scientific investigation was drastically and irrevocably changed. The impossible became a widespread scientific reality, as omnipresent as gravity and in some cases, nearly as hard to see. — Jennifer Lynn Barnes

He gave me a timid smile. "The trouble is," he said, "that nobody paints our times. Nobody paints the age we live in." I murmured something about Benton, and John Steuart Curry. "No," he said, "we'll never find out what the age is like, by peering in a landscape." I — Robert Nathan

You like it, that's all, whether it's a landscape or abstract. You like it. It hits you. You don't have to read it. The work of art-sculpture or painting-forces your eye. — Clement Greenberg