Kyonosuke Morita Quotes & Sayings
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Top Kyonosuke Morita Quotes

Well, capitalism is a big problem, because with capitalism you're just going to keep buying and selling things until there's nothing else to buy and sell, which means gobbling up the planet. — Alice Walker

It's easier to go down a hill than up it but the view is much better at the top. — Henry Ward Beecher

If you want to be a calligrapher, write, and write, and write. — Idries Shah

In death we shall rediscover all the instants of our life and we shall freely combine them as in dreams. — Jorge Luis Borges

Hi, big brother," she said flipping on the light. He groaned again. "Please stop talking so loudly," he grumbled, turning his head to the side. "And make the room stop spinning." "You deserve it." Dafne stood up from the door, scowling. "That was really dumb of you, getting drunk." "Can you please save the lecture for when the room is not spinning," he grated, covering his face with this arm. "Sure, brother. I can wait," she answered soft and sweet, before turning and slamming the door behind her. The house shuddered. Knowing — Kelly Riad

And even sadness was also something for rich people, for people who could afford it, for people who didn't have anything better to do. Sadness was a luxury. — Clarice Lispector

The world was full of dangers now that she was pregnant: mercury in tuna, hot tubs, beer, secondhand smoke, over-the-counter medicine. Not to mention crazy baby-abducting fairy kings. — Jennifer McMahon

What was at all events not permanently hidden from him was a truth much less invidious about his years of darkness. It was the strange scheme of things again: the years of darkness had been needed to render possible the years of light. — Henry James

The capitalist shark breathes oil, but the ocean in which it swims is drying up. — Steve Hallett

But all over-expression, whether by journalists, poets, novelists, or clergymen, is bad for the language, bad for the mind; and by over-expression, I mean the use of words running beyond the sincere feeling of writer or speaker or beyond what the event will sanely carry. From time to time a crusade is preached against it from the text: 'The cat was on the mat.' Some Victorian scribe, we must suppose, once wrote: 'Stretching herself with feline grace and emitting those sounds immemorially connected with satisfaction, Grimalkin lay on a rug whose richly variegated pattern spoke eloquently of the Orient and all the wonders of the Arabian Nights.' And an exasperated reader annotated the margin with the shorter version of the absorbing event. How the late Georgian scribe will express the occurrence we do not yet know. Thus, perhaps: 'What there is of cat is cat is what of cat there lying cat is what on what of mat laying cat.' The reader will probably the margin with 'Some cat! — John Galsworthy