Kurniawan Gunadi Quotes & Sayings

In the past, we'd talked about books and other people, but now we talked only of our respective babies, hers sweet-faced and docile, mine at war with the world. — Jenny Offill

Philosophy is a will to confront human artifice with its outside, with Nature. — Maurice Merleau Ponty

I think that often times Hollywood panders to the cliches of small town life, specifically Southern small town life, and I think that this movie does the opposite. — Josh Lucas

I want to dream a dream so wonderful that I'll wake up sorry that it wasn't a memory. — Robin M. Helm

I don't think most people understand that when I wasn't running for president, I was working. Because I have to earn income. I have three kids in college. And three in school. And I have a little girl that has a lot of special needs. So I've got to work for a living. I was working already. — Rick Santorum

It was so much easier to be angry. Being angry made him feel strong, even though
and this contradiction did nothing to diminish his anger
he was angry only because his position was so weak. — Lev Grossman

People see me in powerful roles. That's what people want to see. That's what I want to do. — Paul Sorvino

Deconstruction seeks neither to reframe art with some perfect, apt and truthful new frame, nor simply to maintain the illusion of some pure and simple absence of a frame. Rather it shows that the frame is, in a sense, also inside the painting. For the frame is what "produces" the object of art, is what sets it off as an object of art - an aesthetic object. Thus the frame is essential to the work of art; in the work of art. Paint a $5,000 abstract painting on a railroad boxcar and nobody will pay a cent for it. Take a torch, remove the panel of the boxcar, install it in a gallery, and it will be worth $5,000. It will be art because it is now framed by the gallery. But at the same moment that the frame encloses the work in its own protected enclosure, making it a work of art, it becomes merely ornamental - external to the work of art. Thus is the frame central or marginal? Is the frame inside the work of art, essential to it, or outside the work of art, extrinsic to it? — James N. Powell

A woman could become a slave to those experienced hands. He touched her with perfect sensuality, drawing acute pleasure from her sore flesh. Leaning most of her weight against the doorjamb, Evie felt her breathing turn slow and deep. Her back softened, lengthened beneath the coaxing manipulation, and it felt so wonderful that she dreaded the moment he would stop. — Lisa Kleypas

You're beautiful." Blake said hello as he'd said goodbye.
"You said that already," Livia mouthed over the banging music.
Blake just shrugged. He flashed Livia a shy smile and held out the pink napkin to her. He'd turned it into a beautiful, perfect rose bud with a single leaf. Livia took the rose from his hand and turned it over carefully. He'd pinched tiny thorns into the paper stem. Livia put it to her nose as if to smell it. She realized he was waiting.
"You're beautiful," Livia mouthed. She would have hugged the rose if it weren't so delicate. She hugged him instead.
With her ear so close, Blake was able to murmur into it. "May I have this dance? — Debra Anastasia

I never ever take into consideration the consequences of my actions until it's too late. — Jo Brand